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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37AD34 it is the complementary color #C852CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37AD34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37AD34 shade: #3CAD2F, #4DBF42, #5ED155, #6FE368 and #80F57B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37AD34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37AD34 shade: #37AD34, #269B21, #15890E, #047700 and #006500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37AD34 shade: #37AD34, #57AD34, #78AD34, #99AD34 and #ADA034

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37AD34 shade: #37AD34, #34AD51, #34AD72, #34AD93 and #34A6AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37AD34 shade matches the following richer shades: #37AD34, #25BF21 and #14D10F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37AD34 shade: #37AD34, #489B46, #598858, #6A766A and #7C647C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37AD34 shade: #78AD34, #58AD34, #38AD34, #34AD50 and #34AD70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37AD34 shade: #236D21, #2D8D2A, #37AD34, #46C743 and #65D063

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37AD34 shade: #37AD34, #3499AD and #AD3468

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37AD34 shade: #37AD34, #3438AD and #AD3438

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37AD34 shade: #37AD34, #3499AD, #A934AD and #AD4834

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37AD34 shade: #37AD34, #3474AD, #A934AD and #AD6C34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

Complementary color

CMYK 1 / 60 / 0 / 20

HEX #C852CB

RGB 200 82 203

HSL 298.51, 0.54%, 0.56%

LAB 54.68, 62.42, -41.08

 

CMYK 65 / 0 / 73 / 32

HEX #3CAD2F

RGB 60 173 47

HSL 113.81, 0.57%, 0.43%

LAB 62.55, -55.12, 52.48

 

CMYK 60 / 0 / 65 / 25

HEX #4DBF42

RGB 77 191 66

HSL 114.72, 0.49%, 0.5%

LAB 68.92, -55.93, 51.79

 

CMYK 55 / 0 / 59 / 18

HEX #5ED155

RGB 94 209 85

HSL 115.65, 0.57%, 0.58%

LAB 75.22, -56.39, 50.76

 

CMYK 51 / 0 / 54 / 11

HEX #6FE368

RGB 111 227 104

HSL 116.59, 0.69%, 0.65%

LAB 81.47, -56.6, 49.59

 

CMYK 48 / 0 / 50 / 4

HEX #80F57B

RGB 128 245 123

HSL 117.54, 0.86%, 0.72%

LAB 87.64, -56.66, 48.37

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 75 / 0 / 79 / 39

HEX #269B21

RGB 38 155 33

HSL 117.54, 0.65%, 0.37%

LAB 56.05, -54.32, 50.79

 

CMYK 85 / 0 / 90 / 46

HEX #15890E

RGB 21 137 14

HSL 116.59, 0.81%, 0.3%

LAB 49.6, -52.06, 50.03

 

CMYK 97 / 0 / 100 / 53

HEX #047700

RGB 4 119 0

HSL 117.98, 1%, 0.23%

LAB 43.09, -48.71, 47.4

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 50 / 0 / 70 / 32

HEX #57AD34

RGB 87 173 52

HSL 102.64, 0.54%, 0.44%

LAB 63.48, -47.7, 51.79

 

CMYK 31 / 0 / 70 / 32

HEX #78AD34

RGB 120 173 52

HSL 86.28, 0.54%, 0.44%

LAB 65.06, -36.45, 53.93

 

CMYK 12 / 0 / 70 / 32

HEX #99AD34

RGB 153 173 52

HSL 69.92, 0.54%, 0.44%

LAB 67.21, -23.21, 56.79

 

CMYK 0 / 8 / 70 / 32

HEX #ADA034

RGB 173 160 52

HSL 53.55, 0.54%, 0.44%

LAB 65.18, -7.88, 55.3

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 70 / 0 / 53 / 32

HEX #34AD51

RGB 52 173 81

HSL 134.38, 0.54%, 0.44%

LAB 62.69, -52.86, 37.52

 

CMYK 70 / 0 / 34 / 32

HEX #34AD72

RGB 52 173 114

HSL 150.74, 0.54%, 0.44%

LAB 63.2, -47.02, 20.93

 

CMYK 70 / 0 / 15 / 32

HEX #34AD93

RGB 52 173 147

HSL 167.11, 0.54%, 0.44%

LAB 63.94, -39.31, 3.78

 

CMYK 70 / 4 / 0 / 32

HEX #34A6AD

RGB 52 166 173

HSL 183.47, 0.54%, 0.44%

LAB 62.52, -28.73, -12.85

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 81 / 0 / 83 / 25

HEX #25BF21

RGB 37 191 33

HSL 118.48, 0.71%, 0.44%

LAB 67.85, -65.67, 61.89

 

CMYK 90 / 0 / 93 / 18

HEX #14D10F

RGB 20 209 15

HSL 118.45, 0.87%, 0.44%

LAB 73.41, -73, 70.14

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 54 / 0 / 55 / 39

HEX #489B46

RGB 72 155 70

HSL 118.59, 0.38%, 0.44%

LAB 57.33, -42.91, 36.64

 

CMYK 35 / 0 / 35 / 47

HEX #598858

RGB 89 136 88

HSL 118.75, 0.21%, 0.44%

LAB 52.33, -26.22, 20.85

 

CMYK 10 / 0 / 10 / 54

HEX #6A766A

RGB 106 118 106

HSL 120, 0.05%, 0.44%

LAB 48.34, -6.97, 5.09

 

CMYK 0 / 19 / 0 / 51

HEX #7C647C

RGB 124 100 124

HSL 300, 0.11%, 0.44%

LAB 45.43, 14.16, -9.75

 

CMYK 31 / 0 / 70 / 32

HEX #78AD34

RGB 120 173 52

HSL 86.28, 0.54%, 0.44%

LAB 65.06, -36.45, 53.93

 

CMYK 49 / 0 / 70 / 32

HEX #58AD34

RGB 88 173 52

HSL 102.15, 0.54%, 0.44%

LAB 63.52, -47.4, 51.84

 

CMYK 68 / 0 / 70 / 32

HEX #38AD34

RGB 56 173 52

HSL 118.02, 0.54%, 0.44%

LAB 62.49, -55.52, 50.45

 

CMYK 70 / 0 / 54 / 32

HEX #34AD50

RGB 52 173 80

HSL 133.88, 0.54%, 0.44%

LAB 62.67, -53, 38

 

CMYK 70 / 0 / 35 / 32

HEX #34AD70

RGB 52 173 112

HSL 149.75, 0.54%, 0.44%

LAB 63.17, -47.43, 21.96

 

CMYK 68 / 0 / 70 / 57

HEX #236D21

RGB 35 109 33

HSL 118.42, 0.54%, 0.28%

LAB 40.25, -38.67, 34.63

 

CMYK 68 / 0 / 70 / 45

HEX #2D8D2A

RGB 45 141 42

HSL 118.18, 0.54%, 0.36%

LAB 51.58, -47.45, 42.92

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 65 / 0 / 66 / 22

HEX #46C743

RGB 70 199 67

HSL 118.64, 0.54%, 0.52%

LAB 71.25, -60.22, 53.85

 

CMYK 51 / 0 / 52 / 18

HEX #65D063

RGB 101 208 99

HSL 118.9, 0.54%, 0.6%

LAB 75.31, -52.5, 44.45

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 70 / 12 / 0 / 32

HEX #3499AD

RGB 52 153 173

HSL 189.92, 0.54%, 0.44%

LAB 58.54, -22.16, -18.88

 

CMYK 0 / 70 / 40 / 32

HEX #AD3468

RGB 173 52 104

HSL 334.21, 0.54%, 0.44%

LAB 41.75, 53.15, -2.27

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 70 / 68 / 0 / 32

HEX #3438AD

RGB 52 56 173

HSL 238.02, 0.54%, 0.44%

LAB 30.82, 37.13, -62.82

 

CMYK 0 / 70 / 68 / 32

HEX #AD3438

RGB 173 52 56

HSL 358.02, 0.54%, 0.44%

LAB 40.62, 49.22, 26.11

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 70 / 12 / 0 / 32

HEX #3499AD

RGB 52 153 173

HSL 189.92, 0.54%, 0.44%

LAB 58.54, -22.16, -18.88

 

CMYK 2 / 70 / 0 / 32

HEX #A934AD

RGB 169 52 173

HSL 298.02, 0.54%, 0.44%

LAB 44.1, 61.87, -40.68

 

CMYK 0 / 58 / 70 / 32

HEX #AD4834

RGB 173 72 52

HSL 9.92, 0.54%, 0.44%

LAB 43.9, 40.06, 32.41

 

CMYK 68 / 0 / 70 / 32

HEX #37AD34

RGB 55 173 52

HSL 118.51, 0.54%, 0.44%

LAB 62.46, -55.72, 50.42

 

CMYK 70 / 33 / 0 / 32

HEX #3474AD

RGB 52 116 173

HSL 208.26, 0.54%, 0.44%

LAB 47.29, -1.36, -36.32

 

CMYK 2 / 70 / 0 / 32

HEX #A934AD

RGB 169 52 173

HSL 298.02, 0.54%, 0.44%

LAB 44.1, 61.87, -40.68

 

CMYK 0 / 38 / 70 / 32

HEX #AD6C34

RGB 173 108 52

HSL 27.77, 0.54%, 0.44%

LAB 51.68, 20.85, 41.18

 

Description

Color code: HEX #37AD34 | qconv.com Color code: HEX #37AD34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 173 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 173 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 70 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 70% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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