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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37C740 it is the complementary color #C838BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37C740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37C740 shade: #3CC73B, #4DD94E, #5EEB61, #6FFD74 and #80FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37C740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37C740 shade: #37C740, #26B52D, #15A31A, #049107 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37C740 shade: #37C840, #55C837, #7CC837, #A3C837 and #C8C637

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37C740 shade: #37C840, #37C867, #37C88E, #37C8B5 and #37B4C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37C740 shade matches the following richer shades: #37C840, #22DD2E and #0EF11C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37C740 shade: #37C840, #4BB452, #609F64, #758A76 and #897688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37C740 shade: #7DC837, #56C837, #37C83E, #37C865 and #37C88C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37C740 shade: #25872B, #2EA836, #37C840, #57D15F and #78DA7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37C740 shade: #37C740, #37A4C8 and #C8376A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37C740 shade: #37C740, #3E37C8 and #C83E37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37C740 shade: #37C740, #37A4C8, #C837C1 and #C85B37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37C740 shade: #37C740, #3778C8, #C837C1 and #C88737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 68 / 22

HEX #37C740

RGB 55 199 64

HSL 123.75, 0.57%, 0.5%

LAB 70.89, -63.29, 54.58

 

Complementary color

CMYK 0 / 72 / 5 / 22

HEX #C838BF

RGB 200 56 191

HSL 303.75, 0.57%, 0.5%

LAB 50.53, 70.36, -40.72

 

CMYK 70 / 0 / 70 / 22

HEX #3CC73B

RGB 60 199 59

HSL 119.57, 0.56%, 0.51%

LAB 70.96, -62.89, 56.63

 

CMYK 65 / 0 / 64 / 15

HEX #4DD94E

RGB 77 217 78

HSL 120.43, 0.65%, 0.58%

LAB 77.13, -63.87, 55.8

 

CMYK 60 / 0 / 59 / 8

HEX #5EEB61

RGB 94 235 97

HSL 121.28, 0.78%, 0.65%

LAB 83.26, -64.49, 54.71

 

CMYK 56 / 0 / 54 / 1

HEX #6FFD74

RGB 111 253 116

HSL 122.11, 0.97%, 0.71%

LAB 89.34, -64.84, 53.52

 

CMYK 50 / 0 / 47 / 0

HEX #80FF87

RGB 128 255 135

HSL 123.31, 1%, 0.75%

LAB 90.72, -58.97, 46.51

 

CMYK 72 / 0 / 68 / 22

HEX #37C740

RGB 55 199 64

HSL 123.75, 0.57%, 0.5%

LAB 70.89, -63.29, 54.58

 

CMYK 79 / 0 / 75 / 29

HEX #26B52D

RGB 38 181 45

HSL 122.94, 0.65%, 0.43%

LAB 64.68, -61.72, 55.2

 

CMYK 87 / 0 / 84 / 36

HEX #15A31A

RGB 21 163 26

HSL 122.11, 0.77%, 0.36%

LAB 58.44, -59.39, 55.04

 

CMYK 97 / 0 / 95 / 43

HEX #049107

RGB 4 145 7

HSL 121.28, 0.95%, 0.29%

LAB 52.17, -56.1, 53.46

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 73 / 0 / 68 / 22

HEX #37C840

RGB 55 200 64

HSL 123.72, 0.57%, 0.5%

LAB 71.21, -63.62, 54.92

 

CMYK 58 / 0 / 73 / 22

HEX #55C837

RGB 85 200 55

HSL 107.59, 0.57%, 0.5%

LAB 71.9, -58.15, 59.29

 

CMYK 38 / 0 / 73 / 22

HEX #7CC837

RGB 124 200 55

HSL 91.45, 0.57%, 0.5%

LAB 73.46, -46.48, 61.36

 

CMYK 19 / 0 / 73 / 22

HEX #A3C837

RGB 163 200 55

HSL 75.31, 0.57%, 0.5%

LAB 75.68, -31.92, 64.3

 

CMYK 0 / 1 / 73 / 22

HEX #C8C637

RGB 200 198 55

HSL 59.17, 0.57%, 0.5%

LAB 77.84, -15.65, 67.32

 

CMYK 73 / 0 / 68 / 22

HEX #37C840

RGB 55 200 64

HSL 123.72, 0.57%, 0.5%

LAB 71.21, -63.62, 54.92

 

CMYK 73 / 0 / 49 / 22

HEX #37C867

RGB 55 200 103

HSL 139.86, 0.57%, 0.5%

LAB 71.62, -58.71, 37.67

 

CMYK 73 / 0 / 29 / 22

HEX #37C88E

RGB 55 200 142

HSL 156, 0.57%, 0.5%

LAB 72.28, -51.37, 18.31

 

CMYK 73 / 0 / 10 / 22

HEX #37C8B5

RGB 55 200 181

HSL 172.14, 0.57%, 0.5%

LAB 73.19, -41.87, -1.42

 

CMYK 73 / 10 / 0 / 22

HEX #37B4C8

RGB 55 180 200

HSL 188.28, 0.57%, 0.5%

LAB 67.74, -27, -19.96

 

CMYK 73 / 0 / 68 / 22

HEX #37C840

RGB 55 200 64

HSL 123.72, 0.57%, 0.5%

LAB 71.21, -63.62, 54.92

 

CMYK 85 / 0 / 79 / 13

HEX #22DD2E

RGB 34 221 46

HSL 123.85, 0.73%, 0.5%

LAB 77.43, -73.99, 67.25

 

CMYK 94 / 0 / 88 / 5

HEX #0EF11C

RGB 14 241 28

HSL 123.7, 0.89%, 0.5%

LAB 83.49, -81.55, 76.73

 

CMYK 73 / 0 / 68 / 22

HEX #37C840

RGB 55 200 64

HSL 123.72, 0.57%, 0.5%

LAB 71.21, -63.62, 54.92

 

CMYK 58 / 0 / 54 / 29

HEX #4BB452

RGB 75 180 82

HSL 124, 0.41%, 0.5%

LAB 65.55, -50.47, 40.64

 

CMYK 40 / 0 / 37 / 38

HEX #609F64

RGB 96 159 100

HSL 123.81, 0.25%, 0.5%

LAB 60.07, -32.89, 24.59

 

CMYK 15 / 0 / 14 / 46

HEX #758A76

RGB 117 138 118

HSL 122.86, 0.08%, 0.5%

LAB 55.35, -11.65, 8.21

 

CMYK 0 / 14 / 1 / 46

HEX #897688

RGB 137 118 136

HSL 303.16, 0.07%, 0.5%

LAB 51.9, 10.75, -7.09

 

CMYK 38 / 0 / 73 / 22

HEX #7DC837

RGB 125 200 55

HSL 91.03, 0.57%, 0.5%

LAB 73.51, -46.14, 61.43

 

CMYK 57 / 0 / 73 / 22

HEX #56C837

RGB 86 200 55

HSL 107.17, 0.57%, 0.5%

LAB 71.94, -57.9, 59.33

 

CMYK 73 / 0 / 69 / 22

HEX #37C83E

RGB 55 200 62

HSL 122.9, 0.57%, 0.5%

LAB 71.19, -63.81, 55.69

 

CMYK 73 / 0 / 50 / 22

HEX #37C865

RGB 55 200 101

HSL 139.03, 0.57%, 0.5%

LAB 71.6, -59.02, 38.63

 

CMYK 73 / 0 / 30 / 22

HEX #37C88C

RGB 55 200 140

HSL 155.17, 0.57%, 0.5%

LAB 72.24, -51.8, 19.32

 

CMYK 73 / 0 / 68 / 47

HEX #25872B

RGB 37 135 43

HSL 123.67, 0.57%, 0.34%

LAB 49.37, -46.8, 40.05

 

CMYK 73 / 0 / 68 / 34

HEX #2EA836

RGB 46 168 54

HSL 123.93, 0.57%, 0.42%

LAB 60.65, -55.5, 47.61

 

CMYK 73 / 0 / 68 / 22

HEX #37C840

RGB 55 200 64

HSL 123.72, 0.57%, 0.5%

LAB 71.21, -63.62, 54.92

 

CMYK 58 / 0 / 55 / 18

HEX #57D15F

RGB 87 209 95

HSL 123.93, 0.57%, 0.58%

LAB 75.11, -56.9, 45.99

 

CMYK 45 / 0 / 42 / 15

HEX #78DA7E

RGB 120 218 126

HSL 123.67, 0.57%, 0.66%

LAB 79.41, -47.54, 36.49

 

CMYK 72 / 0 / 68 / 22

HEX #37C740

RGB 55 199 64

HSL 123.75, 0.57%, 0.5%

LAB 70.89, -63.29, 54.58

 

CMYK 73 / 18 / 0 / 22

HEX #37A4C8

RGB 55 164 200

HSL 194.9, 0.57%, 0.5%

LAB 62.96, -18.79, -27.29

 

CMYK 0 / 73 / 47 / 22

HEX #C8376A

RGB 200 55 106

HSL 338.9, 0.57%, 0.5%

LAB 47.04, 60.11, 4.79

 

CMYK 72 / 0 / 68 / 22

HEX #37C740

RGB 55 199 64

HSL 123.75, 0.57%, 0.5%

LAB 70.89, -63.29, 54.58

 

CMYK 69 / 73 / 0 / 22

HEX #3E37C8

RGB 62 55 200

HSL 242.9, 0.57%, 0.5%

LAB 33.83, 47.87, -73.8

 

CMYK 0 / 69 / 73 / 22

HEX #C83E37

RGB 200 62 55

HSL 2.9, 0.57%, 0.5%

LAB 46.98, 54.09, 35.46

 

CMYK 72 / 0 / 68 / 22

HEX #37C740

RGB 55 199 64

HSL 123.75, 0.57%, 0.5%

LAB 70.89, -63.29, 54.58

 

CMYK 73 / 18 / 0 / 22

HEX #37A4C8

RGB 55 164 200

HSL 194.9, 0.57%, 0.5%

LAB 62.96, -18.79, -27.29

 

CMYK 0 / 73 / 4 / 22

HEX #C837C1

RGB 200 55 193

HSL 302.9, 0.57%, 0.5%

LAB 50.53, 70.99, -41.89

 

CMYK 0 / 55 / 73 / 22

HEX #C85B37

RGB 200 91 55

HSL 14.9, 0.57%, 0.5%

LAB 51.88, 41.1, 40.96

 

CMYK 72 / 0 / 68 / 22

HEX #37C740

RGB 55 199 64

HSL 123.75, 0.57%, 0.5%

LAB 70.89, -63.29, 54.58

 

CMYK 73 / 40 / 0 / 22

HEX #3778C8

RGB 55 120 200

HSL 213.1, 0.57%, 0.5%

LAB 50, 6.43, -47.6

 

CMYK 0 / 73 / 4 / 22

HEX #C837C1

RGB 200 55 193

HSL 302.9, 0.57%, 0.5%

LAB 50.53, 70.99, -41.89

 

CMYK 0 / 33 / 73 / 22

HEX #C88737

RGB 200 135 55

HSL 33.1, 0.57%, 0.5%

LAB 61.55, 17.75, 51.24

 

Description

Color code: HEX #37C740 | qconv.com Color code: HEX #37C740 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 199 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 199 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 68 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 68% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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