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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #375886 it is the complementary color #C8A779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #375886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #375886 shade: #3C5881, #4D6A94, #5E7CA7, #6F8EBA and #80A0CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #375886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #375886 shade: #375886, #264673, #153460, #04224D and #00103A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #375886 shade: #375886, #374286, #403786, #563786 and #6B3786

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #375886 shade: #375886, #374286 and #373786

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #375886 shade matches the following richer shades: #375886, #275595, #1853A5 and #0950B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #375886 shade: #375886, #465A77, #555D67, #655F58 and #746249

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #375886 shade: #378386, #376E86, #375986, #374486 and #3F3786

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #375886 shade: #1F314B, #2B4569, #375886, #436BA3 and #557FBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #375886 shade: #375886, #733786 and #798637

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #375886 shade: #375886, #863759 and #598637

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #375886 shade: #375886, #733786, #866437 and #498637

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #375886 shade: #375886, #863781, #866437 and #37863C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

Complementary color

CMYK 0 / 17 / 40 / 22

HEX #C8A779

RGB 200 167 121

HSL 34.94, 0.42%, 0.63%

LAB 70.38, 5.72, 28.3

 

CMYK 53 / 32 / 0 / 49

HEX #3C5881

RGB 60 88 129

HSL 215.65, 0.37%, 0.37%

LAB 36.98, 2.18, -26.23

 

CMYK 48 / 28 / 0 / 42

HEX #4D6A94

RGB 77 106 148

HSL 215.49, 0.32%, 0.44%

LAB 44.27, 1.49, -26.25

 

CMYK 44 / 26 / 0 / 35

HEX #5E7CA7

RGB 94 124 167

HSL 215.34, 0.29%, 0.51%

LAB 51.36, 0.95, -26.31

 

CMYK 40 / 24 / 0 / 27

HEX #6F8EBA

RGB 111 142 186

HSL 215.2, 0.35%, 0.58%

LAB 58.29, 0.52, -26.42

 

CMYK 38 / 22 / 0 / 20

HEX #80A0CD

RGB 128 160 205

HSL 215.06, 0.44%, 0.65%

LAB 65.07, 0.16, -26.55

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 67 / 39 / 0 / 55

HEX #264673

RGB 38 70 115

HSL 215.06, 0.5%, 0.3%

LAB 29.49, 3.94, -29.4

 

CMYK 78 / 46 / 0 / 62

HEX #153460

RGB 21 52 96

HSL 215.2, 0.64%, 0.23%

LAB 21.8, 5.74, -29.48

 

CMYK 95 / 56 / 0 / 70

HEX #04224D

RGB 4 34 77

HSL 215.34, 0.9%, 0.16%

LAB 13.86, 8.44, -29.57

 

CMYK 100 / 72 / 0 / 77

HEX #00103A

RGB 0 16 58

HSL 223.45, 1%, 0.11%

LAB 6.11, 12.38, -28.83

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 59 / 51 / 0 / 47

HEX #374286

RGB 55 66 134

HSL 231.65, 0.42%, 0.37%

LAB 30.47, 17.22, -39.64

 

CMYK 52 / 59 / 0 / 47

HEX #403786

RGB 64 55 134

HSL 246.84, 0.42%, 0.37%

LAB 28.23, 26.48, -43.22

 

CMYK 36 / 59 / 0 / 47

HEX #563786

RGB 86 55 134

HSL 263.54, 0.42%, 0.37%

LAB 30.48, 31.77, -39.48

 

CMYK 20 / 59 / 0 / 47

HEX #6B3786

RGB 107 55 134

HSL 279.49, 0.42%, 0.37%

LAB 33.09, 37.36, -35.16

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 59 / 51 / 0 / 47

HEX #374286

RGB 55 66 134

HSL 231.65, 0.42%, 0.37%

LAB 30.47, 17.22, -39.64

 

CMYK 59 / 59 / 0 / 47

HEX #373786

RGB 55 55 134

HSL 240, 0.42%, 0.37%

LAB 27.48, 24.59, -44.47

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 74 / 43 / 0 / 42

HEX #275595

RGB 39 85 149

HSL 214.91, 0.59%, 0.37%

LAB 36.17, 7.24, -39.74

 

CMYK 85 / 50 / 0 / 35

HEX #1853A5

RGB 24 83 165

HSL 214.89, 0.75%, 0.37%

LAB 36.17, 13.21, -49.38

 

CMYK 95 / 56 / 0 / 29

HEX #0950B4

RGB 9 80 180

HSL 215.09, 0.9%, 0.37%

LAB 36.16, 20.45, -58.32

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 41 / 24 / 0 / 53

HEX #465A77

RGB 70 90 119

HSL 215.51, 0.26%, 0.37%

LAB 37.75, 0.47, -18.84

 

CMYK 17 / 10 / 0 / 60

HEX #555D67

RGB 85 93 103

HSL 213.33, 0.1%, 0.37%

LAB 39.14, -0.77, -6.77

 

CMYK 0 / 6 / 13 / 60

HEX #655F58

RGB 101 95 88

HSL 32.31, 0.07%, 0.37%

LAB 40.66, 1.04, 4.86

 

CMYK 0 / 16 / 37 / 55

HEX #746249

RGB 116 98 73

HSL 34.88, 0.23%, 0.37%

LAB 42.66, 3.27, 16.93

 

CMYK 59 / 2 / 0 / 47

HEX #378386

RGB 55 131 134

HSL 182.28, 0.42%, 0.37%

LAB 50.41, -22.23, -8.68

 

CMYK 59 / 18 / 0 / 47

HEX #376E86

RGB 55 110 134

HSL 198.23, 0.42%, 0.37%

LAB 43.78, -10.69, -18.73

 

CMYK 59 / 34 / 0 / 47

HEX #375986

RGB 55 89 134

HSL 214.18, 0.42%, 0.37%

LAB 37.26, 2.08, -28.86

 

CMYK 59 / 49 / 0 / 47

HEX #374486

RGB 55 68 134

HSL 230.13, 0.42%, 0.37%

LAB 31.04, 15.88, -38.74

 

CMYK 53 / 59 / 0 / 47

HEX #3F3786

RGB 63 55 134

HSL 246.08, 0.42%, 0.37%

LAB 28.14, 26.26, -43.37

 

CMYK 59 / 35 / 0 / 71

HEX #1F314B

RGB 31 49 75

HSL 215.45, 0.42%, 0.21%

LAB 20.03, 1.55, -18.31

 

CMYK 59 / 34 / 0 / 59

HEX #2B4569

RGB 43 69 105

HSL 214.84, 0.42%, 0.29%

LAB 28.88, 1.99, -24.01

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 59 / 34 / 0 / 36

HEX #436BA3

RGB 67 107 163

HSL 215, 0.42%, 0.45%

LAB 44.74, 3.42, -34.44

 

CMYK 54 / 32 / 0 / 27

HEX #557FBA

RGB 85 127 186

HSL 215.05, 0.42%, 0.53%

LAB 52.57, 2.82, -35.43

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 14 / 59 / 0 / 47

HEX #733786

RGB 115 55 134

HSL 285.57, 0.42%, 0.37%

LAB 34.19, 39.56, -33.35

 

CMYK 10 / 0 / 59 / 47

HEX #798637

RGB 121 134 55

HSL 69.87, 0.42%, 0.37%

LAB 53.37, -16.77, 40.1

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 0 / 59 / 34 / 47

HEX #863759

RGB 134 55 89

HSL 334.18, 0.42%, 0.37%

LAB 35.05, 37.59, -3.44

 

CMYK 34 / 0 / 59 / 47

HEX #598637

RGB 89 134 55

HSL 94.18, 0.42%, 0.37%

LAB 51.21, -29.89, 37.05

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 14 / 59 / 0 / 47

HEX #733786

RGB 115 55 134

HSL 285.57, 0.42%, 0.37%

LAB 34.19, 39.56, -33.35

 

CMYK 0 / 25 / 59 / 47

HEX #866437

RGB 134 100 55

HSL 34.18, 0.42%, 0.37%

LAB 44.88, 8.24, 30.55

 

CMYK 46 / 0 / 59 / 47

HEX #498637

RGB 73 134 55

HSL 106.33, 0.42%, 0.37%

LAB 50.38, -35.57, 35.89

 

CMYK 59 / 34 / 0 / 47

HEX #375886

RGB 55 88 134

HSL 214.94, 0.42%, 0.37%

LAB 36.95, 2.72, -29.34

 

CMYK 0 / 59 / 4 / 47

HEX #863781

RGB 134 55 129

HSL 303.8, 0.42%, 0.37%

LAB 36.72, 43.93, -26.08

 

CMYK 0 / 25 / 59 / 47

HEX #866437

RGB 134 100 55

HSL 34.18, 0.42%, 0.37%

LAB 44.88, 8.24, 30.55

 

CMYK 59 / 0 / 55 / 47

HEX #37863C

RGB 55 134 60

HSL 123.8, 0.42%, 0.37%

LAB 49.72, -40.25, 32.4

 

Description

Color code: HEX #375886 | qconv.com Color code: HEX #375886 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 88 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 88 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 34 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 34% 0% 47% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

11% - Caldeirão do Paulão ...
Link: http://www.caldeiraodopaulao.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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