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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D34E it is the complementary color #C82CB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D34E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D34E shade: #3CD349, #4DE55C, #5EF76F, #6FFF82 and #80FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D34E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D34E shade: #37D34E, #26C13B, #15AF28, #049D15 and #008B02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D34E shade: #36D34D, #49D336, #74D336, #9ED336 and #C8D336

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D34E shade: #36D34D, #36D378, #36D3A2, #36D3CC and #36B0D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D34E shade matches the following richer shades: #36D34D, #22E73F and #0FFB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D34E shade: #36D34D, #4ABF5B, #5EAB69, #729877 and #858485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D34E shade: #75D336, #4BD336, #36D34B, #36D375 and #36D39F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D34E shade: #219632, #28B83D, #36D34D, #58DA6B and #7AE289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D34E shade: #37D34E, #369FD3 and #D33660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D34E shade: #37D34E, #4B36D3 and #D34B36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D34E shade: #37D34E, #369FD3, #D336BE and #D36A36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D34E shade: #37D34E, #3670D3, #D336BE and #D39936

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 63 / 17

HEX #37D34E

RGB 55 211 78

HSL 128.85, 0.64%, 0.52%

LAB 74.79, -65.76, 53.06

 

Complementary color

CMYK 0 / 78 / 12 / 22

HEX #C82CB1

RGB 200 44 177

HSL 308.85, 0.64%, 0.48%

LAB 48.58, 71.83, -35.62

 

CMYK 72 / 0 / 65 / 17

HEX #3CD349

RGB 60 211 73

HSL 125.17, 0.63%, 0.53%

LAB 74.84, -65.5, 55.24

 

CMYK 66 / 0 / 60 / 10

HEX #4DE55C

RGB 77 229 92

HSL 125.92, 0.75%, 0.6%

LAB 80.95, -66.44, 54.13

 

CMYK 62 / 0 / 55 / 3

HEX #5EF76F

RGB 94 247 111

HSL 126.67, 0.91%, 0.67%

LAB 87.02, -67.05, 52.89

 

CMYK 56 / 0 / 49 / 0

HEX #6FFF82

RGB 111 255 130

HSL 127.92, 1%, 0.72%

LAB 90.1, -63.77, 47.98

 

CMYK 50 / 0 / 42 / 0

HEX #80FF95

RGB 128 255 149

HSL 129.92, 1%, 0.75%

LAB 90.91, -56.95, 40.01

 

CMYK 74 / 0 / 63 / 17

HEX #37D34E

RGB 55 211 78

HSL 128.85, 0.64%, 0.52%

LAB 74.79, -65.76, 53.06

 

CMYK 80 / 0 / 69 / 24

HEX #26C13B

RGB 38 193 59

HSL 128.13, 0.67%, 0.45%

LAB 68.66, -64.27, 54.09

 

CMYK 88 / 0 / 77 / 31

HEX #15AF28

RGB 21 175 40

HSL 127.4, 0.79%, 0.38%

LAB 62.48, -62.09, 54.66

 

CMYK 97 / 0 / 87 / 38

HEX #049D15

RGB 4 157 21

HSL 126.67, 0.95%, 0.32%

LAB 56.28, -59.05, 54.3

 

CMYK 100 / 0 / 99 / 45

HEX #008B02

RGB 0 139 2

HSL 120.86, 1%, 0.27%

LAB 50.06, -54.81, 52.6

 

CMYK 74 / 0 / 64 / 17

HEX #36D34D

RGB 54 211 77

HSL 128.79, 0.64%, 0.52%

LAB 74.77, -66.02, 53.45

 

CMYK 65 / 0 / 74 / 17

HEX #49D336

RGB 73 211 54

HSL 112.74, 0.64%, 0.52%

LAB 75, -64.73, 62.63

 

CMYK 45 / 0 / 74 / 17

HEX #74D336

RGB 116 211 54

HSL 96.31, 0.64%, 0.52%

LAB 76.42, -53.57, 64.5

 

CMYK 25 / 0 / 74 / 17

HEX #9ED336

RGB 158 211 54

HSL 80.25, 0.64%, 0.52%

LAB 78.53, -38.94, 67.28

 

CMYK 5 / 0 / 74 / 17

HEX #C8D336

RGB 200 211 54

HSL 64.2, 0.64%, 0.52%

LAB 81.37, -22.12, 70.97

 

CMYK 74 / 0 / 64 / 17

HEX #36D34D

RGB 54 211 77

HSL 128.79, 0.64%, 0.52%

LAB 74.77, -66.02, 53.45

 

CMYK 74 / 0 / 43 / 17

HEX #36D378

RGB 54 211 120

HSL 145.22, 0.64%, 0.52%

LAB 75.28, -59.95, 33.8

 

CMYK 74 / 0 / 23 / 17

HEX #36D3A2

RGB 54 211 162

HSL 161.27, 0.64%, 0.52%

LAB 76.06, -51.38, 12.93

 

CMYK 74 / 0 / 3 / 17

HEX #36D3CC

RGB 54 211 204

HSL 177.32, 0.64%, 0.52%

LAB 77.12, -40.58, -8.05

 

CMYK 74 / 17 / 0 / 17

HEX #36B0D3

RGB 54 176 211

HSL 193.38, 0.64%, 0.52%

LAB 66.93, -21.6, -27.27

 

CMYK 74 / 0 / 64 / 17

HEX #36D34D

RGB 54 211 77

HSL 128.79, 0.64%, 0.52%

LAB 74.77, -66.02, 53.45

 

CMYK 85 / 0 / 73 / 9

HEX #22E73F

RGB 34 231 63

HSL 128.83, 0.8%, 0.52%

LAB 80.66, -75.69, 65.03

 

CMYK 94 / 0 / 80 / 2

HEX #0FFB31

RGB 15 251 49

HSL 128.64, 0.97%, 0.52%

LAB 86.66, -83.28, 75.04

 

CMYK 74 / 0 / 64 / 17

HEX #36D34D

RGB 54 211 77

HSL 128.79, 0.64%, 0.52%

LAB 74.77, -66.02, 53.45

 

CMYK 61 / 0 / 52 / 25

HEX #4ABF5B

RGB 74 191 91

HSL 128.72, 0.48%, 0.52%

LAB 69.09, -53.66, 40.55

 

CMYK 45 / 0 / 39 / 33

HEX #5EAB69

RGB 94 171 105

HSL 128.57, 0.31%, 0.52%

LAB 63.77, -38.13, 26.77

 

CMYK 25 / 0 / 22 / 40

HEX #729877

RGB 114 152 119

HSL 127.89, 0.16%, 0.52%

LAB 59.31, -19.98, 13.2

 

CMYK 0 / 1 / 0 / 48

HEX #858485

RGB 133 132 133

HSL 300, 0%, 0.52%

LAB 55.26, 0.57, -0.41

 

CMYK 45 / 0 / 74 / 17

HEX #75D336

RGB 117 211 54

HSL 95.92, 0.64%, 0.52%

LAB 76.46, -53.26, 64.56

 

CMYK 64 / 0 / 74 / 17

HEX #4BD336

RGB 75 211 54

HSL 111.97, 0.64%, 0.52%

LAB 75.05, -64.32, 62.69

 

CMYK 74 / 0 / 64 / 17

HEX #36D34B

RGB 54 211 75

HSL 128.03, 0.64%, 0.52%

LAB 74.75, -66.23, 54.28

 

CMYK 74 / 0 / 45 / 17

HEX #36D375

RGB 54 211 117

HSL 144.08, 0.64%, 0.52%

LAB 75.24, -60.47, 35.26

 

CMYK 74 / 0 / 25 / 17

HEX #36D39F

RGB 54 211 159

HSL 160.13, 0.64%, 0.52%

LAB 75.99, -52.08, 14.43

 

CMYK 78 / 0 / 67 / 41

HEX #219632

RGB 33 150 50

HSL 128.72, 0.64%, 0.36%

LAB 54.41, -51.91, 42.46

 

CMYK 78 / 0 / 67 / 28

HEX #28B83D

RGB 40 184 61

HSL 128.75, 0.64%, 0.44%

LAB 65.8, -60.97, 50.24

 

CMYK 74 / 0 / 64 / 17

HEX #36D34D

RGB 54 211 77

HSL 128.79, 0.64%, 0.52%

LAB 74.77, -66.02, 53.45

 

CMYK 60 / 0 / 51 / 15

HEX #58DA6B

RGB 88 218 107

HSL 128.77, 0.64%, 0.6%

LAB 78.04, -58.42, 43.86

 

CMYK 46 / 0 / 39 / 11

HEX #7AE289

RGB 122 226 137

HSL 128.65, 0.64%, 0.68%

LAB 82.02, -48.63, 34.36

 

CMYK 74 / 0 / 63 / 17

HEX #37D34E

RGB 55 211 78

HSL 128.85, 0.64%, 0.52%

LAB 74.79, -65.76, 53.06

 

CMYK 74 / 25 / 0 / 17

HEX #369FD3

RGB 54 159 211

HSL 199.87, 0.64%, 0.52%

LAB 61.9, -12.54, -35.06

 

CMYK 0 / 74 / 55 / 17

HEX #D33660

RGB 211 54 96

HSL 343.95, 0.64%, 0.52%

LAB 48.68, 62.77, 13.5

 

CMYK 74 / 0 / 63 / 17

HEX #37D34E

RGB 55 211 78

HSL 128.85, 0.64%, 0.52%

LAB 74.79, -65.76, 53.06

 

CMYK 64 / 74 / 0 / 17

HEX #4B36D3

RGB 75 54 211

HSL 248.03, 0.64%, 0.52%

LAB 35.67, 53.24, -77.12

 

CMYK 0 / 64 / 74 / 17

HEX #D34B36

RGB 211 75 54

HSL 8.03, 0.64%, 0.52%

LAB 50.86, 52.42, 40.89

 

CMYK 74 / 0 / 63 / 17

HEX #37D34E

RGB 55 211 78

HSL 128.85, 0.64%, 0.52%

LAB 74.79, -65.76, 53.06

 

CMYK 74 / 25 / 0 / 17

HEX #369FD3

RGB 54 159 211

HSL 199.87, 0.64%, 0.52%

LAB 61.9, -12.54, -35.06

 

CMYK 0 / 74 / 10 / 17

HEX #D336BE

RGB 211 54 190

HSL 308.03, 0.64%, 0.52%

LAB 52.07, 73.25, -37.6

 

CMYK 0 / 50 / 74 / 17

HEX #D36A36

RGB 211 106 54

HSL 19.87, 0.64%, 0.52%

LAB 56.51, 37.76, 46.92

 

CMYK 74 / 0 / 63 / 17

HEX #37D34E

RGB 55 211 78

HSL 128.85, 0.64%, 0.52%

LAB 74.79, -65.76, 53.06

 

CMYK 74 / 47 / 0 / 17

HEX #3670D3

RGB 54 112 211

HSL 217.83, 0.64%, 0.52%

LAB 48.36, 15.34, -56.51

 

CMYK 0 / 74 / 10 / 17

HEX #D336BE

RGB 211 54 190

HSL 308.03, 0.64%, 0.52%

LAB 52.07, 73.25, -37.6

 

CMYK 0 / 27 / 74 / 17

HEX #D39936

RGB 211 153 54

HSL 37.83, 0.64%, 0.52%

LAB 67.2, 12.67, 57.77

 

Description

Color code: HEX #37D34E | qconv.com Color code: HEX #37D34E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 211 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 211 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 63 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 63% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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