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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #375464 it is the complementary color #C8AB9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #375464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #375464 shade: #3C545F, #4D6672, #5E7885, #6F8A98 and #809CAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #375464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #375464 shade: #375464, #264251, #15303E, #041E2B and #000C18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #375464 shade: #365363, #364763, #363B63, #3E3663 and #4A3663

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #375464 shade: #365363, #364763, #363B63 and #363663

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #375464 shade matches the following richer shades: #365363, #2A566F, #1E5A7B, #115E88 and #056194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #375464 shade: #365363, #434F56, #4F4C4A, #5B483E and #684531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #375464 shade: #36635B, #365F63, #365363, #364763 and #363B63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #375464 shade: #19262D, #283D48, #365363, #45697D and #548098

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #375464 shade: #375464, #4F3663 and #636036

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #375464 shade: #375464, #633653 and #536336

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #375464 shade: #375464, #4F3663, #634636 and #4A6336

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #375464 shade: #375464, #5C3663, #634636 and #3D6336

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 16 / 0 / 61

HEX #375464

RGB 55 84 100

HSL 201.33, 0.29%, 0.3%

LAB 34.13, -6.05, -12.65

 

Complementary color

CMYK 0 / 15 / 23 / 22

HEX #C8AB9B

RGB 200 171 155

HSL 21.33, 0.29%, 0.7%

LAB 72.08, 8.03, 12.13

 

CMYK 37 / 12 / 0 / 63

HEX #3C545F

RGB 60 84 95

HSL 198.86, 0.23%, 0.3%

LAB 34.25, -6.01, -9.31

 

CMYK 32 / 11 / 0 / 55

HEX #4D6672

RGB 77 102 114

HSL 199.46, 0.19%, 0.37%

LAB 41.68, -6.09, -9.74

 

CMYK 29 / 10 / 0 / 48

HEX #5E7885

RGB 94 120 133

HSL 200, 0.17%, 0.45%

LAB 48.89, -6.15, -10.17

 

CMYK 27 / 9 / 0 / 40

HEX #6F8A98

RGB 111 138 152

HSL 200.49, 0.17%, 0.52%

LAB 55.91, -6.2, -10.6

 

CMYK 25 / 9 / 0 / 33

HEX #809CAB

RGB 128 156 171

HSL 200.93, 0.2%, 0.59%

LAB 62.77, -6.26, -11.03

 

CMYK 45 / 16 / 0 / 61

HEX #375464

RGB 55 84 100

HSL 201.33, 0.29%, 0.3%

LAB 34.13, -6.05, -12.65

 

CMYK 53 / 19 / 0 / 68

HEX #264251

RGB 38 66 81

HSL 200.93, 0.36%, 0.23%

LAB 26.46, -5.77, -12.3

 

CMYK 66 / 23 / 0 / 76

HEX #15303E

RGB 21 48 62

HSL 200.49, 0.49%, 0.16%

LAB 18.46, -5.26, -11.95

 

CMYK 91 / 30 / 0 / 83

HEX #041E2B

RGB 4 30 43

HSL 200, 0.83%, 0.09%

LAB 10.02, -4.44, -11.62

 

CMYK 100 / 50 / 0 / 91

HEX #000C18

RGB 0 12 24

HSL 210, 1%, 0.05%

LAB 2.97, -0.67, -7.92

 

CMYK 45 / 16 / 0 / 61

HEX #365363

RGB 54 83 99

HSL 201.33, 0.29%, 0.3%

LAB 33.71, -6.04, -12.67

 

CMYK 45 / 28 / 0 / 61

HEX #364763

RGB 54 71 99

HSL 217.33, 0.29%, 0.3%

LAB 29.89, 1.58, -18.55

 

CMYK 45 / 40 / 0 / 61

HEX #363B63

RGB 54 59 99

HSL 233.33, 0.29%, 0.3%

LAB 26.2, 9.59, -24.33

 

CMYK 37 / 45 / 0 / 61

HEX #3E3663

RGB 62 54 99

HSL 250.67, 0.29%, 0.3%

LAB 25.45, 15.4, -25.45

 

CMYK 25 / 45 / 0 / 61

HEX #4A3663

RGB 74 54 99

HSL 266.67, 0.29%, 0.3%

LAB 26.72, 19.23, -23.37

 

CMYK 45 / 16 / 0 / 61

HEX #365363

RGB 54 83 99

HSL 201.33, 0.29%, 0.3%

LAB 33.71, -6.04, -12.67

 

CMYK 45 / 28 / 0 / 61

HEX #364763

RGB 54 71 99

HSL 217.33, 0.29%, 0.3%

LAB 29.89, 1.58, -18.55

 

CMYK 45 / 40 / 0 / 61

HEX #363B63

RGB 54 59 99

HSL 233.33, 0.29%, 0.3%

LAB 26.2, 9.59, -24.33

 

CMYK 45 / 45 / 0 / 61

HEX #363663

RGB 54 54 99

HSL 240, 0.29%, 0.3%

LAB 24.71, 13.01, -26.67

 

CMYK 45 / 16 / 0 / 61

HEX #365363

RGB 54 83 99

HSL 201.33, 0.29%, 0.3%

LAB 33.71, -6.04, -12.67

 

CMYK 62 / 23 / 0 / 56

HEX #2A566F

RGB 42 86 111

HSL 201.74, 0.45%, 0.3%

LAB 34.59, -6.98, -18.89

 

CMYK 76 / 27 / 0 / 52

HEX #1E5A7B

RGB 30 90 123

HSL 201.29, 0.61%, 0.3%

LAB 36.02, -7.25, -24.13

 

CMYK 88 / 31 / 0 / 47

HEX #115E88

RGB 17 94 136

HSL 201.18, 0.78%, 0.3%

LAB 37.67, -6.18, -29.52

 

CMYK 97 / 34 / 0 / 42

HEX #056194

RGB 5 97 148

HSL 201.4, 0.93%, 0.3%

LAB 39.1, -4, -34.52

 

CMYK 45 / 16 / 0 / 61

HEX #365363

RGB 54 83 99

HSL 201.33, 0.29%, 0.3%

LAB 33.71, -6.04, -12.67

 

CMYK 22 / 8 / 0 / 66

HEX #434F56

RGB 67 79 86

HSL 202.11, 0.12%, 0.3%

LAB 32.83, -2.99, -5.71

 

CMYK 0 / 4 / 6 / 69

HEX #4F4C4A

RGB 79 76 74

HSL 24, 0.03%, 0.3%

LAB 32.54, 0.82, 1.62

 

CMYK 0 / 21 / 32 / 64

HEX #5B483E

RGB 91 72 62

HSL 20.69, 0.19%, 0.3%

LAB 32.27, 6.4, 9.06

 

CMYK 0 / 34 / 53 / 59

HEX #684531

RGB 104 69 49

HSL 21.82, 0.36%, 0.3%

LAB 32.75, 12.52, 18.14

 

CMYK 45 / 0 / 8 / 61

HEX #36635B

RGB 54 99 91

HSL 169.33, 0.29%, 0.3%

LAB 38.66, -17.67, -0.3

 

CMYK 45 / 4 / 0 / 61

HEX #365F63

RGB 54 95 99

HSL 185.33, 0.29%, 0.3%

LAB 37.61, -13.18, -6.79

 

CMYK 45 / 16 / 0 / 61

HEX #365363

RGB 54 83 99

HSL 201.33, 0.29%, 0.3%

LAB 33.71, -6.04, -12.67

 

CMYK 45 / 28 / 0 / 61

HEX #364763

RGB 54 71 99

HSL 217.33, 0.29%, 0.3%

LAB 29.89, 1.58, -18.55

 

CMYK 45 / 40 / 0 / 61

HEX #363B63

RGB 54 59 99

HSL 233.33, 0.29%, 0.3%

LAB 26.2, 9.59, -24.33

 

CMYK 44 / 16 / 0 / 82

HEX #19262D

RGB 25 38 45

HSL 201, 0.29%, 0.14%

LAB 14.3, -3.33, -6.39

 

CMYK 44 / 15 / 0 / 72

HEX #283D48

RGB 40 61 72

HSL 200.63, 0.29%, 0.22%

LAB 24.5, -4.91, -9.35

 

CMYK 45 / 16 / 0 / 61

HEX #365363

RGB 54 83 99

HSL 201.33, 0.29%, 0.3%

LAB 33.71, -6.04, -12.67

 

CMYK 45 / 16 / 0 / 51

HEX #45697D

RGB 69 105 125

HSL 201.43, 0.29%, 0.38%

LAB 42.53, -7.12, -15.16

 

CMYK 45 / 16 / 0 / 40

HEX #548098

RGB 84 128 152

HSL 201.18, 0.29%, 0.46%

LAB 51.37, -8.44, -17.63

 

CMYK 45 / 16 / 0 / 61

HEX #375464

RGB 55 84 100

HSL 201.33, 0.29%, 0.3%

LAB 34.13, -6.05, -12.65

 

CMYK 20 / 45 / 0 / 61

HEX #4F3663

RGB 79 54 99

HSL 273.33, 0.29%, 0.3%

LAB 27.3, 20.88, -22.42

 

CMYK 0 / 3 / 45 / 61

HEX #636036

RGB 99 96 54

HSL 56, 0.29%, 0.3%

LAB 40.06, -5.62, 24.36

 

CMYK 45 / 16 / 0 / 61

HEX #375464

RGB 55 84 100

HSL 201.33, 0.29%, 0.3%

LAB 34.13, -6.05, -12.65

 

CMYK 0 / 45 / 16 / 61

HEX #633653

RGB 99 54 83

HSL 321.33, 0.29%, 0.3%

LAB 29.2, 24.54, -8.88

 

CMYK 16 / 0 / 45 / 61

HEX #536336

RGB 83 99 54

HSL 81.33, 0.29%, 0.3%

LAB 39.63, -14.49, 23.53

 

CMYK 45 / 16 / 0 / 61

HEX #375464

RGB 55 84 100

HSL 201.33, 0.29%, 0.3%

LAB 34.13, -6.05, -12.65

 

CMYK 20 / 45 / 0 / 61

HEX #4F3663

RGB 79 54 99

HSL 273.33, 0.29%, 0.3%

LAB 27.3, 20.88, -22.42

 

CMYK 0 / 29 / 45 / 61

HEX #634636

RGB 99 70 54

HSL 21.33, 0.29%, 0.3%

LAB 32.48, 10.18, 14.55

 

CMYK 25 / 0 / 45 / 61

HEX #4A6336

RGB 74 99 54

HSL 93.33, 0.29%, 0.3%

LAB 38.98, -18.29, 22.57

 

CMYK 45 / 16 / 0 / 61

HEX #375464

RGB 55 84 100

HSL 201.33, 0.29%, 0.3%

LAB 34.13, -6.05, -12.65

 

CMYK 7 / 45 / 0 / 61

HEX #5C3663

RGB 92 54 99

HSL 290.67, 0.29%, 0.3%

LAB 28.94, 25.28, -19.74

 

CMYK 0 / 29 / 45 / 61

HEX #634636

RGB 99 70 54

HSL 21.33, 0.29%, 0.3%

LAB 32.48, 10.18, 14.55

 

CMYK 38 / 0 / 45 / 61

HEX #3D6336

RGB 61 99 54

HSL 110.67, 0.29%, 0.3%

LAB 38.17, -23.38, 21.37

 

Description

Color code: HEX #375464 | qconv.com Color code: HEX #375464 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 84 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 84 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 16 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 16% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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