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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37A2AC it is the complementary color #C85D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37A2AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37A2AC shade: #3CA2A7, #4DB4BA, #5EC6CD, #6FD8E0 and #80EAF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37A2AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37A2AC shade: #37A2AC, #269099, #157E86, #046C73 and #005A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37A2AC shade: #37A4AE, #3784AE, #3764AE, #3744AE and #4B37AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37A2AC shade: #37A4AE, #3784AE, #3764AE, #3744AE and #3737AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37A2AC shade matches the following richer shades: #37A4AE, #25B4C1 and #12C3D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37A2AC shade: #37A4AE, #4A959C, #5C8589, #6F7677 and #816764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37A2AC shade: #37AE79, #37AE99, #37A4AE, #3785AE and #3765AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37A2AC shade: #236970, #2D878F, #37A4AE, #49BBC6 and #69C7CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37A2AC shade: #37A2AC, #5937AE and #AE8937

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37A2AC shade: #37A2AC, #AE37A4 and #A4AE37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37A2AC shade: #37A2AC, #5937AE, #AE4137 and #8DAE37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37A2AC shade: #37A2AC, #7D37AE, #AE4137 and #69AE37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 6 / 0 / 33

HEX #37A2AC

RGB 55 162 172

HSL 185.13, 0.52%, 0.45%

LAB 61.33, -26.61, -14.07

 

Complementary color

CMYK 0 / 54 / 59 / 22

HEX #C85D53

RGB 200 93 83

HSL 5.13, 0.52%, 0.55%

LAB 52.66, 41.82, 26.25

 

CMYK 64 / 3 / 0 / 35

HEX #3CA2A7

RGB 60 162 167

HSL 182.8, 0.47%, 0.45%

LAB 61.3, -27.32, -11.29

 

CMYK 59 / 3 / 0 / 27

HEX #4DB4BA

RGB 77 180 186

HSL 183.3, 0.44%, 0.52%

LAB 67.85, -27.75, -12.02

 

CMYK 54 / 3 / 0 / 20

HEX #5EC6CD

RGB 94 198 205

HSL 183.78, 0.53%, 0.59%

LAB 74.3, -28.04, -12.69

 

CMYK 50 / 4 / 0 / 12

HEX #6FD8E0

RGB 111 216 224

HSL 184.25, 0.65%, 0.66%

LAB 80.67, -28.23, -13.31

 

CMYK 47 / 4 / 0 / 5

HEX #80EAF3

RGB 128 234 243

HSL 184.7, 0.83%, 0.73%

LAB 86.95, -28.36, -13.89

 

CMYK 68 / 6 / 0 / 33

HEX #37A2AC

RGB 55 162 172

HSL 185.13, 0.52%, 0.45%

LAB 61.33, -26.61, -14.07

 

CMYK 75 / 6 / 0 / 40

HEX #269099

RGB 38 144 153

HSL 184.7, 0.6%, 0.37%

LAB 54.72, -25.77, -13.28

 

CMYK 84 / 6 / 0 / 47

HEX #157E86

RGB 21 126 134

HSL 184.25, 0.73%, 0.3%

LAB 48.01, -24.56, -12.37

 

CMYK 97 / 6 / 0 / 55

HEX #046C73

RGB 4 108 115

HSL 183.78, 0.93%, 0.23%

LAB 41.2, -22.89, -11.32

 

CMYK 100 / 6 / 0 / 62

HEX #005A60

RGB 0 90 96

HSL 183.75, 1%, 0.19%

LAB 34.31, -20.36, -10.04

 

CMYK 68 / 6 / 0 / 32

HEX #37A4AE

RGB 55 164 174

HSL 185.04, 0.52%, 0.45%

LAB 62.01, -27.01, -14.17

 

CMYK 68 / 24 / 0 / 32

HEX #3784AE

RGB 55 132 174

HSL 201.18, 0.52%, 0.45%

LAB 52.25, -9.93, -29.12

 

CMYK 68 / 43 / 0 / 32

HEX #3764AE

RGB 55 100 174

HSL 217.31, 0.52%, 0.45%

LAB 42.74, 9.44, -44.11

 

CMYK 68 / 61 / 0 / 32

HEX #3744AE

RGB 55 68 174

HSL 233.45, 0.52%, 0.45%

LAB 33.99, 30.27, -58.23

 

CMYK 57 / 68 / 0 / 32

HEX #4B37AE

RGB 75 55 174

HSL 250.08, 0.52%, 0.45%

LAB 32.45, 41.37, -60.69

 

CMYK 68 / 6 / 0 / 32

HEX #37A4AE

RGB 55 164 174

HSL 185.04, 0.52%, 0.45%

LAB 62.01, -27.01, -14.17

 

CMYK 68 / 24 / 0 / 32

HEX #3784AE

RGB 55 132 174

HSL 201.18, 0.52%, 0.45%

LAB 52.25, -9.93, -29.12

 

CMYK 68 / 43 / 0 / 32

HEX #3764AE

RGB 55 100 174

HSL 217.31, 0.52%, 0.45%

LAB 42.74, 9.44, -44.11

 

CMYK 68 / 61 / 0 / 32

HEX #3744AE

RGB 55 68 174

HSL 233.45, 0.52%, 0.45%

LAB 33.99, 30.27, -58.23

 

CMYK 68 / 68 / 0 / 32

HEX #3737AE

RGB 55 55 174

HSL 240, 0.52%, 0.45%

LAB 30.88, 38.47, -63.31

 

CMYK 68 / 6 / 0 / 32

HEX #37A4AE

RGB 55 164 174

HSL 185.04, 0.52%, 0.45%

LAB 62.01, -27.01, -14.17

 

CMYK 81 / 7 / 0 / 24

HEX #25B4C1

RGB 37 180 193

HSL 185, 0.68%, 0.45%

LAB 67.19, -31.08, -16.96

 

CMYK 92 / 8 / 0 / 17

HEX #12C3D4

RGB 18 195 212

HSL 185.26, 0.84%, 0.45%

LAB 72.17, -33.49, -19.85

 

CMYK 68 / 6 / 0 / 32

HEX #37A4AE

RGB 55 164 174

HSL 185.04, 0.52%, 0.45%

LAB 62.01, -27.01, -14.17

 

CMYK 53 / 4 / 0 / 39

HEX #4A959C

RGB 74 149 156

HSL 185.12, 0.36%, 0.45%

LAB 57.42, -21.19, -10.83

 

CMYK 33 / 3 / 0 / 46

HEX #5C8589

RGB 92 133 137

HSL 185.33, 0.2%, 0.45%

LAB 52.79, -13.07, -6.7

 

CMYK 7 / 1 / 0 / 53

HEX #6F7677

RGB 111 118 119

HSL 187.5, 0.03%, 0.45%

LAB 49.09, -2.41, -1.46

 

CMYK 0 / 20 / 22 / 49

HEX #816764

RGB 129 103 100

HSL 6.21, 0.13%, 0.45%

LAB 46.03, 9.89, 5.63

 

CMYK 68 / 0 / 30 / 32

HEX #37AE79

RGB 55 174 121

HSL 153.28, 0.52%, 0.45%

LAB 63.73, -45.44, 17.84

 

CMYK 68 / 0 / 12 / 32

HEX #37AE99

RGB 55 174 153

HSL 169.41, 0.52%, 0.45%

LAB 64.47, -37.73, 1.22

 

CMYK 68 / 6 / 0 / 32

HEX #37A4AE

RGB 55 164 174

HSL 185.04, 0.52%, 0.45%

LAB 62.01, -27.01, -14.17

 

CMYK 68 / 24 / 0 / 32

HEX #3785AE

RGB 55 133 174

HSL 200.67, 0.52%, 0.45%

LAB 52.56, -10.5, -28.65

 

CMYK 68 / 42 / 0 / 32

HEX #3765AE

RGB 55 101 174

HSL 216.81, 0.52%, 0.45%

LAB 43.03, 8.81, -43.65

 

CMYK 69 / 6 / 0 / 56

HEX #236970

RGB 35 105 112

HSL 185.45, 0.52%, 0.29%

LAB 40.62, -18.99, -10.32

 

CMYK 69 / 6 / 0 / 44

HEX #2D878F

RGB 45 135 143

HSL 184.9, 0.52%, 0.37%

LAB 51.69, -23.35, -12.04

 

CMYK 68 / 6 / 0 / 32

HEX #37A4AE

RGB 55 164 174

HSL 185.04, 0.52%, 0.45%

LAB 62.01, -27.01, -14.17

 

CMYK 63 / 6 / 0 / 22

HEX #49BBC6

RGB 73 187 198

HSL 185.28, 0.52%, 0.53%

LAB 70.2, -28.45, -15.1

 

CMYK 49 / 4 / 0 / 19

HEX #69C7CF

RGB 105 199 207

HSL 184.71, 0.52%, 0.61%

LAB 75.05, -25.69, -12.61

 

CMYK 68 / 6 / 0 / 33

HEX #37A2AC

RGB 55 162 172

HSL 185.13, 0.52%, 0.45%

LAB 61.33, -26.61, -14.07

 

CMYK 49 / 68 / 0 / 32

HEX #5937AE

RGB 89 55 174

HSL 257.14, 0.52%, 0.45%

LAB 33.8, 43.79, -58.42

 

CMYK 0 / 21 / 68 / 32

HEX #AE8937

RGB 174 137 55

HSL 41.34, 0.52%, 0.45%

LAB 59.13, 5.23, 47.8

 

CMYK 68 / 6 / 0 / 33

HEX #37A2AC

RGB 55 162 172

HSL 185.13, 0.52%, 0.45%

LAB 61.33, -26.61, -14.07

 

CMYK 0 / 68 / 6 / 32

HEX #AE37A4

RGB 174 55 164

HSL 305.04, 0.52%, 0.45%

LAB 44.82, 60.43, -34.15

 

CMYK 6 / 0 / 68 / 32

HEX #A4AE37

RGB 164 174 55

HSL 65.04, 0.52%, 0.45%

LAB 68.34, -18.88, 57.05

 

CMYK 68 / 6 / 0 / 33

HEX #37A2AC

RGB 55 162 172

HSL 185.13, 0.52%, 0.45%

LAB 61.33, -26.61, -14.07

 

CMYK 49 / 68 / 0 / 32

HEX #5937AE

RGB 89 55 174

HSL 257.14, 0.52%, 0.45%

LAB 33.8, 43.79, -58.42

 

CMYK 0 / 63 / 68 / 32

HEX #AE4137

RGB 174 65 55

HSL 5.04, 0.52%, 0.45%

LAB 42.85, 43.92, 29.47

 

CMYK 19 / 0 / 68 / 32

HEX #8DAE37

RGB 141 174 55

HSL 76.64, 0.52%, 0.45%

LAB 66.68, -28.47, 54.82

 

CMYK 68 / 6 / 0 / 33

HEX #37A2AC

RGB 55 162 172

HSL 185.13, 0.52%, 0.45%

LAB 61.33, -26.61, -14.07

 

CMYK 28 / 68 / 0 / 32

HEX #7D37AE

RGB 125 55 174

HSL 275.29, 0.52%, 0.45%

LAB 38.11, 51.03, -51.23

 

CMYK 0 / 63 / 68 / 32

HEX #AE4137

RGB 174 65 55

HSL 5.04, 0.52%, 0.45%

LAB 42.85, 43.92, 29.47

 

CMYK 40 / 0 / 68 / 32

HEX #69AE37

RGB 105 174 55

HSL 94.79, 0.52%, 0.45%

LAB 64.6, -42.07, 52.02

 

Description

Color code: HEX #37A2AC | qconv.com Color code: HEX #37A2AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 162 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 162 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 6 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 6% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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