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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374DA64C it is the complementary color #C8B2594C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374DA64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374DA64C shade: #3C4DA14C, #4D5FB44C, #5E71C74C, #6F83DA4C and #8095ED4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374DA64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374DA64C shade: #374DA64C, #263B934C, #1529804C, #04176D4C and #00055A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374DA64C shade: #374DA4, #3F37A4, #5C37A4, #7A37A4 and #9737A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374DA64C shade: #374DA4 and #3737A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374DA64C shade matches the following richer shades: #374DA4, #2542B6, #1337C8 and #022CDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374DA64C shade: #374DA4, #495793, #5A6281, #6C6D6F and #7E775E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374DA64C shade: #3787A4, #376AA4, #374DA4, #3E37A4 and #5B37A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374DA64C shade: #223067, #2D3E86, #374DA4, #445DC1 and #6377CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374DA64C shade: #374DA6, #A437A4 and #79A437

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374DA64C shade: #374DA6, #A4374D and #4DA437

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374DA64C shade: #374DA6, #A437A4, #A48F37 and #37A437

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374DA64C shade: #374DA6, #A43784, #A48F37 and #37A458

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 16 / 0 / 10

HEX #374DA64C

RGBA 55 77 166 0.3

HSLA 228.11, 0.5%, 0.43%, 0.3

LABA 35.74, 21.48, -50.62, 0.3

 

Complementary color

CMYK 0 / 3 / 17 / 6

HEX #C8B2594C

RGBA 200 178 89 0.3

HSLA 48.11, 0.5%, 0.57%, 0.3

LABA 72.79, -3.25, 47.72, 0.3

 

CMYK 19 / 16 / 0 / 11

HEX #3C4DA14C

RGBA 60 77 161 0.3

HSLA 229.9, 0.46%, 0.43%, 0.3

LABA 35.68, 20.55, -47.71, 0.3

 

CMYK 17 / 14 / 0 / 9

HEX #4D5FB44C

RGBA 77 95 180 0.3

HSLA 229.51, 0.41%, 0.5%, 0.3

LABA 42.85, 18.87, -47.39, 0.3

 

CMYK 16 / 13 / 0 / 7

HEX #5E71C74C

RGBA 94 113 199 0.3

HSLA 229.14, 0.48%, 0.57%, 0.3

LABA 49.87, 17.51, -47.11, 0.3

 

CMYK 15 / 12 / 0 / 4

HEX #6F83DA4C

RGBA 111 131 218 0.3

HSLA 228.79, 0.59%, 0.65%, 0.3

LABA 56.76, 16.4, -46.89, 0.3

 

CMYK 14 / 11 / 0 / 2

HEX #8095ED4C

RGBA 128 149 237 0.3

HSLA 228.44, 0.75%, 0.72%, 0.3

LABA 63.51, 15.46, -46.71, 0.3

 

CMYK 20 / 16 / 0 / 10

HEX #374DA64C

RGBA 55 77 166 0.3

HSLA 228.11, 0.5%, 0.43%, 0.3

LABA 35.74, 21.48, -50.62, 0.3

 

CMYK 22 / 18 / 0 / 13

HEX #263B934C

RGBA 38 59 147 0.3

HSLA 228.44, 0.59%, 0.36%, 0.3

LABA 28.5, 23.87, -50.89, 0.3

 

CMYK 25 / 20 / 0 / 15

HEX #1529804C

RGBA 21 41 128 0.3

HSLA 228.79, 0.72%, 0.29%, 0.3

LABA 21.22, 26.89, -51, 0.3

 

CMYK 29 / 24 / 0 / 17

HEX #04176D4C

RGBA 4 23 109 0.3

HSLA 229.14, 0.93%, 0.22%, 0.3

LABA 14.07, 30.41, -50.61, 0.3

 

CMYK 30 / 28 / 0 / 19

HEX #00055A4C

RGBA 0 5 90 0.3

HSLA 236.67, 1%, 0.18%, 0.3

LABA 7.65, 33.76, -48.66, 0.3

 

CMYK 66 / 53 / 0 / 36

HEX #374DA4

RGB 55 77 164

HSL 227.89, 0.5%, 0.43%

LAB 35.6, 20.75, -49.65

 

CMYK 62 / 66 / 0 / 36

HEX #3F37A4

RGB 63 55 164

HSL 244.4, 0.5%, 0.43%

LAB 30.57, 36.24, -57.8

 

CMYK 44 / 66 / 0 / 36

HEX #5C37A4

RGB 92 55 164

HSL 260.37, 0.5%, 0.43%

LAB 33.32, 41.53, -53.19

 

CMYK 26 / 66 / 0 / 36

HEX #7A37A4

RGB 122 55 164

HSL 276.88, 0.5%, 0.43%

LAB 37.02, 48.06, -47.03

 

CMYK 8 / 66 / 0 / 36

HEX #9737A4

RGB 151 55 164

HSL 292.84, 0.5%, 0.43%

LAB 41.2, 54.88, -40.1

 

CMYK 66 / 53 / 0 / 36

HEX #374DA4

RGB 55 77 164

HSL 227.89, 0.5%, 0.43%

LAB 35.6, 20.75, -49.65

 

CMYK 66 / 66 / 0 / 36

HEX #3737A4

RGB 55 55 164

HSL 240, 0.5%, 0.43%

LAB 29.97, 35.04, -58.8

 

CMYK 66 / 53 / 0 / 36

HEX #374DA4

RGB 55 77 164

HSL 227.89, 0.5%, 0.43%

LAB 35.6, 20.75, -49.65

 

CMYK 80 / 64 / 0 / 29

HEX #2542B6

RGB 37 66 182

HSL 228, 0.66%, 0.43%

LAB 33.28, 32.39, -64.17

 

CMYK 91 / 73 / 0 / 22

HEX #1337C8

RGB 19 55 200

HSL 228.07, 0.83%, 0.43%

LAB 31.9, 44.79, -77.05

 

CMYK 99 / 80 / 0 / 15

HEX #022CDA

RGB 2 44 218

HSL 228.33, 0.98%, 0.43%

LAB 31.52, 56.55, -88.13

 

CMYK 66 / 53 / 0 / 36

HEX #374DA4

RGB 55 77 164

HSL 227.89, 0.5%, 0.43%

LAB 35.6, 20.75, -49.65

 

CMYK 50 / 41 / 0 / 42

HEX #495793

RGB 73 87 147

HSL 228.65, 0.34%, 0.43%

LAB 38.44, 12.07, -34.81

 

CMYK 30 / 24 / 0 / 49

HEX #5A6281

RGB 90 98 129

HSL 227.69, 0.18%, 0.43%

LAB 41.99, 4.62, -18.29

 

CMYK 3 / 2 / 0 / 56

HEX #6C6D6F

RGB 108 109 111

HSL 220, 0.01%, 0.43%

LAB 46.01, 0.03, -1.25

 

CMYK 0 / 6 / 25 / 51

HEX #7E775E

RGB 126 119 94

HSL 46.88, 0.15%, 0.43%

LAB 50.02, -1.65, 14.75

 

CMYK 66 / 18 / 0 / 36

HEX #3787A4

RGB 55 135 164

HSL 195.96, 0.5%, 0.43%

LAB 52.75, -14.96, -22.58

 

CMYK 66 / 35 / 0 / 36

HEX #376AA4

RGB 55 106 164

HSL 211.93, 0.5%, 0.43%

LAB 43.95, 2.04, -36.31

 

CMYK 66 / 53 / 0 / 36

HEX #374DA4

RGB 55 77 164

HSL 227.89, 0.5%, 0.43%

LAB 35.6, 20.75, -49.65

 

CMYK 62 / 66 / 0 / 36

HEX #3E37A4

RGB 62 55 164

HSL 243.85, 0.5%, 0.43%

LAB 30.49, 36.08, -57.93

 

CMYK 45 / 66 / 0 / 36

HEX #5B37A4

RGB 91 55 164

HSL 259.82, 0.5%, 0.43%

LAB 33.21, 41.33, -53.37

 

CMYK 67 / 53 / 0 / 60

HEX #223067

RGB 34 48 103

HSL 227.83, 0.5%, 0.27%

LAB 21.7, 13.77, -34.17

 

CMYK 66 / 54 / 0 / 47

HEX #2D3E86

RGB 45 62 134

HSL 228.54, 0.5%, 0.35%

LAB 28.71, 17.96, -42.52

 

CMYK 66 / 53 / 0 / 36

HEX #374DA4

RGB 55 77 164

HSL 227.89, 0.5%, 0.43%

LAB 35.6, 20.75, -49.65

 

CMYK 65 / 52 / 0 / 24

HEX #445DC1

RGB 68 93 193

HSL 228, 0.5%, 0.51%

LAB 42.62, 22.95, -55.36

 

CMYK 51 / 41 / 0 / 20

HEX #6377CB

RGB 99 119 203

HSL 228.46, 0.5%, 0.59%

LAB 52.02, 16.23, -45.97

 

CMYK 67 / 54 / 0 / 35

HEX #374DA6

RGB 55 77 166

HSL 228.11, 0.5%, 0.43%

LAB 35.74, 21.48, -50.62

 

CMYK 0 / 66 / 0 / 36

HEX #A437A4

RGB 164 55 164

HSL 300, 0.5%, 0.43%

LAB 43.22, 58.01, -36.78

 

CMYK 26 / 0 / 66 / 36

HEX #79A437

RGB 121 164 55

HSL 83.67, 0.5%, 0.43%

LAB 62.42, -31.7, 49.97

 

CMYK 67 / 54 / 0 / 35

HEX #374DA6

RGB 55 77 166

HSL 228.11, 0.5%, 0.43%

LAB 35.74, 21.48, -50.62

 

CMYK 0 / 66 / 53 / 36

HEX #A4374D

RGB 164 55 77

HSL 347.89, 0.5%, 0.43%

LAB 39.85, 46.48, 11.74

 

CMYK 53 / 0 / 66 / 36

HEX #4DA437

RGB 77 164 55

HSL 107.89, 0.5%, 0.43%

LAB 60.25, -46.82, 47.01

 

CMYK 67 / 54 / 0 / 35

HEX #374DA6

RGB 55 77 166

HSL 228.11, 0.5%, 0.43%

LAB 35.74, 21.48, -50.62

 

CMYK 0 / 66 / 0 / 36

HEX #A437A4

RGB 164 55 164

HSL 300, 0.5%, 0.43%

LAB 43.22, 58.01, -36.78

 

CMYK 0 / 13 / 66 / 36

HEX #A48F37

RGB 164 143 55

HSL 48.44, 0.5%, 0.43%

LAB 59.72, -2.55, 48.12

 

CMYK 66 / 0 / 66 / 36

HEX #37A437

RGB 55 164 55

HSL 120, 0.5%, 0.43%

LAB 59.56, -52.29, 46.06

 

CMYK 67 / 54 / 0 / 35

HEX #374DA6

RGB 55 77 166

HSL 228.11, 0.5%, 0.43%

LAB 35.74, 21.48, -50.62

 

CMYK 0 / 66 / 20 / 36

HEX #A43784

RGB 164 55 132

HSL 317.61, 0.5%, 0.43%

LAB 41.67, 52.91, -19.85

 

CMYK 0 / 13 / 66 / 36

HEX #A48F37

RGB 164 143 55

HSL 48.44, 0.5%, 0.43%

LAB 59.72, -2.55, 48.12

 

CMYK 66 / 0 / 46 / 36

HEX #37A458

RGB 55 164 88

HSL 138.17, 0.5%, 0.43%

LAB 59.95, -47.81, 30.55

 

Description

Color code: HEX #374DA64C | qconv.com Color code: HEX #374DA64C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 77 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 77 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 16 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 16% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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