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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #372D13 it is the complementary color #C8D2EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #372D13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #372D13 shade: #3C2D0E, #4D3F21, #5E5134, #6F6347 and #80755A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #372D13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #372D13 shade: #372D13, #261B00, #150900, #040000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #372D13 shade: #392F14, #392414, #391A14 and #391414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #372D13 shade: #392F14, #393914, #2F3914, #253914 and #1B3914

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #372D13 shade matches the following richer shades: #392F14, #3F310D, #453407 and #4C3701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #372D13 shade: #392F14, #332C1A, #2D2920, #262626 and #20242C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #372D13 shade: #391A14, #392414, #392E14, #393814 and #303914

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #372D13 shade: #000000, #1A1509, #392F14, #58481E and #766129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #372D13 shade: #372D13, #173914 and #1F1439

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #372D13 shade: #372D13, #14392E and #2E1439

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #372D13 shade: #372D13, #173914, #141E39 and #361439

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #372D13 shade: #372D13, #14391C, #141E39 and #391431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 65 / 78

HEX #372D13

RGB 55 45 19

HSL 43.33, 0.49%, 0.15%

LAB 18.95, 0.6, 18.31

 

Complementary color

CMYK 15 / 11 / 0 / 7

HEX #C8D2EC

RGB 200 210 236

HSL 223.33, 0.49%, 0.85%

LAB 84.19, 1.8, -13.93

 

CMYK 0 / 25 / 77 / 76

HEX #3C2D0E

RGB 60 45 14

HSL 40.43, 0.62%, 0.15%

LAB 19.51, 2.83, 21.95

 

CMYK 0 / 18 / 57 / 70

HEX #4D3F21

RGB 77 63 33

HSL 40.91, 0.4%, 0.22%

LAB 27.42, 1.61, 20.53

 

CMYK 0 / 14 / 45 / 63

HEX #5E5134

RGB 94 81 52

HSL 41.43, 0.29%, 0.29%

LAB 35.03, 0.79, 19.03

 

CMYK 0 / 11 / 36 / 56

HEX #6F6347

RGB 111 99 71

HSL 42, 0.22%, 0.36%

LAB 42.4, 0.2, 17.68

 

CMYK 0 / 9 / 30 / 50

HEX #80755A

RGB 128 117 90

HSL 42.63, 0.17%, 0.43%

LAB 49.56, -0.26, 16.46

 

CMYK 0 / 18 / 65 / 78

HEX #372D13

RGB 55 45 19

HSL 43.33, 0.49%, 0.15%

LAB 18.95, 0.6, 18.31

 

CMYK 0 / 29 / 100 / 85

HEX #261B00

RGB 38 27 0

HSL 42.63, 1%, 0.07%

LAB 10.53, 1.8, 15.75

 

CMYK 0 / 57 / 100 / 92

HEX #150900

RGB 21 9 0

HSL 25.71, 1%, 0.04%

LAB 3.2, 2.86, 4.85

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 18 / 65 / 78

HEX #392F14

RGB 57 47 20

HSL 43.78, 0.48%, 0.15%

LAB 19.86, 0.42, 18.81

 

CMYK 0 / 37 / 65 / 78

HEX #392414

RGB 57 36 20

HSL 25.95, 0.48%, 0.15%

LAB 16.42, 7.87, 14.65

 

CMYK 0 / 54 / 65 / 78

HEX #391A14

RGB 57 26 20

HSL 9.73, 0.48%, 0.15%

LAB 13.59, 14.6, 11.02

 

CMYK 0 / 65 / 65 / 78

HEX #391414

RGB 57 20 20

HSL 0, 0.48%, 0.15%

LAB 12.09, 18.39, 9.02

 

CMYK 0 / 18 / 65 / 78

HEX #392F14

RGB 57 47 20

HSL 43.78, 0.48%, 0.15%

LAB 19.86, 0.42, 18.81

 

CMYK 0 / 0 / 65 / 78

HEX #393914

RGB 57 57 20

HSL 60, 0.48%, 0.15%

LAB 23.16, -6.05, 22.62

 

CMYK 18 / 0 / 65 / 78

HEX #2F3914

RGB 47 57 20

HSL 76.22, 0.48%, 0.15%

LAB 22.24, -11.09, 21.32

 

CMYK 35 / 0 / 65 / 78

HEX #253914

RGB 37 57 20

HSL 92.43, 0.48%, 0.15%

LAB 21.47, -15.79, 20.24

 

CMYK 53 / 0 / 65 / 78

HEX #1B3914

RGB 27 57 20

HSL 108.65, 0.48%, 0.15%

LAB 20.87, -19.92, 19.38

 

CMYK 0 / 18 / 65 / 78

HEX #392F14

RGB 57 47 20

HSL 43.78, 0.48%, 0.15%

LAB 19.86, 0.42, 18.81

 

CMYK 0 / 22 / 79 / 75

HEX #3F310D

RGB 63 49 13

HSL 43.2, 0.66%, 0.15%

LAB 21.14, 1.71, 24.37

 

CMYK 0 / 25 / 90 / 73

HEX #453407

RGB 69 52 7

HSL 43.55, 0.82%, 0.15%

LAB 22.78, 2.61, 28.89

 

CMYK 0 / 28 / 99 / 70

HEX #4C3701

RGB 76 55 1

HSL 43.2, 0.97%, 0.15%

LAB 24.55, 4.1, 33.4

 

CMYK 0 / 18 / 65 / 78

HEX #392F14

RGB 57 47 20

HSL 43.78, 0.48%, 0.15%

LAB 19.86, 0.42, 18.81

 

CMYK 0 / 14 / 49 / 80

HEX #332C1A

RGB 51 44 26

HSL 43.2, 0.32%, 0.15%

LAB 18.28, 0.01, 12.85

 

CMYK 0 / 9 / 29 / 82

HEX #2D2920

RGB 45 41 32

HSL 41.54, 0.17%, 0.15%

LAB 16.74, -0.02, 6.58

 

CMYK 0 / 0 / 0 / 85

HEX #262626

RGB 38 38 38

HSL 0, 0%, 0.15%

LAB 15.16, 0, -0

 

CMYK 27 / 18 / 0 / 83

HEX #20242C

RGB 32 36 44

HSL 220, 0.16%, 0.15%

LAB 14.12, 0.45, -5.9

 

CMYK 0 / 54 / 65 / 78

HEX #391A14

RGB 57 26 20

HSL 9.73, 0.48%, 0.15%

LAB 13.59, 14.6, 11.02

 

CMYK 0 / 37 / 65 / 78

HEX #392414

RGB 57 36 20

HSL 25.95, 0.48%, 0.15%

LAB 16.42, 7.87, 14.65

 

CMYK 0 / 19 / 65 / 78

HEX #392E14

RGB 57 46 20

HSL 42.16, 0.48%, 0.15%

LAB 19.53, 1.09, 18.43

 

CMYK 0 / 2 / 65 / 78

HEX #393814

RGB 57 56 20

HSL 58.38, 0.48%, 0.15%

LAB 22.82, -5.42, 22.24

 

CMYK 16 / 0 / 65 / 78

HEX #303914

RGB 48 57 20

HSL 74.59, 0.48%, 0.15%

LAB 22.32, -10.6, 21.44

 

CMYK 0 / 19 / 65 / 90

HEX #1A1509

RGB 26 21 9

HSL 42.35, 0.49%, 0.07%

LAB 7.01, 0.26, 6.8

 

CMYK 0 / 18 / 65 / 78

HEX #392F14

RGB 57 47 20

HSL 43.78, 0.48%, 0.15%

LAB 19.86, 0.42, 18.81

 

CMYK 0 / 18 / 66 / 65

HEX #58481E

RGB 88 72 30

HSL 43.45, 0.49%, 0.23%

LAB 31.35, 1.15, 27.22

 

CMYK 0 / 18 / 65 / 54

HEX #766129

RGB 118 97 41

HSL 43.64, 0.48%, 0.31%

LAB 42.09, 1.44, 34.34

 

CMYK 0 / 18 / 65 / 78

HEX #372D13

RGB 55 45 19

HSL 43.33, 0.49%, 0.15%

LAB 18.95, 0.6, 18.31

 

CMYK 60 / 0 / 65 / 78

HEX #173914

RGB 23 57 20

HSL 115.14, 0.48%, 0.15%

LAB 20.67, -21.35, 19.1

 

CMYK 46 / 65 / 0 / 78

HEX #1F1439

RGB 31 20 57

HSL 257.84, 0.48%, 0.15%

LAB 9.7, 16.14, -22.18

 

CMYK 0 / 18 / 65 / 78

HEX #372D13

RGB 55 45 19

HSL 43.33, 0.49%, 0.15%

LAB 18.95, 0.6, 18.31

 

CMYK 65 / 0 / 19 / 78

HEX #14392E

RGB 20 57 46

HSL 162.16, 0.48%, 0.15%

LAB 21.1, -16.47, 2.91

 

CMYK 19 / 65 / 0 / 78

HEX #2E1439

RGB 46 20 57

HSL 282.16, 0.48%, 0.15%

LAB 11.8, 20.81, -18.69

 

CMYK 0 / 18 / 65 / 78

HEX #372D13

RGB 55 45 19

HSL 43.33, 0.49%, 0.15%

LAB 18.95, 0.6, 18.31

 

CMYK 60 / 0 / 65 / 78

HEX #173914

RGB 23 57 20

HSL 115.14, 0.48%, 0.15%

LAB 20.67, -21.35, 19.1

 

CMYK 65 / 47 / 0 / 78

HEX #141E39

RGB 20 30 57

HSL 223.78, 0.48%, 0.15%

LAB 11.77, 5.45, -18.91

 

CMYK 5 / 65 / 0 / 78

HEX #361439

RGB 54 20 57

HSL 295.14, 0.48%, 0.15%

LAB 13.11, 23.43, -16.54

 

CMYK 0 / 18 / 65 / 78

HEX #372D13

RGB 55 45 19

HSL 43.33, 0.49%, 0.15%

LAB 18.95, 0.6, 18.31

 

CMYK 65 / 0 / 51 / 78

HEX #14391C

RGB 20 57 28

HSL 132.97, 0.48%, 0.15%

LAB 20.67, -20.92, 14.18

 

CMYK 65 / 47 / 0 / 78

HEX #141E39

RGB 20 30 57

HSL 223.78, 0.48%, 0.15%

LAB 11.77, 5.45, -18.91

 

CMYK 0 / 65 / 14 / 78

HEX #391431

RGB 57 20 49

HSL 312.97, 0.48%, 0.15%

LAB 13.18, 22.76, -10.64

 

Description

Color code: HEX #372D13 | qconv.com Color code: HEX #372D13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 45 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 45 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 65 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 65% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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