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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #376C97 it is the complementary color #C89368. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #376C97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #376C97 shade: #3C6C92, #4D7EA5, #5E90B8, #6FA2CB and #80B4DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #376C97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #376C97 shade: #376C97, #265A84, #154871, #04365E and #00244B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #376C97 shade: #366B96, #365196, #363796, #4F3696 and #693696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #376C97 shade: #366B96, #365196, #363796 and #363696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #376C97 shade matches the following richer shades: #366B96, #266DA6, #156EB7 and #0570C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #376C97 shade: #366B96, #476985, #576875, #686664 and #786454

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #376C97 shade: #36968C, #368696, #366C96, #365396 and #363996

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #376C97 shade: #204059, #2B5578, #366B96, #4181B4 and #5B95C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #376C97 shade: #376C97, #733696 and #939636

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #376C97 shade: #376C97, #96366C and #6C9636

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #376C97 shade: #376C97, #733696, #966036 and #599636

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #376C97 shade: #376C97, #903696, #966036 and #3C9636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 28 / 0 / 41

HEX #376C97

RGB 55 108 151

HSL 206.88, 0.47%, 0.4%

LAB 43.9, -3.77, -28.68

 

Complementary color

CMYK 0 / 27 / 48 / 22

HEX #C89368

RGB 200 147 104

HSL 26.88, 0.47%, 0.6%

LAB 65.08, 14.79, 30.53

 

CMYK 59 / 26 / 0 / 43

HEX #3C6C92

RGB 60 108 146

HSL 206.51, 0.42%, 0.4%

LAB 43.89, -4.45, -25.71

 

CMYK 53 / 24 / 0 / 35

HEX #4D7EA5

RGB 77 126 165

HSL 206.59, 0.36%, 0.47%

LAB 50.94, -5.1, -25.88

 

CMYK 49 / 22 / 0 / 28

HEX #5E90B8

RGB 94 144 184

HSL 206.67, 0.39%, 0.55%

LAB 57.83, -5.59, -26.07

 

CMYK 45 / 20 / 0 / 20

HEX #6FA2CB

RGB 111 162 203

HSL 206.74, 0.47%, 0.62%

LAB 64.59, -5.97, -26.27

 

CMYK 42 / 19 / 0 / 13

HEX #80B4DE

RGB 128 180 222

HSL 206.81, 0.59%, 0.69%

LAB 71.22, -6.28, -26.48

 

CMYK 64 / 28 / 0 / 41

HEX #376C97

RGB 55 108 151

HSL 206.88, 0.47%, 0.4%

LAB 43.9, -3.77, -28.68

 

CMYK 71 / 32 / 0 / 48

HEX #265A84

RGB 38 90 132

HSL 206.81, 0.55%, 0.33%

LAB 36.73, -2.62, -28.53

 

CMYK 81 / 36 / 0 / 56

HEX #154871

RGB 21 72 113

HSL 206.74, 0.69%, 0.26%

LAB 29.38, -0.95, -28.35

 

CMYK 96 / 43 / 0 / 63

HEX #04365E

RGB 4 54 94

HSL 206.67, 0.92%, 0.19%

LAB 21.84, 1.46, -28.13

 

CMYK 100 / 52 / 0 / 71

HEX #00244B

RGB 0 36 75

HSL 211.2, 1%, 0.15%

LAB 14.23, 5.42, -27.61

 

CMYK 64 / 29 / 0 / 41

HEX #366B96

RGB 54 107 150

HSL 206.88, 0.47%, 0.4%

LAB 43.51, -3.71, -28.7

 

CMYK 64 / 46 / 0 / 41

HEX #365196

RGB 54 81 150

HSL 223.13, 0.47%, 0.4%

LAB 35.73, 12.8, -41

 

CMYK 64 / 63 / 0 / 41

HEX #363796

RGB 54 55 150

HSL 239.38, 0.47%, 0.4%

LAB 28.69, 30.01, -52.38

 

CMYK 47 / 64 / 0 / 41

HEX #4F3696

RGB 79 54 150

HSL 255.63, 0.47%, 0.4%

LAB 30.65, 35.36, -49.11

 

CMYK 30 / 64 / 0 / 41

HEX #693696

RGB 105 54 150

HSL 271.88, 0.47%, 0.4%

LAB 33.66, 41.25, -44.1

 

CMYK 64 / 29 / 0 / 41

HEX #366B96

RGB 54 107 150

HSL 206.88, 0.47%, 0.4%

LAB 43.51, -3.71, -28.7

 

CMYK 64 / 46 / 0 / 41

HEX #365196

RGB 54 81 150

HSL 223.13, 0.47%, 0.4%

LAB 35.73, 12.8, -41

 

CMYK 64 / 63 / 0 / 41

HEX #363796

RGB 54 55 150

HSL 239.38, 0.47%, 0.4%

LAB 28.69, 30.01, -52.38

 

CMYK 64 / 64 / 0 / 41

HEX #363696

RGB 54 54 150

HSL 240, 0.47%, 0.4%

LAB 28.44, 30.66, -52.79

 

CMYK 64 / 29 / 0 / 41

HEX #366B96

RGB 54 107 150

HSL 206.88, 0.47%, 0.4%

LAB 43.51, -3.71, -28.7

 

CMYK 77 / 34 / 0 / 35

HEX #266DA6

RGB 38 109 166

HSL 206.72, 0.63%, 0.4%

LAB 44.38, -1.65, -36.84

 

CMYK 89 / 40 / 0 / 28

HEX #156EB7

RGB 21 110 183

HSL 207.04, 0.79%, 0.4%

LAB 45.26, 2.69, -45.4

 

CMYK 97 / 44 / 0 / 22

HEX #0570C7

RGB 5 112 199

HSL 206.91, 0.95%, 0.4%

LAB 46.64, 7.04, -52.46

 

CMYK 64 / 29 / 0 / 41

HEX #366B96

RGB 54 107 150

HSL 206.88, 0.47%, 0.4%

LAB 43.51, -3.71, -28.7

 

CMYK 47 / 21 / 0 / 48

HEX #476985

RGB 71 105 133

HSL 207.1, 0.3%, 0.4%

LAB 42.97, -4.15, -19.31

 

CMYK 26 / 11 / 0 / 54

HEX #576875

RGB 87 104 117

HSL 206, 0.15%, 0.4%

LAB 43.08, -3.18, -9.39

 

CMYK 0 / 2 / 4 / 59

HEX #686664

RGB 104 102 100

HSL 30, 0.02%, 0.4%

LAB 43.31, 0.38, 1.4

 

CMYK 0 / 17 / 30 / 53

HEX #786454

RGB 120 100 84

HSL 26.67, 0.18%, 0.4%

LAB 43.87, 5.39, 12.07

 

CMYK 64 / 0 / 7 / 41

HEX #36968C

RGB 54 150 140

HSL 173.75, 0.47%, 0.4%

LAB 56.58, -30.22, -3.01

 

CMYK 64 / 11 / 0 / 41

HEX #368696

RGB 54 134 150

HSL 190, 0.47%, 0.4%

LAB 51.88, -19.11, -15.8

 

CMYK 64 / 28 / 0 / 41

HEX #366C96

RGB 54 108 150

HSL 206.25, 0.47%, 0.4%

LAB 43.82, -4.31, -28.23

 

CMYK 64 / 45 / 0 / 41

HEX #365396

RGB 54 83 150

HSL 221.88, 0.47%, 0.4%

LAB 36.31, 11.48, -40.08

 

CMYK 64 / 62 / 0 / 41

HEX #363996

RGB 54 57 150

HSL 238.13, 0.47%, 0.4%

LAB 29.19, 28.72, -51.57

 

CMYK 64 / 28 / 0 / 65

HEX #204059

RGB 32 64 89

HSL 206.32, 0.47%, 0.24%

LAB 25.85, -3.16, -18.49

 

CMYK 64 / 29 / 0 / 53

HEX #2B5578

RGB 43 85 120

HSL 207.27, 0.47%, 0.32%

LAB 34.74, -2.95, -24.25

 

CMYK 64 / 29 / 0 / 41

HEX #366B96

RGB 54 107 150

HSL 206.88, 0.47%, 0.4%

LAB 43.51, -3.71, -28.7

 

CMYK 64 / 28 / 0 / 29

HEX #4181B4

RGB 65 129 180

HSL 206.61, 0.47%, 0.48%

LAB 51.97, -4.43, -32.99

 

CMYK 54 / 24 / 0 / 23

HEX #5B95C4

RGB 91 149 196

HSL 206.86, 0.47%, 0.56%

LAB 59.62, -5.48, -30.1

 

CMYK 64 / 28 / 0 / 41

HEX #376C97

RGB 55 108 151

HSL 206.88, 0.47%, 0.4%

LAB 43.9, -3.77, -28.68

 

CMYK 23 / 64 / 0 / 41

HEX #733696

RGB 115 54 150

HSL 278.13, 0.47%, 0.4%

LAB 34.97, 43.68, -41.91

 

CMYK 2 / 0 / 64 / 41

HEX #939636

RGB 147 150 54

HSL 61.88, 0.47%, 0.4%

LAB 60.14, -13.92, 48.56

 

CMYK 64 / 28 / 0 / 41

HEX #376C97

RGB 55 108 151

HSL 206.88, 0.47%, 0.4%

LAB 43.9, -3.77, -28.68

 

CMYK 0 / 64 / 28 / 41

HEX #96366C

RGB 150 54 108

HSL 326.25, 0.47%, 0.4%

LAB 38.21, 45.85, -10.47

 

CMYK 28 / 0 / 64 / 41

HEX #6C9636

RGB 108 150 54

HSL 86.25, 0.47%, 0.4%

LAB 57.33, -30.27, 44.71

 

CMYK 64 / 28 / 0 / 41

HEX #376C97

RGB 55 108 151

HSL 206.88, 0.47%, 0.4%

LAB 43.9, -3.77, -28.68

 

CMYK 23 / 64 / 0 / 41

HEX #733696

RGB 115 54 150

HSL 278.13, 0.47%, 0.4%

LAB 34.97, 43.68, -41.91

 

CMYK 0 / 36 / 64 / 41

HEX #966036

RGB 150 96 54

HSL 26.25, 0.47%, 0.4%

LAB 45.79, 17.7, 32.66

 

CMYK 41 / 0 / 64 / 41

HEX #599636

RGB 89 150 54

HSL 98.13, 0.47%, 0.4%

LAB 56.29, -37.3, 43.26

 

CMYK 64 / 28 / 0 / 41

HEX #376C97

RGB 55 108 151

HSL 206.88, 0.47%, 0.4%

LAB 43.9, -3.77, -28.68

 

CMYK 4 / 64 / 0 / 41

HEX #903696

RGB 144 54 150

HSL 296.25, 0.47%, 0.4%

LAB 39.19, 50.97, -34.94

 

CMYK 0 / 36 / 64 / 41

HEX #966036

RGB 150 96 54

HSL 26.25, 0.47%, 0.4%

LAB 45.79, 17.7, 32.66

 

CMYK 60 / 0 / 64 / 41

HEX #3C9636

RGB 60 150 54

HSL 116.25, 0.47%, 0.4%

LAB 55.11, -46.06, 41.62

 

Description

Color code: HEX #376C97 | qconv.com Color code: HEX #376C97 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 108 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 108 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 28 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 28% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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