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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37C1D0 it is the complementary color #C83E2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37C1D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37C1D0 shade: #3CC1CB, #4DD3DE, #5EE5F1, #6FF7FF and #80FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37C1D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37C1D0 shade: #37C1D0, #26AFBD, #159DAA, #048B97 and #007984

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37C1D0 shade: #39C2D0, #3999D0, #3970D0, #3947D0 and #5439D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37C1D0 shade: #39C2D0, #3999D0, #3970D0, #3947D0 and #3939D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37C1D0 shade matches the following richer shades: #39C2D0, #25D2E4 and #11E1F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37C1D0 shade: #39C2D0, #4DB2BD, #60A2A9, #749295 and #888281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37C1D0 shade: #39D08C, #39D0B5, #39C4D0, #399BD0 and #3973D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37C1D0 shade: #238994, #2BA8B5, #39C2D0, #5ACCD8 and #7CD6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37C1D0 shade: #37C1D0, #6439D0 and #D0A039

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37C1D0 shade: #37C1D0, #D039C4 and #C4D039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37C1D0 shade: #37C1D0, #6439D0, #D04539 and #A5D039

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37C1D0 shade: #37C1D0, #9139D0, #D04539 and #78D039

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 7 / 0 / 18

HEX #37C1D0

RGB 55 193 208

HSL 185.88, 0.62%, 0.52%

LAB 71.9, -30.92, -18.04

 

Complementary color

CMYK 0 / 69 / 77 / 22

HEX #C83E2F

RGB 200 62 47

HSL 5.88, 0.62%, 0.48%

LAB 46.88, 53.76, 39.83

 

CMYK 70 / 5 / 0 / 20

HEX #3CC1CB

RGB 60 193 203

HSL 184.2, 0.58%, 0.52%

LAB 71.83, -31.8, -15.4

 

CMYK 65 / 5 / 0 / 13

HEX #4DD3DE

RGB 77 211 222

HSL 184.55, 0.69%, 0.59%

LAB 78.13, -32.5, -16.15

 

CMYK 61 / 5 / 0 / 5

HEX #5EE5F1

RGB 94 229 241

HSL 184.9, 0.84%, 0.66%

LAB 84.36, -33.02, -16.83

 

CMYK 56 / 3 / 0 / 0

HEX #6FF7FF

RGB 111 247 255

HSL 183.33, 1%, 0.72%

LAB 90.38, -34.75, -15.09

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 74 / 7 / 0 / 18

HEX #37C1D0

RGB 55 193 208

HSL 185.88, 0.62%, 0.52%

LAB 71.9, -30.92, -18.04

 

CMYK 80 / 7 / 0 / 26

HEX #26AFBD

RGB 38 175 189

HSL 185.56, 0.67%, 0.45%

LAB 65.55, -29.81, -17.23

 

CMYK 88 / 8 / 0 / 33

HEX #159DAA

RGB 21 157 170

HSL 185.23, 0.78%, 0.37%

LAB 59.14, -28.36, -16.32

 

CMYK 97 / 8 / 0 / 41

HEX #048B97

RGB 4 139 151

HSL 184.9, 0.95%, 0.3%

LAB 52.65, -26.48, -15.3

 

CMYK 100 / 8 / 0 / 48

HEX #007984

RGB 0 121 132

HSL 185, 1%, 0.26%

LAB 46.1, -23.98, -14.1

 

CMYK 73 / 7 / 0 / 18

HEX #39C2D0

RGB 57 194 208

HSL 185.56, 0.62%, 0.52%

LAB 72.23, -31.17, -17.53

 

CMYK 73 / 26 / 0 / 18

HEX #3999D0

RGB 57 153 208

HSL 201.85, 0.62%, 0.52%

LAB 60.07, -9.86, -36.22

 

CMYK 73 / 46 / 0 / 18

HEX #3970D0

RGB 57 112 208

HSL 218.15, 0.62%, 0.52%

LAB 48.28, 14.62, -54.92

 

CMYK 73 / 66 / 0 / 18

HEX #3947D0

RGB 57 71 208

HSL 234.44, 0.62%, 0.52%

LAB 37.72, 40.6, -72.06

 

CMYK 60 / 73 / 0 / 18

HEX #5439D0

RGB 84 57 208

HSL 250.73, 0.62%, 0.52%

LAB 36.68, 51.89, -73.7

 

CMYK 73 / 7 / 0 / 18

HEX #39C2D0

RGB 57 194 208

HSL 185.56, 0.62%, 0.52%

LAB 72.23, -31.17, -17.53

 

CMYK 73 / 26 / 0 / 18

HEX #3999D0

RGB 57 153 208

HSL 201.85, 0.62%, 0.52%

LAB 60.07, -9.86, -36.22

 

CMYK 73 / 46 / 0 / 18

HEX #3970D0

RGB 57 112 208

HSL 218.15, 0.62%, 0.52%

LAB 48.28, 14.62, -54.92

 

CMYK 73 / 66 / 0 / 18

HEX #3947D0

RGB 57 71 208

HSL 234.44, 0.62%, 0.52%

LAB 37.72, 40.6, -72.06

 

CMYK 73 / 73 / 0 / 18

HEX #3939D0

RGB 57 57 208

HSL 240, 0.62%, 0.52%

LAB 34.7, 48.84, -77.02

 

CMYK 73 / 7 / 0 / 18

HEX #39C2D0

RGB 57 194 208

HSL 185.56, 0.62%, 0.52%

LAB 72.23, -31.17, -17.53

 

CMYK 84 / 8 / 0 / 11

HEX #25D2E4

RGB 37 210 228

HSL 185.65, 0.78%, 0.52%

LAB 77.33, -34.56, -20.64

 

CMYK 93 / 9 / 0 / 3

HEX #11E1F8

RGB 17 225 248

HSL 185.97, 0.94%, 0.52%

LAB 82.24, -36.38, -23.85

 

CMYK 73 / 7 / 0 / 18

HEX #39C2D0

RGB 57 194 208

HSL 185.56, 0.62%, 0.52%

LAB 72.23, -31.17, -17.53

 

CMYK 59 / 6 / 0 / 26

HEX #4DB2BD

RGB 77 178 189

HSL 185.89, 0.46%, 0.52%

LAB 67.35, -25.9, -14.43

 

CMYK 43 / 4 / 0 / 34

HEX #60A2A9

RGB 96 162 169

HSL 185.75, 0.3%, 0.52%

LAB 62.67, -19.14, -10.23

 

CMYK 22 / 2 / 0 / 42

HEX #749295

RGB 116 146 149

HSL 185.45, 0.13%, 0.52%

LAB 58.45, -9.76, -5.06

 

CMYK 0 / 4 / 5 / 47

HEX #888281

RGB 136 130 129

HSL 8.57, 0.03%, 0.52%

LAB 54.85, 2.07, 1.34

 

CMYK 73 / 0 / 33 / 18

HEX #39D08C

RGB 57 208 140

HSL 152.98, 0.62%, 0.52%

LAB 74.75, -54.63, 22.76

 

CMYK 73 / 0 / 13 / 18

HEX #39D0B5

RGB 57 208 181

HSL 169.27, 0.62%, 0.52%

LAB 75.65, -45.1, 2.17

 

CMYK 73 / 6 / 0 / 18

HEX #39C4D0

RGB 57 196 208

HSL 184.77, 0.62%, 0.52%

LAB 72.83, -32.13, -16.63

 

CMYK 73 / 25 / 0 / 18

HEX #399BD0

RGB 57 155 208

HSL 201.06, 0.62%, 0.52%

LAB 60.66, -10.97, -35.3

 

CMYK 73 / 45 / 0 / 18

HEX #3973D0

RGB 57 115 208

HSL 216.95, 0.62%, 0.52%

LAB 49.11, 12.74, -53.58

 

CMYK 76 / 7 / 0 / 42

HEX #238994

RGB 35 137 148

HSL 185.84, 0.62%, 0.36%

LAB 52.27, -24.17, -14.09

 

CMYK 76 / 7 / 0 / 29

HEX #2BA8B5

RGB 43 168 181

HSL 185.65, 0.62%, 0.44%

LAB 63.22, -28.38, -16.29

 

CMYK 73 / 7 / 0 / 18

HEX #39C2D0

RGB 57 194 208

HSL 185.56, 0.62%, 0.52%

LAB 72.23, -31.17, -17.53

 

CMYK 58 / 6 / 0 / 15

HEX #5ACCD8

RGB 90 204 216

HSL 185.71, 0.62%, 0.6%

LAB 76.26, -28.69, -15.7

 

CMYK 45 / 4 / 0 / 12

HEX #7CD6E0

RGB 124 214 224

HSL 186, 0.62%, 0.68%

LAB 80.61, -24.37, -13.35

 

CMYK 74 / 7 / 0 / 18

HEX #37C1D0

RGB 55 193 208

HSL 185.88, 0.62%, 0.52%

LAB 71.9, -30.92, -18.04

 

CMYK 52 / 73 / 0 / 18

HEX #6439D0

RGB 100 57 208

HSL 257.09, 0.62%, 0.52%

LAB 38.18, 54.15, -71.18

 

CMYK 0 / 23 / 73 / 18

HEX #D0A039

RGB 208 160 57

HSL 40.93, 0.62%, 0.52%

LAB 68.64, 7.74, 57.86

 

CMYK 74 / 7 / 0 / 18

HEX #37C1D0

RGB 55 193 208

HSL 185.88, 0.62%, 0.52%

LAB 71.9, -30.92, -18.04

 

CMYK 0 / 73 / 6 / 18

HEX #D039C4

RGB 208 57 196

HSL 304.77, 0.62%, 0.52%

LAB 52.2, 72.56, -40.9

 

CMYK 6 / 0 / 73 / 18

HEX #C4D039

RGB 196 208 57

HSL 64.77, 0.62%, 0.52%

LAB 80.26, -22.18, 68.83

 

CMYK 74 / 7 / 0 / 18

HEX #37C1D0

RGB 55 193 208

HSL 185.88, 0.62%, 0.52%

LAB 71.9, -30.92, -18.04

 

CMYK 52 / 73 / 0 / 18

HEX #6439D0

RGB 100 57 208

HSL 257.09, 0.62%, 0.52%

LAB 38.18, 54.15, -71.18

 

CMYK 0 / 67 / 73 / 18

HEX #D04539

RGB 208 69 57

HSL 4.77, 0.62%, 0.52%

LAB 49.45, 54.03, 37.52

 

CMYK 21 / 0 / 73 / 18

HEX #A5D039

RGB 165 208 57

HSL 77.09, 0.62%, 0.52%

LAB 78.11, -34.72, 66.02

 

CMYK 74 / 7 / 0 / 18

HEX #37C1D0

RGB 55 193 208

HSL 185.88, 0.62%, 0.52%

LAB 71.9, -30.92, -18.04

 

CMYK 30 / 73 / 0 / 18

HEX #9139D0

RGB 145 57 208

HSL 274.97, 0.62%, 0.52%

LAB 43.51, 61.82, -62.26

 

CMYK 0 / 67 / 73 / 18

HEX #D04539

RGB 208 69 57

HSL 4.77, 0.62%, 0.52%

LAB 49.45, 54.03, 37.52

 

CMYK 42 / 0 / 73 / 18

HEX #78D039

RGB 120 208 57

HSL 94.97, 0.62%, 0.52%

LAB 75.7, -50.93, 62.83

 

Description

Color code: HEX #37C1D0 | qconv.com Color code: HEX #37C1D0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 193 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 193 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 7 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 7% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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