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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #374477 it is the complementary color #C8BB88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #374477. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #374477 shade: #3C4472, #4D5685, #5E6898, #6F7AAB and #808CBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #374477. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #374477 shade: #374477, #263264, #152051, #040E3E and #00002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #374477 shade: #374477, #3B3777, #4C3777, #5D3777 and #6F3777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #374477 shade: #374477 and #373777

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #374477 shade matches the following richer shades: #374477, #293B85, #1B3393 and #0D2BA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #374477 shade: #374477, #454C69, #53545B, #615D4D and #6F653F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #374477 shade: #376777, #375677, #374577, #3A3777 and #4B3777

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #374477 shade: #1D233E, #2A345B, #374477, #445493 and #5164AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #374477 shade: #374477, #763777 and #5E7737

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #374477 shade: #374477, #773745 and #457737

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #374477 shade: #374477, #763777, #776937 and #387737

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #374477 shade: #374477, #773765, #776937 and #377749

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

Complementary color

CMYK 0 / 7 / 32 / 22

HEX #C8BB88

RGB 200 187 136

HSL 47.81, 0.37%, 0.66%

LAB 75.82, -3.12, 27.54

 

CMYK 47 / 40 / 0 / 55

HEX #3C4472

RGB 60 68 114

HSL 231.11, 0.31%, 0.34%

LAB 30.18, 10.21, -27.58

 

CMYK 42 / 35 / 0 / 48

HEX #4D5685

RGB 77 86 133

HSL 230.36, 0.27%, 0.41%

LAB 37.71, 9.33, -27.44

 

CMYK 38 / 32 / 0 / 40

HEX #5E6898

RGB 94 104 152

HSL 229.66, 0.24%, 0.48%

LAB 45.01, 8.63, -27.38

 

CMYK 35 / 29 / 0 / 33

HEX #6F7AAB

RGB 111 122 171

HSL 229, 0.26%, 0.55%

LAB 52.11, 8.06, -27.39

 

CMYK 33 / 26 / 0 / 25

HEX #808CBE

RGB 128 140 190

HSL 228.39, 0.32%, 0.62%

LAB 59.03, 7.58, -27.45

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 62 / 50 / 0 / 61

HEX #263264

RGB 38 50 100

HSL 228.39, 0.45%, 0.27%

LAB 22.35, 12.03, -31.16

 

CMYK 74 / 60 / 0 / 68

HEX #152051

RGB 21 32 81

HSL 229, 0.59%, 0.2%

LAB 14.32, 14.14, -31.51

 

CMYK 94 / 77 / 0 / 76

HEX #040E3E

RGB 4 14 62

HSL 229.66, 0.88%, 0.13%

LAB 6.21, 16.55, -31.53

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 50 / 54 / 0 / 53

HEX #3B3777

RGB 59 55 119

HSL 243.75, 0.37%, 0.34%

LAB 26.72, 20.34, -36.26

 

CMYK 36 / 54 / 0 / 53

HEX #4C3777

RGB 76 55 119

HSL 259.69, 0.37%, 0.34%

LAB 28.38, 24.83, -33.51

 

CMYK 22 / 54 / 0 / 53

HEX #5D3777

RGB 93 55 119

HSL 275.63, 0.37%, 0.34%

LAB 30.38, 29.75, -30.21

 

CMYK 7 / 54 / 0 / 53

HEX #6F3777

RGB 111 55 119

HSL 292.5, 0.37%, 0.34%

LAB 32.8, 35.18, -26.23

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 54 / 54 / 0 / 53

HEX #373777

RGB 55 55 119

HSL 240, 0.37%, 0.34%

LAB 26.38, 19.37, -36.83

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 69 / 56 / 0 / 48

HEX #293B85

RGB 41 59 133

HSL 228.26, 0.53%, 0.34%

LAB 27.55, 18.94, -43.77

 

CMYK 82 / 65 / 0 / 42

HEX #1B3393

RGB 27 51 147

HSL 228, 0.69%, 0.34%

LAB 25.88, 28.07, -55.19

 

CMYK 92 / 73 / 0 / 37

HEX #0D2BA1

RGB 13 43 161

HSL 227.84, 0.85%, 0.34%

LAB 24.91, 37.77, -65.38

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 34 / 28 / 0 / 59

HEX #454C69

RGB 69 76 105

HSL 228.33, 0.21%, 0.34%

LAB 32.82, 4.87, -17.74

 

CMYK 9 / 8 / 0 / 64

HEX #53545B

RGB 83 84 91

HSL 232.5, 0.05%, 0.34%

LAB 35.86, 1.17, -4.21

 

CMYK 0 / 4 / 21 / 62

HEX #615D4D

RGB 97 93 77

HSL 48, 0.11%, 0.34%

LAB 39.42, -1.41, 9.78

 

CMYK 0 / 9 / 43 / 56

HEX #6F653F

RGB 111 101 63

HSL 47.5, 0.28%, 0.34%

LAB 42.83, -2.01, 22.94

 

CMYK 54 / 13 / 0 / 53

HEX #376777

RGB 55 103 119

HSL 195, 0.37%, 0.34%

LAB 40.97, -11.45, -13.98

 

CMYK 54 / 28 / 0 / 53

HEX #375677

RGB 55 86 119

HSL 210.94, 0.37%, 0.34%

LAB 35.6, -1.16, -22.25

 

CMYK 54 / 42 / 0 / 53

HEX #374577

RGB 55 69 119

HSL 226.88, 0.37%, 0.34%

LAB 30.4, 9.91, -30.41

 

CMYK 51 / 54 / 0 / 53

HEX #3A3777

RGB 58 55 119

HSL 242.81, 0.37%, 0.34%

LAB 26.63, 20.09, -36.41

 

CMYK 37 / 54 / 0 / 53

HEX #4B3777

RGB 75 55 119

HSL 258.75, 0.37%, 0.34%

LAB 28.27, 24.55, -33.69

 

CMYK 53 / 44 / 0 / 76

HEX #1D233E

RGB 29 35 62

HSL 229.09, 0.36%, 0.18%

LAB 14.46, 6.21, -18.14

 

CMYK 54 / 43 / 0 / 64

HEX #2A345B

RGB 42 52 91

HSL 227.76, 0.37%, 0.26%

LAB 22.67, 8.28, -24.75

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 54 / 43 / 0 / 42

HEX #445493

RGB 68 84 147

HSL 227.85, 0.37%, 0.42%

LAB 37.25, 12.78, -36.71

 

CMYK 54 / 43 / 0 / 31

HEX #5164AF

RGB 81 100 175

HSL 227.87, 0.37%, 0.5%

LAB 44.17, 14.9, -42.33

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 1 / 54 / 0 / 53

HEX #763777

RGB 118 55 119

HSL 299.06, 0.37%, 0.34%

LAB 33.81, 37.31, -24.58

 

CMYK 21 / 0 / 54 / 53

HEX #5E7737

RGB 94 119 55

HSL 83.44, 0.37%, 0.34%

LAB 46.78, -20.43, 31.93

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 0 / 54 / 42 / 53

HEX #773745

RGB 119 55 69

HSL 346.88, 0.37%, 0.34%

LAB 32, 29.54, 4.72

 

CMYK 42 / 0 / 54 / 53

HEX #457737

RGB 69 119 55

HSL 106.88, 0.37%, 0.34%

LAB 45.27, -30.1, 29.76

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 1 / 54 / 0 / 53

HEX #763777

RGB 118 55 119

HSL 299.06, 0.37%, 0.34%

LAB 33.81, 37.31, -24.58

 

CMYK 0 / 12 / 54 / 53

HEX #776937

RGB 119 105 55

HSL 46.88, 0.37%, 0.34%

LAB 44.66, -1.57, 29.9

 

CMYK 53 / 0 / 54 / 53

HEX #387737

RGB 56 119 55

HSL 119.06, 0.37%, 0.34%

LAB 44.67, -34.33, 28.9

 

CMYK 54 / 43 / 0 / 53

HEX #374477

RGB 55 68 119

HSL 227.81, 0.37%, 0.34%

LAB 30.1, 10.58, -30.88

 

CMYK 0 / 54 / 15 / 53

HEX #773765

RGB 119 55 101

HSL 316.88, 0.37%, 0.34%

LAB 33.12, 34.29, -14.24

 

CMYK 0 / 12 / 54 / 53

HEX #776937

RGB 119 105 55

HSL 46.88, 0.37%, 0.34%

LAB 44.66, -1.57, 29.9

 

CMYK 54 / 0 / 39 / 53

HEX #377749

RGB 55 119 73

HSL 136.88, 0.37%, 0.34%

LAB 44.92, -31.58, 19.21

 

Description

Color code: HEX #374477 | qconv.com Color code: HEX #374477 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 68 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 68 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 43 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 43% 0% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - UR賃貸を探すなら、お祝い金が必ず貰える...
Link: http://www.ur-navi.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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