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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #379CAC it is the complementary color #C86353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #379CAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #379CAC shade: #3C9CA7, #4DAEBA, #5EC0CD, #6FD2E0 and #80E4F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #379CAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #379CAC shade: #379CAC, #268A99, #157886, #046673 and #005460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #379CAC shade: #379EAE, #377EAE, #375EAE, #373EAE and #5137AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #379CAC shade: #379EAE, #377EAE, #375EAE, #373EAE and #3737AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #379CAC shade matches the following richer shades: #379EAE, #25ACC1 and #12B9D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #379CAC shade: #379EAE, #4A919C, #5C8389, #6F7677 and #816864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #379CAC shade: #37AE7F, #37AE9F, #379FAE, #377FAE and #375FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #379CAC shade: #236570, #2D828F, #379EAE, #49B5C6 and #69C1CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #379CAC shade: #379CAC, #5F37AE and #AE8F37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #379CAC shade: #379CAC, #AE379F and #9FAE37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #379CAC shade: #379CAC, #5F37AE, #AE4737 and #87AE37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #379CAC shade: #379CAC, #8337AE, #AE4737 and #63AE37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 9 / 0 / 33

HEX #379CAC

RGB 55 156 172

HSL 188.21, 0.52%, 0.45%

LAB 59.5, -23.57, -16.85

 

Complementary color

CMYK 0 / 51 / 59 / 22

HEX #C86353

RGB 200 99 83

HSL 8.21, 0.52%, 0.55%

LAB 53.84, 38.79, 27.77

 

CMYK 64 / 7 / 0 / 35

HEX #3C9CA7

RGB 60 156 167

HSL 186.17, 0.47%, 0.45%

LAB 59.46, -24.3, -14.06

 

CMYK 59 / 6 / 0 / 27

HEX #4DAEBA

RGB 77 174 186

HSL 186.61, 0.44%, 0.52%

LAB 66.06, -24.76, -14.72

 

CMYK 54 / 6 / 0 / 20

HEX #5EC0CD

RGB 94 192 205

HSL 187.03, 0.53%, 0.59%

LAB 72.55, -25.08, -15.32

 

CMYK 50 / 6 / 0 / 12

HEX #6FD2E0

RGB 111 210 224

HSL 187.43, 0.65%, 0.66%

LAB 78.96, -25.29, -15.87

 

CMYK 47 / 6 / 0 / 5

HEX #80E4F3

RGB 128 228 243

HSL 187.83, 0.83%, 0.73%

LAB 85.27, -25.44, -16.4

 

CMYK 68 / 9 / 0 / 33

HEX #379CAC

RGB 55 156 172

HSL 188.21, 0.52%, 0.45%

LAB 59.5, -23.57, -16.85

 

CMYK 75 / 10 / 0 / 40

HEX #268A99

RGB 38 138 153

HSL 187.83, 0.6%, 0.37%

LAB 52.83, -22.69, -16.14

 

CMYK 84 / 10 / 0 / 47

HEX #157886

RGB 21 120 134

HSL 187.43, 0.73%, 0.3%

LAB 46.06, -21.44, -15.32

 

CMYK 97 / 11 / 0 / 55

HEX #046673

RGB 4 102 115

HSL 187.03, 0.93%, 0.23%

LAB 39.18, -19.69, -14.38

 

CMYK 100 / 13 / 0 / 62

HEX #005460

RGB 0 84 96

HSL 187.5, 1%, 0.19%

LAB 32.22, -17.06, -13.21

 

CMYK 68 / 9 / 0 / 32

HEX #379EAE

RGB 55 158 174

HSL 188.07, 0.52%, 0.45%

LAB 60.18, -23.98, -16.95

 

CMYK 68 / 28 / 0 / 32

HEX #377EAE

RGB 55 126 174

HSL 204.2, 0.52%, 0.45%

LAB 50.44, -6.47, -31.95

 

CMYK 68 / 46 / 0 / 32

HEX #375EAE

RGB 55 94 174

HSL 220.34, 0.52%, 0.45%

LAB 41.01, 13.3, -46.87

 

CMYK 68 / 64 / 0 / 32

HEX #373EAE

RGB 55 62 174

HSL 236.47, 0.52%, 0.45%

LAB 32.51, 34.11, -60.64

 

CMYK 53 / 68 / 0 / 32

HEX #5137AE

RGB 81 55 174

HSL 253.11, 0.52%, 0.45%

LAB 33, 42.38, -59.76

 

CMYK 68 / 9 / 0 / 32

HEX #379EAE

RGB 55 158 174

HSL 188.07, 0.52%, 0.45%

LAB 60.18, -23.98, -16.95

 

CMYK 68 / 28 / 0 / 32

HEX #377EAE

RGB 55 126 174

HSL 204.2, 0.52%, 0.45%

LAB 50.44, -6.47, -31.95

 

CMYK 68 / 46 / 0 / 32

HEX #375EAE

RGB 55 94 174

HSL 220.34, 0.52%, 0.45%

LAB 41.01, 13.3, -46.87

 

CMYK 68 / 64 / 0 / 32

HEX #373EAE

RGB 55 62 174

HSL 236.47, 0.52%, 0.45%

LAB 32.51, 34.11, -60.64

 

CMYK 68 / 68 / 0 / 32

HEX #3737AE

RGB 55 55 174

HSL 240, 0.52%, 0.45%

LAB 30.88, 38.47, -63.31

 

CMYK 68 / 9 / 0 / 32

HEX #379EAE

RGB 55 158 174

HSL 188.07, 0.52%, 0.45%

LAB 60.18, -23.98, -16.95

 

CMYK 81 / 11 / 0 / 24

HEX #25ACC1

RGB 37 172 193

HSL 188.08, 0.68%, 0.45%

LAB 64.76, -27.15, -20.65

 

CMYK 92 / 13 / 0 / 17

HEX #12B9D4

RGB 18 185 212

HSL 188.35, 0.84%, 0.45%

LAB 69.17, -28.65, -24.42

 

CMYK 68 / 9 / 0 / 32

HEX #379EAE

RGB 55 158 174

HSL 188.07, 0.52%, 0.45%

LAB 60.18, -23.98, -16.95

 

CMYK 53 / 7 / 0 / 39

HEX #4A919C

RGB 74 145 156

HSL 188.05, 0.36%, 0.45%

LAB 56.19, -19.09, -12.67

 

CMYK 33 / 4 / 0 / 46

HEX #5C8389

RGB 92 131 137

HSL 188, 0.2%, 0.45%

LAB 52.19, -11.96, -7.6

 

CMYK 7 / 1 / 0 / 53

HEX #6F7677

RGB 111 118 119

HSL 187.5, 0.03%, 0.45%

LAB 49.09, -2.41, -1.46

 

CMYK 0 / 19 / 22 / 49

HEX #816864

RGB 129 104 100

HSL 8.28, 0.13%, 0.45%

LAB 46.3, 9.3, 6.01

 

CMYK 68 / 0 / 27 / 32

HEX #37AE7F

RGB 55 174 127

HSL 156.3, 0.52%, 0.45%

LAB 63.85, -44.12, 14.73

 

CMYK 68 / 0 / 9 / 32

HEX #37AE9F

RGB 55 174 159

HSL 172.44, 0.52%, 0.45%

LAB 64.63, -36.12, -1.88

 

CMYK 68 / 9 / 0 / 32

HEX #379FAE

RGB 55 159 174

HSL 187.56, 0.52%, 0.45%

LAB 60.48, -24.49, -16.48

 

CMYK 68 / 27 / 0 / 32

HEX #377FAE

RGB 55 127 174

HSL 203.7, 0.52%, 0.45%

LAB 50.74, -7.05, -31.47

 

CMYK 68 / 45 / 0 / 32

HEX #375FAE

RGB 55 95 174

HSL 219.83, 0.52%, 0.45%

LAB 41.3, 12.65, -46.41

 

CMYK 69 / 10 / 0 / 56

HEX #236570

RGB 35 101 112

HSL 188.57, 0.52%, 0.29%

LAB 39.3, -16.79, -12.32

 

CMYK 69 / 9 / 0 / 44

HEX #2D828F

RGB 45 130 143

HSL 187.96, 0.52%, 0.37%

LAB 50.1, -20.73, -14.44

 

CMYK 68 / 9 / 0 / 32

HEX #379EAE

RGB 55 158 174

HSL 188.07, 0.52%, 0.45%

LAB 60.18, -23.98, -16.95

 

CMYK 63 / 9 / 0 / 22

HEX #49B5C6

RGB 73 181 198

HSL 188.16, 0.52%, 0.53%

LAB 68.42, -25.47, -17.79

 

CMYK 49 / 7 / 0 / 19

HEX #69C1CF

RGB 105 193 207

HSL 188.24, 0.52%, 0.61%

LAB 73.32, -22.69, -15.21

 

CMYK 68 / 9 / 0 / 33

HEX #379CAC

RGB 55 156 172

HSL 188.21, 0.52%, 0.45%

LAB 59.5, -23.57, -16.85

 

CMYK 45 / 68 / 0 / 32

HEX #5F37AE

RGB 95 55 174

HSL 260.17, 0.52%, 0.45%

LAB 34.44, 44.91, -57.35

 

CMYK 0 / 18 / 68 / 32

HEX #AE8F37

RGB 174 143 55

HSL 44.37, 0.52%, 0.45%

LAB 60.71, 1.92, 49.47

 

CMYK 68 / 9 / 0 / 33

HEX #379CAC

RGB 55 156 172

HSL 188.21, 0.52%, 0.45%

LAB 59.5, -23.57, -16.85

 

CMYK 0 / 68 / 9 / 32

HEX #AE379F

RGB 174 55 159

HSL 307.56, 0.52%, 0.45%

LAB 44.57, 59.63, -31.56

 

CMYK 9 / 0 / 68 / 32

HEX #9FAE37

RGB 159 174 55

HSL 67.56, 0.52%, 0.45%

LAB 67.96, -21, 56.54

 

CMYK 68 / 9 / 0 / 33

HEX #379CAC

RGB 55 156 172

HSL 188.21, 0.52%, 0.45%

LAB 59.5, -23.57, -16.85

 

CMYK 45 / 68 / 0 / 32

HEX #5F37AE

RGB 95 55 174

HSL 260.17, 0.52%, 0.45%

LAB 34.44, 44.91, -57.35

 

CMYK 0 / 59 / 68 / 32

HEX #AE4737

RGB 174 71 55

HSL 8.07, 0.52%, 0.45%

LAB 43.92, 41.09, 30.75

 

CMYK 22 / 0 / 68 / 32

HEX #87AE37

RGB 135 174 55

HSL 79.66, 0.52%, 0.45%

LAB 66.29, -30.88, 54.29

 

CMYK 68 / 9 / 0 / 33

HEX #379CAC

RGB 55 156 172

HSL 188.21, 0.52%, 0.45%

LAB 59.5, -23.57, -16.85

 

CMYK 25 / 68 / 0 / 32

HEX #8337AE

RGB 131 55 174

HSL 278.32, 0.52%, 0.45%

LAB 38.92, 52.33, -49.88

 

CMYK 0 / 59 / 68 / 32

HEX #AE4737

RGB 174 71 55

HSL 8.07, 0.52%, 0.45%

LAB 43.92, 41.09, 30.75

 

CMYK 43 / 0 / 68 / 32

HEX #63AE37

RGB 99 174 55

HSL 97.82, 0.52%, 0.45%

LAB 64.32, -44.09, 51.63

 

Description

Color code: HEX #379CAC | qconv.com Color code: HEX #379CAC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 156 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 156 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 9 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 9% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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