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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3790BC it is the complementary color #C86F43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3790BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3790BC shade: #3C90B7, #4DA2CA, #5EB4DD, #6FC6F0 and #80D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3790BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3790BC shade: #3790BC, #267EA9, #156C96, #045A83 and #004870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3790BC shade: #3791BE, #376DBE, #3749BE, #4A37BE and #6E37BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3790BC shade: #3791BE, #376DBE, #3749BE and #3737BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3790BC shade matches the following richer shades: #3791BE, #2398D2 and #0F9FE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3790BC shade: #3791BE, #4B8AAA, #5F8496, #727D82 and #86766F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3790BC shade: #37BEA1, #37B7BE, #3793BE, #376FBE and #374BBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3790BC shade: #25607E, #2E799E, #3791BE, #51A4CD and #71B5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3790BC shade: #3790BC, #7D37BE and #BEB337

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3790BC shade: #3790BC, #BE3793 and #93BE37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3790BC shade: #3790BC, #7D37BE, #BE6237 and #78BE37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3790BC shade: #3790BC, #A537BE, #BE6237 and #50BE37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 23 / 0 / 26

HEX #3790BC

RGB 55 144 188

HSL 199.85, 0.55%, 0.48%

LAB 56.48, -11.93, -30.56

 

Complementary color

CMYK 0 / 45 / 67 / 22

HEX #C86F43

RGB 200 111 67

HSL 19.85, 0.55%, 0.52%

LAB 56.14, 31.42, 39.43

 

CMYK 67 / 21 / 0 / 28

HEX #3C90B7

RGB 60 144 183

HSL 199.02, 0.51%, 0.48%

LAB 56.41, -12.84, -27.81

 

CMYK 62 / 20 / 0 / 21

HEX #4DA2CA

RGB 77 162 202

HSL 199.2, 0.54%, 0.55%

LAB 63.08, -13.64, -28.16

 

CMYK 57 / 19 / 0 / 13

HEX #5EB4DD

RGB 94 180 221

HSL 199.37, 0.65%, 0.62%

LAB 69.64, -14.25, -28.49

 

CMYK 54 / 18 / 0 / 6

HEX #6FC6F0

RGB 111 198 240

HSL 199.53, 0.81%, 0.69%

LAB 76.11, -14.73, -28.8

 

CMYK 50 / 15 / 0 / 0

HEX #80D8FF

RGB 128 216 255

HSL 198.43, 1%, 0.75%

LAB 82.34, -16.22, -27.2

 

CMYK 71 / 23 / 0 / 26

HEX #3790BC

RGB 55 144 188

HSL 199.85, 0.55%, 0.48%

LAB 56.48, -11.93, -30.56

 

CMYK 78 / 25 / 0 / 34

HEX #267EA9

RGB 38 126 169

HSL 199.69, 0.63%, 0.41%

LAB 49.74, -10.63, -30.18

 

CMYK 86 / 28 / 0 / 41

HEX #156C96

RGB 21 108 150

HSL 199.53, 0.75%, 0.34%

LAB 42.89, -8.89, -29.74

 

CMYK 97 / 31 / 0 / 49

HEX #045A83

RGB 4 90 131

HSL 199.37, 0.94%, 0.26%

LAB 35.94, -6.57, -29.2

 

CMYK 100 / 36 / 0 / 56

HEX #004870

RGB 0 72 112

HSL 201.43, 1%, 0.22%

LAB 28.91, -3.27, -28.48

 

CMYK 71 / 24 / 0 / 25

HEX #3791BE

RGB 55 145 190

HSL 200, 0.55%, 0.48%

LAB 56.86, -11.81, -31.1

 

CMYK 71 / 43 / 0 / 25

HEX #376DBE

RGB 55 109 190

HSL 216, 0.55%, 0.48%

LAB 46.27, 9.62, -47.8

 

CMYK 71 / 62 / 0 / 25

HEX #3749BE

RGB 55 73 190

HSL 232, 0.55%, 0.48%

LAB 36.55, 32.78, -63.51

 

CMYK 61 / 71 / 0 / 25

HEX #4A37BE

RGB 74 55 190

HSL 248.44, 0.55%, 0.48%

LAB 33.79, 46.18, -67.98

 

CMYK 42 / 71 / 0 / 25

HEX #6E37BE

RGB 110 55 190

HSL 264.44, 0.55%, 0.48%

LAB 37.42, 51.97, -61.89

 

CMYK 71 / 24 / 0 / 25

HEX #3791BE

RGB 55 145 190

HSL 200, 0.55%, 0.48%

LAB 56.86, -11.81, -31.1

 

CMYK 71 / 43 / 0 / 25

HEX #376DBE

RGB 55 109 190

HSL 216, 0.55%, 0.48%

LAB 46.27, 9.62, -47.8

 

CMYK 71 / 62 / 0 / 25

HEX #3749BE

RGB 55 73 190

HSL 232, 0.55%, 0.48%

LAB 36.55, 32.78, -63.51

 

CMYK 71 / 71 / 0 / 25

HEX #3737BE

RGB 55 55 190

HSL 240, 0.55%, 0.48%

LAB 32.4, 43.86, -70.31

 

CMYK 71 / 24 / 0 / 25

HEX #3791BE

RGB 55 145 190

HSL 200, 0.55%, 0.48%

LAB 56.86, -11.81, -31.1

 

CMYK 83 / 28 / 0 / 18

HEX #2398D2

RGB 35 152 210

HSL 199.89, 0.71%, 0.48%

LAB 59.4, -10.96, -38.42

 

CMYK 93 / 31 / 0 / 10

HEX #0F9FE5

RGB 15 159 229

HSL 199.63, 0.88%, 0.48%

LAB 62.13, -9.15, -44.72

 

CMYK 71 / 24 / 0 / 25

HEX #3791BE

RGB 55 145 190

HSL 200, 0.55%, 0.48%

LAB 56.86, -11.81, -31.1

 

CMYK 56 / 19 / 0 / 33

HEX #4B8AAA

RGB 75 138 170

HSL 200.21, 0.39%, 0.48%

LAB 54.63, -10.84, -23.08

 

CMYK 37 / 12 / 0 / 41

HEX #5F8496

RGB 95 132 150

HSL 199.64, 0.22%, 0.48%

LAB 53.1, -8.2, -13.78

 

CMYK 12 / 4 / 0 / 49

HEX #727D82

RGB 114 125 130

HSL 198.75, 0.07%, 0.48%

LAB 51.67, -2.97, -4.11

 

CMYK 0 / 12 / 17 / 47

HEX #86766F

RGB 134 118 111

HSL 18.26, 0.09%, 0.48%

LAB 50.89, 4.96, 6.11

 

CMYK 71 / 0 / 15 / 25

HEX #37BEA1

RGB 55 190 161

HSL 167.11, 0.55%, 0.48%

LAB 69.62, -42.73, 4.28

 

CMYK 71 / 4 / 0 / 25

HEX #37B7BE

RGB 55 183 190

HSL 183.11, 0.55%, 0.48%

LAB 68.31, -31.5, -13.59

 

CMYK 71 / 23 / 0 / 25

HEX #3793BE

RGB 55 147 190

HSL 199.11, 0.55%, 0.48%

LAB 57.46, -12.92, -30.17

 

CMYK 71 / 42 / 0 / 25

HEX #376FBE

RGB 55 111 190

HSL 215.11, 0.55%, 0.48%

LAB 46.84, 8.36, -46.88

 

CMYK 71 / 61 / 0 / 25

HEX #374BBE

RGB 55 75 190

HSL 231.11, 0.55%, 0.48%

LAB 37.04, 31.5, -62.69

 

CMYK 71 / 24 / 0 / 51

HEX #25607E

RGB 37 96 126

HSL 200.22, 0.55%, 0.32%

LAB 38.31, -8.68, -22.38

 

CMYK 71 / 23 / 0 / 38

HEX #2E799E

RGB 46 121 158

HSL 199.82, 0.55%, 0.4%

LAB 47.91, -10.57, -26.59

 

CMYK 71 / 24 / 0 / 25

HEX #3791BE

RGB 55 145 190

HSL 200, 0.55%, 0.48%

LAB 56.86, -11.81, -31.1

 

CMYK 60 / 20 / 0 / 20

HEX #51A4CD

RGB 81 164 205

HSL 199.84, 0.55%, 0.56%

LAB 63.92, -13.05, -28.51

 

CMYK 47 / 15 / 0 / 16

HEX #71B5D6

RGB 113 181 214

HSL 199.6, 0.55%, 0.64%

LAB 70.46, -12.71, -23.32

 

CMYK 71 / 23 / 0 / 26

HEX #3790BC

RGB 55 144 188

HSL 199.85, 0.55%, 0.48%

LAB 56.48, -11.93, -30.56

 

CMYK 34 / 71 / 0 / 25

HEX #7D37BE

RGB 125 55 190

HSL 271.11, 0.55%, 0.48%

LAB 39.26, 54.77, -58.81

 

CMYK 0 / 6 / 71 / 25

HEX #BEB337

RGB 190 179 55

HSL 55.11, 0.55%, 0.48%

LAB 71.87, -10.25, 61.27

 

CMYK 71 / 23 / 0 / 26

HEX #3790BC

RGB 55 144 188

HSL 199.85, 0.55%, 0.48%

LAB 56.48, -11.93, -30.56

 

CMYK 0 / 71 / 23 / 25

HEX #BE3793

RGB 190 55 147

HSL 319.11, 0.55%, 0.48%

LAB 46.69, 61.94, -20.86

 

CMYK 23 / 0 / 71 / 25

HEX #93BE37

RGB 147 190 55

HSL 79.11, 0.55%, 0.48%

LAB 71.76, -33.61, 60.09

 

CMYK 71 / 23 / 0 / 26

HEX #3790BC

RGB 55 144 188

HSL 199.85, 0.55%, 0.48%

LAB 56.48, -11.93, -30.56

 

CMYK 34 / 71 / 0 / 25

HEX #7D37BE

RGB 125 55 190

HSL 271.11, 0.55%, 0.48%

LAB 39.26, 54.77, -58.81

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 37 / 0 / 71 / 25

HEX #78BE37

RGB 120 190 55

HSL 91.11, 0.55%, 0.48%

LAB 70.24, -43.67, 58.07

 

CMYK 71 / 23 / 0 / 26

HEX #3790BC

RGB 55 144 188

HSL 199.85, 0.55%, 0.48%

LAB 56.48, -11.93, -30.56

 

CMYK 13 / 71 / 0 / 25

HEX #A537BE

RGB 165 55 190

HSL 288.89, 0.55%, 0.48%

LAB 44.87, 62.94, -49.48

 

CMYK 0 / 48 / 71 / 25

HEX #BE6237

RGB 190 98 55

HSL 19.11, 0.55%, 0.48%

LAB 51.79, 33.59, 40.43

 

CMYK 58 / 0 / 71 / 25

HEX #50BE37

RGB 80 190 55

HSL 108.89, 0.55%, 0.48%

LAB 68.61, -55.81, 55.88

 

Description

Color code: HEX #3790BC | qconv.com Color code: HEX #3790BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 144 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 144 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 23 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 23% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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