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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37560F it is the complementary color #C8A9F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37560F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37560F shade: #3C560A, #4D681D, #5E7A30, #6F8C43 and #809E56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37560F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37560F shade: #37560F, #264400, #153200, #042000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37560F shade: #38570F, #4B570F, #574F0F, #573C0F and #57290F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37560F shade: #38570F, #24570F, #11570F, #0F5721 and #0F5734

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37560F shade matches the following richer shades: #38570F and #395F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37560F shade: #38570F, #364E18, #354620, #343E28 and #333630

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37560F shade: #57500F, #4B570F, #38570F, #25570F and #12570F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37560F shade: #0B1103, #213409, #38570F, #4E7A15 and #649D1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37560F shade: #37560F, #0F573D and #570F54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37560F shade: #37560F, #0F3857 and #570F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37560F shade: #37560F, #0F573D, #2E0F57 and #570F29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37560F shade: #37560F, #0F5752, #2E0F57 and #570F14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 83 / 66

HEX #37560F

RGB 55 86 15

HSL 86.2, 0.7%, 0.2%

LAB 32.92, -23.66, 34.99

 

Complementary color

CMYK 17 / 30 / 0 / 6

HEX #C8A9F0

RGB 200 169 240

HSL 266.2, 0.7%, 0.8%

LAB 74.16, 24.84, -31.33

 

CMYK 30 / 0 / 88 / 66

HEX #3C560A

RGB 60 86 10

HSL 80.53, 0.79%, 0.19%

LAB 33.22, -21.77, 37.07

 

CMYK 26 / 0 / 72 / 59

HEX #4D681D

RGB 77 104 29

HSL 81.6, 0.56%, 0.26%

LAB 40.52, -22.39, 37.3

 

CMYK 23 / 0 / 61 / 52

HEX #5E7A30

RGB 94 122 48

HSL 82.7, 0.44%, 0.33%

LAB 47.64, -22.72, 36.49

 

CMYK 21 / 0 / 52 / 45

HEX #6F8C43

RGB 111 140 67

HSL 83.84, 0.35%, 0.41%

LAB 54.6, -22.88, 35.35

 

CMYK 19 / 0 / 46 / 38

HEX #809E56

RGB 128 158 86

HSL 85, 0.3%, 0.48%

LAB 61.41, -22.94, 34.13

 

CMYK 36 / 0 / 83 / 66

HEX #37560F

RGB 55 86 15

HSL 86.2, 0.7%, 0.2%

LAB 32.92, -23.66, 34.99

 

CMYK 44 / 0 / 100 / 73

HEX #264400

RGB 38 68 0

HSL 86.47, 1%, 0.13%

LAB 25.4, -22.82, 33.4

 

CMYK 58 / 0 / 100 / 80

HEX #153200

RGB 21 50 0

HSL 94.8, 1%, 0.1%

LAB 17.65, -21.03, 24.78

 

CMYK 88 / 0 / 100 / 87

HEX #042000

RGB 4 32 0

HSL 112.5, 1%, 0.06%

LAB 9.47, -17.62, 13.84

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 36 / 0 / 83 / 66

HEX #38570F

RGB 56 87 15

HSL 85.83, 0.71%, 0.2%

LAB 33.33, -23.74, 35.4

 

CMYK 14 / 0 / 83 / 66

HEX #4B570F

RGB 75 87 15

HSL 70, 0.71%, 0.2%

LAB 34.69, -15.14, 37.16

 

CMYK 0 / 9 / 83 / 66

HEX #574F0F

RGB 87 79 15

HSL 53.33, 0.71%, 0.2%

LAB 33.25, -4.58, 36.23

 

CMYK 0 / 31 / 83 / 66

HEX #573C0F

RGB 87 60 15

HSL 37.5, 0.71%, 0.2%

LAB 27.55, 7.21, 30.87

 

CMYK 0 / 53 / 83 / 66

HEX #57290F

RGB 87 41 15

HSL 21.67, 0.71%, 0.2%

LAB 22.47, 19.13, 25.83

 

CMYK 36 / 0 / 83 / 66

HEX #38570F

RGB 56 87 15

HSL 85.83, 0.71%, 0.2%

LAB 33.33, -23.74, 35.4

 

CMYK 59 / 0 / 83 / 66

HEX #24570F

RGB 36 87 15

HSL 102.5, 0.71%, 0.2%

LAB 32.32, -31.18, 34.07

 

CMYK 80 / 0 / 83 / 66

HEX #11570F

RGB 17 87 15

HSL 118.33, 0.71%, 0.2%

LAB 31.74, -35.92, 33.31

 

CMYK 83 / 0 / 62 / 66

HEX #0F5721

RGB 15 87 33

HSL 135, 0.71%, 0.2%

LAB 31.87, -34.18, 25.01

 

CMYK 83 / 0 / 40 / 66

HEX #0F5734

RGB 15 87 52

HSL 150.83, 0.71%, 0.2%

LAB 32.18, -30.56, 14.39

 

CMYK 36 / 0 / 83 / 66

HEX #38570F

RGB 56 87 15

HSL 85.83, 0.71%, 0.2%

LAB 33.33, -23.74, 35.4

 

CMYK 40 / 0 / 93 / 63

HEX #395F07

RGB 57 95 7

HSL 85.91, 0.86%, 0.2%

LAB 36.12, -27.6, 40.42

 

CMYK 36 / 0 / 83 / 66

HEX #38570F

RGB 56 87 15

HSL 85.83, 0.71%, 0.2%

LAB 33.33, -23.74, 35.4

 

CMYK 31 / 0 / 69 / 69

HEX #364E18

RGB 54 78 24

HSL 86.67, 0.53%, 0.2%

LAB 30.15, -19.27, 28.18

 

CMYK 24 / 0 / 54 / 73

HEX #354620

RGB 53 70 32

HSL 86.84, 0.37%, 0.2%

LAB 27.41, -14.38, 20.61

 

CMYK 16 / 0 / 35 / 76

HEX #343E28

RGB 52 62 40

HSL 87.27, 0.22%, 0.2%

LAB 24.73, -8.87, 12.21

 

CMYK 6 / 0 / 11 / 79

HEX #333630

RGB 51 54 48

HSL 90, 0.06%, 0.2%

LAB 22.14, -2.66, 3.33

 

CMYK 0 / 8 / 83 / 66

HEX #57500F

RGB 87 80 15

HSL 54.17, 0.71%, 0.2%

LAB 33.56, -5.18, 36.52

 

CMYK 14 / 0 / 83 / 66

HEX #4B570F

RGB 75 87 15

HSL 70, 0.71%, 0.2%

LAB 34.69, -15.14, 37.16

 

CMYK 36 / 0 / 83 / 66

HEX #38570F

RGB 56 87 15

HSL 85.83, 0.71%, 0.2%

LAB 33.33, -23.74, 35.4

 

CMYK 57 / 0 / 83 / 66

HEX #25570F

RGB 37 87 15

HSL 101.67, 0.71%, 0.2%

LAB 32.36, -30.86, 34.12

 

CMYK 79 / 0 / 83 / 66

HEX #12570F

RGB 18 87 15

HSL 117.5, 0.71%, 0.2%

LAB 31.76, -35.74, 33.34

 

CMYK 35 / 0 / 82 / 93

HEX #0B1103

RGB 11 17 3

HSL 85.71, 0.7%, 0.04%

LAB 4.32, -4.1, 5.17

 

CMYK 37 / 0 / 83 / 80

HEX #213409

RGB 33 52 9

HSL 86.51, 0.7%, 0.12%

LAB 19.22, -16.01, 23.15

 

CMYK 36 / 0 / 83 / 66

HEX #38570F

RGB 56 87 15

HSL 85.83, 0.71%, 0.2%

LAB 33.33, -23.74, 35.4

 

CMYK 36 / 0 / 83 / 52

HEX #4E7A15

RGB 78 122 21

HSL 86.14, 0.71%, 0.28%

LAB 46.44, -31.23, 46.06

 

CMYK 36 / 0 / 82 / 38

HEX #649D1C

RGB 100 157 28

HSL 86.51, 0.7%, 0.36%

LAB 58.89, -38.23, 55.78

 

CMYK 36 / 0 / 83 / 66

HEX #37560F

RGB 55 86 15

HSL 86.2, 0.7%, 0.2%

LAB 32.92, -23.66, 34.99

 

CMYK 83 / 0 / 30 / 66

HEX #0F573D

RGB 15 87 61

HSL 158.33, 0.71%, 0.2%

LAB 32.38, -28.36, 9.12

 

CMYK 0 / 83 / 3 / 66

HEX #570F54

RGB 87 15 84

HSL 302.5, 0.71%, 0.2%

LAB 20.08, 40.23, -23.84

 

CMYK 36 / 0 / 83 / 66

HEX #37560F

RGB 55 86 15

HSL 86.2, 0.7%, 0.2%

LAB 32.92, -23.66, 34.99

 

CMYK 83 / 36 / 0 / 66

HEX #0F3857

RGB 15 56 87

HSL 205.83, 0.71%, 0.2%

LAB 22.37, -1.74, -22.68

 

CMYK 0 / 83 / 36 / 66

HEX #570F38

RGB 87 15 56

HSL 325.83, 0.71%, 0.2%

LAB 18.6, 35.88, -6.83

 

CMYK 36 / 0 / 83 / 66

HEX #37560F

RGB 55 86 15

HSL 86.2, 0.7%, 0.2%

LAB 32.92, -23.66, 34.99

 

CMYK 83 / 0 / 30 / 66

HEX #0F573D

RGB 15 87 61

HSL 158.33, 0.71%, 0.2%

LAB 32.38, -28.36, 9.12

 

CMYK 47 / 83 / 0 / 66

HEX #2E0F57

RGB 46 15 87

HSL 265.83, 0.71%, 0.2%

LAB 13.29, 32.06, -37.15

 

CMYK 0 / 83 / 53 / 66

HEX #570F29

RGB 87 15 41

HSL 338.33, 0.71%, 0.2%

LAB 18.04, 34.16, 3.03

 

CMYK 36 / 0 / 83 / 66

HEX #37560F

RGB 55 86 15

HSL 86.2, 0.7%, 0.2%

LAB 32.92, -23.66, 34.99

 

CMYK 83 / 0 / 6 / 66

HEX #0F5752

RGB 15 87 82

HSL 175.83, 0.71%, 0.2%

LAB 32.98, -22.18, -3.21

 

CMYK 47 / 83 / 0 / 66

HEX #2E0F57

RGB 46 15 87

HSL 265.83, 0.71%, 0.2%

LAB 13.29, 32.06, -37.15

 

CMYK 0 / 83 / 77 / 66

HEX #570F14

RGB 87 15 20

HSL 355.83, 0.71%, 0.2%

LAB 17.55, 32.56, 17.29

 

Description

Color code: HEX #37560F | qconv.com Color code: HEX #37560F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 86 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 86 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 83 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 83% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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