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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37A8C3 it is the complementary color #C8573C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37A8C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37A8C3 shade: #3CA8BE, #4DBAD1, #5ECCE4, #6FDEF7 and #80F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37A8C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37A8C3 shade: #37A8C3, #2696B0, #15849D, #04728A and #006077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37A8C3 shade: #37A8C3, #3782C3, #375CC3, #3737C3 and #5D37C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37A8C3 shade: #37A8C3, #3782C3, #375CC3 and #3737C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37A8C3 shade matches the following richer shades: #37A8C3, #23B4D7 and #0FC1EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37A8C3 shade: #37A8C3, #4B9CAF, #5F8F9A, #748386 and #887672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37A8C3 shade: #37C392, #37C3B7, #37A9C3, #3784C3 and #375FC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37A8C3 shade: #257083, #2E8CA3, #37A8C3, #54B7CF and #74C5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37A8C3 shade: #37A8C3, #6D37C3 and #C3A537

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37A8C3 shade: #37A8C3, #C337A9 and #A9C337

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37A8C3 shade: #37A8C3, #6D37C3, #C35137 and #8DC337

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37A8C3 shade: #37A8C3, #9737C3, #C35137 and #63C337

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

Complementary color

CMYK 0 / 57 / 70 / 22

HEX #C8573C

RGB 200 87 60

HSL 11.57, 0.56%, 0.51%

LAB 51.18, 43.31, 37.47

 

CMYK 68 / 12 / 0 / 25

HEX #3CA8BE

RGB 60 168 190

HSL 190.15, 0.52%, 0.49%

LAB 63.9, -23.37, -20.25

 

CMYK 63 / 11 / 0 / 18

HEX #4DBAD1

RGB 77 186 209

HSL 190.45, 0.59%, 0.56%

LAB 70.38, -24.05, -20.83

 

CMYK 59 / 11 / 0 / 11

HEX #5ECCE4

RGB 94 204 228

HSL 190.75, 0.71%, 0.63%

LAB 76.78, -24.56, -21.37

 

CMYK 55 / 10 / 0 / 3

HEX #6FDEF7

RGB 111 222 247

HSL 191.03, 0.89%, 0.7%

LAB 83.09, -24.94, -21.87

 

CMYK 50 / 6 / 0 / 0

HEX #80F0FF

RGB 128 240 255

HSL 187.09, 1%, 0.75%

LAB 88.98, -28.14, -17.12

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 78 / 15 / 0 / 31

HEX #2696B0

RGB 38 150 176

HSL 191.3, 0.64%, 0.42%

LAB 57.42, -21.37, -22.32

 

CMYK 87 / 16 / 0 / 38

HEX #15849D

RGB 21 132 157

HSL 191.03, 0.76%, 0.35%

LAB 50.8, -19.87, -21.59

 

CMYK 97 / 17 / 0 / 46

HEX #04728A

RGB 4 114 138

HSL 190.75, 0.94%, 0.28%

LAB 44.08, -17.89, -20.75

 

CMYK 100 / 19 / 0 / 53

HEX #006077

RGB 0 96 119

HSL 191.6, 1%, 0.23%

LAB 37.29, -15.14, -19.74

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 72 / 33 / 0 / 24

HEX #3782C3

RGB 55 130 195

HSL 207.86, 0.56%, 0.49%

LAB 52.64, -1.42, -40.56

 

CMYK 72 / 53 / 0 / 24

HEX #375CC3

RGB 55 92 195

HSL 224.14, 0.56%, 0.49%

LAB 41.86, 22.34, -57.79

 

CMYK 72 / 72 / 0 / 24

HEX #3737C3

RGB 55 55 195

HSL 240, 0.56%, 0.49%

LAB 32.89, 45.52, -72.44

 

CMYK 52 / 72 / 0 / 24

HEX #5D37C3

RGB 93 55 195

HSL 256.29, 0.56%, 0.49%

LAB 35.98, 50.45, -67.24

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 72 / 33 / 0 / 24

HEX #3782C3

RGB 55 130 195

HSL 207.86, 0.56%, 0.49%

LAB 52.64, -1.42, -40.56

 

CMYK 72 / 53 / 0 / 24

HEX #375CC3

RGB 55 92 195

HSL 224.14, 0.56%, 0.49%

LAB 41.86, 22.34, -57.79

 

CMYK 72 / 72 / 0 / 24

HEX #3737C3

RGB 55 55 195

HSL 240, 0.56%, 0.49%

LAB 32.89, 45.52, -72.44

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 84 / 16 / 0 / 16

HEX #23B4D7

RGB 35 180 215

HSL 191.67, 0.72%, 0.49%

LAB 67.95, -24.17, -27.92

 

CMYK 94 / 18 / 0 / 8

HEX #0FC1EB

RGB 15 193 235

HSL 191.45, 0.88%, 0.49%

LAB 72.39, -25.14, -32

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 57 / 11 / 0 / 31

HEX #4B9CAF

RGB 75 156 175

HSL 191.4, 0.4%, 0.49%

LAB 60.22, -19.1, -17.39

 

CMYK 38 / 7 / 0 / 40

HEX #5F8F9A

RGB 95 143 154

HSL 191.19, 0.24%, 0.49%

LAB 56.5, -13.25, -10.97

 

CMYK 13 / 2 / 0 / 47

HEX #748386

RGB 116 131 134

HSL 190, 0.07%, 0.49%

LAB 53.67, -4.8, -3.48

 

CMYK 0 / 13 / 16 / 47

HEX #887672

RGB 136 118 114

HSL 10.91, 0.09%, 0.49%

LAB 51.16, 6.27, 4.76

 

CMYK 72 / 0 / 25 / 24

HEX #37C392

RGB 55 195 146

HSL 159, 0.56%, 0.49%

LAB 70.81, -48.47, 14.13

 

CMYK 72 / 0 / 6 / 24

HEX #37C3B7

RGB 55 195 183

HSL 174.86, 0.56%, 0.49%

LAB 71.73, -39.1, -4.65

 

CMYK 72 / 13 / 0 / 24

HEX #37A9C3

RGB 55 169 195

HSL 191.14, 0.56%, 0.49%

LAB 64.26, -23.01, -22.49

 

CMYK 72 / 32 / 0 / 24

HEX #3784C3

RGB 55 132 195

HSL 207, 0.56%, 0.49%

LAB 53.23, -2.61, -39.63

 

CMYK 72 / 51 / 0 / 24

HEX #375FC3

RGB 55 95 195

HSL 222.86, 0.56%, 0.49%

LAB 42.67, 20.4, -56.48

 

CMYK 72 / 15 / 0 / 49

HEX #257083

RGB 37 112 131

HSL 192.13, 0.56%, 0.33%

LAB 43.68, -16.18, -17.13

 

CMYK 72 / 14 / 0 / 36

HEX #2E8CA3

RGB 46 140 163

HSL 191.79, 0.56%, 0.41%

LAB 54.01, -19.4, -20.1

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 59 / 12 / 0 / 19

HEX #54B7CF

RGB 84 183 207

HSL 191.71, 0.56%, 0.57%

LAB 69.65, -21.89, -20.83

 

CMYK 46 / 9 / 0 / 15

HEX #74C5D8

RGB 116 197 216

HSL 191.4, 0.56%, 0.65%

LAB 75.2, -19.79, -17.21

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 44 / 72 / 0 / 24

HEX #6D37C3

RGB 109 55 195

HSL 263.14, 0.56%, 0.49%

LAB 37.71, 53.09, -64.36

 

CMYK 0 / 15 / 72 / 24

HEX #C3A537

RGB 195 165 55

HSL 47.14, 0.56%, 0.49%

LAB 68.6, -0.72, 58.19

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 0 / 72 / 13 / 24

HEX #C337A9

RGB 195 55 169

HSL 311.14, 0.56%, 0.49%

LAB 48.51, 66.24, -31.08

 

CMYK 13 / 0 / 72 / 24

HEX #A9C337

RGB 169 195 55

HSL 71.14, 0.56%, 0.49%

LAB 74.66, -27.13, 63.44

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 44 / 72 / 0 / 24

HEX #6D37C3

RGB 109 55 195

HSL 263.14, 0.56%, 0.49%

LAB 37.71, 53.09, -64.36

 

CMYK 0 / 58 / 72 / 24

HEX #C35137

RGB 195 81 55

HSL 11.14, 0.56%, 0.49%

LAB 49.21, 44.08, 37.76

 

CMYK 28 / 0 / 72 / 24

HEX #8DC337

RGB 141 195 55

HSL 83.14, 0.56%, 0.49%

LAB 72.87, -38.19, 61.08

 

CMYK 72 / 14 / 0 / 24

HEX #37A8C3

RGB 55 168 195

HSL 191.57, 0.56%, 0.49%

LAB 63.96, -22.49, -22.95

 

CMYK 23 / 72 / 0 / 24

HEX #9737C3

RGB 151 55 195

HSL 281.14, 0.56%, 0.49%

LAB 43.14, 61.02, -55.29

 

CMYK 0 / 58 / 72 / 24

HEX #C35137

RGB 195 81 55

HSL 11.14, 0.56%, 0.49%

LAB 49.21, 44.08, 37.76

 

CMYK 49 / 0 / 72 / 24

HEX #63C337

RGB 99 195 55

HSL 101.14, 0.56%, 0.49%

LAB 70.84, -52.47, 58.37

 

Description

Color code: HEX #37A8C3 | qconv.com Color code: HEX #37A8C3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 168 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 168 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 14 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 14% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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