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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37B416 it is the complementary color #C84BE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37B416. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37B416 shade: #3CB411, #4DC624, #5ED837, #6FEA4A and #80FC5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37B416. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37B416 shade: #37B416, #26A203, #159000, #047E00 and #006C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37B416 shade: #38B616, #63B616, #8DB616, #B6B316 and #B68816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37B416 shade: #38B616, #16B620, #16B64B, #16B676 and #16B6A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37B416 shade matches the following richer shades: #38B616 and #2EC606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37B416 shade: #38B616, #41A527, #4B9537, #558448 and #5E7458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37B416 shade: #8EB616, #63B616, #39B616, #16B61E and #16B649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37B416 shade: #216C0D, #2C9112, #38B616, #43DA1B and #5DE638

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37B416 shade: #37B416, #16B6B3 and #B61679

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37B416 shade: #37B416, #1639B6 and #B61639

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37B416 shade: #37B416, #16B6B3, #9316B6 and #B61619

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37B416 shade: #37B416, #1688B6, #9316B6 and #B64416

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 88 / 29

HEX #37B416

RGB 55 180 22

HSL 107.47, 0.78%, 0.4%

LAB 64.57, -59.95, 61.66

 

Complementary color

CMYK 14 / 68 / 0 / 9

HEX #C84BE9

RGB 200 75 233

HSL 287.47, 0.78%, 0.6%

LAB 55.27, 70.72, -57.14

 

CMYK 67 / 0 / 91 / 29

HEX #3CB411

RGB 60 180 17

HSL 104.17, 0.83%, 0.39%

LAB 64.68, -59.11, 62.74

 

CMYK 61 / 0 / 82 / 22

HEX #4DC624

RGB 77 198 36

HSL 104.81, 0.69%, 0.46%

LAB 70.94, -60.58, 64.24

 

CMYK 56 / 0 / 75 / 15

HEX #5ED837

RGB 94 216 55

HSL 105.47, 0.67%, 0.53%

LAB 77.14, -61.56, 64.61

 

CMYK 53 / 0 / 68 / 8

HEX #6FEA4A

RGB 111 234 74

HSL 106.13, 0.79%, 0.6%

LAB 83.29, -62.21, 64.3

 

CMYK 49 / 0 / 63 / 1

HEX #80FC5D

RGB 128 252 93

HSL 106.79, 0.96%, 0.68%

LAB 89.39, -62.61, 63.6

 

CMYK 69 / 0 / 88 / 29

HEX #37B416

RGB 55 180 22

HSL 107.47, 0.78%, 0.4%

LAB 64.57, -59.95, 61.66

 

CMYK 77 / 0 / 98 / 36

HEX #26A203

RGB 38 162 3

HSL 106.79, 0.96%, 0.32%

LAB 58.28, -57.79, 59.28

 

CMYK 85 / 0 / 100 / 44

HEX #159000

RGB 21 144 0

HSL 111.25, 1%, 0.28%

LAB 51.96, -54.67, 54.57

 

CMYK 97 / 0 / 100 / 51

HEX #047E00

RGB 4 126 0

HSL 118.1, 1%, 0.25%

LAB 45.56, -50.79, 49.38

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 69 / 0 / 88 / 29

HEX #38B616

RGB 56 182 22

HSL 107.25, 0.78%, 0.4%

LAB 65.24, -60.4, 62.25

 

CMYK 46 / 0 / 88 / 29

HEX #63B616

RGB 99 182 22

HSL 91.13, 0.78%, 0.4%

LAB 66.65, -49.16, 64.01

 

CMYK 23 / 0 / 88 / 29

HEX #8DB616

RGB 141 182 22

HSL 75.38, 0.78%, 0.4%

LAB 68.88, -33.73, 66.79

 

CMYK 0 / 2 / 88 / 29

HEX #B6B316

RGB 182 179 22

HSL 58.88, 0.78%, 0.4%

LAB 71.04, -14.89, 69.8

 

CMYK 0 / 25 / 88 / 29

HEX #B68816

RGB 182 136 22

HSL 42.75, 0.78%, 0.4%

LAB 59.54, 8.06, 60.58

 

CMYK 69 / 0 / 88 / 29

HEX #38B616

RGB 56 182 22

HSL 107.25, 0.78%, 0.4%

LAB 65.24, -60.4, 62.25

 

CMYK 88 / 0 / 82 / 29

HEX #16B620

RGB 22 182 32

HSL 123.75, 0.78%, 0.4%

LAB 64.75, -64.59, 59.24

 

CMYK 88 / 0 / 59 / 29

HEX #16B64B

RGB 22 182 75

HSL 139.88, 0.78%, 0.4%

LAB 65.07, -60.57, 43.15

 

CMYK 88 / 0 / 35 / 29

HEX #16B676

RGB 22 182 118

HSL 156, 0.78%, 0.4%

LAB 65.7, -53.13, 22.07

 

CMYK 88 / 0 / 12 / 29

HEX #16B6A1

RGB 22 182 161

HSL 172.13, 0.78%, 0.4%

LAB 66.67, -42.56, -0.06

 

CMYK 69 / 0 / 88 / 29

HEX #38B616

RGB 56 182 22

HSL 107.25, 0.78%, 0.4%

LAB 65.24, -60.4, 62.25

 

CMYK 77 / 0 / 97 / 22

HEX #2EC606

RGB 46 198 6

HSL 107.5, 0.94%, 0.4%

LAB 70.16, -67.44, 68.6

 

CMYK 69 / 0 / 88 / 29

HEX #38B616

RGB 56 182 22

HSL 107.25, 0.78%, 0.4%

LAB 65.24, -60.4, 62.25

 

CMYK 61 / 0 / 76 / 35

HEX #41A527

RGB 65 165 39

HSL 107.62, 0.62%, 0.4%

LAB 60.05, -51.72, 52.9

 

CMYK 50 / 0 / 63 / 42

HEX #4B9537

RGB 75 149 55

HSL 107.23, 0.46%, 0.4%

LAB 55.35, -41.35, 41.58

 

CMYK 36 / 0 / 45 / 48

HEX #558448

RGB 85 132 72

HSL 107, 0.29%, 0.4%

LAB 50.57, -28.23, 27.38

 

CMYK 19 / 0 / 24 / 55

HEX #5E7458

RGB 94 116 88

HSL 107.14, 0.14%, 0.4%

LAB 46.41, -13.92, 12.87

 

CMYK 22 / 0 / 88 / 29

HEX #8EB616

RGB 142 182 22

HSL 75, 0.78%, 0.4%

LAB 68.94, -33.33, 66.87

 

CMYK 46 / 0 / 88 / 29

HEX #63B616

RGB 99 182 22

HSL 91.13, 0.78%, 0.4%

LAB 66.65, -49.16, 64.01

 

CMYK 69 / 0 / 88 / 29

HEX #39B616

RGB 57 182 22

HSL 106.88, 0.78%, 0.4%

LAB 65.27, -60.2, 62.28

 

CMYK 88 / 0 / 84 / 29

HEX #16B61E

RGB 22 182 30

HSL 123, 0.78%, 0.4%

LAB 64.74, -64.69, 59.76

 

CMYK 88 / 0 / 60 / 29

HEX #16B649

RGB 22 182 73

HSL 139.13, 0.78%, 0.4%

LAB 65.05, -60.83, 44.05

 

CMYK 69 / 0 / 88 / 58

HEX #216C0D

RGB 33 108 13

HSL 107.37, 0.79%, 0.24%

LAB 39.71, -40.36, 41.58

 

CMYK 70 / 0 / 88 / 43

HEX #2C9112

RGB 44 145 18

HSL 107.72, 0.78%, 0.32%

LAB 52.76, -50.73, 52.08

 

CMYK 69 / 0 / 88 / 29

HEX #38B616

RGB 56 182 22

HSL 107.25, 0.78%, 0.4%

LAB 65.24, -60.4, 62.25

 

CMYK 69 / 0 / 88 / 15

HEX #43DA1B

RGB 67 218 27

HSL 107.43, 0.78%, 0.48%

LAB 76.93, -69.52, 71.5

 

CMYK 60 / 0 / 76 / 10

HEX #5DE638

RGB 93 230 56

HSL 107.24, 0.78%, 0.56%

LAB 81.4, -66.57, 68.45

 

CMYK 69 / 0 / 88 / 29

HEX #37B416

RGB 55 180 22

HSL 107.47, 0.78%, 0.4%

LAB 64.57, -59.95, 61.66

 

CMYK 88 / 0 / 2 / 29

HEX #16B6B3

RGB 22 182 179

HSL 178.88, 0.78%, 0.4%

LAB 67.19, -37.38, -9.25

 

CMYK 0 / 88 / 34 / 29

HEX #B61679

RGB 182 22 121

HSL 322.88, 0.78%, 0.4%

LAB 41.06, 65.78, -13.73

 

CMYK 69 / 0 / 88 / 29

HEX #37B416

RGB 55 180 22

HSL 107.47, 0.78%, 0.4%

LAB 64.57, -59.95, 61.66

 

CMYK 88 / 69 / 0 / 29

HEX #1639B6

RGB 22 57 182

HSL 226.88, 0.78%, 0.4%

LAB 30.58, 37.13, -68.63

 

CMYK 0 / 88 / 69 / 29

HEX #B61639

RGB 182 22 57

HSL 346.88, 0.78%, 0.4%

LAB 39.27, 60.74, 24.21

 

CMYK 69 / 0 / 88 / 29

HEX #37B416

RGB 55 180 22

HSL 107.47, 0.78%, 0.4%

LAB 64.57, -59.95, 61.66

 

CMYK 88 / 0 / 2 / 29

HEX #16B6B3

RGB 22 182 179

HSL 178.88, 0.78%, 0.4%

LAB 67.19, -37.38, -9.25

 

CMYK 19 / 88 / 0 / 29

HEX #9316B6

RGB 147 22 182

HSL 286.88, 0.78%, 0.4%

LAB 38.12, 67.86, -55.8

 

CMYK 0 / 88 / 86 / 29

HEX #B61619

RGB 182 22 25

HSL 358.88, 0.78%, 0.4%

LAB 38.88, 59.62, 42.54

 

CMYK 69 / 0 / 88 / 29

HEX #37B416

RGB 55 180 22

HSL 107.47, 0.78%, 0.4%

LAB 64.57, -59.95, 61.66

 

CMYK 88 / 25 / 0 / 29

HEX #1688B6

RGB 22 136 182

HSL 197.25, 0.78%, 0.4%

LAB 53.12, -13.06, -32.42

 

CMYK 19 / 88 / 0 / 29

HEX #9316B6

RGB 147 22 182

HSL 286.88, 0.78%, 0.4%

LAB 38.12, 67.86, -55.8

 

CMYK 0 / 63 / 88 / 29

HEX #B64416

RGB 182 68 22

HSL 17.25, 0.78%, 0.4%

LAB 44.43, 44.2, 48.47

 

Description

Color code: HEX #37B416 | qconv.com Color code: HEX #37B416 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 180 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 180 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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