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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3744D0 it is the complementary color #C8BB2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3744D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3744D0 shade: #3C44CB, #4D56DE, #5E68F1, #6F7AFF and #808CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3744D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3744D0 shade: #3744D0, #2632BD, #1520AA, #040E97 and #000084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3744D0 shade: #3946D0, #5539D0, #7E39D0, #A739D0 and #D039D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3744D0 shade: #3946D0 and #3939D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3744D0 shade matches the following richer shades: #3946D0, #2535E4 and #1125F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3744D0 shade: #3946D0, #4D56BD, #6066A9, #747795 and #888781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3744D0 shade: #3999D0, #3970D0, #3948D0, #5239D0 and #7A39D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3744D0 shade: #232C94, #2B36B5, #3946D0, #5A65D8 and #7C84E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3744D0 shade: #3744D0, #D039C1 and #85D039

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3744D0 shade: #3744D0, #D03948 and #48D039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3744D0 shade: #3744D0, #D039C1, #D0C139 and #39D048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3744D0 shade: #3744D0, #D03994, #D0C139 and #39D075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 67 / 0 / 18

HEX #3744D0

RGB 55 68 208

HSL 234.9, 0.62%, 0.52%

LAB 36.93, 42.22, -73.36

 

Complementary color

CMYK 0 / 7 / 77 / 22

HEX #C8BB2F

RGB 200 187 47

HSL 54.9, 0.62%, 0.48%

LAB 74.84, -10.41, 67.18

 

CMYK 70 / 67 / 0 / 20

HEX #3C44CB

RGB 60 68 203

HSL 236.64, 0.58%, 0.52%

LAB 36.76, 41.05, -70.74

 

CMYK 65 / 61 / 0 / 13

HEX #4D56DE

RGB 77 86 222

HSL 236.28, 0.69%, 0.59%

LAB 43.52, 38.72, -70.56

 

CMYK 61 / 57 / 0 / 5

HEX #5E68F1

RGB 94 104 241

HSL 235.92, 0.84%, 0.66%

LAB 50.25, 36.67, -70.27

 

CMYK 56 / 52 / 0 / 0

HEX #6F7AFF

RGB 111 122 255

HSL 235.42, 1%, 0.72%

LAB 56.6, 33.31, -67.71

 

CMYK 50 / 45 / 0 / 0

HEX #808CFF

RGB 128 140 255

HSL 234.33, 1%, 0.75%

LAB 62.14, 26.06, -58.77

 

CMYK 74 / 67 / 0 / 18

HEX #3744D0

RGB 55 68 208

HSL 234.9, 0.62%, 0.52%

LAB 36.93, 42.22, -73.36

 

CMYK 80 / 74 / 0 / 26

HEX #2632BD

RGB 38 50 189

HSL 235.23, 0.67%, 0.45%

LAB 30.32, 44.92, -73.18

 

CMYK 88 / 81 / 0 / 33

HEX #1520AA

RGB 21 32 170

HSL 235.57, 0.78%, 0.37%

LAB 23.98, 47.53, -72.36

 

CMYK 97 / 91 / 0 / 41

HEX #040E97

RGB 4 14 151

HSL 235.92, 0.95%, 0.3%

LAB 18.25, 49.14, -70.32

 

CMYK 100 / 100 / 0 / 48

HEX #000084

RGB 0 0 132

HSL 240, 1%, 0.26%

LAB 13.63, 48.58, -66.16

 

CMYK 73 / 66 / 0 / 18

HEX #3946D0

RGB 57 70 208

HSL 234.83, 0.62%, 0.52%

LAB 37.49, 41.21, -72.44

 

CMYK 59 / 73 / 0 / 18

HEX #5539D0

RGB 85 57 208

HSL 251.13, 0.62%, 0.52%

LAB 36.77, 52.02, -73.55

 

CMYK 39 / 73 / 0 / 18

HEX #7E39D0

RGB 126 57 208

HSL 267.42, 0.62%, 0.52%

LAB 41.08, 58.38, -66.32

 

CMYK 20 / 73 / 0 / 18

HEX #A739D0

RGB 167 57 208

HSL 283.71, 0.62%, 0.52%

LAB 46.57, 66.06, -57.16

 

CMYK 0 / 73 / 0 / 18

HEX #D039D0

RGB 208 57 208

HSL 300, 0.62%, 0.52%

LAB 52.83, 74.43, -46.79

 

CMYK 73 / 66 / 0 / 18

HEX #3946D0

RGB 57 70 208

HSL 234.83, 0.62%, 0.52%

LAB 37.49, 41.21, -72.44

 

CMYK 73 / 73 / 0 / 18

HEX #3939D0

RGB 57 57 208

HSL 240, 0.62%, 0.52%

LAB 34.7, 48.84, -77.02

 

CMYK 73 / 66 / 0 / 18

HEX #3946D0

RGB 57 70 208

HSL 234.83, 0.62%, 0.52%

LAB 37.49, 41.21, -72.44

 

CMYK 84 / 77 / 0 / 11

HEX #2535E4

RGB 37 53 228

HSL 234.97, 0.78%, 0.52%

LAB 35.09, 56.11, -87.92

 

CMYK 93 / 85 / 0 / 3

HEX #1125F8

RGB 17 37 248

HSL 234.81, 0.94%, 0.52%

LAB 34.44, 68.86, -100.36

 

CMYK 73 / 66 / 0 / 18

HEX #3946D0

RGB 57 70 208

HSL 234.83, 0.62%, 0.52%

LAB 37.49, 41.21, -72.44

 

CMYK 59 / 54 / 0 / 26

HEX #4D56BD

RGB 77 86 189

HSL 235.18, 0.46%, 0.52%

LAB 41.07, 27.62, -55.52

 

CMYK 43 / 40 / 0 / 34

HEX #6066A9

RGB 96 102 169

HSL 235.07, 0.3%, 0.52%

LAB 45.43, 15.45, -36.75

 

CMYK 22 / 20 / 0 / 42

HEX #747795

RGB 116 119 149

HSL 234.55, 0.13%, 0.52%

LAB 50.78, 5.67, -16.59

 

CMYK 0 / 1 / 5 / 47

HEX #888781

RGB 136 135 129

HSL 51.43, 0.03%, 0.52%

LAB 56.23, -0.78, 3.35

 

CMYK 73 / 26 / 0 / 18

HEX #3999D0

RGB 57 153 208

HSL 201.85, 0.62%, 0.52%

LAB 60.07, -9.86, -36.22

 

CMYK 73 / 46 / 0 / 18

HEX #3970D0

RGB 57 112 208

HSL 218.15, 0.62%, 0.52%

LAB 48.28, 14.62, -54.92

 

CMYK 73 / 65 / 0 / 18

HEX #3948D0

RGB 57 72 208

HSL 234.04, 0.62%, 0.52%

LAB 37.95, 39.99, -71.69

 

CMYK 61 / 73 / 0 / 18

HEX #5239D0

RGB 82 57 208

HSL 249.93, 0.62%, 0.52%

LAB 36.51, 51.63, -73.99

 

CMYK 41 / 73 / 0 / 18

HEX #7A39D0

RGB 122 57 208

HSL 265.83, 0.62%, 0.52%

LAB 40.6, 57.69, -67.12

 

CMYK 76 / 70 / 0 / 42

HEX #232C94

RGB 35 44 148

HSL 235.22, 0.62%, 0.36%

LAB 24.63, 33.85, -57.86

 

CMYK 76 / 70 / 0 / 29

HEX #2B36B5

RGB 43 54 181

HSL 235.22, 0.62%, 0.44%

LAB 30.61, 40.18, -67.95

 

CMYK 73 / 66 / 0 / 18

HEX #3946D0

RGB 57 70 208

HSL 234.83, 0.62%, 0.52%

LAB 37.49, 41.21, -72.44

 

CMYK 58 / 53 / 0 / 15

HEX #5A65D8

RGB 90 101 216

HSL 234.76, 0.62%, 0.6%

LAB 47.55, 29.64, -60.57

 

CMYK 45 / 41 / 0 / 12

HEX #7C84E0

RGB 124 132 224

HSL 235.2, 0.62%, 0.68%

LAB 58.2, 20.68, -47.91

 

CMYK 74 / 67 / 0 / 18

HEX #3744D0

RGB 55 68 208

HSL 234.9, 0.62%, 0.52%

LAB 36.93, 42.22, -73.36

 

CMYK 0 / 73 / 7 / 18

HEX #D039C1

RGB 208 57 193

HSL 305.96, 0.62%, 0.52%

LAB 52.05, 72.11, -39.4

 

CMYK 36 / 0 / 73 / 18

HEX #85D039

RGB 133 208 57

HSL 89.8, 0.62%, 0.52%

LAB 76.31, -46.58, 63.64

 

CMYK 74 / 67 / 0 / 18

HEX #3744D0

RGB 55 68 208

HSL 234.9, 0.62%, 0.52%

LAB 36.93, 42.22, -73.36

 

CMYK 0 / 73 / 65 / 18

HEX #D03948

RGB 208 57 72

HSL 354.04, 0.62%, 0.52%

LAB 48.01, 59.31, 27.07

 

CMYK 65 / 0 / 73 / 18

HEX #48D039

RGB 72 208 57

HSL 114.04, 0.62%, 0.52%

LAB 74.05, -63.72, 60.63

 

CMYK 74 / 67 / 0 / 18

HEX #3744D0

RGB 55 68 208

HSL 234.9, 0.62%, 0.52%

LAB 36.93, 42.22, -73.36

 

CMYK 0 / 73 / 7 / 18

HEX #D039C1

RGB 208 57 193

HSL 305.96, 0.62%, 0.52%

LAB 52.05, 72.11, -39.4

 

CMYK 0 / 7 / 73 / 18

HEX #D0C139

RGB 208 193 57

HSL 54.04, 0.62%, 0.52%

LAB 77.19, -9.62, 66.23

 

CMYK 73 / 0 / 65 / 18

HEX #39D048

RGB 57 208 72

HSL 125.96, 0.62%, 0.52%

LAB 73.84, -65.11, 54.53

 

CMYK 74 / 67 / 0 / 18

HEX #3744D0

RGB 55 68 208

HSL 234.9, 0.62%, 0.52%

LAB 36.93, 42.22, -73.36

 

CMYK 0 / 73 / 29 / 18

HEX #D03994

RGB 208 57 148

HSL 323.84, 0.62%, 0.52%

LAB 50.07, 66.02, -16.02

 

CMYK 0 / 7 / 73 / 18

HEX #D0C139

RGB 208 193 57

HSL 54.04, 0.62%, 0.52%

LAB 77.19, -9.62, 66.23

 

CMYK 73 / 0 / 44 / 18

HEX #39D075

RGB 57 208 117

HSL 143.84, 0.62%, 0.52%

LAB 74.36, -58.96, 34.14

 

Description

Color code: HEX #3744D0 | qconv.com Color code: HEX #3744D0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 68 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 68 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 67 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 67% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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