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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #371066 it is the complementary color #C8EF99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #371066. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #371066 shade: #3C1061, #4D2274, #5E3487, #6F469A and #8058AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #371066. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #371066 shade: #371066, #260053, #150040, #04002D and #00001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #371066 shade: #371065, #4E1065, #651065, #65104F and #651038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #371066 shade: #371065, #201065 and #101065

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #371066 shade matches the following richer shades: #371065 and #36066F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #371066 shade: #371065, #38195C, #382352, #392C49 and #3A3640

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #371066 shade: #101765, #201065, #361065, #4D1065 and #641065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #371066 shade: #10051E, #230A42, #371065, #4A1589 and #5D1BAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #371066 shade: #371066, #65102E and #106514

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #371066 shade: #371066, #653610 and #106536

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #371066 shade: #371066, #65102E, #3F6510 and #106547

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #371066 shade: #371066, #651014, #3F6510 and #106561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 84 / 0 / 60

HEX #371066

RGB 55 16 102

HSL 267.21, 0.73%, 0.23%

LAB 16.22, 37.33, -42.34

 

Complementary color

CMYK 16 / 0 / 36 / 6

HEX #C8EF99

RGB 200 239 153

HSL 87.21, 0.73%, 0.77%

LAB 90, -26.96, 37.55

 

CMYK 38 / 84 / 0 / 62

HEX #3C1061

RGB 60 16 97

HSL 272.59, 0.72%, 0.22%

LAB 16.48, 36.88, -38.58

 

CMYK 34 / 71 / 0 / 55

HEX #4D2274

RGB 77 34 116

HSL 271.46, 0.55%, 0.29%

LAB 23.61, 36.66, -39.25

 

CMYK 30 / 61 / 0 / 47

HEX #5E3487

RGB 94 52 135

HSL 270.36, 0.44%, 0.37%

LAB 30.84, 35.83, -39.47

 

CMYK 28 / 55 / 0 / 40

HEX #6F469A

RGB 111 70 154

HSL 269.29, 0.38%, 0.44%

LAB 38.01, 34.85, -39.51

 

CMYK 26 / 49 / 0 / 32

HEX #8058AD

RGB 128 88 173

HSL 268.24, 0.34%, 0.51%

LAB 45.06, 33.87, -39.5

 

CMYK 46 / 84 / 0 / 60

HEX #371066

RGB 55 16 102

HSL 267.21, 0.73%, 0.23%

LAB 16.22, 37.33, -42.34

 

CMYK 54 / 100 / 0 / 67

HEX #260053

RGB 38 0 83

HSL 267.47, 1%, 0.16%

LAB 9.29, 36.86, -41.05

 

CMYK 67 / 100 / 0 / 75

HEX #150040

RGB 21 0 64

HSL 259.69, 1%, 0.13%

LAB 4.78, 27.95, -35.25

 

CMYK 91 / 100 / 0 / 82

HEX #04002D

RGB 4 0 45

HSL 245.33, 1%, 0.09%

LAB 1.94, 13.07, -25.88

 

CMYK 100 / 100 / 0 / 90

HEX #00001A

RGB 0 0 26

HSL 240, 1%, 0.05%

LAB 0.67, 4.73, -12.88

 

CMYK 46 / 84 / 0 / 60

HEX #371065

RGB 55 16 101

HSL 267.53, 0.73%, 0.23%

LAB 16.12, 37.06, -41.84

 

CMYK 23 / 84 / 0 / 60

HEX #4E1065

RGB 78 16 101

HSL 283.76, 0.73%, 0.23%

LAB 19.76, 41.3, -35.75

 

CMYK 0 / 84 / 0 / 60

HEX #651065

RGB 101 16 101

HSL 300, 0.73%, 0.23%

LAB 23.92, 46.13, -28.84

 

CMYK 0 / 84 / 22 / 60

HEX #65104F

RGB 101 16 79

HSL 315.53, 0.73%, 0.23%

LAB 22.66, 42.58, -16.21

 

CMYK 0 / 84 / 45 / 60

HEX #651038

RGB 101 16 56

HSL 331.76, 0.73%, 0.23%

LAB 21.66, 39.64, -1.94

 

CMYK 46 / 84 / 0 / 60

HEX #371065

RGB 55 16 101

HSL 267.53, 0.73%, 0.23%

LAB 16.12, 37.06, -41.84

 

CMYK 68 / 84 / 0 / 60

HEX #201065

RGB 32 16 101

HSL 251.29, 0.73%, 0.23%

LAB 13.33, 33.82, -46.52

 

CMYK 84 / 84 / 0 / 60

HEX #101065

RGB 16 16 101

HSL 240, 0.73%, 0.23%

LAB 12.09, 32.37, -48.62

 

CMYK 46 / 84 / 0 / 60

HEX #371065

RGB 55 16 101

HSL 267.53, 0.73%, 0.23%

LAB 16.12, 37.06, -41.84

 

CMYK 51 / 95 / 0 / 56

HEX #36066F

RGB 54 6 111

HSL 267.43, 0.9%, 0.23%

LAB 15.81, 43.17, -48.91

 

CMYK 46 / 84 / 0 / 60

HEX #371065

RGB 55 16 101

HSL 267.53, 0.73%, 0.23%

LAB 16.12, 37.06, -41.84

 

CMYK 39 / 73 / 0 / 64

HEX #38195C

RGB 56 25 92

HSL 267.76, 0.57%, 0.23%

LAB 17.03, 30.23, -34.37

 

CMYK 32 / 57 / 0 / 68

HEX #382352

RGB 56 35 82

HSL 266.81, 0.4%, 0.23%

LAB 18.59, 21.18, -25.15

 

CMYK 22 / 40 / 0 / 71

HEX #392C49

RGB 57 44 73

HSL 266.9, 0.25%, 0.23%

LAB 20.64, 12.88, -15.83

 

CMYK 9 / 16 / 0 / 75

HEX #3A3640

RGB 58 54 64

HSL 264, 0.08%, 0.23%

LAB 23.37, 4.09, -5.59

 

CMYK 84 / 77 / 0 / 60

HEX #101765

RGB 16 23 101

HSL 235.06, 0.73%, 0.23%

LAB 13.61, 28.07, -46.11

 

CMYK 68 / 84 / 0 / 60

HEX #201065

RGB 32 16 101

HSL 251.29, 0.73%, 0.23%

LAB 13.33, 33.82, -46.52

 

CMYK 47 / 84 / 0 / 60

HEX #361065

RGB 54 16 101

HSL 266.82, 0.73%, 0.23%

LAB 15.98, 36.9, -42.08

 

CMYK 24 / 84 / 0 / 60

HEX #4D1065

RGB 77 16 101

HSL 283.06, 0.73%, 0.23%

LAB 19.59, 41.1, -36.03

 

CMYK 1 / 84 / 0 / 60

HEX #641065

RGB 100 16 101

HSL 299.29, 0.73%, 0.23%

LAB 23.74, 45.91, -29.15

 

CMYK 47 / 83 / 0 / 88

HEX #10051E

RGB 16 5 30

HSL 266.4, 0.71%, 0.07%

LAB 2.82, 8.41, -12.81

 

CMYK 47 / 85 / 0 / 74

HEX #230A42

RGB 35 10 66

HSL 266.79, 0.74%, 0.15%

LAB 8.72, 26.35, -30.16

 

CMYK 46 / 84 / 0 / 60

HEX #371065

RGB 55 16 101

HSL 267.53, 0.73%, 0.23%

LAB 16.12, 37.06, -41.84

 

CMYK 46 / 85 / 0 / 46

HEX #4A1589

RGB 74 21 137

HSL 267.41, 0.73%, 0.31%

LAB 22.99, 47.41, -53.58

 

CMYK 46 / 84 / 0 / 32

HEX #5D1BAD

RGB 93 27 173

HSL 267.12, 0.73%, 0.39%

LAB 29.73, 56.8, -64.46

 

CMYK 46 / 84 / 0 / 60

HEX #371066

RGB 55 16 102

HSL 267.21, 0.73%, 0.23%

LAB 16.22, 37.33, -42.34

 

CMYK 0 / 84 / 54 / 60

HEX #65102E

RGB 101 16 46

HSL 338.82, 0.73%, 0.23%

LAB 21.34, 38.65, 4.58

 

CMYK 84 / 0 / 80 / 60

HEX #106514

RGB 16 101 20

HSL 122.82, 0.73%, 0.23%

LAB 36.87, -40.62, 36.47

 

CMYK 46 / 84 / 0 / 60

HEX #371066

RGB 55 16 102

HSL 267.21, 0.73%, 0.23%

LAB 16.22, 37.33, -42.34

 

CMYK 0 / 47 / 84 / 60

HEX #653610

RGB 101 54 16

HSL 26.82, 0.73%, 0.23%

LAB 27.96, 17.88, 31.49

 

CMYK 84 / 0 / 47 / 60

HEX #106536

RGB 16 101 54

HSL 146.82, 0.73%, 0.23%

LAB 37.27, -35.82, 19.9

 

CMYK 46 / 84 / 0 / 60

HEX #371066

RGB 55 16 102

HSL 267.21, 0.73%, 0.23%

LAB 16.22, 37.33, -42.34

 

CMYK 0 / 84 / 54 / 60

HEX #65102E

RGB 101 16 46

HSL 338.82, 0.73%, 0.23%

LAB 21.34, 38.65, 4.58

 

CMYK 38 / 0 / 84 / 60

HEX #3F6510

RGB 63 101 16

HSL 86.82, 0.73%, 0.23%

LAB 38.55, -27.61, 40.09

 

CMYK 84 / 0 / 30 / 60

HEX #106547

RGB 16 101 71

HSL 158.82, 0.73%, 0.23%

LAB 37.61, -31.95, 10.27

 

CMYK 46 / 84 / 0 / 60

HEX #371066

RGB 55 16 102

HSL 267.21, 0.73%, 0.23%

LAB 16.22, 37.33, -42.34

 

CMYK 0 / 84 / 80 / 60

HEX #651014

RGB 101 16 20

HSL 357.18, 0.73%, 0.23%

LAB 20.78, 36.93, 21.84

 

CMYK 38 / 0 / 84 / 60

HEX #3F6510

RGB 63 101 16

HSL 86.82, 0.73%, 0.23%

LAB 38.55, -27.61, 40.09

 

CMYK 84 / 0 / 4 / 60

HEX #106561

RGB 16 101 97

HSL 177.18, 0.73%, 0.23%

LAB 38.34, -24.4, -4.6

 

Description

Color code: HEX #371066 | qconv.com Color code: HEX #371066 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 16 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 16 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 84 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 84% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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