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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374E3C it is the complementary color #C8B1C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374E3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #374E3C: #3C4E37, #4D604A, #5E725D, #6F8470 and #809683

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374E3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #374E3C: #374E3C, #263C29, #152A16, #041803 and #000600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 23 / 69

HEX #374E3C

RGB 55 78 60

HSL 133.04, 0.17%, 0.26%

LAB 30.85, -13.15, 7.85

 

Complementary color

CMYK 0 / 12 / 3 / 22

HEX #C8B1C3

RGB 200 177 195

HSL 313.04, 0.17%, 0.74%

LAB 74.61, 11.41, -6.11

 

CMYK 23 / 0 / 29 / 69

HEX #3C4E37

RGB 60 78 55

HSL 106.96, 0.17%, 0.26%

LAB 31.08, -12.18, 11.38

 

CMYK 20 / 0 / 23 / 62

HEX #4D604A

RGB 77 96 74

HSL 111.82, 0.13%, 0.33%

LAB 38.62, -12, 10.24

 

CMYK 18 / 0 / 18 / 55

HEX #5E725D

RGB 94 114 93

HSL 117.14, 0.1%, 0.41%

LAB 45.91, -11.86, 9.22

 

CMYK 16 / 0 / 15 / 48

HEX #6F8470

RGB 111 132 112

HSL 122.86, 0.09%, 0.48%

LAB 53.01, -11.74, 8.29

 

CMYK 15 / 0 / 13 / 41

HEX #809683

RGB 128 150 131

HSL 128.18, 0.09%, 0.55%

LAB 59.93, -11.65, 7.43

 

CMYK 29 / 0 / 23 / 69

HEX #374E3C

RGB 55 78 60

HSL 133.04, 0.17%, 0.26%

LAB 30.85, -13.15, 7.85

 

CMYK 37 / 0 / 32 / 76

HEX #263C29

RGB 38 60 41

HSL 128.18, 0.22%, 0.19%

LAB 23.01, -13.45, 9.06

 

CMYK 50 / 0 / 48 / 84

HEX #152A16

RGB 21 42 22

HSL 122.86, 0.33%, 0.12%

LAB 14.81, -13.77, 10.51

 

CMYK 83 / 0 / 88 / 91

HEX #041803

RGB 4 24 3

HSL 117.14, 0.78%, 0.05%

LAB 6.19, -10.59, 7.85

 

CMYK 100 / 0 / 100 / 98

HEX #000600

RGB 0 6 0

HSL 120, 1%, 0.01%

LAB 1.18, -2.4, 1.72

 

CMYK 29 / 0 / 23 / 69

HEX #374E3C

RGB 55 78 60

HSL 133.04, 0.17%, 0.26%

LAB 30.85, -13.15, 7.85

 

CMYK 29 / 0 / 18 / 70

HEX #374D3F

RGB 55 77 63

HSL 141.82, 0.17%, 0.26%

LAB 30.59, -11.9, 5.58

 

CMYK 29 / 0 / 13 / 70

HEX #374D43

RGB 55 77 67

HSL 152.73, 0.17%, 0.26%

LAB 30.7, -10.97, 3.19

 

CMYK 29 / 0 / 8 / 70

HEX #374D47

RGB 55 77 71

HSL 163.64, 0.17%, 0.26%

LAB 30.82, -9.99, 0.8

 

CMYK 29 / 0 / 4 / 70

HEX #374D4A

RGB 55 77 74

HSL 171.82, 0.17%, 0.26%

LAB 30.91, -9.22, -0.98

 

CMYK 29 / 0 / 23 / 69

HEX #374E3C

RGB 55 78 60

HSL 133.04, 0.17%, 0.26%

LAB 30.85, -13.15, 7.85

 

CMYK 29 / 0 / 23 / 49

HEX #5B8163

RGB 91 129 99

HSL 132.63, 0.17%, 0.43%

LAB 50.48, -19.91, 12.08

 

CMYK 29 / 0 / 23 / 29

HEX #7FB48A

RGB 127 180 138

HSL 132.45, 0.26%, 0.6%

LAB 68.74, -26.13, 15.96

 

CMYK 29 / 0 / 23 / 9

HEX #A3E7B2

RGB 163 231 178

HSL 133.24, 0.59%, 0.77%

LAB 86.08, -31.82, 19.13

 

CMYK 30 / 0 / 22 / 89

HEX #131B15

RGB 19 27 21

HSL 135, 0.17%, 0.09%

LAB 8.79, -5.3, 2.92

 

CMYK 29 / 0 / 23 / 69

HEX #374E3C

RGB 55 78 60

HSL 133.04, 0.17%, 0.26%

LAB 30.85, -13.15, 7.85

 

CMYK 29 / 12 / 0 / 70

HEX #37444D

RGB 55 68 77

HSL 204.55, 0.17%, 0.26%

LAB 28.07, -2.82, -7.15

 

CMYK 0 / 29 / 23 / 70

HEX #4D373B

RGB 77 55 59

HSL 349.09, 0.17%, 0.26%

LAB 25.64, 10.52, 1.36

 

CMYK 29 / 0 / 23 / 69

HEX #374E3C

RGB 55 78 60

HSL 133.04, 0.17%, 0.26%

LAB 30.85, -13.15, 7.85

 

CMYK 23 / 29 / 0 / 70

HEX #3B374D

RGB 59 55 77

HSL 250.91, 0.17%, 0.26%

LAB 24.32, 7.23, -12.82

 

CMYK 0 / 23 / 29 / 70

HEX #4D3B37

RGB 77 59 55

HSL 10.91, 0.17%, 0.26%

LAB 26.68, 7.22, 5.5

 

CMYK 29 / 0 / 23 / 69

HEX #374E3C

RGB 55 78 60

HSL 133.04, 0.17%, 0.26%

LAB 30.85, -13.15, 7.85

 

CMYK 29 / 12 / 0 / 70

HEX #37444D

RGB 55 68 77

HSL 204.55, 0.17%, 0.26%

LAB 28.07, -2.82, -7.15

 

CMYK 0 / 29 / 6 / 70

HEX #4D3748

RGB 77 55 72

HSL 313.64, 0.17%, 0.26%

LAB 26.09, 13.08, -6.61

 

CMYK 0 / 17 / 29 / 70

HEX #4D4037

RGB 77 64 55

HSL 24.55, 0.17%, 0.26%

LAB 28.17, 3.99, 7.6

 

CMYK 29 / 0 / 23 / 69

HEX #374E3C

RGB 55 78 60

HSL 133.04, 0.17%, 0.26%

LAB 30.85, -13.15, 7.85

 

CMYK 29 / 21 / 0 / 70

HEX #373D4D

RGB 55 61 77

HSL 223.64, 0.17%, 0.26%

LAB 25.82, 1.74, -10.55

 

CMYK 0 / 29 / 6 / 70

HEX #4D3748

RGB 77 55 72

HSL 313.64, 0.17%, 0.26%

LAB 26.09, 13.08, -6.61

 

CMYK 0 / 8 / 29 / 70

HEX #4D4737

RGB 77 71 55

HSL 43.64, 0.17%, 0.26%

LAB 30.3, -0.46, 10.55

 

Description

Color code: HEX #374E3C | qconv.com Color code: HEX #374E3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 78 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 78 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 23 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 23% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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