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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #377A2B it is the complementary color #C885D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #377A2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #377A2B shade: #3C7A26, #4D8C39, #5E9E4C, #6FB05F and #80C272

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #377A2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #377A2B shade: #377A2B, #266818, #155605, #044400 and #003200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #377A2B shade: #36792A, #4B792A, #61792A, #76792A and #79672A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #377A2B shade: #36792A, #2A7934, #2A7949, #2A795E and #2A7973

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #377A2B shade matches the following richer shades: #36792A, #2D861D, #249310 and #1BA003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #377A2B shade: #36792A, #406C38, #495E45, #525152 and #5B445F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #377A2B shade: #61792A, #4C792A, #37792A, #2A7932 and #2A7947

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #377A2B shade: #1B3C15, #295A20, #36792A, #449735 and #52B640

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #377A2B shade: #377A2B, #2A7679 and #792A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #377A2B shade: #377A2B, #2A3779 and #792A37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #377A2B shade: #377A2B, #2A7679, #6C2A79 and #792D2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #377A2B shade: #377A2B, #2A5F79, #6C2A79 and #79452A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 65 / 52

HEX #377A2B

RGB 55 122 43

HSL 110.89, 0.48%, 0.32%

LAB 45.5, -37.45, 35.94

 

Complementary color

CMYK 6 / 37 / 0 / 17

HEX #C885D4

RGB 200 133 212

HSL 290.89, 0.48%, 0.68%

LAB 64.81, 38.74, -30.35

 

CMYK 51 / 0 / 69 / 52

HEX #3C7A26

RGB 60 122 38

HSL 104.29, 0.53%, 0.31%

LAB 45.66, -36.43, 38.47

 

CMYK 45 / 0 / 59 / 45

HEX #4D8C39

RGB 77 140 57

HSL 105.54, 0.42%, 0.39%

LAB 52.54, -36.66, 37.46

 

CMYK 41 / 0 / 52 / 38

HEX #5E9E4C

RGB 94 158 76

HSL 106.83, 0.35%, 0.46%

LAB 59.3, -36.66, 36.23

 

CMYK 37 / 0 / 46 / 31

HEX #6FB05F

RGB 111 176 95

HSL 108.15, 0.34%, 0.53%

LAB 65.95, -36.55, 34.97

 

CMYK 34 / 0 / 41 / 24

HEX #80C272

RGB 128 194 114

HSL 109.5, 0.4%, 0.6%

LAB 72.49, -36.38, 33.73

 

CMYK 55 / 0 / 65 / 52

HEX #377A2B

RGB 55 122 43

HSL 110.89, 0.48%, 0.32%

LAB 45.5, -37.45, 35.94

 

CMYK 63 / 0 / 77 / 59

HEX #266818

RGB 38 104 24

HSL 109.5, 0.63%, 0.25%

LAB 38.51, -36.84, 36.73

 

CMYK 76 / 0 / 94 / 66

HEX #155605

RGB 21 86 5

HSL 108.15, 0.89%, 0.18%

LAB 31.41, -35.43, 36.4

 

CMYK 94 / 0 / 100 / 73

HEX #044400

RGB 4 68 0

HSL 116.47, 1%, 0.13%

LAB 24.19, -32.56, 31.82

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 55 / 0 / 65 / 53

HEX #36792A

RGB 54 121 42

HSL 110.89, 0.48%, 0.32%

LAB 45.12, -37.44, 35.97

 

CMYK 38 / 0 / 65 / 53

HEX #4B792A

RGB 75 121 42

HSL 94.94, 0.48%, 0.32%

LAB 46.09, -30.37, 37.32

 

CMYK 20 / 0 / 65 / 53

HEX #61792A

RGB 97 121 42

HSL 78.23, 0.48%, 0.32%

LAB 47.47, -21.48, 39.23

 

CMYK 2 / 0 / 65 / 53

HEX #76792A

RGB 118 121 42

HSL 62.28, 0.48%, 0.32%

LAB 49.12, -12.15, 41.48

 

CMYK 0 / 15 / 65 / 53

HEX #79672A

RGB 121 103 42

HSL 46.33, 0.48%, 0.32%

LAB 44.14, -0.58, 36.18

 

CMYK 55 / 0 / 65 / 53

HEX #36792A

RGB 54 121 42

HSL 110.89, 0.48%, 0.32%

LAB 45.12, -37.44, 35.97

 

CMYK 65 / 0 / 57 / 53

HEX #2A7934

RGB 42 121 52

HSL 127.59, 0.48%, 0.32%

LAB 44.82, -39.34, 30.54

 

CMYK 65 / 0 / 40 / 53

HEX #2A7949

RGB 42 121 73

HSL 143.54, 0.48%, 0.32%

LAB 45.15, -35.72, 19.43

 

CMYK 65 / 0 / 22 / 53

HEX #2A795E

RGB 42 121 94

HSL 159.49, 0.48%, 0.32%

LAB 45.6, -30.96, 7.82

 

CMYK 65 / 0 / 5 / 53

HEX #2A7973

RGB 42 121 115

HSL 175.44, 0.48%, 0.32%

LAB 46.18, -25.21, -3.8

 

CMYK 55 / 0 / 65 / 53

HEX #36792A

RGB 54 121 42

HSL 110.89, 0.48%, 0.32%

LAB 45.12, -37.44, 35.97

 

CMYK 66 / 0 / 78 / 47

HEX #2D861D

RGB 45 134 29

HSL 110.86, 0.64%, 0.32%

LAB 49.13, -46.03, 45.47

 

CMYK 76 / 0 / 89 / 42

HEX #249310

RGB 36 147 16

HSL 110.84, 0.8%, 0.32%

LAB 53.25, -52.98, 52.89

 

CMYK 83 / 0 / 98 / 37

HEX #1BA003

RGB 27 160 3

HSL 110.83, 0.96%, 0.32%

LAB 57.44, -58.7, 58.53

 

CMYK 55 / 0 / 65 / 53

HEX #36792A

RGB 54 121 42

HSL 110.89, 0.48%, 0.32%

LAB 45.12, -37.44, 35.97

 

CMYK 41 / 0 / 48 / 58

HEX #406C38

RGB 64 108 56

HSL 110.77, 0.32%, 0.32%

LAB 41.38, -26.46, 24.35

 

CMYK 22 / 0 / 27 / 63

HEX #495E45

RGB 73 94 69

HSL 110.4, 0.15%, 0.32%

LAB 37.57, -13.42, 11.8

 

CMYK 0 / 1 / 0 / 68

HEX #525152

RGB 82 81 82

HSL 300, 0.01%, 0.32%

LAB 34.58, 0.62, -0.45

 

CMYK 4 / 28 / 0 / 63

HEX #5B445F

RGB 91 68 95

HSL 291.11, 0.17%, 0.32%

LAB 32.22, 15.27, -12.12

 

CMYK 20 / 0 / 65 / 53

HEX #61792A

RGB 97 121 42

HSL 78.23, 0.48%, 0.32%

LAB 47.47, -21.48, 39.23

 

CMYK 37 / 0 / 65 / 53

HEX #4C792A

RGB 76 121 42

HSL 94.18, 0.48%, 0.32%

LAB 46.15, -30, 37.4

 

CMYK 55 / 0 / 65 / 53

HEX #37792A

RGB 55 121 42

HSL 110.13, 0.48%, 0.32%

LAB 45.16, -37.15, 36.02

 

CMYK 65 / 0 / 59 / 53

HEX #2A7932

RGB 42 121 50

HSL 126.08, 0.48%, 0.32%

LAB 44.8, -39.63, 31.54

 

CMYK 65 / 0 / 41 / 53

HEX #2A7947

RGB 42 121 71

HSL 142.03, 0.48%, 0.32%

LAB 45.11, -36.11, 20.52

 

CMYK 55 / 0 / 65 / 76

HEX #1B3C15

RGB 27 60 21

HSL 110.77, 0.48%, 0.16%

LAB 22.01, -21.28, 20.15

 

CMYK 54 / 0 / 64 / 65

HEX #295A20

RGB 41 90 32

HSL 110.69, 0.48%, 0.24%

LAB 33.75, -29.22, 27.93

 

CMYK 55 / 0 / 65 / 53

HEX #36792A

RGB 54 121 42

HSL 110.89, 0.48%, 0.32%

LAB 45.12, -37.44, 35.97

 

CMYK 55 / 0 / 65 / 41

HEX #449735

RGB 68 151 53

HSL 110.82, 0.48%, 0.4%

LAB 55.7, -44.43, 42.81

 

CMYK 55 / 0 / 65 / 29

HEX #52B640

RGB 82 182 64

HSL 110.85, 0.48%, 0.48%

LAB 66.23, -51.52, 49.73

 

CMYK 55 / 0 / 65 / 52

HEX #377A2B

RGB 55 122 43

HSL 110.89, 0.48%, 0.32%

LAB 45.5, -37.45, 35.94

 

CMYK 65 / 2 / 0 / 53

HEX #2A7679

RGB 42 118 121

HSL 182.28, 0.48%, 0.32%

LAB 45.4, -21.85, -8.54

 

CMYK 0 / 65 / 28 / 53

HEX #792A57

RGB 121 42 87

HSL 325.82, 0.48%, 0.32%

LAB 30.42, 39.31, -9.3

 

CMYK 55 / 0 / 65 / 52

HEX #377A2B

RGB 55 122 43

HSL 110.89, 0.48%, 0.32%

LAB 45.5, -37.45, 35.94

 

CMYK 65 / 55 / 0 / 53

HEX #2A3779

RGB 42 55 121

HSL 230.13, 0.48%, 0.32%

LAB 25.58, 17.32, -39.43

 

CMYK 0 / 65 / 55 / 53

HEX #792A37

RGB 121 42 55

HSL 350.13, 0.48%, 0.32%

LAB 29.4, 35.54, 10.3

 

CMYK 55 / 0 / 65 / 52

HEX #377A2B

RGB 55 122 43

HSL 110.89, 0.48%, 0.32%

LAB 45.5, -37.45, 35.94

 

CMYK 65 / 2 / 0 / 53

HEX #2A7679

RGB 42 118 121

HSL 182.28, 0.48%, 0.32%

LAB 45.4, -21.85, -8.54

 

CMYK 11 / 65 / 0 / 53

HEX #6C2A79

RGB 108 42 121

HSL 290.13, 0.48%, 0.32%

LAB 29.97, 41.48, -31.99

 

CMYK 0 / 63 / 65 / 53

HEX #792D2A

RGB 121 45 42

HSL 2.28, 0.48%, 0.32%

LAB 29.69, 33, 19.16

 

CMYK 55 / 0 / 65 / 52

HEX #377A2B

RGB 55 122 43

HSL 110.89, 0.48%, 0.32%

LAB 45.5, -37.45, 35.94

 

CMYK 65 / 21 / 0 / 53

HEX #2A5F79

RGB 42 95 121

HSL 199.75, 0.48%, 0.32%

LAB 37.94, -8.94, -19.88

 

CMYK 11 / 65 / 0 / 53

HEX #6C2A79

RGB 108 42 121

HSL 290.13, 0.48%, 0.32%

LAB 29.97, 41.48, -31.99

 

CMYK 0 / 43 / 65 / 53

HEX #79452A

RGB 121 69 42

HSL 20.51, 0.48%, 0.32%

LAB 34.98, 19.65, 25.67

 

Description

Color code: HEX #377A2B | qconv.com Color code: HEX #377A2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 122 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 122 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 65 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 65% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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