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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37D00A it is the complementary color #C82FF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37D00A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37D00A shade: #3CD005, #4DE218, #5EF42B, #6FFF3E and #80FF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37D00A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37D00A shade: #37D00A, #26BE00, #15AC00, #049A00 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37D00A shade: #37D10A, #6DD10A, #A3D10A, #D1CA0A and #D1940A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37D00A shade: #37D10A, #0AD112, #0AD148, #0AD17E and #0AD1B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37D00A shade matches the following richer shades: #37D10A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37D00A shade: #37D10A, #41C01C, #4BAE2D, #549C3F and #5E8A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37D00A shade: #A3D10A, #6ED10A, #38D10A, #0AD111 and #0AD146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37D00A shade: #228306, #2DAA08, #37D10A, #44F411 and #63F638

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37D00A shade: #37D00A, #0AD1CB and #D10A88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37D00A shade: #37D00A, #0A38D1 and #D10A38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37D00A shade: #37D00A, #0AD1CB, #A30AD1 and #D10A11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37D00A shade: #37D00A, #0A9CD1, #A30AD1 and #D13F0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 95 / 18

HEX #37D00A

RGB 55 208 10

HSL 106.36, 0.91%, 0.43%

LAB 73.51, -68.98, 70.98

 

Complementary color

CMYK 18 / 81 / 0 / 4

HEX #C82FF5

RGB 200 47 245

HSL 286.36, 0.91%, 0.57%

LAB 52.85, 82.02, -67.77

 

CMYK 71 / 0 / 98 / 18

HEX #3CD005

RGB 60 208 5

HSL 103.74, 0.95%, 0.42%

LAB 73.6, -68.23, 71.6

 

CMYK 66 / 0 / 89 / 11

HEX #4DE218

RGB 77 226 24

HSL 104.26, 0.81%, 0.49%

LAB 79.63, -70.2, 74.42

 

CMYK 61 / 0 / 82 / 4

HEX #5EF42B

RGB 94 244 43

HSL 104.78, 0.9%, 0.56%

LAB 85.63, -71.67, 76.01

 

CMYK 56 / 0 / 76 / 0

HEX #6FFF3E

RGB 111 255 62

HSL 104.77, 1%, 0.62%

LAB 89.51, -70.39, 74.63

 

CMYK 50 / 0 / 68 / 0

HEX #80FF51

RGB 128 255 81

HSL 103.79, 1%, 0.66%

LAB 90.18, -64.71, 69.09

 

CMYK 74 / 0 / 95 / 18

HEX #37D00A

RGB 55 208 10

HSL 106.36, 0.91%, 0.43%

LAB 73.51, -68.98, 70.98

 

CMYK 80 / 0 / 100 / 25

HEX #26BE00

RGB 38 190 0

HSL 108, 1%, 0.37%

LAB 67.46, -66.28, 67.05

 

CMYK 88 / 0 / 100 / 33

HEX #15AC00

RGB 21 172 0

HSL 112.67, 1%, 0.34%

LAB 61.36, -62.89, 62.09

 

CMYK 97 / 0 / 100 / 40

HEX #049A00

RGB 4 154 0

HSL 118.44, 1%, 0.3%

LAB 55.21, -58.9, 57.11

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 74 / 0 / 95 / 18

HEX #37D10A

RGB 55 209 10

HSL 106.43, 0.91%, 0.43%

LAB 73.83, -69.28, 71.24

 

CMYK 48 / 0 / 95 / 18

HEX #6DD10A

RGB 109 209 10

HSL 90.15, 0.91%, 0.43%

LAB 75.37, -56.62, 73.14

 

CMYK 22 / 0 / 95 / 18

HEX #A3D10A

RGB 163 209 10

HSL 73.87, 0.91%, 0.43%

LAB 78.12, -37.46, 76.47

 

CMYK 0 / 3 / 95 / 18

HEX #D1CA0A

RGB 209 202 10

HSL 57.89, 0.91%, 0.43%

LAB 79.51, -14.98, 79

 

CMYK 0 / 29 / 95 / 18

HEX #D1940A

RGB 209 148 10

HSL 41.61, 0.91%, 0.43%

LAB 65.56, 13.33, 68.77

 

CMYK 74 / 0 / 95 / 18

HEX #37D10A

RGB 55 209 10

HSL 106.43, 0.91%, 0.43%

LAB 73.83, -69.28, 71.24

 

CMYK 95 / 0 / 91 / 18

HEX #0AD112

RGB 10 209 18

HSL 122.41, 0.91%, 0.43%

LAB 73.36, -73.42, 69.67

 

CMYK 95 / 0 / 66 / 18

HEX #0AD148

RGB 10 209 72

HSL 138.69, 0.91%, 0.43%

LAB 73.63, -69.9, 54.16

 

CMYK 95 / 0 / 40 / 18

HEX #0AD17E

RGB 10 209 126

HSL 154.97, 0.91%, 0.43%

LAB 74.3, -61.79, 29.36

 

CMYK 95 / 0 / 14 / 18

HEX #0AD1B4

RGB 10 209 180

HSL 171.26, 0.91%, 0.43%

LAB 75.43, -49.3, 2.32

 

CMYK 74 / 0 / 95 / 18

HEX #37D10A

RGB 55 209 10

HSL 106.43, 0.91%, 0.43%

LAB 73.83, -69.28, 71.24

 

CMYK 74 / 0 / 95 / 18

HEX #37D10A

RGB 55 209 10

HSL 106.43, 0.91%, 0.43%

LAB 73.83, -69.28, 71.24

 

CMYK 66 / 0 / 85 / 25

HEX #41C01C

RGB 65 192 28

HSL 106.46, 0.75%, 0.43%

LAB 68.68, -61.6, 64.06

 

CMYK 57 / 0 / 74 / 32

HEX #4BAE2D

RGB 75 174 45

HSL 106.05, 0.59%, 0.43%

LAB 63.31, -52.02, 54.12

 

CMYK 46 / 0 / 60 / 39

HEX #549C3F

RGB 84 156 63

HSL 106.45, 0.42%, 0.43%

LAB 58.06, -40.61, 41.02

 

CMYK 32 / 0 / 41 / 46

HEX #5E8A51

RGB 94 138 81

HSL 106.32, 0.26%, 0.43%

LAB 53.11, -26.57, 25.83

 

CMYK 22 / 0 / 95 / 18

HEX #A3D10A

RGB 163 209 10

HSL 73.87, 0.91%, 0.43%

LAB 78.12, -37.46, 76.47

 

CMYK 47 / 0 / 95 / 18

HEX #6ED10A

RGB 110 209 10

HSL 89.85, 0.91%, 0.43%

LAB 75.41, -56.31, 73.18

 

CMYK 73 / 0 / 95 / 18

HEX #38D10A

RGB 56 209 10

HSL 106.13, 0.91%, 0.43%

LAB 73.85, -69.12, 71.26

 

CMYK 95 / 0 / 92 / 18

HEX #0AD111

RGB 10 209 17

HSL 122.11, 0.91%, 0.43%

LAB 73.35, -73.45, 69.81

 

CMYK 95 / 0 / 67 / 18

HEX #0AD146

RGB 10 209 70

HSL 138.09, 0.91%, 0.43%

LAB 73.62, -70.11, 54.96

 

CMYK 74 / 0 / 95 / 49

HEX #228306

RGB 34 131 6

HSL 106.56, 0.91%, 0.27%

LAB 47.73, -48.44, 50.09

 

CMYK 74 / 0 / 95 / 33

HEX #2DAA08

RGB 45 170 8

HSL 106.3, 0.91%, 0.35%

LAB 61.07, -59.01, 60.91

 

CMYK 74 / 0 / 95 / 18

HEX #37D10A

RGB 55 209 10

HSL 106.43, 0.91%, 0.43%

LAB 73.83, -69.28, 71.24

 

CMYK 72 / 0 / 93 / 4

HEX #44F411

RGB 68 244 17

HSL 106.52, 0.91%, 0.51%

LAB 84.98, -77.44, 79.77

 

CMYK 60 / 0 / 77 / 4

HEX #63F638

RGB 99 246 56

HSL 106.42, 0.91%, 0.59%

LAB 86.43, -70.55, 73.34

 

CMYK 74 / 0 / 95 / 18

HEX #37D00A

RGB 55 208 10

HSL 106.36, 0.91%, 0.43%

LAB 73.51, -68.98, 70.98

 

CMYK 95 / 0 / 3 / 18

HEX #0AD1CB

RGB 10 209 203

HSL 178.19, 0.91%, 0.43%

LAB 76.06, -42.88, -9.14

 

CMYK 0 / 95 / 35 / 18

HEX #D10A88

RGB 209 10 136

HSL 322.01, 0.91%, 0.43%

LAB 46.38, 74.73, -14.37

 

CMYK 74 / 0 / 95 / 18

HEX #37D00A

RGB 55 208 10

HSL 106.36, 0.91%, 0.43%

LAB 73.51, -68.98, 70.98

 

CMYK 95 / 73 / 0 / 18

HEX #0A38D1

RGB 10 56 209

HSL 226.13, 0.91%, 0.43%

LAB 32.91, 47.11, -80.62

 

CMYK 0 / 95 / 73 / 18

HEX #D10A38

RGB 209 10 56

HSL 346.13, 0.91%, 0.43%

LAB 44.32, 69.18, 32.25

 

CMYK 74 / 0 / 95 / 18

HEX #37D00A

RGB 55 208 10

HSL 106.36, 0.91%, 0.43%

LAB 73.51, -68.98, 70.98

 

CMYK 95 / 0 / 3 / 18

HEX #0AD1CB

RGB 10 209 203

HSL 178.19, 0.91%, 0.43%

LAB 76.06, -42.88, -9.14

 

CMYK 22 / 95 / 0 / 18

HEX #A30AD1

RGB 163 10 209

HSL 286.13, 0.91%, 0.43%

LAB 42.17, 76.84, -64.9

 

CMYK 0 / 95 / 92 / 18

HEX #D10A11

RGB 209 10 17

HSL 357.89, 0.91%, 0.43%

LAB 43.96, 68.2, 52.44

 

CMYK 74 / 0 / 95 / 18

HEX #37D00A

RGB 55 208 10

HSL 106.36, 0.91%, 0.43%

LAB 73.51, -68.98, 70.98

 

CMYK 95 / 25 / 0 / 18

HEX #0A9CD1

RGB 10 156 209

HSL 195.98, 0.91%, 0.43%

LAB 60.29, -14.91, -36.5

 

CMYK 22 / 95 / 0 / 18

HEX #A30AD1

RGB 163 10 209

HSL 286.13, 0.91%, 0.43%

LAB 42.17, 76.84, -64.9

 

CMYK 0 / 70 / 95 / 18

HEX #D13F0A

RGB 209 63 10

HSL 15.98, 0.91%, 0.43%

LAB 48.43, 55.49, 57.35

 

Description

Color code: HEX #37D00A | qconv.com Color code: HEX #37D00A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 208 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 208 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 95 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 95% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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