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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #378A31 it is the complementary color #C875CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #378A31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #378A31 shade: #3C8A2C, #4D9C3F, #5EAE52, #6FC065 and #80D278

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #378A31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #378A31 shade: #378A31, #26781E, #15660B, #045400 and #004200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #378A31 shade: #378C31, #508C31, #688C31, #808C31 and #8C7E31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #378A31 shade: #378C31, #318C43, #318C5C, #318C74 and #318B8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #378A31 shade matches the following richer shades: #378C31, #2A9B22, #1DAA13 and #10B903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #378A31 shade: #378C31, #447C40, #526D50, #5F5E5F and #6C4F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #378A31 shade: #698C31, #518C31, #398C31, #318C42 and #318C5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #378A31 shade: #1F4F1C, #2B6D26, #378C31, #43AA3C and #56C14E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #378A31 shade: #378A31, #31818C and #8C315D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #378A31 shade: #378A31, #31398C and #8C3139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #378A31 shade: #378A31, #31818C, #84318C and #8C3C31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #378A31 shade: #378A31, #31668C, #84318C and #8C5731

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 64 / 46

HEX #378A31

RGB 55 138 49

HSL 115.96, 0.48%, 0.37%

LAB 50.93, -43.24, 39.2

 

Complementary color

CMYK 3 / 43 / 0 / 19

HEX #C875CE

RGB 200 117 206

HSL 295.96, 0.48%, 0.63%

LAB 61.18, 46.09, -32.61

 

CMYK 57 / 0 / 68 / 46

HEX #3C8A2C

RGB 60 138 44

HSL 109.79, 0.52%, 0.36%

LAB 51.06, -42.42, 41.64

 

CMYK 51 / 0 / 60 / 39

HEX #4D9C3F

RGB 77 156 63

HSL 110.97, 0.42%, 0.43%

LAB 57.76, -42.76, 40.61

 

CMYK 46 / 0 / 53 / 32

HEX #5EAE52

RGB 94 174 82

HSL 112.17, 0.36%, 0.5%

LAB 64.37, -42.84, 39.38

 

CMYK 42 / 0 / 47 / 25

HEX #6FC065

RGB 111 192 101

HSL 113.41, 0.42%, 0.57%

LAB 70.88, -42.78, 38.12

 

CMYK 39 / 0 / 43 / 18

HEX #80D278

RGB 128 210 120

HSL 114.67, 0.5%, 0.65%

LAB 77.3, -42.64, 36.87

 

CMYK 60 / 0 / 64 / 46

HEX #378A31

RGB 55 138 49

HSL 115.96, 0.48%, 0.37%

LAB 50.93, -43.24, 39.2

 

CMYK 68 / 0 / 75 / 53

HEX #26781E

RGB 38 120 30

HSL 114.67, 0.6%, 0.29%

LAB 44.14, -42.43, 40.04

 

CMYK 79 / 0 / 89 / 60

HEX #15660B

RGB 21 102 11

HSL 113.41, 0.81%, 0.22%

LAB 37.27, -40.78, 39.83

 

CMYK 95 / 0 / 100 / 67

HEX #045400

RGB 4 84 0

HSL 117.14, 1%, 0.16%

LAB 30.32, -37.86, 37.17

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 61 / 0 / 65 / 45

HEX #378C31

RGB 55 140 49

HSL 116.04, 0.48%, 0.37%

LAB 51.6, -44.02, 39.94

 

CMYK 43 / 0 / 65 / 45

HEX #508C31

RGB 80 140 49

HSL 99.56, 0.48%, 0.37%

LAB 52.6, -36.5, 41.33

 

CMYK 26 / 0 / 65 / 45

HEX #688C31

RGB 104 140 49

HSL 83.74, 0.48%, 0.37%

LAB 53.94, -27.48, 43.18

 

CMYK 9 / 0 / 65 / 45

HEX #808C31

RGB 128 140 49

HSL 67.91, 0.48%, 0.37%

LAB 55.65, -17.34, 45.52

 

CMYK 0 / 10 / 65 / 45

HEX #8C7E31

RGB 140 126 49

HSL 50.77, 0.48%, 0.37%

LAB 52.64, -4.38, 42.61

 

CMYK 61 / 0 / 65 / 45

HEX #378C31

RGB 55 140 49

HSL 116.04, 0.48%, 0.37%

LAB 51.6, -44.02, 39.94

 

CMYK 65 / 0 / 52 / 45

HEX #318C43

RGB 49 140 67

HSL 131.87, 0.48%, 0.37%

LAB 51.63, -43.07, 31.05

 

CMYK 65 / 0 / 34 / 45

HEX #318C5C

RGB 49 140 92

HSL 148.35, 0.48%, 0.37%

LAB 52.04, -38.5, 17.94

 

CMYK 65 / 0 / 17 / 45

HEX #318C74

RGB 49 140 116

HSL 164.18, 0.48%, 0.37%

LAB 52.59, -32.86, 4.97

 

CMYK 65 / 1 / 0 / 45

HEX #318B8C

RGB 49 139 140

HSL 180.66, 0.48%, 0.37%

LAB 52.96, -25.66, -8.38

 

CMYK 61 / 0 / 65 / 45

HEX #378C31

RGB 55 140 49

HSL 116.04, 0.48%, 0.37%

LAB 51.6, -44.02, 39.94

 

CMYK 73 / 0 / 78 / 39

HEX #2A9B22

RGB 42 155 34

HSL 116.03, 0.64%, 0.37%

LAB 56.14, -53.56, 50.57

 

CMYK 83 / 0 / 89 / 33

HEX #1DAA13

RGB 29 170 19

HSL 116.03, 0.8%, 0.37%

LAB 60.83, -60.98, 58.83

 

CMYK 91 / 0 / 98 / 27

HEX #10B903

RGB 16 185 3

HSL 115.71, 0.97%, 0.37%

LAB 65.6, -66.87, 65.1

 

CMYK 61 / 0 / 65 / 45

HEX #378C31

RGB 55 140 49

HSL 116.04, 0.48%, 0.37%

LAB 51.6, -44.02, 39.94

 

CMYK 45 / 0 / 48 / 51

HEX #447C40

RGB 68 124 64

HSL 116, 0.32%, 0.37%

LAB 46.99, -31.48, 27.04

 

CMYK 25 / 0 / 27 / 57

HEX #526D50

RGB 82 109 80

HSL 115.86, 0.15%, 0.37%

LAB 43.23, -16.17, 13.07

 

CMYK 0 / 1 / 0 / 63

HEX #5F5E5F

RGB 95 94 95

HSL 300, 0.01%, 0.37%

LAB 40.02, 0.61, -0.44

 

CMYK 2 / 28 / 0 / 57

HEX #6C4F6E

RGB 108 79 110

HSL 296.13, 0.16%, 0.37%

LAB 37.67, 18.05, -13.09

 

CMYK 25 / 0 / 65 / 45

HEX #698C31

RGB 105 140 49

HSL 83.08, 0.48%, 0.37%

LAB 54.01, -27.08, 43.27

 

CMYK 42 / 0 / 65 / 45

HEX #518C31

RGB 81 140 49

HSL 98.9, 0.48%, 0.37%

LAB 52.65, -36.15, 41.4

 

CMYK 59 / 0 / 65 / 45

HEX #398C31

RGB 57 140 49

HSL 114.73, 0.48%, 0.37%

LAB 51.66, -43.5, 40.03

 

CMYK 65 / 0 / 53 / 45

HEX #318C42

RGB 49 140 66

HSL 131.21, 0.48%, 0.37%

LAB 51.61, -43.22, 31.56

 

CMYK 65 / 0 / 36 / 45

HEX #318C5A

RGB 49 140 90

HSL 147.03, 0.48%, 0.37%

LAB 52, -38.92, 19.01

 

CMYK 61 / 0 / 65 / 69

HEX #1F4F1C

RGB 31 79 28

HSL 116.47, 0.48%, 0.21%

LAB 29.33, -27.93, 24.84

 

CMYK 61 / 0 / 65 / 57

HEX #2B6D26

RGB 43 109 38

HSL 115.77, 0.48%, 0.29%

LAB 40.56, -36.07, 32.66

 

CMYK 61 / 0 / 65 / 45

HEX #378C31

RGB 55 140 49

HSL 116.04, 0.48%, 0.37%

LAB 51.6, -44.02, 39.94

 

CMYK 61 / 0 / 65 / 33

HEX #43AA3C

RGB 67 170 60

HSL 116.18, 0.48%, 0.45%

LAB 61.89, -51.24, 46.54

 

CMYK 55 / 0 / 60 / 24

HEX #56C14E

RGB 86 193 78

HSL 115.83, 0.48%, 0.53%

LAB 69.94, -53.18, 47.77

 

CMYK 60 / 0 / 64 / 46

HEX #378A31

RGB 55 138 49

HSL 115.96, 0.48%, 0.37%

LAB 50.93, -43.24, 39.2

 

CMYK 65 / 8 / 0 / 45

HEX #31818C

RGB 49 129 140

HSL 187.25, 0.48%, 0.37%

LAB 49.79, -20.48, -13.14

 

CMYK 0 / 65 / 34 / 45

HEX #8C315D

RGB 140 49 93

HSL 330.99, 0.48%, 0.37%

LAB 35.13, 42.98, -5.77

 

CMYK 60 / 0 / 64 / 46

HEX #378A31

RGB 55 138 49

HSL 115.96, 0.48%, 0.37%

LAB 50.93, -43.24, 39.2

 

CMYK 65 / 59 / 0 / 45

HEX #31398C

RGB 49 57 140

HSL 234.73, 0.48%, 0.37%

LAB 28.04, 24.28, -47.3

 

CMYK 0 / 65 / 59 / 45

HEX #8C3139

RGB 140 49 57

HSL 354.73, 0.48%, 0.37%

LAB 34.12, 39.25, 15.96

 

CMYK 60 / 0 / 64 / 46

HEX #378A31

RGB 55 138 49

HSL 115.96, 0.48%, 0.37%

LAB 50.93, -43.24, 39.2

 

CMYK 65 / 8 / 0 / 45

HEX #31818C

RGB 49 129 140

HSL 187.25, 0.48%, 0.37%

LAB 49.79, -20.48, -13.14

 

CMYK 6 / 65 / 0 / 45

HEX #84318C

RGB 132 49 140

HSL 294.73, 0.48%, 0.37%

LAB 35.98, 48.24, -34.05

 

CMYK 0 / 57 / 65 / 45

HEX #8C3C31

RGB 140 60 49

HSL 7.25, 0.48%, 0.37%

LAB 36.04, 33.21, 23.44

 

CMYK 60 / 0 / 64 / 46

HEX #378A31

RGB 55 138 49

HSL 115.96, 0.48%, 0.37%

LAB 50.93, -43.24, 39.2

 

CMYK 65 / 27 / 0 / 45

HEX #31668C

RGB 49 102 140

HSL 205.05, 0.48%, 0.37%

LAB 41.29, -5.14, -26.2

 

CMYK 6 / 65 / 0 / 45

HEX #84318C

RGB 132 49 140

HSL 294.73, 0.48%, 0.37%

LAB 35.98, 48.24, -34.05

 

CMYK 0 / 38 / 65 / 45

HEX #8C5731

RGB 140 87 49

HSL 25.05, 0.48%, 0.37%

LAB 42.18, 18.11, 30.84

 

Description

Color code: HEX #378A31 | qconv.com Color code: HEX #378A31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 138 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 138 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 64 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 64% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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