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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #372C7E it is the complementary color #C8D381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #372C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #372C7E shade: #3C2C79, #4D3E8C, #5E509F, #6F62B2 and #8074C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #372C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #372C7E shade: #372C7E, #261A6B, #150858, #040045 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #372C7E shade: #362B7C, #4C2B7C, #622B7C, #772B7C and #7C2B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #372C7E shade: #362B7C and #2B2B7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #372C7E shade matches the following richer shades: #362B7C, #2C1E8A, #221097 and #1802A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #372C7E shade: #362B7C, #40396E, #4A4661, #545453 and #5E6246

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #372C7E shade: #2B4C7C, #2B367C, #362B7C, #4C2B7C and #612B7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #372C7E shade: #1B163F, #29215E, #362B7C, #43369B and #5141B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #372C7E shade: #372C7E, #7C2B61 and #417C2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #372C7E shade: #372C7E, #7C362B and #2B7C36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #372C7E shade: #372C7E, #7C2B61, #717C2B and #2B7C46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #372C7E shade: #372C7E, #7C2B49, #717C2B and #2B7C5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 65 / 0 / 51

HEX #372C7E

RGB 55 44 126

HSL 248.05, 0.48%, 0.33%

LAB 24.06, 29.04, -45

 

Complementary color

CMYK 5 / 0 / 39 / 17

HEX #C8D381

RGB 200 211 129

HSL 68.05, 0.48%, 0.67%

LAB 82.08, -16.27, 39.34

 

CMYK 50 / 64 / 0 / 53

HEX #3C2C79

RGB 60 44 121

HSL 252.47, 0.47%, 0.32%

LAB 24.14, 28.44, -41.69

 

CMYK 45 / 56 / 0 / 45

HEX #4D3E8C

RGB 77 62 140

HSL 251.54, 0.39%, 0.4%

LAB 31.62, 26.94, -41.41

 

CMYK 41 / 50 / 0 / 38

HEX #5E509F

RGB 94 80 159

HSL 250.63, 0.33%, 0.47%

LAB 38.93, 25.65, -41.14

 

CMYK 38 / 45 / 0 / 30

HEX #6F62B2

RGB 111 98 178

HSL 249.75, 0.34%, 0.54%

LAB 46.08, 24.55, -40.91

 

CMYK 35 / 41 / 0 / 23

HEX #8074C5

RGB 128 116 197

HSL 248.89, 0.41%, 0.61%

LAB 53.07, 23.6, -40.74

 

CMYK 56 / 65 / 0 / 51

HEX #372C7E

RGB 55 44 126

HSL 248.05, 0.48%, 0.33%

LAB 24.06, 29.04, -45

 

CMYK 64 / 76 / 0 / 58

HEX #261A6B

RGB 38 26 107

HSL 248.89, 0.61%, 0.26%

LAB 16.56, 30.94, -45.12

 

CMYK 76 / 91 / 0 / 65

HEX #150858

RGB 21 8 88

HSL 249.75, 0.83%, 0.19%

LAB 9.3, 32.51, -44.52

 

CMYK 94 / 100 / 0 / 73

HEX #040045

RGB 4 0 69

HSL 243.48, 1%, 0.14%

LAB 4.11, 27.22, -39.96

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 56 / 65 / 0 / 51

HEX #362B7C

RGB 54 43 124

HSL 248.15, 0.49%, 0.33%

LAB 23.56, 28.81, -44.55

 

CMYK 39 / 65 / 0 / 51

HEX #4C2B7C

RGB 76 43 124

HSL 264.44, 0.49%, 0.33%

LAB 25.92, 33.6, -40.62

 

CMYK 21 / 65 / 0 / 51

HEX #622B7C

RGB 98 43 124

HSL 280.74, 0.49%, 0.33%

LAB 28.85, 39.04, -35.76

 

CMYK 4 / 65 / 0 / 51

HEX #772B7C

RGB 119 43 124

HSL 296.3, 0.49%, 0.33%

LAB 32.04, 44.51, -30.48

 

CMYK 0 / 65 / 14 / 51

HEX #7C2B6B

RGB 124 43 107

HSL 312.59, 0.49%, 0.33%

LAB 31.98, 42.85, -19.77

 

CMYK 56 / 65 / 0 / 51

HEX #362B7C

RGB 54 43 124

HSL 248.15, 0.49%, 0.33%

LAB 23.56, 28.81, -44.55

 

CMYK 65 / 65 / 0 / 51

HEX #2B2B7C

RGB 43 43 124

HSL 240, 0.49%, 0.33%

LAB 22.64, 26.81, -46.1

 

CMYK 56 / 65 / 0 / 51

HEX #362B7C

RGB 54 43 124

HSL 248.15, 0.49%, 0.33%

LAB 23.56, 28.81, -44.55

 

CMYK 68 / 78 / 0 / 46

HEX #2C1E8A

RGB 44 30 138

HSL 247.78, 0.64%, 0.33%

LAB 21.2, 39.72, -57.27

 

CMYK 77 / 89 / 0 / 41

HEX #221097

RGB 34 16 151

HSL 248, 0.81%, 0.33%

LAB 19.82, 49.34, -67.66

 

CMYK 85 / 99 / 0 / 35

HEX #1802A5

RGB 24 2 165

HSL 248.1, 0.98%, 0.33%

LAB 19.86, 56.89, -76.2

 

CMYK 56 / 65 / 0 / 51

HEX #362B7C

RGB 54 43 124

HSL 248.15, 0.49%, 0.33%

LAB 23.56, 28.81, -44.55

 

CMYK 42 / 48 / 0 / 57

HEX #40396E

RGB 64 57 110

HSL 247.92, 0.32%, 0.33%

LAB 27.14, 17.4, -29.85

 

CMYK 24 / 28 / 0 / 62

HEX #4A4661

RGB 74 70 97

HSL 248.89, 0.16%, 0.33%

LAB 31.11, 8.22, -15.26

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 4 / 0 / 29 / 62

HEX #5E6246

RGB 94 98 70

HSL 68.57, 0.17%, 0.33%

LAB 40.5, -6.81, 15.46

 

CMYK 65 / 39 / 0 / 51

HEX #2B4C7C

RGB 43 76 124

HSL 215.56, 0.49%, 0.33%

LAB 32.12, 4.34, -30.85

 

CMYK 65 / 56 / 0 / 51

HEX #2B367C

RGB 43 54 124

HSL 231.85, 0.49%, 0.33%

LAB 25.58, 19.33, -41.31

 

CMYK 56 / 65 / 0 / 51

HEX #362B7C

RGB 54 43 124

HSL 248.15, 0.49%, 0.33%

LAB 23.56, 28.81, -44.55

 

CMYK 39 / 65 / 0 / 51

HEX #4C2B7C

RGB 76 43 124

HSL 264.44, 0.49%, 0.33%

LAB 25.92, 33.6, -40.62

 

CMYK 22 / 65 / 0 / 51

HEX #612B7C

RGB 97 43 124

HSL 280, 0.49%, 0.33%

LAB 28.71, 38.79, -35.99

 

CMYK 57 / 65 / 0 / 75

HEX #1B163F

RGB 27 22 63

HSL 247.32, 0.48%, 0.17%

LAB 10.3, 15.73, -25.51

 

CMYK 56 / 65 / 0 / 63

HEX #29215E

RGB 41 33 94

HSL 247.87, 0.48%, 0.25%

LAB 17.31, 22.44, -35.33

 

CMYK 56 / 65 / 0 / 51

HEX #362B7C

RGB 54 43 124

HSL 248.15, 0.49%, 0.33%

LAB 23.56, 28.81, -44.55

 

CMYK 57 / 65 / 0 / 39

HEX #43369B

RGB 67 54 155

HSL 247.72, 0.48%, 0.41%

LAB 29.91, 34.57, -53.41

 

CMYK 56 / 65 / 0 / 27

HEX #5141B9

RGB 81 65 185

HSL 248, 0.48%, 0.49%

LAB 36.05, 39.97, -61.31

 

CMYK 56 / 65 / 0 / 51

HEX #372C7E

RGB 55 44 126

HSL 248.05, 0.48%, 0.33%

LAB 24.06, 29.04, -45

 

CMYK 0 / 65 / 22 / 51

HEX #7C2B61

RGB 124 43 97

HSL 320, 0.49%, 0.33%

LAB 31.52, 41.26, -14.06

 

CMYK 48 / 0 / 65 / 51

HEX #417C2B

RGB 65 124 43

HSL 103.7, 0.49%, 0.33%

LAB 46.6, -35.16, 37.27

 

CMYK 56 / 65 / 0 / 51

HEX #372C7E

RGB 55 44 126

HSL 248.05, 0.48%, 0.33%

LAB 24.06, 29.04, -45

 

CMYK 0 / 56 / 65 / 51

HEX #7C362B

RGB 124 54 43

HSL 8.15, 0.49%, 0.33%

LAB 32.03, 29.55, 21.57

 

CMYK 65 / 0 / 56 / 51

HEX #2B7C36

RGB 43 124 54

HSL 128.15, 0.49%, 0.33%

LAB 45.9, -40.02, 30.81

 

CMYK 56 / 65 / 0 / 51

HEX #372C7E

RGB 55 44 126

HSL 248.05, 0.48%, 0.33%

LAB 24.06, 29.04, -45

 

CMYK 0 / 65 / 22 / 51

HEX #7C2B61

RGB 124 43 97

HSL 320, 0.49%, 0.33%

LAB 31.52, 41.26, -14.06

 

CMYK 9 / 0 / 65 / 51

HEX #717C2B

RGB 113 124 43

HSL 68.15, 0.49%, 0.33%

LAB 49.62, -15.95, 41.43

 

CMYK 65 / 0 / 44 / 51

HEX #2B7C46

RGB 43 124 70

HSL 140, 0.49%, 0.33%

LAB 46.14, -37.36, 22.43

 

CMYK 56 / 65 / 0 / 51

HEX #372C7E

RGB 55 44 126

HSL 248.05, 0.48%, 0.33%

LAB 24.06, 29.04, -45

 

CMYK 0 / 65 / 41 / 51

HEX #7C2B49

RGB 124 43 73

HSL 337.78, 0.49%, 0.33%

LAB 30.63, 38.01, 0.23

 

CMYK 9 / 0 / 65 / 51

HEX #717C2B

RGB 113 124 43

HSL 68.15, 0.49%, 0.33%

LAB 49.62, -15.95, 41.43

 

CMYK 65 / 0 / 24 / 51

HEX #2B7C5E

RGB 43 124 94

HSL 157.78, 0.49%, 0.33%

LAB 46.63, -32.15, 9.27

 

Description

Color code: HEX #372C7E | qconv.com Color code: HEX #372C7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 44 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 44 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 65 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 65% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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