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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374C29 it is the complementary color #C8B3D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374C29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374C29 shade: #3C4C24, #4D5E37, #5E704A, #6F825D and #809470

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374C29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374C29 shade: #374C29, #263A16, #152803, #041600 and #000400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374C29 shade: #374C29, #414C29, #4A4C29, #4C4529 and #4C3B29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374C29 shade: #374C29, #2E4C29, #294C2E, #294C37 and #294C41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374C29 shade matches the following richer shades: #374C29, #355620, #335F16, #31690D and #307203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374C29 shade: #374C29, #394333, #3B393C, #3D3046 and #3F264F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374C29 shade: #4A4C29, #414C29, #374C29, #2E4C29 and #294C2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374C29 shade: #10170C, #24311B, #374C29, #4B6737 and #5E8246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374C29 shade: #374C29, #294C45 and #4C2945

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374C29 shade: #374C29, #29374C and #4C2937

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374C29 shade: #374C29, #294C45, #3E294C and #4C2930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374C29 shade: #374C29, #29494C, #3E294C and #4C2D29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

Complementary color

CMYK 7 / 16 / 0 / 16

HEX #C8B3D6

RGB 200 179 214

HSL 276, 0.3%, 0.77%

LAB 75.68, 13.95, -14.87

 

CMYK 21 / 0 / 53 / 70

HEX #3C4C24

RGB 60 76 36

HSL 84, 0.36%, 0.22%

LAB 30.05, -14.12, 21.62

 

CMYK 18 / 0 / 41 / 63

HEX #4D5E37

RGB 77 94 55

HSL 86.15, 0.26%, 0.29%

LAB 37.59, -14.14, 20.26

 

CMYK 16 / 0 / 34 / 56

HEX #5E704A

RGB 94 112 74

HSL 88.42, 0.2%, 0.36%

LAB 44.89, -14.11, 18.98

 

CMYK 15 / 0 / 28 / 49

HEX #6F825D

RGB 111 130 93

HSL 90.81, 0.17%, 0.44%

LAB 51.99, -14.06, 17.81

 

CMYK 14 / 0 / 24 / 42

HEX #809470

RGB 128 148 112

HSL 93.33, 0.14%, 0.51%

LAB 58.92, -14, 16.73

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 34 / 0 / 62 / 77

HEX #263A16

RGB 38 58 22

HSL 93.33, 0.45%, 0.16%

LAB 21.93, -15.65, 19.63

 

CMYK 48 / 0 / 93 / 84

HEX #152803

RGB 21 40 3

HSL 90.81, 0.86%, 0.08%

LAB 13.73, -15.59, 18.61

 

CMYK 82 / 0 / 100 / 91

HEX #041600

RGB 4 22 0

HSL 109.09, 1%, 0.04%

LAB 5.42, -9.54, 7.94

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 14 / 0 / 46 / 70

HEX #414C29

RGB 65 76 41

HSL 78.86, 0.3%, 0.23%

LAB 30.53, -11.17, 19.34

 

CMYK 3 / 0 / 46 / 70

HEX #4A4C29

RGB 74 76 41

HSL 63.43, 0.3%, 0.23%

LAB 31.31, -6.98, 20.49

 

CMYK 0 / 9 / 46 / 70

HEX #4C4529

RGB 76 69 41

HSL 48, 0.3%, 0.23%

LAB 29.29, -1.73, 17.98

 

CMYK 0 / 22 / 46 / 70

HEX #4C3B29

RGB 76 59 41

HSL 30.86, 0.3%, 0.23%

LAB 26.23, 4.63, 14

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 39 / 0 / 46 / 70

HEX #2E4C29

RGB 46 76 41

HSL 111.43, 0.3%, 0.23%

LAB 29.18, -19.24, 17.35

 

CMYK 46 / 0 / 39 / 70

HEX #294C2E

RGB 41 76 46

HSL 128.57, 0.3%, 0.23%

LAB 29, -20.16, 13.99

 

CMYK 46 / 0 / 28 / 70

HEX #294C37

RGB 41 76 55

HSL 144, 0.3%, 0.23%

LAB 29.2, -18.22, 8.6

 

CMYK 46 / 0 / 14 / 70

HEX #294C41

RGB 41 76 65

HSL 161.14, 0.3%, 0.23%

LAB 29.47, -15.73, 2.59

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 38 / 0 / 63 / 66

HEX #355620

RGB 53 86 32

HSL 96.67, 0.46%, 0.23%

LAB 32.96, -22.96, 27.18

 

CMYK 46 / 0 / 77 / 63

HEX #335F16

RGB 51 95 22

HSL 96.16, 0.62%, 0.23%

LAB 35.88, -29.04, 35.05

 

CMYK 53 / 0 / 88 / 59

HEX #31690D

RGB 49 105 13

HSL 96.52, 0.78%, 0.23%

LAB 39.22, -34.68, 41.35

 

CMYK 58 / 0 / 97 / 55

HEX #307203

RGB 48 114 3

HSL 95.68, 0.95%, 0.23%

LAB 42.26, -39.05, 46.4

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 15 / 0 / 24 / 74

HEX #394333

RGB 57 67 51

HSL 97.5, 0.14%, 0.23%

LAB 27.08, -7.65, 8.38

 

CMYK 2 / 5 / 0 / 76

HEX #3B393C

RGB 59 57 60

HSL 280, 0.03%, 0.23%

LAB 24.27, 1.55, -1.56

 

CMYK 13 / 31 / 0 / 73

HEX #3D3046

RGB 61 48 70

HSL 275.45, 0.19%, 0.23%

LAB 22.12, 10.87, -11.49

 

CMYK 20 / 52 / 0 / 69

HEX #3F264F

RGB 63 38 79

HSL 276.59, 0.35%, 0.23%

LAB 20.07, 20.63, -20.72

 

CMYK 3 / 0 / 46 / 70

HEX #4A4C29

RGB 74 76 41

HSL 63.43, 0.3%, 0.23%

LAB 31.31, -6.98, 20.49

 

CMYK 14 / 0 / 46 / 70

HEX #414C29

RGB 65 76 41

HSL 78.86, 0.3%, 0.23%

LAB 30.53, -11.17, 19.34

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 39 / 0 / 46 / 70

HEX #2E4C29

RGB 46 76 41

HSL 111.43, 0.3%, 0.23%

LAB 29.18, -19.24, 17.35

 

CMYK 46 / 0 / 39 / 70

HEX #294C2E

RGB 41 76 46

HSL 128.57, 0.3%, 0.23%

LAB 29, -20.16, 13.99

 

CMYK 30 / 0 / 48 / 91

HEX #10170C

RGB 16 23 12

HSL 98.18, 0.31%, 0.07%

LAB 6.77, -5.16, 5.07

 

CMYK 27 / 0 / 45 / 81

HEX #24311B

RGB 36 49 27

HSL 95.45, 0.29%, 0.15%

LAB 18.59, -10.5, 12.32

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 27 / 0 / 47 / 60

HEX #4B6737

RGB 75 103 55

HSL 95, 0.3%, 0.31%

LAB 40.36, -19.87, 23.77

 

CMYK 28 / 0 / 46 / 49

HEX #5E8246

RGB 94 130 70

HSL 96, 0.3%, 0.39%

LAB 50.44, -24.18, 28.41

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 46 / 0 / 9 / 70

HEX #294C45

RGB 41 76 69

HSL 168, 0.3%, 0.23%

LAB 29.59, -14.65, 0.19

 

CMYK 0 / 46 / 9 / 70

HEX #4C2945

RGB 76 41 69

HSL 312, 0.3%, 0.23%

LAB 22.13, 21.06, -10.62

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 46 / 28 / 0 / 70

HEX #29374C

RGB 41 55 76

HSL 216, 0.3%, 0.23%

LAB 22.74, 0.69, -14.7

 

CMYK 0 / 46 / 28 / 70

HEX #4C2937

RGB 76 41 55

HSL 336, 0.3%, 0.23%

LAB 21.57, 18.43, -1.9

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 46 / 0 / 9 / 70

HEX #294C45

RGB 41 76 69

HSL 168, 0.3%, 0.23%

LAB 29.59, -14.65, 0.19

 

CMYK 18 / 46 / 0 / 70

HEX #3E294C

RGB 62 41 76

HSL 276, 0.3%, 0.23%

LAB 20.56, 17.52, -17.93

 

CMYK 0 / 46 / 37 / 70

HEX #4C2930

RGB 76 41 48

HSL 348, 0.3%, 0.23%

LAB 21.34, 17.3, 2.58

 

CMYK 28 / 0 / 46 / 70

HEX #374C29

RGB 55 76 41

HSL 96, 0.3%, 0.23%

LAB 29.77, -15.58, 18.21

 

CMYK 46 / 4 / 0 / 70

HEX #29494C

RGB 41 73 76

HSL 185.14, 0.3%, 0.23%

LAB 28.79, -10.85, -5.5

 

CMYK 18 / 46 / 0 / 70

HEX #3E294C

RGB 62 41 76

HSL 276, 0.3%, 0.23%

LAB 20.56, 17.52, -17.93

 

CMYK 0 / 41 / 46 / 70

HEX #4C2D29

RGB 76 45 41

HSL 6.86, 0.3%, 0.23%

LAB 22.21, 13.74, 8.58

 

Description

Color code: HEX #374C29 | qconv.com Color code: HEX #374C29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 76 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 76 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 46 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 46% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Papa John’s Pizza De...
Link: http://order.papajohns.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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