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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374676 it is the complementary color #C8B989. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374676. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374676 shade: #3C4671, #4D5884, #5E6A97, #6F7CAA and #808EBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374676. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374676 shade: #374676, #263463, #152250, #04103D and #00002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374676 shade: #374676, #393776, #4A3776, #5B3776 and #6C3776

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374676 shade: #374676 and #373776

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374676 shade matches the following richer shades: #374676, #293F84, #1B3892 and #0D30A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374676 shade: #374676, #464E68, #54555A, #625C4C and #70643E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374676 shade: #376876, #375876, #374776, #393776 and #493776

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374676 shade: #1D253E, #2A365A, #374676, #455792 and #5268AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374676 shade: #374676, #733776 and #607637

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374676 shade: #374676, #763747 and #477637

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374676 shade: #374676, #733776, #766637 and #3B7637

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374676 shade: #374676, #763766, #766637 and #377647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

Complementary color

CMYK 0 / 8 / 32 / 22

HEX #C8B989

RGB 200 185 137

HSL 45.71, 0.36%, 0.66%

LAB 75.32, -1.94, 26.33

 

CMYK 47 / 38 / 0 / 56

HEX #3C4671

RGB 60 70 113

HSL 228.68, 0.31%, 0.34%

LAB 30.72, 8.55, -26.1

 

CMYK 42 / 33 / 0 / 48

HEX #4D5884

RGB 77 88 132

HSL 228, 0.26%, 0.41%

LAB 38.24, 7.75, -26

 

CMYK 38 / 30 / 0 / 41

HEX #5E6A97

RGB 94 106 151

HSL 227.37, 0.23%, 0.48%

LAB 45.53, 7.12, -25.98

 

CMYK 35 / 27 / 0 / 33

HEX #6F7CAA

RGB 111 124 170

HSL 226.78, 0.26%, 0.55%

LAB 52.62, 6.6, -26.02

 

CMYK 32 / 25 / 0 / 26

HEX #808EBD

RGB 128 142 189

HSL 226.23, 0.32%, 0.62%

LAB 59.53, 6.16, -26.11

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 62 / 47 / 0 / 61

HEX #263463

RGB 38 52 99

HSL 226.23, 0.45%, 0.27%

LAB 22.89, 10.24, -29.64

 

CMYK 74 / 58 / 0 / 69

HEX #152250

RGB 21 34 80

HSL 226.78, 0.58%, 0.2%

LAB 14.86, 12.22, -29.96

 

CMYK 93 / 74 / 0 / 76

HEX #04103D

RGB 4 16 61

HSL 227.37, 0.88%, 0.13%

LAB 6.62, 14.81, -30.14

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 52 / 53 / 0 / 54

HEX #393776

RGB 57 55 118

HSL 241.9, 0.36%, 0.34%

LAB 26.48, 19.51, -36.03

 

CMYK 37 / 53 / 0 / 54

HEX #4A3776

RGB 74 55 118

HSL 258.1, 0.36%, 0.34%

LAB 28.1, 23.98, -33.33

 

CMYK 23 / 53 / 0 / 54

HEX #5B3776

RGB 91 55 118

HSL 274.29, 0.36%, 0.34%

LAB 30.07, 28.9, -30.08

 

CMYK 8 / 53 / 0 / 54

HEX #6C3776

RGB 108 55 118

HSL 290.48, 0.36%, 0.34%

LAB 32.32, 34.05, -26.38

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 53 / 53 / 0 / 54

HEX #373776

RGB 55 55 118

HSL 240, 0.36%, 0.34%

LAB 26.31, 19.03, -36.3

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 69 / 52 / 0 / 48

HEX #293F84

RGB 41 63 132

HSL 225.49, 0.53%, 0.34%

LAB 28.62, 15.81, -41.42

 

CMYK 82 / 62 / 0 / 43

HEX #1B3892

RGB 27 56 146

HSL 225.38, 0.69%, 0.34%

LAB 27.12, 24.26, -52.55

 

CMYK 92 / 70 / 0 / 37

HEX #0D30A0

RGB 13 48 160

HSL 225.71, 0.85%, 0.34%

LAB 25.97, 34.19, -63.02

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 33 / 25 / 0 / 59

HEX #464E68

RGB 70 78 104

HSL 225.88, 0.2%, 0.34%

LAB 33.46, 3.63, -16.11

 

CMYK 7 / 6 / 0 / 65

HEX #54555A

RGB 84 85 90

HSL 230, 0.03%, 0.34%

LAB 36.21, 0.71, -3.04

 

CMYK 0 / 6 / 22 / 62

HEX #625C4C

RGB 98 92 76

HSL 43.64, 0.13%, 0.34%

LAB 39.2, -0.55, 10.09

 

CMYK 0 / 11 / 45 / 56

HEX #70643E

RGB 112 100 62

HSL 45.6, 0.29%, 0.34%

LAB 42.62, -1.1, 23.27

 

CMYK 53 / 12 / 0 / 54

HEX #376876

RGB 55 104 118

HSL 193.33, 0.36%, 0.34%

LAB 41.25, -12.34, -12.95

 

CMYK 53 / 25 / 0 / 54

HEX #375876

RGB 55 88 118

HSL 208.57, 0.36%, 0.34%

LAB 36.18, -2.75, -20.73

 

CMYK 53 / 40 / 0 / 54

HEX #374776

RGB 55 71 118

HSL 224.76, 0.36%, 0.34%

LAB 30.94, 8.23, -28.92

 

CMYK 52 / 53 / 0 / 54

HEX #393776

RGB 57 55 118

HSL 241.9, 0.36%, 0.34%

LAB 26.48, 19.51, -36.03

 

CMYK 38 / 53 / 0 / 54

HEX #493776

RGB 73 55 118

HSL 257.14, 0.36%, 0.34%

LAB 28, 23.7, -33.51

 

CMYK 53 / 40 / 0 / 76

HEX #1D253E

RGB 29 37 62

HSL 225.45, 0.36%, 0.18%

LAB 15.13, 4.73, -17.1

 

CMYK 53 / 40 / 0 / 65

HEX #2A365A

RGB 42 54 90

HSL 225, 0.36%, 0.26%

LAB 23.23, 6.53, -23.2

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 53 / 40 / 0 / 43

HEX #455792

RGB 69 87 146

HSL 225.97, 0.36%, 0.42%

LAB 38.12, 10.75, -34.73

 

CMYK 53 / 40 / 0 / 32

HEX #5268AE

RGB 82 104 174

HSL 225.65, 0.36%, 0.5%

LAB 45.29, 12.3, -39.97

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 3 / 53 / 0 / 54

HEX #733776

RGB 115 55 118

HSL 297.14, 0.36%, 0.34%

LAB 33.32, 36.19, -24.75

 

CMYK 19 / 0 / 53 / 54

HEX #607637

RGB 96 118 55

HSL 80.95, 0.36%, 0.34%

LAB 46.6, -19.07, 31.76

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 0 / 53 / 40 / 54

HEX #763747

RGB 118 55 71

HSL 344.76, 0.36%, 0.34%

LAB 31.9, 29.4, 3.25

 

CMYK 40 / 0 / 53 / 54

HEX #477637

RGB 71 118 55

HSL 104.76, 0.36%, 0.34%

LAB 45.04, -28.92, 29.51

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 3 / 53 / 0 / 54

HEX #733776

RGB 115 55 118

HSL 297.14, 0.36%, 0.34%

LAB 33.32, 36.19, -24.75

 

CMYK 0 / 14 / 53 / 54

HEX #766637

RGB 118 102 55

HSL 44.76, 0.36%, 0.34%

LAB 43.7, -0.28, 28.71

 

CMYK 50 / 0 / 53 / 54

HEX #3B7637

RGB 59 118 55

HSL 116.19, 0.36%, 0.34%

LAB 44.47, -32.97, 28.67

 

CMYK 53 / 41 / 0 / 54

HEX #374676

RGB 55 70 118

HSL 225.71, 0.36%, 0.34%

LAB 30.64, 8.9, -29.4

 

CMYK 0 / 53 / 14 / 54

HEX #763766

RGB 118 55 102

HSL 315.24, 0.36%, 0.34%

LAB 33.01, 34.13, -15.06

 

CMYK 0 / 14 / 53 / 54

HEX #766637

RGB 118 102 55

HSL 44.76, 0.36%, 0.34%

LAB 43.7, -0.28, 28.71

 

CMYK 53 / 0 / 40 / 54

HEX #377647

RGB 55 118 71

HSL 135.24, 0.36%, 0.34%

LAB 44.55, -31.5, 19.86

 

Description

Color code: HEX #374676 | qconv.com Color code: HEX #374676 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 70 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 70 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 41 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 41% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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