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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #379422 it is the complementary color #C86BDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #379422. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #379422 shade: #3C941D, #4DA630, #5EB843, #6FCA56 and #80DC69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #379422. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #379422 shade: #379422, #26820F, #157000, #045E00 and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #379422 shade: #379622, #569622, #769622, #959622 and #967722

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #379422 shade: #379622, #22962C, #22964B, #22966A and #229689

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #379422 shade matches the following richer shades: #379622, #2EA413 and #25B304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #379422 shade: #379622, #418731, #4A7840, #53694F and #5D5A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #379422 shade: #779622, #589622, #399622, #22962A and #229649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #379422 shade: #1E5213, #2B741A, #379622, #44B72A and #55D238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #379422 shade: #379422, #229696 and #962267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #379422 shade: #379422, #223996 and #962239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #379422 shade: #379422, #229696, #7F2296 and #962222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #379422 shade: #379422, #227396, #7F2296 and #964522

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 77 / 42

HEX #379422

RGB 55 148 34

HSL 108.95, 0.63%, 0.36%

LAB 54.14, -48.37, 48.72

 

Complementary color

CMYK 10 / 52 / 0 / 13

HEX #C86BDD

RGB 200 107 221

HSL 288.95, 0.63%, 0.64%

LAB 59.9, 54.06, -43.05

 

CMYK 59 / 0 / 80 / 42

HEX #3C941D

RGB 60 148 29

HSL 104.37, 0.67%, 0.35%

LAB 54.27, -47.43, 50.58

 

CMYK 54 / 0 / 71 / 35

HEX #4DA630

RGB 77 166 48

HSL 105.25, 0.55%, 0.42%

LAB 60.84, -48.22, 50.5

 

CMYK 49 / 0 / 64 / 28

HEX #5EB843

RGB 94 184 67

HSL 106.15, 0.47%, 0.49%

LAB 67.33, -48.63, 49.78

 

CMYK 45 / 0 / 57 / 21

HEX #6FCA56

RGB 111 202 86

HSL 107.07, 0.52%, 0.56%

LAB 73.73, -48.81, 48.75

 

CMYK 42 / 0 / 52 / 14

HEX #80DC69

RGB 128 220 105

HSL 108, 0.62%, 0.64%

LAB 80.06, -48.84, 47.61

 

CMYK 63 / 0 / 77 / 42

HEX #379422

RGB 55 148 34

HSL 108.95, 0.63%, 0.36%

LAB 54.14, -48.37, 48.72

 

CMYK 71 / 0 / 88 / 49

HEX #26820F

RGB 38 130 15

HSL 108, 0.79%, 0.28%

LAB 47.51, -46.97, 48.09

 

CMYK 81 / 0 / 100 / 56

HEX #157000

RGB 21 112 0

HSL 108.75, 1%, 0.22%

LAB 40.81, -44.66, 45.66

 

CMYK 96 / 0 / 100 / 63

HEX #045E00

RGB 4 94 0

HSL 117.45, 1%, 0.18%

LAB 34.05, -41.04, 40.15

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 63 / 0 / 77 / 41

HEX #379622

RGB 55 150 34

HSL 109.14, 0.63%, 0.36%

LAB 54.8, -49.1, 49.38

 

CMYK 43 / 0 / 77 / 41

HEX #569622

RGB 86 150 34

HSL 93.1, 0.63%, 0.36%

LAB 55.99, -39.92, 50.94

 

CMYK 21 / 0 / 77 / 41

HEX #769622

RGB 118 150 34

HSL 76.55, 0.63%, 0.36%

LAB 57.83, -27.59, 53.33

 

CMYK 1 / 0 / 77 / 41

HEX #959622

RGB 149 150 34

HSL 60.52, 0.63%, 0.36%

LAB 60.17, -14.12, 56.36

 

CMYK 0 / 21 / 77 / 41

HEX #967722

RGB 150 119 34

HSL 43.97, 0.63%, 0.36%

LAB 51.6, 3.32, 48.41

 

CMYK 63 / 0 / 77 / 41

HEX #379622

RGB 55 150 34

HSL 109.14, 0.63%, 0.36%

LAB 54.8, -49.1, 49.38

 

CMYK 77 / 0 / 71 / 41

HEX #22962C

RGB 34 150 44

HSL 125.17, 0.63%, 0.36%

LAB 54.38, -52.39, 44.98

 

CMYK 77 / 0 / 50 / 41

HEX #22964B

RGB 34 150 75

HSL 141.21, 0.63%, 0.36%

LAB 54.72, -48.31, 30.65

 

CMYK 77 / 0 / 29 / 41

HEX #22966A

RGB 34 150 106

HSL 157.24, 0.63%, 0.36%

LAB 55.27, -42.09, 14.42

 

CMYK 77 / 0 / 9 / 41

HEX #229689

RGB 34 150 137

HSL 173.28, 0.63%, 0.36%

LAB 56.05, -34, -2.12

 

CMYK 63 / 0 / 77 / 41

HEX #379622

RGB 55 150 34

HSL 109.14, 0.63%, 0.36%

LAB 54.8, -49.1, 49.38

 

CMYK 72 / 0 / 88 / 36

HEX #2EA413

RGB 46 164 19

HSL 108.83, 0.79%, 0.36%

LAB 59.14, -56.59, 57.47

 

CMYK 79 / 0 / 98 / 30

HEX #25B304

RGB 37 179 4

HSL 108.69, 0.96%, 0.36%

LAB 63.87, -63.08, 63.67

 

CMYK 63 / 0 / 77 / 41

HEX #379622

RGB 55 150 34

HSL 109.14, 0.63%, 0.36%

LAB 54.8, -49.1, 49.38

 

CMYK 52 / 0 / 64 / 47

HEX #418731

RGB 65 135 49

HSL 108.84, 0.47%, 0.36%

LAB 50.3, -39.22, 38.59

 

CMYK 38 / 0 / 47 / 53

HEX #4A7840

RGB 74 120 64

HSL 109.29, 0.3%, 0.36%

LAB 45.99, -27.53, 25.83

 

CMYK 21 / 0 / 25 / 59

HEX #53694F

RGB 83 105 79

HSL 110.77, 0.14%, 0.36%

LAB 42.01, -13.76, 11.99

 

CMYK 0 / 3 / 0 / 64

HEX #5D5A5D

RGB 93 90 93

HSL 300, 0.02%, 0.36%

LAB 38.6, 1.83, -1.3

 

CMYK 21 / 0 / 77 / 41

HEX #779622

RGB 119 150 34

HSL 76.03, 0.63%, 0.36%

LAB 57.89, -27.17, 53.42

 

CMYK 41 / 0 / 77 / 41

HEX #589622

RGB 88 150 34

HSL 92.07, 0.63%, 0.36%

LAB 56.09, -39.22, 51.07

 

CMYK 62 / 0 / 77 / 41

HEX #399622

RGB 57 150 34

HSL 108.1, 0.63%, 0.36%

LAB 54.86, -48.61, 49.45

 

CMYK 77 / 0 / 72 / 41

HEX #22962A

RGB 34 150 42

HSL 124.14, 0.63%, 0.36%

LAB 54.36, -52.58, 45.78

 

CMYK 77 / 0 / 51 / 41

HEX #229649

RGB 34 150 73

HSL 140.17, 0.63%, 0.36%

LAB 54.69, -48.63, 31.65

 

CMYK 63 / 0 / 77 / 68

HEX #1E5213

RGB 30 82 19

HSL 109.52, 0.62%, 0.2%

LAB 30.3, -30.56, 30.33

 

CMYK 63 / 0 / 78 / 55

HEX #2B741A

RGB 43 116 26

HSL 108.67, 0.63%, 0.28%

LAB 42.88, -40.03, 40.38

 

CMYK 63 / 0 / 77 / 41

HEX #379622

RGB 55 150 34

HSL 109.14, 0.63%, 0.36%

LAB 54.8, -49.1, 49.38

 

CMYK 63 / 0 / 77 / 28

HEX #44B72A

RGB 68 183 42

HSL 108.94, 0.63%, 0.44%

LAB 65.95, -57.17, 57.68

 

CMYK 60 / 0 / 73 / 18

HEX #55D238

RGB 85 210 56

HSL 108.7, 0.63%, 0.52%

LAB 75.02, -61.6, 62.07

 

CMYK 63 / 0 / 77 / 42

HEX #379422

RGB 55 148 34

HSL 108.95, 0.63%, 0.36%

LAB 54.14, -48.37, 48.72

 

CMYK 77 / 0 / 0 / 41

HEX #229696

RGB 34 150 150

HSL 180, 0.63%, 0.36%

LAB 56.44, -30.14, -8.97

 

CMYK 0 / 77 / 31 / 41

HEX #962267

RGB 150 34 103

HSL 324.31, 0.63%, 0.36%

LAB 35.22, 52.98, -11.84

 

CMYK 63 / 0 / 77 / 42

HEX #379422

RGB 55 148 34

HSL 108.95, 0.63%, 0.36%

LAB 54.14, -48.37, 48.72

 

CMYK 77 / 62 / 0 / 41

HEX #223996

RGB 34 57 150

HSL 228.1, 0.63%, 0.36%

LAB 28.03, 25.89, -53.51

 

CMYK 0 / 77 / 62 / 41

HEX #962239

RGB 150 34 57

HSL 348.1, 0.63%, 0.36%

LAB 33.82, 48.6, 15.9

 

CMYK 63 / 0 / 77 / 42

HEX #379422

RGB 55 148 34

HSL 108.95, 0.63%, 0.36%

LAB 54.14, -48.37, 48.72

 

CMYK 77 / 0 / 0 / 41

HEX #229696

RGB 34 150 150

HSL 180, 0.63%, 0.36%

LAB 56.44, -30.14, -8.97

 

CMYK 15 / 77 / 0 / 41

HEX #7F2296

RGB 127 34 150

HSL 288.1, 0.63%, 0.36%

LAB 33.69, 55.01, -43.88

 

CMYK 0 / 77 / 77 / 41

HEX #962222

RGB 150 34 34

HSL 0, 0.63%, 0.36%

LAB 33.44, 47.36, 29.96

 

CMYK 63 / 0 / 77 / 42

HEX #379422

RGB 55 148 34

HSL 108.95, 0.63%, 0.36%

LAB 54.14, -48.37, 48.72

 

CMYK 77 / 23 / 0 / 41

HEX #227396

RGB 34 115 150

HSL 198.1, 0.63%, 0.36%

LAB 45.36, -11.63, -25.86

 

CMYK 15 / 77 / 0 / 41

HEX #7F2296

RGB 127 34 150

HSL 288.1, 0.63%, 0.36%

LAB 33.69, 55.01, -43.88

 

CMYK 0 / 54 / 77 / 41

HEX #964522

RGB 150 69 34

HSL 18.1, 0.63%, 0.36%

LAB 39.34, 31.65, 36.25

 

Description

Color code: HEX #379422 | qconv.com Color code: HEX #379422 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 148 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 148 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 77 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 77% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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