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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #375DEC it is the complementary color #C8A213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #375DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #375DEC shade: #3C5DE7, #4D6FFA, #5E81FF, #6F93FF and #80A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #375DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #375DEC shade: #375DEC, #264BD9, #1539C6, #0427B3 and #0015A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #375DEC shade: #365DEC, #4136EC, #7236EC, #A336EC and #D436EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #375DEC shade: #365DEC and #3636EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #375DEC shade matches the following richer shades: #365DEC and #2552FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #375DEC shade: #365DEC, #4867DB, #5A71C9, #6C7BB7 and #7D86A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #375DEC shade: #36BFEC, #368EEC, #365EEC, #3F36EC and #7036EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #375DEC shade: #1236BE, #1541E4, #365DEC, #5C7BF0 and #829AF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #375DEC shade: #375DEC, #E936EC and #A7EC36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #375DEC shade: #375DEC, #EC365E and #5EEC36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #375DEC shade: #375DEC, #E936EC, #ECC536 and #39EC36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #375DEC shade: #375DEC, #EC36B9, #ECC536 and #36EC6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 61 / 0 / 7

HEX #375DEC

RGB 55 93 236

HSL 227.4, 0.83%, 0.57%

LAB 45.22, 36.62, -75.75

 

Complementary color

CMYK 0 / 19 / 91 / 22

HEX #C8A213

RGB 200 162 19

HSL 47.4, 0.83%, 0.43%

LAB 68.14, 1.92, 68.8

 

CMYK 74 / 60 / 0 / 9

HEX #3C5DE7

RGB 60 93 231

HSL 228.42, 0.78%, 0.57%

LAB 45.02, 35.36, -73.24

 

CMYK 69 / 56 / 0 / 2

HEX #4D6FFA

RGB 77 111 250

HSL 228.21, 0.95%, 0.64%

LAB 51.67, 32.91, -73.03

 

CMYK 63 / 49 / 0 / 0

HEX #5E81FF

RGB 94 129 255

HSL 226.96, 1%, 0.68%

LAB 57.37, 26.14, -66.53

 

CMYK 56 / 42 / 0 / 0

HEX #6F93FF

RGB 111 147 255

HSL 225, 1%, 0.72%

LAB 62.9, 18.43, -57.61

 

CMYK 50 / 35 / 0 / 0

HEX #80A5FF

RGB 128 165 255

HSL 222.52, 1%, 0.75%

LAB 68.55, 11.53, -48.6

 

CMYK 77 / 61 / 0 / 7

HEX #375DEC

RGB 55 93 236

HSL 227.4, 0.83%, 0.57%

LAB 45.22, 36.62, -75.75

 

CMYK 82 / 65 / 0 / 15

HEX #264BD9

RGB 38 75 217

HSL 227.6, 0.7%, 0.5%

LAB 38.65, 39.61, -75.75

 

CMYK 89 / 71 / 0 / 22

HEX #1539C6

RGB 21 57 198

HSL 227.8, 0.81%, 0.43%

LAB 32.17, 42.94, -75.42

 

CMYK 98 / 78 / 0 / 30

HEX #0427B3

RGB 4 39 179

HSL 228, 0.96%, 0.36%

LAB 25.96, 46.31, -74.5

 

CMYK 100 / 87 / 0 / 37

HEX #0015A0

RGB 0 21 160

HSL 232.13, 1%, 0.31%

LAB 20.34, 49.02, -72.37

 

CMYK 77 / 61 / 0 / 7

HEX #365DEC

RGB 54 93 236

HSL 227.14, 0.83%, 0.57%

LAB 45.18, 36.53, -75.82

 

CMYK 72 / 77 / 0 / 7

HEX #4136EC

RGB 65 54 236

HSL 243.63, 0.83%, 0.57%

LAB 37.51, 59.83, -88.41

 

CMYK 52 / 77 / 0 / 7

HEX #7236EC

RGB 114 54 236

HSL 259.78, 0.83%, 0.57%

LAB 41.64, 64.9, -81.45

 

CMYK 31 / 77 / 0 / 7

HEX #A336EC

RGB 163 54 236

HSL 275.93, 0.83%, 0.57%

LAB 47.6, 72.11, -71.47

 

CMYK 10 / 77 / 0 / 7

HEX #D436EC

RGB 212 54 236

HSL 292.09, 0.83%, 0.57%

LAB 54.75, 80.68, -59.56

 

CMYK 77 / 61 / 0 / 7

HEX #365DEC

RGB 54 93 236

HSL 227.14, 0.83%, 0.57%

LAB 45.18, 36.53, -75.82

 

CMYK 77 / 77 / 0 / 7

HEX #3636EC

RGB 54 54 236

HSL 240, 0.83%, 0.57%

LAB 36.89, 59.06, -89.46

 

CMYK 77 / 61 / 0 / 7

HEX #365DEC

RGB 54 93 236

HSL 227.14, 0.83%, 0.57%

LAB 45.18, 36.53, -75.82

 

CMYK 85 / 68 / 0 / 0

HEX #2552FE

RGB 37 82 254

HSL 227.56, 0.99%, 0.57%

LAB 43.63, 48.43, -88.47

 

CMYK 77 / 61 / 0 / 7

HEX #365DEC

RGB 54 93 236

HSL 227.14, 0.83%, 0.57%

LAB 45.18, 36.53, -75.82

 

CMYK 67 / 53 / 0 / 14

HEX #4867DB

RGB 72 103 219

HSL 227.35, 0.67%, 0.57%

LAB 47.23, 26.39, -62.84

 

CMYK 55 / 44 / 0 / 21

HEX #5A71C9

RGB 90 113 201

HSL 227.57, 0.51%, 0.57%

LAB 49.74, 17.29, -48.49

 

CMYK 41 / 33 / 0 / 28

HEX #6C7BB7

RGB 108 123 183

HSL 228, 0.34%, 0.57%

LAB 52.7, 10.01, -33.41

 

CMYK 24 / 19 / 0 / 35

HEX #7D86A5

RGB 125 134 165

HSL 226.5, 0.18%, 0.57%

LAB 56.21, 3.77, -17.53

 

CMYK 77 / 19 / 0 / 7

HEX #36BFEC

RGB 54 191 236

HSL 194.84, 0.83%, 0.57%

LAB 72.3, -21.21, -32.65

 

CMYK 77 / 40 / 0 / 7

HEX #368EEC

RGB 54 142 236

HSL 210.99, 0.83%, 0.57%

LAB 58.21, 6.08, -54.76

 

CMYK 77 / 60 / 0 / 7

HEX #365EEC

RGB 54 94 236

HSL 226.81, 0.83%, 0.57%

LAB 45.42, 35.9, -75.42

 

CMYK 73 / 77 / 0 / 7

HEX #3F36EC

RGB 63 54 236

HSL 242.97, 0.83%, 0.57%

LAB 37.39, 59.68, -88.61

 

CMYK 53 / 77 / 0 / 7

HEX #7036EC

RGB 112 54 236

HSL 259.12, 0.83%, 0.57%

LAB 41.44, 64.64, -81.8

 

CMYK 91 / 72 / 0 / 25

HEX #1236BE

RGB 18 54 190

HSL 227.44, 0.83%, 0.41%

LAB 30.6, 41.77, -73.32

 

CMYK 91 / 71 / 0 / 11

HEX #1541E4

RGB 21 65 228

HSL 227.25, 0.83%, 0.49%

LAB 37.01, 48.76, -84.76

 

CMYK 77 / 61 / 0 / 7

HEX #365DEC

RGB 54 93 236

HSL 227.14, 0.83%, 0.57%

LAB 45.18, 36.53, -75.82

 

CMYK 62 / 49 / 0 / 6

HEX #5C7BF0

RGB 92 123 240

HSL 227.43, 0.83%, 0.65%

LAB 54.8, 24.44, -62.38

 

CMYK 47 / 37 / 0 / 5

HEX #829AF3

RGB 130 154 243

HSL 227.26, 0.82%, 0.73%

LAB 65.22, 14.79, -47.29

 

CMYK 77 / 61 / 0 / 7

HEX #375DEC

RGB 55 93 236

HSL 227.4, 0.83%, 0.57%

LAB 45.22, 36.62, -75.75

 

CMYK 1 / 77 / 0 / 7

HEX #E936EC

RGB 233 54 236

HSL 299.01, 0.83%, 0.57%

LAB 58.05, 84.6, -54.09

 

CMYK 29 / 0 / 77 / 7

HEX #A7EC36

RGB 167 236 54

HSL 82.75, 0.83%, 0.57%

LAB 86.24, -46.44, 74.74

 

CMYK 77 / 61 / 0 / 7

HEX #375DEC

RGB 55 93 236

HSL 227.4, 0.83%, 0.57%

LAB 45.22, 36.62, -75.75

 

CMYK 0 / 77 / 60 / 7

HEX #EC365E

RGB 236 54 94

HSL 346.81, 0.83%, 0.57%

LAB 53.25, 69.61, 21.69

 

CMYK 60 / 0 / 77 / 7

HEX #5EEC36

RGB 94 236 54

HSL 106.81, 0.83%, 0.57%

LAB 83.25, -68.48, 70.85

 

CMYK 77 / 61 / 0 / 7

HEX #375DEC

RGB 55 93 236

HSL 227.4, 0.83%, 0.57%

LAB 45.22, 36.62, -75.75

 

CMYK 1 / 77 / 0 / 7

HEX #E936EC

RGB 233 54 236

HSL 299.01, 0.83%, 0.57%

LAB 58.05, 84.6, -54.09

 

CMYK 0 / 17 / 77 / 7

HEX #ECC536

RGB 236 197 54

HSL 47.14, 0.83%, 0.57%

LAB 80.76, 0.17, 71.52

 

CMYK 76 / 0 / 77 / 7

HEX #39EC36

RGB 57 236 54

HSL 119.01, 0.83%, 0.57%

LAB 82.45, -75.25, 69.8

 

CMYK 77 / 61 / 0 / 7

HEX #375DEC

RGB 55 93 236

HSL 227.4, 0.83%, 0.57%

LAB 45.22, 36.62, -75.75

 

CMYK 0 / 77 / 22 / 7

HEX #EC36B9

RGB 236 54 185

HSL 316.81, 0.83%, 0.57%

LAB 56.06, 78.13, -28.15

 

CMYK 0 / 17 / 77 / 7

HEX #ECC536

RGB 236 197 54

HSL 47.14, 0.83%, 0.57%

LAB 80.76, 0.17, 71.52

 

CMYK 77 / 0 / 55 / 7

HEX #36EC6A

RGB 54 236 106

HSL 137.14, 0.83%, 0.57%

LAB 82.82, -70.58, 49.95

 

Description

Color code: HEX #375DEC | qconv.com Color code: HEX #375DEC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 93 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 93 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 61 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 61% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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