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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #373ACF it is the complementary color #C8C530. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #373ACF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #373ACF shade: #3C3ACA, #4D4CDD, #5E5EF0, #6F70FF and #8082FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #373ACF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #373ACF shade: #373ACF, #2628BC, #1516A9, #040496 and #000083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #373ACF shade: #3639CE, #5C36CE, #8536CE, #AE36CE and #CE36C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #373ACF shade: #3639CE and #3636CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #373ACF shade matches the following richer shades: #3639CE, #2225E2 and #0D12F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #373ACF shade: #3639CE, #4A4CBA, #5E60A6, #727392 and #87877D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #373ACF shade: #368CCE, #3664CE, #363BCE, #5936CE and #8236CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #373ACF shade: #23258F, #2B2DB0, #3639CE, #575AD6 and #787ADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #373ACF shade: #373ACF, #CE36B5 and #78CE36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #373ACF shade: #373ACF, #CE363B and #3BCE36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #373ACF shade: #373ACF, #CE36B5, #CEC936 and #36CE4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #373ACF shade: #373ACF, #CE3687, #CEC936 and #36CE7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 72 / 0 / 19

HEX #373ACF

RGB 55 58 207

HSL 238.82, 0.61%, 0.51%

LAB 34.69, 47.77, -76.47

 

Complementary color

CMYK 0 / 1 / 76 / 22

HEX #C8C530

RGB 200 197 48

HSL 58.82, 0.61%, 0.49%

LAB 77.53, -15.44, 69.32

 

CMYK 70 / 71 / 0 / 21

HEX #3C3ACA

RGB 60 58 202

HSL 240.83, 0.58%, 0.51%

LAB 34.5, 46.62, -73.86

 

CMYK 65 / 66 / 0 / 13

HEX #4D4CDD

RGB 77 76 221

HSL 240.41, 0.68%, 0.58%

LAB 41.16, 44.39, -73.83

 

CMYK 61 / 61 / 0 / 6

HEX #5E5EF0

RGB 94 94 240

HSL 240, 0.83%, 0.65%

LAB 47.85, 42.33, -73.62

 

CMYK 56 / 56 / 0 / 0

HEX #6F70FF

RGB 111 112 255

HSL 239.58, 1%, 0.72%

LAB 54.23, 39.24, -71.55

 

CMYK 50 / 49 / 0 / 0

HEX #8082FF

RGB 128 130 255

HSL 239.06, 1%, 0.75%

LAB 59.68, 31.93, -62.69

 

CMYK 73 / 72 / 0 / 19

HEX #373ACF

RGB 55 58 207

HSL 238.82, 0.61%, 0.51%

LAB 34.69, 47.77, -76.47

 

CMYK 80 / 79 / 0 / 26

HEX #2628BC

RGB 38 40 188

HSL 239.2, 0.66%, 0.44%

LAB 28.28, 50.1, -75.97

 

CMYK 88 / 87 / 0 / 34

HEX #1516A9

RGB 21 22 169

HSL 239.59, 0.78%, 0.37%

LAB 22.29, 51.82, -74.57

 

CMYK 97 / 97 / 0 / 41

HEX #040496

RGB 4 4 150

HSL 240, 0.95%, 0.3%

LAB 17.06, 52.05, -71.69

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 74 / 72 / 0 / 19

HEX #3639CE

RGB 54 57 206

HSL 238.82, 0.61%, 0.51%

LAB 34.33, 47.91, -76.49

 

CMYK 55 / 74 / 0 / 19

HEX #5C36CE

RGB 92 54 206

HSL 255, 0.61%, 0.51%

LAB 36.69, 53.91, -72.5

 

CMYK 35 / 74 / 0 / 19

HEX #8536CE

RGB 133 54 206

HSL 271.18, 0.61%, 0.51%

LAB 41.34, 60.44, -64.69

 

CMYK 16 / 74 / 0 / 19

HEX #AE36CE

RGB 174 54 206

HSL 287.37, 0.61%, 0.51%

LAB 47.1, 68.14, -55.11

 

CMYK 0 / 74 / 4 / 19

HEX #CE36C5

RGB 206 54 197

HSL 303.55, 0.61%, 0.51%

LAB 51.6, 73.21, -42.44

 

CMYK 74 / 72 / 0 / 19

HEX #3639CE

RGB 54 57 206

HSL 238.82, 0.61%, 0.51%

LAB 34.33, 47.91, -76.49

 

CMYK 74 / 74 / 0 / 19

HEX #3636CE

RGB 54 54 206

HSL 240, 0.61%, 0.51%

LAB 33.73, 49.59, -77.47

 

CMYK 74 / 72 / 0 / 19

HEX #3639CE

RGB 54 57 206

HSL 238.82, 0.61%, 0.51%

LAB 34.33, 47.91, -76.49

 

CMYK 85 / 84 / 0 / 11

HEX #2225E2

RGB 34 37 226

HSL 239.06, 0.77%, 0.51%

LAB 32.16, 62.93, -91.65

 

CMYK 95 / 93 / 0 / 3

HEX #0D12F7

RGB 13 18 247

HSL 238.72, 0.94%, 0.51%

LAB 32.33, 74.32, -103.31

 

CMYK 74 / 72 / 0 / 19

HEX #3639CE

RGB 54 57 206

HSL 238.82, 0.61%, 0.51%

LAB 34.33, 47.91, -76.49

 

CMYK 60 / 59 / 0 / 27

HEX #4A4CBA

RGB 74 76 186

HSL 238.93, 0.45%, 0.51%

LAB 38.15, 32.37, -58.51

 

CMYK 43 / 42 / 0 / 35

HEX #5E60A6

RGB 94 96 166

HSL 238.33, 0.29%, 0.51%

LAB 43.51, 17.75, -38.04

 

CMYK 22 / 21 / 0 / 43

HEX #727392

RGB 114 115 146

HSL 238.13, 0.13%, 0.51%

LAB 49.39, 6.64, -16.95

 

CMYK 0 / 0 / 7 / 47

HEX #87877D

RGB 135 135 125

HSL 60, 0.04%, 0.51%

LAB 56.05, -1.9, 5.37

 

CMYK 74 / 32 / 0 / 19

HEX #368CCE

RGB 54 140 206

HSL 206.05, 0.61%, 0.51%

LAB 56.08, -3.53, -41.36

 

CMYK 74 / 51 / 0 / 19

HEX #3664CE

RGB 54 100 206

HSL 221.84, 0.61%, 0.51%

LAB 44.74, 21.12, -59.48

 

CMYK 74 / 71 / 0 / 19

HEX #363BCE

RGB 54 59 206

HSL 238.03, 0.61%, 0.51%

LAB 34.74, 46.77, -75.81

 

CMYK 57 / 74 / 0 / 19

HEX #5936CE

RGB 89 54 206

HSL 253.82, 0.61%, 0.51%

LAB 36.4, 53.5, -72.98

 

CMYK 37 / 74 / 0 / 19

HEX #8236CE

RGB 130 54 206

HSL 270, 0.61%, 0.51%

LAB 40.96, 59.91, -65.34

 

CMYK 76 / 74 / 0 / 44

HEX #23258F

RGB 35 37 143

HSL 238.89, 0.61%, 0.35%

LAB 22.53, 36.42, -58.23

 

CMYK 76 / 74 / 0 / 31

HEX #2B2DB0

RGB 43 45 176

HSL 239.1, 0.61%, 0.43%

LAB 28.18, 43.79, -68.98

 

CMYK 74 / 72 / 0 / 19

HEX #3639CE

RGB 54 57 206

HSL 238.82, 0.61%, 0.51%

LAB 34.33, 47.91, -76.49

 

CMYK 59 / 58 / 0 / 16

HEX #575AD6

RGB 87 90 214

HSL 238.58, 0.61%, 0.59%

LAB 44.51, 35.21, -64.35

 

CMYK 46 / 45 / 0 / 13

HEX #787ADE

RGB 120 122 222

HSL 238.82, 0.61%, 0.67%

LAB 55.26, 25.09, -51.47

 

CMYK 73 / 72 / 0 / 19

HEX #373ACF

RGB 55 58 207

HSL 238.82, 0.61%, 0.51%

LAB 34.69, 47.77, -76.47

 

CMYK 0 / 74 / 12 / 19

HEX #CE36B5

RGB 206 54 181

HSL 309.87, 0.61%, 0.51%

LAB 50.8, 70.84, -34.41

 

CMYK 42 / 0 / 74 / 19

HEX #78CE36

RGB 120 206 54

HSL 93.95, 0.61%, 0.51%

LAB 75.08, -50.33, 63.25

 

CMYK 73 / 72 / 0 / 19

HEX #373ACF

RGB 55 58 207

HSL 238.82, 0.61%, 0.51%

LAB 34.69, 47.77, -76.47

 

CMYK 0 / 74 / 71 / 19

HEX #CE363B

RGB 206 54 59

HSL 358.03, 0.61%, 0.51%

LAB 47.07, 59.08, 33.55

 

CMYK 71 / 0 / 74 / 19

HEX #3BCE36

RGB 59 206 54

HSL 118.03, 0.61%, 0.51%

LAB 73.11, -65.73, 60.64

 

CMYK 73 / 72 / 0 / 19

HEX #373ACF

RGB 55 58 207

HSL 238.82, 0.61%, 0.51%

LAB 34.69, 47.77, -76.47

 

CMYK 0 / 74 / 12 / 19

HEX #CE36B5

RGB 206 54 181

HSL 309.87, 0.61%, 0.51%

LAB 50.8, 70.84, -34.41

 

CMYK 0 / 2 / 74 / 19

HEX #CEC936

RGB 206 201 54

HSL 58.03, 0.61%, 0.51%

LAB 79.13, -14.66, 69.05

 

CMYK 74 / 0 / 62 / 19

HEX #36CE4F

RGB 54 206 79

HSL 129.87, 0.61%, 0.51%

LAB 73.21, -64.17, 50.85

 

CMYK 73 / 72 / 0 / 19

HEX #373ACF

RGB 55 58 207

HSL 238.82, 0.61%, 0.51%

LAB 34.69, 47.77, -76.47

 

CMYK 0 / 74 / 34 / 19

HEX #CE3687

RGB 206 54 135

HSL 328.03, 0.61%, 0.51%

LAB 48.9, 64.99, -10.02

 

CMYK 0 / 2 / 74 / 19

HEX #CEC936

RGB 206 201 54

HSL 58.03, 0.61%, 0.51%

LAB 79.13, -14.66, 69.05

 

CMYK 74 / 0 / 39 / 19

HEX #36CE7D

RGB 54 206 125

HSL 148.03, 0.61%, 0.51%

LAB 73.81, -57.23, 29.32

 

Description

Color code: HEX #373ACF | qconv.com Color code: HEX #373ACF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 58 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 58 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 72 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 72% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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