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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37AA2A it is the complementary color #C855D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37AA2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37AA2A shade: #3CAA25, #4DBC38, #5ECE4B, #6FE05E and #80F271

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37AA2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37AA2A shade: #37AA2A, #269817, #158604, #047400 and #006200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37AA2A shade: #38AB2B, #5BAB2B, #7DAB2B, #A0AB2B and #AB942B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37AA2A shade: #38AB2B, #2BAB40, #2BAB63, #2BAB86 and #2BABA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37AA2A shade matches the following richer shades: #38AB2B, #2ABD1A and #1CCE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37AA2A shade: #38AB2B, #469A3C, #54894D, #61775F and #6F6670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37AA2A shade: #7EAB2B, #5CAB2B, #3AAB2B, #2BAB3E and #2BAB60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37AA2A shade: #22691A, #2D8A23, #38AB2B, #43CC33 and #61D454

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37AA2A shade: #37AA2A, #2BA1AB and #AB2B6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37AA2A shade: #37AA2A, #2B3AAB and #AB2B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37AA2A shade: #37AA2A, #2BA1AB, #9C2BAB and #AB362B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37AA2A shade: #37AA2A, #2B7AAB, #9C2BAB and #AB5C2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 75 / 33

HEX #37AA2A

RGB 55 170 42

HSL 113.91, 0.6%, 0.42%

LAB 61.42, -55.53, 53.11

 

Complementary color

CMYK 6 / 60 / 0 / 16

HEX #C855D5

RGB 200 85 213

HSL 293.91, 0.6%, 0.58%

LAB 55.67, 62.89, -45.22

 

CMYK 65 / 0 / 78 / 33

HEX #3CAA25

RGB 60 170 37

HSL 109.62, 0.64%, 0.41%

LAB 61.52, -54.8, 54.94

 

CMYK 59 / 0 / 70 / 26

HEX #4DBC38

RGB 77 188 56

HSL 110.45, 0.54%, 0.48%

LAB 67.89, -55.75, 54.72

 

CMYK 54 / 0 / 64 / 19

HEX #5ECE4B

RGB 94 206 75

HSL 111.3, 0.57%, 0.55%

LAB 74.21, -56.31, 53.96

 

CMYK 50 / 0 / 58 / 12

HEX #6FE05E

RGB 111 224 94

HSL 112.15, 0.68%, 0.62%

LAB 80.46, -56.6, 52.94

 

CMYK 47 / 0 / 53 / 5

HEX #80F271

RGB 128 242 113

HSL 113.02, 0.83%, 0.7%

LAB 86.65, -56.72, 51.8

 

CMYK 68 / 0 / 75 / 33

HEX #37AA2A

RGB 55 170 42

HSL 113.91, 0.6%, 0.42%

LAB 61.42, -55.53, 53.11

 

CMYK 75 / 0 / 85 / 40

HEX #269817

RGB 38 152 23

HSL 113.02, 0.74%, 0.34%

LAB 55, -53.94, 52.79

 

CMYK 84 / 0 / 97 / 47

HEX #158604

RGB 21 134 4

HSL 112.15, 0.94%, 0.27%

LAB 48.53, -51.49, 51.05

 

CMYK 97 / 0 / 100 / 55

HEX #047400

RGB 4 116 0

HSL 117.93, 1%, 0.23%

LAB 42.03, -47.81, 46.54

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 67 / 0 / 75 / 33

HEX #38AB2B

RGB 56 171 43

HSL 113.91, 0.6%, 0.42%

LAB 61.78, -55.59, 53.12

 

CMYK 47 / 0 / 75 / 33

HEX #5BAB2B

RGB 91 171 43

HSL 97.5, 0.6%, 0.42%

LAB 62.95, -46.34, 54.67

 

CMYK 27 / 0 / 75 / 33

HEX #7DAB2B

RGB 125 171 43

HSL 81.56, 0.6%, 0.42%

LAB 64.69, -34.18, 56.97

 

CMYK 6 / 0 / 75 / 33

HEX #A0AB2B

RGB 160 171 43

HSL 65.16, 0.6%, 0.42%

LAB 67.11, -19.7, 60.12

 

CMYK 0 / 13 / 75 / 33

HEX #AB942B

RGB 171 148 43

HSL 49.22, 0.6%, 0.42%

LAB 61.66, -2.78, 55.29

 

CMYK 67 / 0 / 75 / 33

HEX #38AB2B

RGB 56 171 43

HSL 113.91, 0.6%, 0.42%

LAB 61.78, -55.59, 53.12

 

CMYK 75 / 0 / 63 / 33

HEX #2BAB40

RGB 43 171 64

HSL 129.84, 0.6%, 0.42%

LAB 61.66, -55.92, 44.35

 

CMYK 75 / 0 / 42 / 33

HEX #2BAB63

RGB 43 171 99

HSL 146.25, 0.6%, 0.42%

LAB 62.12, -50.59, 27.5

 

CMYK 75 / 0 / 22 / 33

HEX #2BAB86

RGB 43 171 134

HSL 162.66, 0.6%, 0.42%

LAB 62.81, -42.99, 9.37

 

CMYK 75 / 0 / 2 / 33

HEX #2BABA8

RGB 43 171 168

HSL 178.59, 0.6%, 0.42%

LAB 63.73, -33.76, -8.27

 

CMYK 67 / 0 / 75 / 33

HEX #38AB2B

RGB 56 171 43

HSL 113.91, 0.6%, 0.42%

LAB 61.78, -55.59, 53.12

 

CMYK 78 / 0 / 86 / 26

HEX #2ABD1A

RGB 42 189 26

HSL 114.11, 0.76%, 0.42%

LAB 67.25, -64.75, 63.06

 

CMYK 86 / 0 / 96 / 19

HEX #1CCE08

RGB 28 206 8

HSL 113.94, 0.93%, 0.42%

LAB 72.5, -71.73, 70.2

 

CMYK 67 / 0 / 75 / 33

HEX #38AB2B

RGB 56 171 43

HSL 113.91, 0.6%, 0.42%

LAB 61.78, -55.59, 53.12

 

CMYK 55 / 0 / 61 / 40

HEX #469A3C

RGB 70 154 60

HSL 113.62, 0.44%, 0.42%

LAB 56.82, -44.3, 40.87

 

CMYK 39 / 0 / 44 / 46

HEX #54894D

RGB 84 137 77

HSL 113, 0.28%, 0.42%

LAB 52.19, -30.23, 26.71

 

CMYK 18 / 0 / 20 / 53

HEX #61775F

RGB 97 119 95

HSL 115, 0.11%, 0.42%

LAB 47.7, -13.11, 10.58

 

CMYK 1 / 9 / 0 / 56

HEX #6F6670

RGB 111 102 112

HSL 294, 0.05%, 0.42%

LAB 44.31, 5.56, -4.33

 

CMYK 26 / 0 / 75 / 33

HEX #7EAB2B

RGB 126 171 43

HSL 81.09, 0.6%, 0.42%

LAB 64.75, -33.79, 57.05

 

CMYK 46 / 0 / 75 / 33

HEX #5CAB2B

RGB 92 171 43

HSL 97.03, 0.6%, 0.42%

LAB 62.99, -46.02, 54.73

 

CMYK 66 / 0 / 75 / 33

HEX #3AAB2B

RGB 58 171 43

HSL 112.97, 0.6%, 0.42%

LAB 61.83, -55.17, 53.19

 

CMYK 75 / 0 / 64 / 33

HEX #2BAB3E

RGB 43 171 62

HSL 128.91, 0.6%, 0.42%

LAB 61.64, -56.15, 45.23

 

CMYK 75 / 0 / 44 / 33

HEX #2BAB60

RGB 43 171 96

HSL 144.84, 0.6%, 0.42%

LAB 62.07, -51.14, 29.02

 

CMYK 68 / 0 / 75 / 59

HEX #22691A

RGB 34 105 26

HSL 113.92, 0.6%, 0.26%

LAB 38.76, -38.07, 36.11

 

CMYK 67 / 0 / 75 / 46

HEX #2D8A23

RGB 45 138 35

HSL 114.17, 0.6%, 0.34%

LAB 50.52, -47, 44.64

 

CMYK 67 / 0 / 75 / 33

HEX #38AB2B

RGB 56 171 43

HSL 113.91, 0.6%, 0.42%

LAB 61.78, -55.59, 53.12

 

CMYK 67 / 0 / 75 / 20

HEX #43CC33

RGB 67 204 51

HSL 113.73, 0.6%, 0.5%

LAB 72.64, -63.84, 61.25

 

CMYK 54 / 0 / 60 / 17

HEX #61D454

RGB 97 212 84

HSL 113.91, 0.6%, 0.58%

LAB 76.23, -56.85, 52.38

 

CMYK 68 / 0 / 75 / 33

HEX #37AA2A

RGB 55 170 42

HSL 113.91, 0.6%, 0.42%

LAB 61.42, -55.53, 53.11

 

CMYK 75 / 6 / 0 / 33

HEX #2BA1AB

RGB 43 161 171

HSL 184.69, 0.6%, 0.42%

LAB 60.73, -28.03, -14.44

 

CMYK 0 / 75 / 36 / 33

HEX #AB2B6D

RGB 171 43 109

HSL 329.06, 0.6%, 0.42%

LAB 40.39, 56.38, -7.44

 

CMYK 68 / 0 / 75 / 33

HEX #37AA2A

RGB 55 170 42

HSL 113.91, 0.6%, 0.42%

LAB 61.42, -55.53, 53.11

 

CMYK 75 / 66 / 0 / 33

HEX #2B3AAB

RGB 43 58 171

HSL 232.97, 0.6%, 0.42%

LAB 30.59, 34.11, -62.02

 

CMYK 0 / 75 / 66 / 33

HEX #AB2B3A

RGB 171 43 58

HSL 352.97, 0.6%, 0.42%

LAB 39.06, 52.05, 22.85

 

CMYK 68 / 0 / 75 / 33

HEX #37AA2A

RGB 55 170 42

HSL 113.91, 0.6%, 0.42%

LAB 61.42, -55.53, 53.11

 

CMYK 75 / 6 / 0 / 33

HEX #2BA1AB

RGB 43 161 171

HSL 184.69, 0.6%, 0.42%

LAB 60.73, -28.03, -14.44

 

CMYK 9 / 75 / 0 / 33

HEX #9C2BAB

RGB 156 43 171

HSL 292.97, 0.6%, 0.42%

LAB 40.79, 61.85, -44.89

 

CMYK 0 / 68 / 75 / 33

HEX #AB362B

RGB 171 54 43

HSL 5.16, 0.6%, 0.42%

LAB 40.36, 47.09, 33.45

 

CMYK 68 / 0 / 75 / 33

HEX #37AA2A

RGB 55 170 42

HSL 113.91, 0.6%, 0.42%

LAB 61.42, -55.53, 53.11

 

CMYK 75 / 29 / 0 / 33

HEX #2B7AAB

RGB 43 122 171

HSL 202.97, 0.6%, 0.42%

LAB 48.73, -6.96, -32.91

 

CMYK 9 / 75 / 0 / 33

HEX #9C2BAB

RGB 156 43 171

HSL 292.97, 0.6%, 0.42%

LAB 40.79, 61.85, -44.89

 

CMYK 0 / 46 / 75 / 33

HEX #AB5C2B

RGB 171 92 43

HSL 22.97, 0.6%, 0.42%

LAB 47.61, 28.38, 41.25

 

Description

Color code: HEX #37AA2A | qconv.com Color code: HEX #37AA2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 170 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 170 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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