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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37A03C it is the complementary color #C85FC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37A03C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37A03C shade: #3CA037, #4DB24A, #5EC45D, #6FD670 and #80E883

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37A03C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37A03C shade: #37A03C, #268E29, #157C16, #046A03 and #005800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37A03C shade: #37A03C, #4EA037, #6AA037, #87A037 and #A09C37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37A03C shade: #37A03C, #37A058, #37A074, #37A091 and #3792A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37A03C shade matches the following richer shades: #37A03C, #25B12C, #14C21C and #03D40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37A03C shade: #37A03C, #488E4B, #597D5B, #6B6C6B and #7C5A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37A03C shade: #6BA037, #4FA037, #37A03A, #37A056 and #37A072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37A03C shade: #226225, #2C8130, #37A03C, #41BE47 and #60C965

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37A03C shade: #37A03C, #3787A0 and #A0375D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37A03C shade: #37A03C, #3A37A0 and #A03A37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37A03C shade: #37A03C, #3787A0, #A0379C and #A04F37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37A03C shade: #37A03C, #3768A0, #A0379C and #A06F37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

Complementary color

CMYK 0 / 53 / 3 / 22

HEX #C85FC3

RGB 200 95 195

HSL 302.86, 0.49%, 0.58%

LAB 56.49, 55.11, -33.67

 

CMYK 63 / 0 / 66 / 37

HEX #3CA037

RGB 60 160 55

HSL 117.14, 0.49%, 0.42%

LAB 58.39, -49.72, 44.82

 

CMYK 57 / 0 / 58 / 30

HEX #4DB24A

RGB 77 178 74

HSL 118.27, 0.41%, 0.49%

LAB 64.89, -50.21, 43.69

 

CMYK 52 / 0 / 53 / 23

HEX #5EC45D

RGB 94 196 93

HSL 119.42, 0.47%, 0.57%

LAB 71.32, -50.42, 42.43

 

CMYK 48 / 0 / 48 / 16

HEX #6FD670

RGB 111 214 112

HSL 120.58, 0.56%, 0.64%

LAB 77.66, -50.44, 41.14

 

CMYK 45 / 0 / 44 / 9

HEX #80E883

RGB 128 232 131

HSL 121.73, 0.69%, 0.71%

LAB 83.94, -50.35, 39.87

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 73 / 0 / 71 / 44

HEX #268E29

RGB 38 142 41

HSL 121.73, 0.58%, 0.35%

LAB 51.74, -49.28, 43.46

 

CMYK 83 / 0 / 82 / 51

HEX #157C16

RGB 21 124 22

HSL 120.58, 0.71%, 0.28%

LAB 45.13, -47.49, 43.8

 

CMYK 96 / 0 / 97 / 58

HEX #046A03

RGB 4 106 3

HSL 119.42, 0.94%, 0.21%

LAB 38.45, -44.62, 42.86

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 51 / 0 / 66 / 37

HEX #4EA037

RGB 78 160 55

HSL 106.86, 0.49%, 0.42%

LAB 59.01, -44.94, 45.67

 

CMYK 34 / 0 / 66 / 37

HEX #6AA037

RGB 106 160 55

HSL 90.86, 0.49%, 0.42%

LAB 60.32, -35.57, 47.47

 

CMYK 16 / 0 / 66 / 37

HEX #87A037

RGB 135 160 55

HSL 74.29, 0.49%, 0.42%

LAB 62.14, -24.11, 49.96

 

CMYK 0 / 2 / 66 / 37

HEX #A09C37

RGB 160 156 55

HSL 57.71, 0.49%, 0.42%

LAB 62.95, -11.31, 51.41

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 66 / 0 / 45 / 37

HEX #37A058

RGB 55 160 88

HSL 138.86, 0.49%, 0.42%

LAB 58.66, -46.25, 28.89

 

CMYK 66 / 0 / 28 / 37

HEX #37A074

RGB 55 160 116

HSL 154.86, 0.49%, 0.42%

LAB 59.17, -40.67, 14.3

 

CMYK 66 / 0 / 9 / 37

HEX #37A091

RGB 55 160 145

HSL 171.43, 0.49%, 0.42%

LAB 59.89, -33.43, -0.98

 

CMYK 66 / 9 / 0 / 37

HEX #3792A0

RGB 55 146 160

HSL 188, 0.49%, 0.42%

LAB 56, -22.14, -15.33

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 79 / 0 / 75 / 31

HEX #25B12C

RGB 37 177 44

HSL 123, 0.65%, 0.42%

LAB 63.36, -60.68, 54.23

 

CMYK 90 / 0 / 86 / 24

HEX #14C21C

RGB 20 194 28

HSL 122.76, 0.81%, 0.42%

LAB 68.62, -68.38, 63.73

 

CMYK 99 / 0 / 94 / 17

HEX #03D40D

RGB 3 212 13

HSL 122.87, 0.97%, 0.42%

LAB 74.28, -74.62, 71.08

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 49 / 0 / 47 / 44

HEX #488E4B

RGB 72 142 75

HSL 122.57, 0.33%, 0.42%

LAB 53.2, -36.67, 28.97

 

CMYK 29 / 0 / 27 / 51

HEX #597D5B

RGB 89 125 91

HSL 123.33, 0.17%, 0.42%

LAB 48.94, -20.07, 14.55

 

CMYK 1 / 0 / 1 / 58

HEX #6B6C6B

RGB 107 108 107

HSL 120, 0%, 0.42%

LAB 45.51, -0.59, 0.42

 

CMYK 0 / 27 / 2 / 51

HEX #7C5A7A

RGB 124 90 122

HSL 303.53, 0.16%, 0.42%

LAB 42.77, 19.75, -12.57

 

CMYK 33 / 0 / 66 / 37

HEX #6BA037

RGB 107 160 55

HSL 90.29, 0.49%, 0.42%

LAB 60.38, -35.2, 47.55

 

CMYK 51 / 0 / 66 / 37

HEX #4FA037

RGB 79 160 55

HSL 106.29, 0.49%, 0.42%

LAB 59.05, -44.64, 45.72

 

CMYK 66 / 0 / 64 / 37

HEX #37A03A

RGB 55 160 58

HSL 121.71, 0.49%, 0.42%

LAB 58.28, -50.52, 43.32

 

CMYK 66 / 0 / 46 / 37

HEX #37A056

RGB 55 160 86

HSL 137.71, 0.49%, 0.42%

LAB 58.63, -46.59, 29.91

 

CMYK 66 / 0 / 29 / 37

HEX #37A072

RGB 55 160 114

HSL 153.71, 0.49%, 0.42%

LAB 59.13, -41.11, 15.36

 

CMYK 65 / 0 / 62 / 62

HEX #226225

RGB 34 98 37

HSL 122.81, 0.48%, 0.26%

LAB 36.38, -34.04, 28.31

 

CMYK 66 / 0 / 63 / 49

HEX #2C8130

RGB 44 129 48

HSL 122.82, 0.49%, 0.34%

LAB 47.56, -42.55, 35.77

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 66 / 0 / 63 / 25

HEX #41BE47

RGB 65 190 71

HSL 122.88, 0.49%, 0.5%

LAB 68.32, -57.7, 48.88

 

CMYK 52 / 0 / 50 / 21

HEX #60C965

RGB 96 201 101

HSL 122.86, 0.49%, 0.58%

LAB 73.02, -50.79, 40.64

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 66 / 16 / 0 / 37

HEX #3787A0

RGB 55 135 160

HSL 194.29, 0.49%, 0.42%

LAB 52.6, -16.27, -20.51

 

CMYK 0 / 66 / 42 / 37

HEX #A0375D

RGB 160 55 93

HSL 338.29, 0.49%, 0.42%

LAB 39.57, 46.73, 1.17

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 64 / 66 / 0 / 37

HEX #3A37A0

RGB 58 55 160

HSL 241.71, 0.49%, 0.42%

LAB 29.84, 34.11, -56.59

 

CMYK 0 / 64 / 66 / 37

HEX #A03A37

RGB 160 58 55

HSL 1.71, 0.49%, 0.42%

LAB 39.2, 42.11, 24.45

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 66 / 16 / 0 / 37

HEX #3787A0

RGB 55 135 160

HSL 194.29, 0.49%, 0.42%

LAB 52.6, -16.27, -20.51

 

CMYK 0 / 66 / 2 / 37

HEX #A0379C

RGB 160 55 156

HSL 302.29, 0.49%, 0.42%

LAB 42.16, 55.66, -33.7

 

CMYK 0 / 51 / 66 / 37

HEX #A04F37

RGB 160 79 55

HSL 13.71, 0.49%, 0.42%

LAB 43.27, 31.55, 29.44

 

CMYK 66 / 0 / 63 / 37

HEX #37A03C

RGB 55 160 60

HSL 122.86, 0.49%, 0.42%

LAB 58.3, -50.29, 42.43

 

CMYK 66 / 35 / 0 / 37

HEX #3768A0

RGB 55 104 160

HSL 212, 0.49%, 0.42%

LAB 43.14, 1.85, -35.22

 

CMYK 0 / 66 / 2 / 37

HEX #A0379C

RGB 160 55 156

HSL 302.29, 0.49%, 0.42%

LAB 42.16, 55.66, -33.7

 

CMYK 0 / 31 / 66 / 37

HEX #A06F37

RGB 160 111 55

HSL 32, 0.49%, 0.42%

LAB 50.83, 13.61, 38.25

 

Description

Color code: HEX #37A03C | qconv.com Color code: HEX #37A03C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 160 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 160 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 63 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 63% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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