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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D328 it is the complementary color #C82CD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D328 shade: #3CD323, #4DE536, #5EF749, #6FFF5C and #80FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D328 shade: #37D328, #26C115, #15AF02, #049D00 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D328 shade: #37D228, #65D228, #93D228, #C0D228 and #D2B628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D328 shade: #37D228, #28D247, #28D275, #28D2A3 and #28D2D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D328 shade matches the following richer shades: #37D228 and #26E614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D328 shade: #37D228, #48BE3C, #58A950, #699565 and #7A8179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D328 shade: #94D228, #66D228, #39D228, #28D244 and #28D272

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D328 shade: #258D1B, #2EAF21, #37D228, #54DC47 and #74E36A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D328 shade: #37D328, #28C1D2 and #D2287D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D328 shade: #37D328, #2839D2 and #D22839

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D328 shade: #37D328, #28C1D2, #C128D2 and #D23928

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D328 shade: #37D328, #288ED2, #C128D2 and #D26C28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 81 / 17

HEX #37D328

RGB 55 211 40

HSL 114.74, 0.68%, 0.49%

LAB 74.54, -68.83, 66.31

 

Complementary color

CMYK 7 / 80 / 0 / 16

HEX #C82CD7

RGB 200 44 215

HSL 294.74, 0.68%, 0.51%

LAB 50.67, 77.66, -54.31

 

CMYK 72 / 0 / 83 / 17

HEX #3CD323

RGB 60 211 35

HSL 111.48, 0.72%, 0.48%

LAB 74.62, -68.27, 67.69

 

CMYK 66 / 0 / 76 / 10

HEX #4DE536

RGB 77 229 54

HSL 112.11, 0.77%, 0.55%

LAB 80.67, -69.78, 68.22

 

CMYK 62 / 0 / 70 / 3

HEX #5EF749

RGB 94 247 73

HSL 112.76, 0.92%, 0.63%

LAB 86.69, -70.84, 68.04

 

CMYK 56 / 0 / 64 / 0

HEX #6FFF5C

RGB 111 255 92

HSL 113.01, 1%, 0.68%

LAB 89.71, -68.12, 64.19

 

CMYK 50 / 0 / 56 / 0

HEX #80FF6F

RGB 128 255 111

HSL 112.92, 1%, 0.72%

LAB 90.44, -61.92, 57.18

 

CMYK 74 / 0 / 81 / 17

HEX #37D328

RGB 55 211 40

HSL 114.74, 0.68%, 0.49%

LAB 74.54, -68.83, 66.31

 

CMYK 80 / 0 / 89 / 24

HEX #26C115

RGB 38 193 21

HSL 114.07, 0.8%, 0.42%

LAB 68.46, -66.66, 65.1

 

CMYK 88 / 0 / 99 / 31

HEX #15AF02

RGB 21 175 2

HSL 113.41, 0.98%, 0.35%

LAB 62.36, -63.7, 62.62

 

CMYK 97 / 0 / 100 / 38

HEX #049D00

RGB 4 157 0

HSL 118.47, 1%, 0.31%

LAB 56.23, -59.75, 57.93

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 74 / 0 / 81 / 18

HEX #37D228

RGB 55 210 40

HSL 114.71, 0.68%, 0.49%

LAB 74.23, -68.53, 66.02

 

CMYK 52 / 0 / 81 / 18

HEX #65D228

RGB 101 210 40

HSL 98.47, 0.68%, 0.49%

LAB 75.46, -58.4, 67.6

 

CMYK 30 / 0 / 81 / 18

HEX #93D228

RGB 147 210 40

HSL 82.24, 0.68%, 0.49%

LAB 77.55, -43.27, 70.27

 

CMYK 9 / 0 / 81 / 18

HEX #C0D228

RGB 192 210 40

HSL 66.35, 0.68%, 0.49%

LAB 80.43, -25.48, 73.92

 

CMYK 0 / 13 / 81 / 18

HEX #D2B628

RGB 210 182 40

HSL 50.12, 0.68%, 0.49%

LAB 74.39, -3.73, 69.25

 

CMYK 74 / 0 / 81 / 18

HEX #37D228

RGB 55 210 40

HSL 114.71, 0.68%, 0.49%

LAB 74.23, -68.53, 66.02

 

CMYK 81 / 0 / 66 / 18

HEX #28D247

RGB 40 210 71

HSL 130.94, 0.68%, 0.49%

LAB 74.19, -68.14, 55.25

 

CMYK 81 / 0 / 44 / 18

HEX #28D275

RGB 40 210 117

HSL 147.18, 0.68%, 0.49%

LAB 74.72, -61.8, 34.54

 

CMYK 81 / 0 / 22 / 18

HEX #28D2A3

RGB 40 210 163

HSL 163.41, 0.68%, 0.49%

LAB 75.57, -52.26, 11.67

 

CMYK 81 / 0 / 1 / 18

HEX #28D2D0

RGB 40 210 208

HSL 179.29, 0.68%, 0.49%

LAB 76.74, -40.31, -10.79

 

CMYK 74 / 0 / 81 / 18

HEX #37D228

RGB 55 210 40

HSL 114.71, 0.68%, 0.49%

LAB 74.23, -68.53, 66.02

 

CMYK 83 / 0 / 91 / 10

HEX #26E614

RGB 38 230 20

HSL 114.86, 0.84%, 0.49%

LAB 80.21, -77.24, 75.24

 

CMYK 74 / 0 / 81 / 18

HEX #37D228

RGB 55 210 40

HSL 114.71, 0.68%, 0.49%

LAB 74.23, -68.53, 66.02

 

CMYK 62 / 0 / 68 / 25

HEX #48BE3C

RGB 72 190 60

HSL 114.46, 0.52%, 0.49%

LAB 68.41, -57.3, 53.65

 

CMYK 48 / 0 / 53 / 34

HEX #58A950

RGB 88 169 80

HSL 114.61, 0.36%, 0.49%

LAB 62.53, -42.8, 38.09

 

CMYK 30 / 0 / 32 / 42

HEX #699565

RGB 105 149 101

HSL 115, 0.19%, 0.49%

LAB 57.5, -24.85, 20.69

 

CMYK 5 / 0 / 6 / 49

HEX #7A8179

RGB 122 129 121

HSL 112.5, 0.03%, 0.49%

LAB 53.19, -4.2, 3.43

 

CMYK 30 / 0 / 81 / 18

HEX #94D228

RGB 148 210 40

HSL 81.88, 0.68%, 0.49%

LAB 77.6, -42.9, 70.34

 

CMYK 51 / 0 / 81 / 18

HEX #66D228

RGB 102 210 40

HSL 98.12, 0.68%, 0.49%

LAB 75.5, -58.12, 67.65

 

CMYK 73 / 0 / 81 / 18

HEX #39D228

RGB 57 210 40

HSL 114, 0.68%, 0.49%

LAB 74.26, -68.21, 66.07

 

CMYK 81 / 0 / 68 / 18

HEX #28D244

RGB 40 210 68

HSL 129.88, 0.68%, 0.49%

LAB 74.17, -68.43, 56.43

 

CMYK 81 / 0 / 46 / 18

HEX #28D272

RGB 40 210 114

HSL 146.12, 0.68%, 0.49%

LAB 74.67, -62.31, 36

 

CMYK 74 / 0 / 81 / 45

HEX #258D1B

RGB 37 141 27

HSL 114.74, 0.68%, 0.33%

LAB 51.29, -50.25, 48.17

 

CMYK 74 / 0 / 81 / 31

HEX #2EAF21

RGB 46 175 33

HSL 114.51, 0.68%, 0.41%

LAB 62.8, -59.45, 57.27

 

CMYK 74 / 0 / 81 / 18

HEX #37D228

RGB 55 210 40

HSL 114.71, 0.68%, 0.49%

LAB 74.23, -68.53, 66.02

 

CMYK 62 / 0 / 68 / 14

HEX #54DC47

RGB 84 220 71

HSL 114.77, 0.68%, 0.57%

LAB 78.18, -64.08, 59.81

 

CMYK 49 / 0 / 53 / 11

HEX #74E36A

RGB 116 227 106

HSL 115.04, 0.68%, 0.65%

LAB 81.67, -55.01, 48.95

 

CMYK 74 / 0 / 81 / 17

HEX #37D328

RGB 55 211 40

HSL 114.74, 0.68%, 0.49%

LAB 74.54, -68.83, 66.31

 

CMYK 81 / 8 / 0 / 18

HEX #28C1D2

RGB 40 193 210

HSL 186, 0.68%, 0.49%

LAB 71.72, -31.81, -19.42

 

CMYK 0 / 81 / 40 / 18

HEX #D2287D

RGB 210 40 125

HSL 330, 0.68%, 0.49%

LAB 47.88, 68.97, -5.4

 

CMYK 74 / 0 / 81 / 17

HEX #37D328

RGB 55 211 40

HSL 114.74, 0.68%, 0.49%

LAB 74.54, -68.83, 66.31

 

CMYK 81 / 73 / 0 / 18

HEX #2839D2

RGB 40 57 210

HSL 234, 0.68%, 0.49%

LAB 34.05, 48.16, -79.29

 

CMYK 0 / 81 / 73 / 18

HEX #D22839

RGB 210 40 57

HSL 354, 0.68%, 0.49%

LAB 46.33, 64.32, 34.05

 

CMYK 74 / 0 / 81 / 17

HEX #37D328

RGB 55 211 40

HSL 114.74, 0.68%, 0.49%

LAB 74.54, -68.83, 66.31

 

CMYK 81 / 8 / 0 / 18

HEX #28C1D2

RGB 40 193 210

HSL 186, 0.68%, 0.49%

LAB 71.72, -31.81, -19.42

 

CMYK 8 / 81 / 0 / 18

HEX #C128D2

RGB 193 40 210

HSL 294, 0.68%, 0.49%

LAB 48.89, 76.55, -54.36

 

CMYK 0 / 73 / 81 / 18

HEX #D23928

RGB 210 57 40

HSL 6, 0.68%, 0.49%

LAB 47.98, 58.58, 45.25

 

CMYK 74 / 0 / 81 / 17

HEX #37D328

RGB 55 211 40

HSL 114.74, 0.68%, 0.49%

LAB 74.54, -68.83, 66.31

 

CMYK 81 / 32 / 0 / 18

HEX #288ED2

RGB 40 142 210

HSL 204, 0.68%, 0.49%

LAB 56.54, -4.82, -42.93

 

CMYK 8 / 81 / 0 / 18

HEX #C128D2

RGB 193 40 210

HSL 294, 0.68%, 0.49%

LAB 48.89, 76.55, -54.36

 

CMYK 0 / 49 / 81 / 18

HEX #D26C28

RGB 210 108 40

HSL 24, 0.68%, 0.49%

LAB 56.66, 35.8, 53.43

 

Description

Color code: HEX #37D328 | qconv.com Color code: HEX #37D328 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 211 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 211 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 81 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 81% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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