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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37B64E it is the complementary color #C849B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37B64E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37B64E shade: #3CB649, #4DC85C, #5EDA6F, #6FEC82 and #80FE95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37B64E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37B64E shade: #37B64E, #26A43B, #159228, #048015 and #006E02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37B64E shade: #36B54D, #41B536, #63B536, #85B536 and #A8B536

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37B64E shade: #36B54D, #36B56F, #36B591, #36B5B3 and #3694B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37B64E shade matches the following richer shades: #36B54D, #23C841 and #10DB35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37B64E shade: #36B54D, #49A259, #5C8F65, #6F7C71 and #82697D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37B64E shade: #64B536, #43B536, #36B54B, #36B56D and #36B58F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37B64E shade: #237532, #2C953F, #36B54D, #4BC962 and #6AD37D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37B64E shade: #37B64E, #3686B5 and #B53654

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37B64E shade: #37B64E, #4B36B5 and #B54B36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37B64E shade: #37B64E, #3686B5, #B536A0 and #B56436

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37B64E shade: #37B64E, #3660B5, #B536A0 and #B58A36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 57 / 29

HEX #37B64E

RGB 55 182 78

HSL 130.87, 0.54%, 0.46%

LAB 65.61, -55.96, 42.49

 

Complementary color

CMYK 0 / 64 / 12 / 22

HEX #C849B1

RGB 200 73 177

HSL 310.87, 0.54%, 0.54%

LAB 52.08, 61.95, -30.14

 

CMYK 67 / 0 / 60 / 29

HEX #3CB649

RGB 60 182 73

HSL 126.39, 0.5%, 0.47%

LAB 65.67, -55.65, 44.93

 

CMYK 62 / 0 / 54 / 22

HEX #4DC85C

RGB 77 200 92

HSL 127.32, 0.53%, 0.54%

LAB 72, -56.21, 43.61

 

CMYK 57 / 0 / 49 / 15

HEX #5EDA6F

RGB 94 218 111

HSL 128.23, 0.63%, 0.61%

LAB 78.27, -56.49, 42.26

 

CMYK 53 / 0 / 45 / 7

HEX #6FEC82

RGB 111 236 130

HSL 129.12, 0.77%, 0.68%

LAB 84.47, -56.58, 40.92

 

CMYK 50 / 0 / 41 / 0

HEX #80FE95

RGB 128 254 149

HSL 130, 0.98%, 0.75%

LAB 90.62, -56.55, 39.64

 

CMYK 70 / 0 / 57 / 29

HEX #37B64E

RGB 55 182 78

HSL 130.87, 0.54%, 0.46%

LAB 65.61, -55.96, 42.49

 

CMYK 77 / 0 / 64 / 36

HEX #26A43B

RGB 38 164 59

HSL 130, 0.62%, 0.4%

LAB 59.23, -54.89, 43.83

 

CMYK 86 / 0 / 73 / 43

HEX #159228

RGB 21 146 40

HSL 129.12, 0.75%, 0.33%

LAB 52.81, -53.13, 44.89

 

CMYK 97 / 0 / 84 / 50

HEX #048015

RGB 4 128 21

HSL 128.23, 0.94%, 0.26%

LAB 46.34, -50.44, 45.19

 

CMYK 100 / 0 / 98 / 57

HEX #006E02

RGB 0 110 2

HSL 121.09, 1%, 0.22%

LAB 39.84, -46.29, 44.26

 

CMYK 70 / 0 / 57 / 29

HEX #36B54D

RGB 54 181 77

HSL 130.87, 0.54%, 0.46%

LAB 65.25, -55.92, 42.55

 

CMYK 64 / 0 / 70 / 29

HEX #41B536

RGB 65 181 54

HSL 114.8, 0.54%, 0.46%

LAB 65.31, -56.23, 52.69

 

CMYK 45 / 0 / 70 / 29

HEX #63B536

RGB 99 181 54

HSL 98.74, 0.54%, 0.46%

LAB 66.49, -47.03, 54.3

 

CMYK 27 / 0 / 70 / 29

HEX #85B536

RGB 133 181 54

HSL 82.68, 0.54%, 0.46%

LAB 68.24, -34.98, 56.64

 

CMYK 7 / 0 / 70 / 29

HEX #A8B536

RGB 168 181 54

HSL 66.14, 0.54%, 0.46%

LAB 70.62, -20.75, 59.81

 

CMYK 70 / 0 / 57 / 29

HEX #36B54D

RGB 54 181 77

HSL 130.87, 0.54%, 0.46%

LAB 65.25, -55.92, 42.55

 

CMYK 70 / 0 / 39 / 29

HEX #36B56F

RGB 54 181 111

HSL 146.93, 0.54%, 0.46%

LAB 65.73, -50.44, 25.94

 

CMYK 70 / 0 / 20 / 29

HEX #36B591

RGB 54 181 145

HSL 162.99, 0.54%, 0.46%

LAB 66.43, -43, 8.46

 

CMYK 70 / 0 / 1 / 29

HEX #36B5B3

RGB 54 181 179

HSL 179.06, 0.54%, 0.46%

LAB 67.34, -33.9, -8.97

 

CMYK 70 / 18 / 0 / 29

HEX #3694B5

RGB 54 148 181

HSL 195.59, 0.54%, 0.46%

LAB 57.37, -16.62, -25.21

 

CMYK 70 / 0 / 57 / 29

HEX #36B54D

RGB 54 181 77

HSL 130.87, 0.54%, 0.46%

LAB 65.25, -55.92, 42.55

 

CMYK 83 / 0 / 68 / 22

HEX #23C841

RGB 35 200 65

HSL 130.91, 0.7%, 0.46%

LAB 70.9, -66.19, 54.1

 

CMYK 93 / 0 / 76 / 14

HEX #10DB35

RGB 16 219 53

HSL 130.94, 0.86%, 0.46%

LAB 76.7, -74.2, 64.37

 

CMYK 70 / 0 / 57 / 29

HEX #36B54D

RGB 54 181 77

HSL 130.87, 0.54%, 0.46%

LAB 65.25, -55.92, 42.55

 

CMYK 55 / 0 / 45 / 36

HEX #49A259

RGB 73 162 89

HSL 130.79, 0.38%, 0.46%

LAB 59.87, -42.73, 30.03

 

CMYK 36 / 0 / 29 / 44

HEX #5C8F65

RGB 92 143 101

HSL 130.59, 0.22%, 0.46%

LAB 54.93, -26.32, 17.08

 

CMYK 10 / 0 / 9 / 51

HEX #6F7C71

RGB 111 124 113

HSL 129.23, 0.06%, 0.46%

LAB 50.67, -7.09, 4.37

 

CMYK 0 / 19 / 4 / 49

HEX #82697D

RGB 130 105 125

HSL 312, 0.11%, 0.46%

LAB 47.4, 13.62, -7.34

 

CMYK 45 / 0 / 70 / 29

HEX #64B536

RGB 100 181 54

HSL 98.27, 0.54%, 0.46%

LAB 66.54, -46.71, 54.35

 

CMYK 63 / 0 / 70 / 29

HEX #43B536

RGB 67 181 54

HSL 113.86, 0.54%, 0.46%

LAB 65.36, -55.79, 52.77

 

CMYK 70 / 0 / 59 / 29

HEX #36B54B

RGB 54 181 75

HSL 129.92, 0.54%, 0.46%

LAB 65.23, -56.17, 43.46

 

CMYK 70 / 0 / 40 / 29

HEX #36B56D

RGB 54 181 109

HSL 145.98, 0.54%, 0.46%

LAB 65.7, -50.82, 26.95

 

CMYK 70 / 0 / 21 / 29

HEX #36B58F

RGB 54 181 143

HSL 162.05, 0.54%, 0.46%

LAB 66.38, -43.49, 9.49

 

CMYK 70 / 0 / 57 / 54

HEX #237532

RGB 35 117 50

HSL 130.98, 0.54%, 0.3%

LAB 43.23, -39.6, 29.62

 

CMYK 70 / 0 / 58 / 42

HEX #2C953F

RGB 44 149 63

HSL 130.86, 0.54%, 0.38%

LAB 54.44, -48.1, 36.45

 

CMYK 70 / 0 / 57 / 29

HEX #36B54D

RGB 54 181 77

HSL 130.87, 0.54%, 0.46%

LAB 65.25, -55.92, 42.55

 

CMYK 63 / 0 / 51 / 21

HEX #4BC962

RGB 75 201 98

HSL 130.95, 0.54%, 0.54%

LAB 72.33, -56.18, 41.11

 

CMYK 50 / 0 / 41 / 17

HEX #6AD37D

RGB 106 211 125

HSL 130.86, 0.54%, 0.62%

LAB 76.76, -48.62, 33.45

 

CMYK 70 / 0 / 57 / 29

HEX #37B64E

RGB 55 182 78

HSL 130.87, 0.54%, 0.46%

LAB 65.61, -55.96, 42.49

 

CMYK 70 / 26 / 0 / 29

HEX #3686B5

RGB 54 134 181

HSL 202.2, 0.54%, 0.46%

LAB 53.14, -8.82, -31.77

 

CMYK 0 / 70 / 54 / 29

HEX #B53654

RGB 181 54 84

HSL 345.83, 0.54%, 0.46%

LAB 42.92, 52.93, 12.08

 

CMYK 70 / 0 / 57 / 29

HEX #37B64E

RGB 55 182 78

HSL 130.87, 0.54%, 0.46%

LAB 65.61, -55.96, 42.49

 

CMYK 59 / 70 / 0 / 29

HEX #4B36B5

RGB 75 54 181

HSL 249.92, 0.54%, 0.46%

LAB 32.85, 44.1, -64.18

 

CMYK 0 / 59 / 70 / 29

HEX #B54B36

RGB 181 75 54

HSL 9.92, 0.54%, 0.46%

LAB 45.8, 41.71, 33.82

 

CMYK 70 / 0 / 57 / 29

HEX #37B64E

RGB 55 182 78

HSL 130.87, 0.54%, 0.46%

LAB 65.61, -55.96, 42.49

 

CMYK 70 / 26 / 0 / 29

HEX #3686B5

RGB 54 134 181

HSL 202.2, 0.54%, 0.46%

LAB 53.14, -8.82, -31.77

 

CMYK 0 / 70 / 12 / 29

HEX #B536A0

RGB 181 54 160

HSL 309.92, 0.54%, 0.46%

LAB 45.63, 61.88, -30.4

 

CMYK 0 / 45 / 70 / 29

HEX #B56436

RGB 181 100 54

HSL 21.73, 0.54%, 0.46%

LAB 50.93, 28.78, 39.63

 

CMYK 70 / 0 / 57 / 29

HEX #37B64E

RGB 55 182 78

HSL 130.87, 0.54%, 0.46%

LAB 65.61, -55.96, 42.49

 

CMYK 70 / 47 / 0 / 29

HEX #3660B5

RGB 54 96 181

HSL 220.16, 0.54%, 0.46%

LAB 41.98, 14.43, -49.44

 

CMYK 0 / 70 / 12 / 29

HEX #B536A0

RGB 181 54 160

HSL 309.92, 0.54%, 0.46%

LAB 45.63, 61.88, -30.4

 

CMYK 0 / 24 / 70 / 29

HEX #B58A36

RGB 181 138 54

HSL 39.69, 0.54%, 0.46%

LAB 60.13, 7.73, 49.54

 

Description

Color code: HEX #37B64E | qconv.com Color code: HEX #37B64E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 182 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 182 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 57 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 57% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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