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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #373F49 it is the complementary color #C8C0B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #373F49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #373F49 shade: #3C3F44, #4D5157, #5E636A, #6F757D and #808790

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #373F49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #373F49 shade: #373F49, #262D36, #151B23, #040910 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #373F49 shade: #373F49, #373A49, #393749, #3D3749 and #423749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #373F49 shade: #373F49, #373A49 and #373749

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #373F49 shade matches the following richer shades: #373F49, #2D3E53, #223C5D, #183B68 and #0E3A72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #373F49 shade: #373F49, #41403E, #4B4134, #56422A and #60431F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #373F49 shade: #374849, #374449, #373F49, #373A49 and #383749

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #373F49 shade: #13161A, #252A31, #373F49, #495360 and #5A6778

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #373F49 shade: #373F49, #443749 and #464937

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #373F49 shade: #373F49, #49373F and #3F4937

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #373F49 shade: #373F49, #443749, #494137 and #3B4937

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #373F49 shade: #373F49, #493748, #494137 and #374938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

Complementary color

CMYK 0 / 4 / 9 / 22

HEX #C8C0B6

RGB 200 192 182

HSL 33.33, 0.14%, 0.75%

LAB 78.08, 1.06, 6.02

 

CMYK 12 / 7 / 0 / 73

HEX #3C3F44

RGB 60 63 68

HSL 217.5, 0.06%, 0.25%

LAB 26.54, -0.06, -3.49

 

CMYK 11 / 7 / 0 / 66

HEX #4D5157

RGB 77 81 87

HSL 216, 0.06%, 0.32%

LAB 34.29, -0.22, -4.07

 

CMYK 11 / 7 / 0 / 58

HEX #5E636A

RGB 94 99 106

HSL 215, 0.06%, 0.39%

LAB 41.76, -0.38, -4.63

 

CMYK 11 / 6 / 0 / 51

HEX #6F757D

RGB 111 117 125

HSL 214.29, 0.06%, 0.46%

LAB 48.99, -0.52, -5.17

 

CMYK 11 / 6 / 0 / 44

HEX #808790

RGB 128 135 144

HSL 213.75, 0.07%, 0.53%

LAB 56.02, -0.66, -5.7

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 30 / 17 / 0 / 79

HEX #262D36

RGB 38 45 54

HSL 213.75, 0.17%, 0.18%

LAB 18.17, -0.51, -6.77

 

CMYK 40 / 23 / 0 / 86

HEX #151B23

RGB 21 27 35

HSL 214.29, 0.25%, 0.11%

LAB 9.52, -0.27, -6.4

 

CMYK 75 / 44 / 0 / 94

HEX #040910

RGB 4 9 16

HSL 215, 0.6%, 0.04%

LAB 2.34, -0.18, -3.52

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 25 / 21 / 0 / 71

HEX #373A49

RGB 55 58 73

HSL 230, 0.14%, 0.25%

LAB 24.7, 2.61, -9.61

 

CMYK 22 / 25 / 0 / 71

HEX #393749

RGB 57 55 73

HSL 246.67, 0.14%, 0.25%

LAB 23.94, 5.38, -10.74

 

CMYK 16 / 25 / 0 / 71

HEX #3D3749

RGB 61 55 73

HSL 260, 0.14%, 0.25%

LAB 24.34, 6.91, -10.1

 

CMYK 10 / 25 / 0 / 71

HEX #423749

RGB 66 55 73

HSL 276.67, 0.14%, 0.25%

LAB 24.86, 8.88, -9.26

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 25 / 21 / 0 / 71

HEX #373A49

RGB 55 58 73

HSL 230, 0.14%, 0.25%

LAB 24.7, 2.61, -9.61

 

CMYK 25 / 25 / 0 / 71

HEX #373749

RGB 55 55 73

HSL 240, 0.14%, 0.25%

LAB 23.76, 4.62, -11.05

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 46 / 25 / 0 / 67

HEX #2D3E53

RGB 45 62 83

HSL 213.16, 0.3%, 0.25%

LAB 25.65, -0.44, -14.82

 

CMYK 63 / 35 / 0 / 64

HEX #223C5D

RGB 34 60 93

HSL 213.56, 0.46%, 0.25%

LAB 24.83, 1.48, -22.67

 

CMYK 77 / 43 / 0 / 59

HEX #183B68

RGB 24 59 104

HSL 213.75, 0.63%, 0.25%

LAB 24.71, 4.6, -30.03

 

CMYK 88 / 49 / 0 / 55

HEX #0E3A72

RGB 14 58 114

HSL 213.6, 0.78%, 0.25%

LAB 24.75, 8.3, -36.39

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 0 / 2 / 5 / 75

HEX #41403E

RGB 65 64 62

HSL 40, 0.02%, 0.25%

LAB 27.13, -0.01, 1.37

 

CMYK 0 / 13 / 31 / 71

HEX #4B4134

RGB 75 65 52

HSL 33.91, 0.18%, 0.25%

LAB 28.18, 1.93, 9.52

 

CMYK 0 / 23 / 51 / 66

HEX #56422A

RGB 86 66 42

HSL 32.73, 0.34%, 0.25%

LAB 29.52, 5.12, 17.87

 

CMYK 0 / 30 / 68 / 62

HEX #60431F

RGB 96 67 31

HSL 33.23, 0.51%, 0.25%

LAB 30.88, 8.3, 26.37

 

CMYK 25 / 1 / 0 / 71

HEX #374849

RGB 55 72 73

HSL 183.33, 0.14%, 0.25%

LAB 29.23, -6.42, -2.81

 

CMYK 25 / 7 / 0 / 71

HEX #374449

RGB 55 68 73

HSL 196.67, 0.14%, 0.25%

LAB 27.92, -3.91, -4.76

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 25 / 21 / 0 / 71

HEX #373A49

RGB 55 58 73

HSL 230, 0.14%, 0.25%

LAB 24.7, 2.61, -9.61

 

CMYK 23 / 25 / 0 / 71

HEX #383749

RGB 56 55 73

HSL 243.33, 0.14%, 0.25%

LAB 23.85, 5, -10.89

 

CMYK 27 / 15 / 0 / 90

HEX #13161A

RGB 19 22 26

HSL 214.29, 0.16%, 0.09%

LAB 7.11, -0.24, -3.26

 

CMYK 24 / 14 / 0 / 81

HEX #252A31

RGB 37 42 49

HSL 215, 0.14%, 0.17%

LAB 16.85, -0.29, -5.28

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 24 / 14 / 0 / 62

HEX #495360

RGB 73 83 96

HSL 213.91, 0.14%, 0.33%

LAB 34.9, -0.7, -8.87

 

CMYK 25 / 14 / 0 / 53

HEX #5A6778

RGB 90 103 120

HSL 214, 0.14%, 0.41%

LAB 43.11, -0.8, -11.14

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 7 / 25 / 0 / 71

HEX #443749

RGB 68 55 73

HSL 283.33, 0.14%, 0.25%

LAB 25.08, 9.67, -8.9

 

CMYK 4 / 0 / 25 / 71

HEX #464937

RGB 70 73 55

HSL 70, 0.14%, 0.25%

LAB 30.26, -4.87, 10.39

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 0 / 25 / 14 / 71

HEX #49373F

RGB 73 55 63

HSL 333.33, 0.14%, 0.25%

LAB 25.28, 9.54, -1.89

 

CMYK 14 / 0 / 25 / 71

HEX #3F4937

RGB 63 73 55

HSL 93.33, 0.14%, 0.25%

LAB 29.66, -7.94, 9.46

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 7 / 25 / 0 / 71

HEX #443749

RGB 68 55 73

HSL 283.33, 0.14%, 0.25%

LAB 25.08, 9.67, -8.9

 

CMYK 0 / 11 / 25 / 71

HEX #494137

RGB 73 65 55

HSL 33.33, 0.14%, 0.25%

LAB 28.04, 1.52, 7.35

 

CMYK 19 / 0 / 25 / 71

HEX #3B4937

RGB 59 73 55

HSL 106.67, 0.14%, 0.25%

LAB 29.34, -9.64, 8.97

 

CMYK 25 / 14 / 0 / 71

HEX #373F49

RGB 55 63 73

HSL 213.33, 0.14%, 0.25%

LAB 26.3, -0.69, -7.19

 

CMYK 0 / 25 / 1 / 71

HEX #493748

RGB 73 55 72

HSL 303.33, 0.14%, 0.25%

LAB 25.61, 11.45, -7.38

 

CMYK 0 / 11 / 25 / 71

HEX #494137

RGB 73 65 55

HSL 33.33, 0.14%, 0.25%

LAB 28.04, 1.52, 7.35

 

CMYK 25 / 0 / 23 / 71

HEX #374938

RGB 55 73 56

HSL 123.33, 0.14%, 0.25%

LAB 29.06, -11.08, 7.9

 

Description

Color code: HEX #373F49 | qconv.com Color code: HEX #373F49 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 63 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 63 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 14 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 14% 0% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

87% - UK Django Developer ...
Link: http://www.dirtymonkey.co.uk

48% - WebArchiv
Link: http://www.webarchiv.cz

42% - Progis - Technologie...
Link: http://www.progis.fr

21% - Petra Imóveis
Link: http://imoveispetra.com.br

31% - Tream - Agência Web ...
Link: http://www.tream.com.br

25% - Все для создания сво...
Link: http://uwebo4ka.3dn.ru

56% - Gaming Habits
Link: http://www.gieteling.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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