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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3743C9 it is the complementary color #C8BC36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3743C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3743C9 shade: #3C43C4, #4D55D7, #5E67EA, #6F79FD and #808BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3743C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3743C9 shade: #3743C9, #2631B6, #151FA3, #040D90 and #00007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3743C9 shade: #3743C8, #5237C8, #7937C8, #A037C8 and #C837C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3743C9 shade: #3743C8 and #3737C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3743C9 shade matches the following richer shades: #3743C8, #2232DD and #0E20F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3743C9 shade: #3743C8, #4B54B4, #60659F, #75768A and #898876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3743C9 shade: #3790C8, #376AC8, #3743C8, #5137C8 and #7837C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3743C9 shade: #252D87, #2E38A8, #3743C8, #5761D1 and #7880DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3743C9 shade: #3743C9, #C837B7 and #7DC837

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3743C9 shade: #3743C9, #C83743 and #43C837

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3743C9 shade: #3743C9, #C837B7, #C8BC37 and #37C848

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3743C9 shade: #3743C9, #C8378C, #C8BC37 and #37C873

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 67 / 0 / 21

HEX #3743C9

RGB 55 67 201

HSL 235.07, 0.57%, 0.5%

LAB 36.07, 40.41, -70.72

 

Complementary color

CMYK 0 / 6 / 73 / 22

HEX #C8BC36

RGB 200 188 54

HSL 55.07, 0.57%, 0.5%

LAB 75.15, -10.63, 65.1

 

CMYK 69 / 66 / 0 / 23

HEX #3C43C4

RGB 60 67 196

HSL 236.91, 0.54%, 0.5%

LAB 35.91, 39.27, -68.05

 

CMYK 64 / 60 / 0 / 16

HEX #4D55D7

RGB 77 85 215

HSL 236.52, 0.63%, 0.57%

LAB 42.73, 36.99, -67.84

 

CMYK 60 / 56 / 0 / 8

HEX #5E67EA

RGB 94 103 234

HSL 236.14, 0.77%, 0.64%

LAB 49.52, 35, -67.53

 

CMYK 56 / 52 / 0 / 1

HEX #6F79FD

RGB 111 121 253

HSL 235.77, 0.97%, 0.71%

LAB 56.23, 33.27, -67.2

 

CMYK 50 / 45 / 0 / 0

HEX #808BFF

RGB 128 139 255

HSL 234.8, 1%, 0.75%

LAB 61.89, 26.65, -59.16

 

CMYK 73 / 67 / 0 / 21

HEX #3743C9

RGB 55 67 201

HSL 235.07, 0.57%, 0.5%

LAB 36.07, 40.41, -70.72

 

CMYK 79 / 73 / 0 / 29

HEX #2631B6

RGB 38 49 182

HSL 235.42, 0.65%, 0.43%

LAB 29.38, 43.1, -70.59

 

CMYK 87 / 81 / 0 / 36

HEX #151FA3

RGB 21 31 163

HSL 235.77, 0.77%, 0.36%

LAB 22.94, 45.74, -69.85

 

CMYK 97 / 91 / 0 / 44

HEX #040D90

RGB 4 13 144

HSL 236.14, 0.95%, 0.29%

LAB 17.12, 47.4, -67.86

 

CMYK 100 / 100 / 0 / 51

HEX #00007D

RGB 0 0 125

HSL 240, 1%, 0.25%

LAB 12.48, 46.7, -63.61

 

CMYK 73 / 67 / 0 / 22

HEX #3743C8

RGB 55 67 200

HSL 235.03, 0.57%, 0.5%

LAB 35.98, 40.07, -70.28

 

CMYK 59 / 73 / 0 / 22

HEX #5237C8

RGB 82 55 200

HSL 251.17, 0.57%, 0.5%

LAB 35.39, 50.3, -71.17

 

CMYK 40 / 73 / 0 / 22

HEX #7937C8

RGB 121 55 200

HSL 267.31, 0.57%, 0.5%

LAB 39.53, 56.45, -64.24

 

CMYK 20 / 73 / 0 / 22

HEX #A037C8

RGB 160 55 200

HSL 283.45, 0.57%, 0.5%

LAB 44.77, 63.84, -55.5

 

CMYK 0 / 73 / 0 / 22

HEX #C837C8

RGB 200 55 200

HSL 300, 0.57%, 0.5%

LAB 50.9, 72.1, -45.34

 

CMYK 73 / 67 / 0 / 22

HEX #3743C8

RGB 55 67 200

HSL 235.03, 0.57%, 0.5%

LAB 35.98, 40.07, -70.28

 

CMYK 73 / 73 / 0 / 22

HEX #3737C8

RGB 55 55 200

HSL 240, 0.57%, 0.5%

LAB 33.38, 47.17, -74.55

 

CMYK 73 / 67 / 0 / 22

HEX #3743C8

RGB 55 67 200

HSL 235.03, 0.57%, 0.5%

LAB 35.98, 40.07, -70.28

 

CMYK 85 / 77 / 0 / 13

HEX #2232DD

RGB 34 50 221

HSL 234.87, 0.73%, 0.5%

LAB 33.65, 55.29, -86.3

 

CMYK 94 / 87 / 0 / 5

HEX #0E20F1

RGB 14 32 241

HSL 235.24, 0.89%, 0.5%

LAB 32.87, 68.7, -99.02

 

CMYK 73 / 67 / 0 / 22

HEX #3743C8

RGB 55 67 200

HSL 235.03, 0.57%, 0.5%

LAB 35.98, 40.07, -70.28

 

CMYK 58 / 53 / 0 / 29

HEX #4B54B4

RGB 75 84 180

HSL 234.86, 0.41%, 0.5%

LAB 39.8, 25.47, -52.29

 

CMYK 40 / 36 / 0 / 38

HEX #60659F

RGB 96 101 159

HSL 235.24, 0.25%, 0.5%

LAB 44.66, 13.1, -32.07

 

CMYK 15 / 14 / 0 / 46

HEX #75768A

RGB 117 118 138

HSL 237.14, 0.08%, 0.5%

LAB 50.18, 3.97, -11.01

 

CMYK 0 / 1 / 14 / 46

HEX #898876

RGB 137 136 118

HSL 56.84, 0.07%, 0.5%

LAB 56.32, -2.93, 9.81

 

CMYK 73 / 28 / 0 / 22

HEX #3790C8

RGB 55 144 200

HSL 203.17, 0.57%, 0.5%

LAB 57.01, -7.81, -36.53

 

CMYK 73 / 47 / 0 / 22

HEX #376AC8

RGB 55 106 200

HSL 218.9, 0.57%, 0.5%

LAB 46.03, 15.2, -53.95

 

CMYK 73 / 67 / 0 / 22

HEX #3743C8

RGB 55 67 200

HSL 235.03, 0.57%, 0.5%

LAB 35.98, 40.07, -70.28

 

CMYK 60 / 73 / 0 / 22

HEX #5137C8

RGB 81 55 200

HSL 250.76, 0.57%, 0.5%

LAB 35.31, 50.16, -71.32

 

CMYK 40 / 73 / 0 / 22

HEX #7837C8

RGB 120 55 200

HSL 266.9, 0.57%, 0.5%

LAB 39.4, 56.27, -64.45

 

CMYK 73 / 67 / 0 / 47

HEX #252D87

RGB 37 45 135

HSL 235.1, 0.57%, 0.34%

LAB 23.74, 28.63, -51.25

 

CMYK 73 / 67 / 0 / 34

HEX #2E38A8

RGB 46 56 168

HSL 235.08, 0.57%, 0.42%

LAB 30, 34.64, -61.18

 

CMYK 73 / 67 / 0 / 22

HEX #3743C8

RGB 55 67 200

HSL 235.03, 0.57%, 0.5%

LAB 35.98, 40.07, -70.28

 

CMYK 58 / 54 / 0 / 18

HEX #5761D1

RGB 87 97 209

HSL 235.08, 0.57%, 0.58%

LAB 45.88, 29.25, -59.27

 

CMYK 45 / 41 / 0 / 15

HEX #7880DA

RGB 120 128 218

HSL 235.1, 0.57%, 0.66%

LAB 56.58, 20.33, -47.13

 

CMYK 73 / 67 / 0 / 21

HEX #3743C9

RGB 55 67 201

HSL 235.07, 0.57%, 0.5%

LAB 36.07, 40.41, -70.72

 

CMYK 0 / 73 / 9 / 22

HEX #C837B7

RGB 200 55 183

HSL 307.03, 0.57%, 0.5%

LAB 50.01, 69.46, -36.88

 

CMYK 38 / 0 / 73 / 22

HEX #7DC837

RGB 125 200 55

HSL 91.03, 0.57%, 0.5%

LAB 73.51, -46.14, 61.43

 

CMYK 73 / 67 / 0 / 21

HEX #3743C9

RGB 55 67 201

HSL 235.07, 0.57%, 0.5%

LAB 36.07, 40.41, -70.72

 

CMYK 0 / 73 / 67 / 22

HEX #C83743

RGB 200 55 67

HSL 355.03, 0.57%, 0.5%

LAB 46.2, 57.3, 27.48

 

CMYK 67 / 0 / 73 / 22

HEX #43C837

RGB 67 200 55

HSL 115.03, 0.57%, 0.5%

LAB 71.4, -62.22, 58.62

 

CMYK 73 / 67 / 0 / 21

HEX #3743C9

RGB 55 67 201

HSL 235.07, 0.57%, 0.5%

LAB 36.07, 40.41, -70.72

 

CMYK 0 / 73 / 9 / 22

HEX #C837B7

RGB 200 55 183

HSL 307.03, 0.57%, 0.5%

LAB 50.01, 69.46, -36.88

 

CMYK 0 / 6 / 73 / 22

HEX #C8BC37

RGB 200 188 55

HSL 55.03, 0.57%, 0.5%

LAB 75.15, -10.58, 64.75

 

CMYK 73 / 0 / 64 / 22

HEX #37C848

RGB 55 200 72

HSL 127.03, 0.57%, 0.5%

LAB 71.27, -62.81, 51.69

 

CMYK 73 / 67 / 0 / 21

HEX #3743C9

RGB 55 67 201

HSL 235.07, 0.57%, 0.5%

LAB 36.07, 40.41, -70.72

 

CMYK 0 / 73 / 30 / 22

HEX #C8378C

RGB 200 55 140

HSL 324.83, 0.57%, 0.5%

LAB 48.14, 63.66, -14.28

 

CMYK 0 / 6 / 73 / 22

HEX #C8BC37

RGB 200 188 55

HSL 55.03, 0.57%, 0.5%

LAB 75.15, -10.58, 64.75

 

CMYK 73 / 0 / 43 / 22

HEX #37C873

RGB 55 200 115

HSL 144.83, 0.57%, 0.5%

LAB 71.8, -56.7, 31.83

 

Description

Color code: HEX #3743C9 | qconv.com Color code: HEX #3743C9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 67 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 67 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 67 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 67% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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