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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37799B it is the complementary color #C88664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37799B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37799B shade: #3C7996, #4D8BA9, #5E9DBC, #6FAFCF and #80C1E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37799B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37799B shade: #37799B, #266788, #155575, #044362 and #00314F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37799B shade: #36799B, #365E9B, #36429B, #45369B and #60369B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37799B shade: #36799B, #365E9B, #36429B and #36369B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37799B shade matches the following richer shades: #36799B, #257EAC, #1583BD and #0489CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37799B shade: #36799B, #47738A, #586E79, #696868 and #7A6357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37799B shade: #369B87, #36949B, #36799B, #365F9B and #36449B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37799B shade: #21495E, #2C617C, #36799B, #4190B9 and #5DA3C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37799B shade: #37799B, #6C369B and #9B9436

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37799B shade: #37799B, #9B3679 and #799B36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37799B shade: #37799B, #6C369B, #9B5836 and #659B36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37799B shade: #37799B, #8A369B, #9B5836 and #479B36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 22 / 0 / 39

HEX #37799B

RGB 55 121 155

HSL 200.4, 0.48%, 0.41%

LAB 48.07, -10.07, -24.55

 

Complementary color

CMYK 0 / 33 / 50 / 22

HEX #C88664

RGB 200 134 100

HSL 20.4, 0.48%, 0.59%

LAB 61.87, 21.52, 28.56

 

CMYK 60 / 19 / 0 / 41

HEX #3C7996

RGB 60 121 150

HSL 199.33, 0.43%, 0.41%

LAB 48.05, -10.75, -21.63

 

CMYK 54 / 18 / 0 / 34

HEX #4D8BA9

RGB 77 139 169

HSL 199.57, 0.37%, 0.48%

LAB 54.98, -11.27, -21.97

 

CMYK 50 / 16 / 0 / 26

HEX #5E9DBC

RGB 94 157 188

HSL 199.79, 0.41%, 0.55%

LAB 61.76, -11.65, -22.29

 

CMYK 46 / 15 / 0 / 19

HEX #6FAFCF

RGB 111 175 207

HSL 200, 0.5%, 0.62%

LAB 68.42, -11.93, -22.61

 

CMYK 43 / 15 / 0 / 11

HEX #80C1E2

RGB 128 193 226

HSL 200.2, 0.63%, 0.69%

LAB 74.96, -12.16, -22.93

 

CMYK 65 / 22 / 0 / 39

HEX #37799B

RGB 55 121 155

HSL 200.4, 0.48%, 0.41%

LAB 48.07, -10.07, -24.55

 

CMYK 72 / 24 / 0 / 47

HEX #266788

RGB 38 103 136

HSL 200.2, 0.56%, 0.34%

LAB 41.04, -9.09, -24.21

 

CMYK 82 / 27 / 0 / 54

HEX #155575

RGB 21 85 117

HSL 200, 0.7%, 0.27%

LAB 33.86, -7.66, -23.81

 

CMYK 96 / 32 / 0 / 62

HEX #044362

RGB 4 67 98

HSL 199.79, 0.92%, 0.2%

LAB 26.51, -5.61, -23.34

 

CMYK 100 / 38 / 0 / 69

HEX #00314F

RGB 0 49 79

HSL 202.78, 1%, 0.15%

LAB 19.06, -2.24, -22.61

 

CMYK 65 / 22 / 0 / 39

HEX #36799B

RGB 54 121 155

HSL 200.2, 0.48%, 0.41%

LAB 48.04, -10.26, -24.61

 

CMYK 65 / 39 / 0 / 39

HEX #365E9B

RGB 54 94 155

HSL 216.24, 0.48%, 0.41%

LAB 39.84, 6.17, -37.46

 

CMYK 65 / 57 / 0 / 39

HEX #36429B

RGB 54 66 155

HSL 232.87, 0.48%, 0.41%

LAB 31.91, 24.58, -50.19

 

CMYK 55 / 65 / 0 / 39

HEX #45369B

RGB 69 54 155

HSL 248.91, 0.48%, 0.41%

LAB 30.08, 34.94, -53.11

 

CMYK 38 / 65 / 0 / 39

HEX #60369B

RGB 96 54 155

HSL 264.95, 0.48%, 0.41%

LAB 32.9, 40.47, -48.41

 

CMYK 65 / 22 / 0 / 39

HEX #36799B

RGB 54 121 155

HSL 200.2, 0.48%, 0.41%

LAB 48.04, -10.26, -24.61

 

CMYK 65 / 39 / 0 / 39

HEX #365E9B

RGB 54 94 155

HSL 216.24, 0.48%, 0.41%

LAB 39.84, 6.17, -37.46

 

CMYK 65 / 57 / 0 / 39

HEX #36429B

RGB 54 66 155

HSL 232.87, 0.48%, 0.41%

LAB 31.91, 24.58, -50.19

 

CMYK 65 / 65 / 0 / 39

HEX #36369B

RGB 54 54 155

HSL 240, 0.48%, 0.41%

LAB 28.87, 32.4, -55.14

 

CMYK 65 / 22 / 0 / 39

HEX #36799B

RGB 54 121 155

HSL 200.2, 0.48%, 0.41%

LAB 48.04, -10.26, -24.61

 

CMYK 78 / 27 / 0 / 33

HEX #257EAC

RGB 37 126 172

HSL 200.44, 0.65%, 0.41%

LAB 49.85, -9.67, -31.75

 

CMYK 89 / 31 / 0 / 26

HEX #1583BD

RGB 21 131 189

HSL 200.71, 0.8%, 0.41%

LAB 51.91, -7.68, -38.32

 

CMYK 98 / 33 / 0 / 20

HEX #0489CD

RGB 4 137 205

HSL 200.3, 0.96%, 0.41%

LAB 54.37, -5.85, -43.56

 

CMYK 65 / 22 / 0 / 39

HEX #36799B

RGB 54 121 155

HSL 200.2, 0.48%, 0.41%

LAB 48.04, -10.26, -24.61

 

CMYK 49 / 17 / 0 / 46

HEX #47738A

RGB 71 115 138

HSL 200.6, 0.32%, 0.41%

LAB 46.23, -8.52, -17.3

 

CMYK 27 / 9 / 0 / 53

HEX #586E79

RGB 88 110 121

HSL 200, 0.16%, 0.41%

LAB 45.09, -5.37, -8.78

 

CMYK 0 / 1 / 1 / 59

HEX #696868

RGB 105 104 104

HSL 0, 0%, 0.41%

LAB 44.09, 0.39, 0.13

 

CMYK 0 / 19 / 29 / 52

HEX #7A6357

RGB 122 99 87

HSL 20.57, 0.17%, 0.41%

LAB 43.87, 7.29, 10.3

 

CMYK 65 / 0 / 13 / 39

HEX #369B87

RGB 54 155 135

HSL 168.12, 0.48%, 0.41%

LAB 58.01, -33.95, 1.95

 

CMYK 65 / 5 / 0 / 39

HEX #36949B

RGB 54 148 155

HSL 184.16, 0.48%, 0.41%

LAB 56.42, -24.87, -11.83

 

CMYK 65 / 22 / 0 / 39

HEX #36799B

RGB 54 121 155

HSL 200.2, 0.48%, 0.41%

LAB 48.04, -10.26, -24.61

 

CMYK 65 / 39 / 0 / 39

HEX #365F9B

RGB 54 95 155

HSL 215.64, 0.48%, 0.41%

LAB 40.14, 5.53, -36.99

 

CMYK 65 / 56 / 0 / 39

HEX #36449B

RGB 54 68 155

HSL 231.68, 0.48%, 0.41%

LAB 32.45, 23.26, -49.33

 

CMYK 65 / 22 / 0 / 63

HEX #21495E

RGB 33 73 94

HSL 200.66, 0.48%, 0.25%

LAB 29.15, -6.89, -16.59

 

CMYK 65 / 22 / 0 / 51

HEX #2C617C

RGB 44 97 124

HSL 200.25, 0.48%, 0.33%

LAB 38.79, -8.7, -20.4

 

CMYK 65 / 22 / 0 / 39

HEX #36799B

RGB 54 121 155

HSL 200.2, 0.48%, 0.41%

LAB 48.04, -10.26, -24.61

 

CMYK 65 / 22 / 0 / 27

HEX #4190B9

RGB 65 144 185

HSL 200.5, 0.48%, 0.49%

LAB 56.66, -11.34, -28.55

 

CMYK 53 / 18 / 0 / 22

HEX #5DA3C6

RGB 93 163 198

HSL 200, 0.48%, 0.57%

LAB 63.83, -12.2, -24.72

 

CMYK 65 / 22 / 0 / 39

HEX #37799B

RGB 55 121 155

HSL 200.4, 0.48%, 0.41%

LAB 48.07, -10.07, -24.55

 

CMYK 30 / 65 / 0 / 39

HEX #6C369B

RGB 108 54 155

HSL 272.08, 0.48%, 0.41%

LAB 34.38, 43.2, -45.95

 

CMYK 0 / 5 / 65 / 39

HEX #9B9436

RGB 155 148 54

HSL 55.84, 0.48%, 0.41%

LAB 60.26, -9.33, 48.89

 

CMYK 65 / 22 / 0 / 39

HEX #37799B

RGB 55 121 155

HSL 200.4, 0.48%, 0.41%

LAB 48.07, -10.07, -24.55

 

CMYK 0 / 65 / 22 / 39

HEX #9B3679

RGB 155 54 121

HSL 320.2, 0.48%, 0.41%

LAB 39.56, 49.18, -16.45

 

CMYK 22 / 0 / 65 / 39

HEX #799B36

RGB 121 155 54

HSL 80.2, 0.48%, 0.41%

LAB 59.68, -27.49, 47.49

 

CMYK 65 / 22 / 0 / 39

HEX #37799B

RGB 55 121 155

HSL 200.4, 0.48%, 0.41%

LAB 48.07, -10.07, -24.55

 

CMYK 30 / 65 / 0 / 39

HEX #6C369B

RGB 108 54 155

HSL 272.08, 0.48%, 0.41%

LAB 34.38, 43.2, -45.95

 

CMYK 0 / 43 / 65 / 39

HEX #9B5836

RGB 155 88 54

HSL 20.2, 0.48%, 0.41%

LAB 44.54, 24.44, 31.34

 

CMYK 35 / 0 / 65 / 39

HEX #659B36

RGB 101 155 54

HSL 92.08, 0.48%, 0.41%

LAB 58.49, -35.24, 45.84

 

CMYK 65 / 22 / 0 / 39

HEX #37799B

RGB 55 121 155

HSL 200.4, 0.48%, 0.41%

LAB 48.07, -10.07, -24.55

 

CMYK 11 / 65 / 0 / 39

HEX #8A369B

RGB 138 54 155

HSL 289.9, 0.48%, 0.41%

LAB 38.57, 50.42, -39.01

 

CMYK 0 / 43 / 65 / 39

HEX #9B5836

RGB 155 88 54

HSL 20.2, 0.48%, 0.41%

LAB 44.54, 24.44, 31.34

 

CMYK 54 / 0 / 65 / 39

HEX #479B36

RGB 71 155 54

HSL 109.9, 0.48%, 0.41%

LAB 57.12, -45.07, 43.96

 

Description

Color code: HEX #37799B | qconv.com Color code: HEX #37799B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 121 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 121 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 22 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 22% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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