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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37970F it is the complementary color #C868F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37970F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37970F shade: #3C970A, #4DA91D, #5EBB30, #6FCD43 and #80DF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37970F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37970F shade: #37970F, #268500, #157300, #046100 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37970F shade: #38990F, #5D990F, #82990F, #998B0F and #99660F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37970F shade: #38990F, #13990F, #0F9931, #0F9956 and #0F997B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37970F shade matches the following richer shades: #38990F and #32A702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37970F shade: #38990F, #3D8C1D, #437E2A, #497038 and #4E6346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37970F shade: #82990F, #5D990F, #39990F, #14990F and #0F992F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37970F shade: #1C4E08, #2A740B, #38990F, #45BF13 and #53E417

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37970F shade: #37970F, #0F998B and #990F70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37970F shade: #37970F, #0F3999 and #990F39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37970F shade: #37970F, #0F998B, #700F99 and #990F1D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37970F shade: #37970F, #0F7E99, #700F99 and #992B0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 90 / 41

HEX #37970F

RGB 55 151 15

HSL 102.35, 0.82%, 0.33%

LAB 55.05, -50.45, 54.84

 

Complementary color

CMYK 17 / 57 / 0 / 6

HEX #C868F0

RGB 200 104 240

HSL 282.35, 0.82%, 0.67%

LAB 60.31, 59.31, -53.01

 

CMYK 60 / 0 / 93 / 41

HEX #3C970A

RGB 60 151 10

HSL 98.72, 0.88%, 0.32%

LAB 55.19, -49.34, 55.9

 

CMYK 54 / 0 / 83 / 34

HEX #4DA91D

RGB 77 169 29

HSL 99.43, 0.71%, 0.39%

LAB 61.69, -50.59, 57.67

 

CMYK 50 / 0 / 74 / 27

HEX #5EBB30

RGB 94 187 48

HSL 100.14, 0.59%, 0.46%

LAB 68.12, -51.37, 58.08

 

CMYK 46 / 0 / 67 / 20

HEX #6FCD43

RGB 111 205 67

HSL 100.87, 0.58%, 0.53%

LAB 74.48, -51.83, 57.71

 

CMYK 43 / 0 / 61 / 13

HEX #80DF56

RGB 128 223 86

HSL 101.61, 0.68%, 0.61%

LAB 80.76, -52.08, 56.94

 

CMYK 64 / 0 / 90 / 41

HEX #37970F

RGB 55 151 15

HSL 102.35, 0.82%, 0.33%

LAB 55.05, -50.45, 54.84

 

CMYK 71 / 0 / 100 / 48

HEX #268500

RGB 38 133 0

HSL 102.86, 1%, 0.26%

LAB 48.49, -48.53, 51.93

 

CMYK 82 / 0 / 100 / 55

HEX #157300

RGB 21 115 0

HSL 109.04, 1%, 0.23%

LAB 41.88, -45.63, 46.51

 

CMYK 96 / 0 / 100 / 62

HEX #046100

RGB 4 97 0

HSL 117.53, 1%, 0.19%

LAB 35.15, -41.99, 41.04

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 63 / 0 / 90 / 40

HEX #38990F

RGB 56 153 15

HSL 102.17, 0.82%, 0.33%

LAB 55.74, -50.91, 55.44

 

CMYK 39 / 0 / 90 / 40

HEX #5D990F

RGB 93 153 15

HSL 86.09, 0.82%, 0.33%

LAB 57.22, -39.56, 57.28

 

CMYK 15 / 0 / 90 / 40

HEX #82990F

RGB 130 153 15

HSL 70, 0.82%, 0.33%

LAB 59.49, -24.65, 60.09

 

CMYK 0 / 9 / 90 / 40

HEX #998B0F

RGB 153 139 15

HSL 53.91, 0.82%, 0.33%

LAB 57.34, -7.02, 59.16

 

CMYK 0 / 33 / 90 / 40

HEX #99660F

RGB 153 102 15

HSL 37.83, 0.82%, 0.33%

LAB 47.38, 13.81, 51.29

 

CMYK 63 / 0 / 90 / 40

HEX #38990F

RGB 56 153 15

HSL 102.17, 0.82%, 0.33%

LAB 55.74, -50.91, 55.44

 

CMYK 88 / 0 / 90 / 40

HEX #13990F

RGB 19 153 15

HSL 118.26, 0.82%, 0.33%

LAB 55.03, -57.1, 54.54

 

CMYK 90 / 0 / 68 / 40

HEX #0F9931

RGB 15 153 49

HSL 134.78, 0.82%, 0.33%

LAB 55.18, -54.99, 43.67

 

CMYK 90 / 0 / 44 / 40

HEX #0F9956

RGB 15 153 86

HSL 150.87, 0.82%, 0.33%

LAB 55.64, -49.42, 25.92

 

CMYK 90 / 0 / 20 / 40

HEX #0F997B

RGB 15 153 123

HSL 166.96, 0.82%, 0.33%

LAB 56.4, -40.89, 6.36

 

CMYK 63 / 0 / 90 / 40

HEX #38990F

RGB 56 153 15

HSL 102.17, 0.82%, 0.33%

LAB 55.74, -50.91, 55.44

 

CMYK 70 / 0 / 99 / 35

HEX #32A702

RGB 50 167 2

HSL 102.55, 0.98%, 0.33%

LAB 60.18, -57.28, 61.05

 

CMYK 63 / 0 / 90 / 40

HEX #38990F

RGB 56 153 15

HSL 102.17, 0.82%, 0.33%

LAB 55.74, -50.91, 55.44

 

CMYK 56 / 0 / 79 / 45

HEX #3D8C1D

RGB 61 140 29

HSL 102.7, 0.66%, 0.33%

LAB 51.65, -44.13, 48.09

 

CMYK 47 / 0 / 67 / 51

HEX #437E2A

RGB 67 126 42

HSL 102.14, 0.5%, 0.33%

LAB 47.34, -35.47, 38.58

 

CMYK 35 / 0 / 50 / 56

HEX #497038

RGB 73 112 56

HSL 101.79, 0.33%, 0.33%

LAB 43.2, -25.13, 26.73

 

CMYK 21 / 0 / 29 / 61

HEX #4E6346

RGB 78 99 70

HSL 103.45, 0.17%, 0.33%

LAB 39.56, -14.05, 13.96

 

CMYK 15 / 0 / 90 / 40

HEX #82990F

RGB 130 153 15

HSL 70, 0.82%, 0.33%

LAB 59.49, -24.65, 60.09

 

CMYK 39 / 0 / 90 / 40

HEX #5D990F

RGB 93 153 15

HSL 86.09, 0.82%, 0.33%

LAB 57.22, -39.56, 57.28

 

CMYK 63 / 0 / 90 / 40

HEX #39990F

RGB 57 153 15

HSL 101.74, 0.82%, 0.33%

LAB 55.77, -50.67, 55.48

 

CMYK 87 / 0 / 90 / 40

HEX #14990F

RGB 20 153 15

HSL 117.83, 0.82%, 0.33%

LAB 55.04, -57, 54.56

 

CMYK 90 / 0 / 69 / 40

HEX #0F992F

RGB 15 153 47

HSL 133.91, 0.82%, 0.33%

LAB 55.16, -55.21, 44.5

 

CMYK 64 / 0 / 90 / 69

HEX #1C4E08

RGB 28 78 8

HSL 102.86, 0.81%, 0.17%

LAB 28.68, -30.33, 33

 

CMYK 64 / 0 / 91 / 55

HEX #2A740B

RGB 42 116 11

HSL 102.29, 0.83%, 0.25%

LAB 42.77, -41.18, 44.91

 

CMYK 63 / 0 / 90 / 40

HEX #38990F

RGB 56 153 15

HSL 102.17, 0.82%, 0.33%

LAB 55.74, -50.91, 55.44

 

CMYK 64 / 0 / 90 / 25

HEX #45BF13

RGB 69 191 19

HSL 102.56, 0.82%, 0.41%

LAB 68.44, -60.73, 65.68

 

CMYK 64 / 0 / 90 / 11

HEX #53E417

RGB 83 228 23

HSL 102.44, 0.82%, 0.49%

LAB 80.4, -69.62, 75.28

 

CMYK 64 / 0 / 90 / 41

HEX #37970F

RGB 55 151 15

HSL 102.35, 0.82%, 0.33%

LAB 55.05, -50.45, 54.84

 

CMYK 90 / 0 / 9 / 40

HEX #0F998B

RGB 15 153 139

HSL 173.91, 0.82%, 0.33%

LAB 56.83, -36.42, -2.14

 

CMYK 0 / 90 / 27 / 40

HEX #990F70

RGB 153 15 112

HSL 317.83, 0.82%, 0.33%

LAB 34.57, 59.45, -18.51

 

CMYK 64 / 0 / 90 / 41

HEX #37970F

RGB 55 151 15

HSL 102.35, 0.82%, 0.33%

LAB 55.05, -50.45, 54.84

 

CMYK 90 / 63 / 0 / 40

HEX #0F3999

RGB 15 57 153

HSL 221.74, 0.82%, 0.33%

LAB 27.65, 25.46, -56

 

CMYK 0 / 90 / 63 / 40

HEX #990F39

RGB 153 15 57

HSL 341.74, 0.82%, 0.33%

LAB 32.72, 54.34, 14.54

 

CMYK 64 / 0 / 90 / 41

HEX #37970F

RGB 55 151 15

HSL 102.35, 0.82%, 0.33%

LAB 55.05, -50.45, 54.84

 

CMYK 90 / 0 / 9 / 40

HEX #0F998B

RGB 15 153 139

HSL 173.91, 0.82%, 0.33%

LAB 56.83, -36.42, -2.14

 

CMYK 27 / 90 / 0 / 40

HEX #700F99

RGB 112 15 153

HSL 282.17, 0.82%, 0.33%

LAB 29.63, 58.29, -52.4

 

CMYK 0 / 90 / 81 / 40

HEX #990F1D

RGB 153 15 29

HSL 353.91, 0.82%, 0.33%

LAB 32.26, 53.03, 31.89

 

CMYK 64 / 0 / 90 / 41

HEX #37970F

RGB 55 151 15

HSL 102.35, 0.82%, 0.33%

LAB 55.05, -50.45, 54.84

 

CMYK 90 / 18 / 0 / 40

HEX #0F7E99

RGB 15 126 153

HSL 191.74, 0.82%, 0.33%

LAB 48.66, -18.45, -22.54

 

CMYK 27 / 90 / 0 / 40

HEX #700F99

RGB 112 15 153

HSL 282.17, 0.82%, 0.33%

LAB 29.63, 58.29, -52.4

 

CMYK 0 / 72 / 90 / 40

HEX #992B0F

RGB 153 43 15

HSL 12.17, 0.82%, 0.33%

LAB 35.07, 44.47, 41.69

 

Description

Color code: HEX #37970F | qconv.com Color code: HEX #37970F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 151 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 151 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 90 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 90% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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