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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36F09A it is the complementary color #C90F65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36F09A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36F09A shade: #3BF095, #4CFFA8, #5DFFBB, #6EFFCE and #7FFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36F09A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36F09A shade: #36F09A, #25DE87, #14CC74, #03BA61 and #00A84E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36F09A shade: #38F09B, #38F069, #38F038, #6AF038 and #9BF038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36F09A shade: #38F09B, #38F0CD, #38E2F0, #38B0F0 and #387EF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36F09A shade matches the following richer shades: #38F09B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36F09A shade: #38F09B, #49DF9A, #5ACD98, #6CBC97 and #7DAB96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36F09A shade: #38F038, #38F069, #38F09A, #38F0CB and #38E4F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36F09A shade: #0FC672, #12ED88, #38F09B, #5EF3AE and #85F6C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36F09A shade: #36F09A, #3869F0 and #F05038

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36F09A shade: #36F09A, #9A38F0 and #F09A38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36F09A shade: #36F09A, #3869F0, #F0388E and #F0BF38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36F09A shade: #36F09A, #3E38F0, #F0388E and #EAF038

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 36 / 6

HEX #36F09A

RGB 54 240 154

HSL 152.26, 0.86%, 0.58%

LAB 84.71, -64.09, 29.01

 

Complementary color

CMYK 0 / 93 / 50 / 21

HEX #C90F65

RGB 201 15 101

HSL 332.26, 0.86%, 0.42%

LAB 43.8, 69.33, 3.24

 

CMYK 75 / 0 / 38 / 6

HEX #3BF095

RGB 59 240 149

HSL 149.83, 0.86%, 0.59%

LAB 84.7, -64.46, 31.54

 

CMYK 70 / 0 / 34 / 0

HEX #4CFFA8

RGB 76 255 168

HSL 150.84, 1%, 0.65%

LAB 89.81, -64.04, 28.87

 

CMYK 64 / 0 / 27 / 0

HEX #5DFFBB

RGB 93 255 187

HSL 154.81, 1%, 0.68%

LAB 90.52, -57.56, 20.27

 

CMYK 57 / 0 / 19 / 0

HEX #6EFFCE

RGB 110 255 206

HSL 159.72, 1%, 0.72%

LAB 91.37, -50.39, 11.77

 

CMYK 50 / 0 / 12 / 0

HEX #7FFFE1

RGB 127 255 225

HSL 165.94, 1%, 0.75%

LAB 92.34, -42.63, 3.44

 

CMYK 78 / 0 / 36 / 6

HEX #36F09A

RGB 54 240 154

HSL 152.26, 0.86%, 0.58%

LAB 84.71, -64.09, 29.01

 

CMYK 83 / 0 / 39 / 13

HEX #25DE87

RGB 37 222 135

HSL 151.78, 0.74%, 0.51%

LAB 78.69, -63, 30.6

 

CMYK 90 / 0 / 43 / 20

HEX #14CC74

RGB 20 204 116

HSL 151.3, 0.82%, 0.44%

LAB 72.62, -61.5, 32.31

 

CMYK 98 / 0 / 48 / 27

HEX #03BA61

RGB 3 186 97

HSL 150.82, 0.97%, 0.37%

LAB 66.52, -59.52, 34.13

 

CMYK 100 / 0 / 54 / 34

HEX #00A84E

RGB 0 168 78

HSL 147.86, 1%, 0.33%

LAB 60.39, -56.8, 36.06

 

CMYK 77 / 0 / 35 / 6

HEX #38F09B

RGB 56 240 155

HSL 152.28, 0.86%, 0.58%

LAB 84.75, -63.67, 28.57

 

CMYK 77 / 0 / 56 / 6

HEX #38F069

RGB 56 240 105

HSL 135.98, 0.86%, 0.58%

LAB 84.06, -71.75, 51.89

 

CMYK 77 / 0 / 77 / 6

HEX #38F038

RGB 56 240 56

HSL 120, 0.86%, 0.58%

LAB 83.68, -76.44, 70.38

 

CMYK 56 / 0 / 77 / 6

HEX #6AF038

RGB 106 240 56

HSL 103.7, 0.86%, 0.58%

LAB 84.83, -66.85, 71.89

 

CMYK 35 / 0 / 77 / 6

HEX #9BF038

RGB 155 240 56

HSL 87.72, 0.86%, 0.58%

LAB 86.79, -52.23, 74.44

 

CMYK 77 / 0 / 35 / 6

HEX #38F09B

RGB 56 240 155

HSL 152.28, 0.86%, 0.58%

LAB 84.75, -63.67, 28.57

 

CMYK 77 / 0 / 15 / 6

HEX #38F0CD

RGB 56 240 205

HSL 168.59, 0.86%, 0.58%

LAB 85.79, -52.52, 4.14

 

CMYK 77 / 6 / 0 / 6

HEX #38E2F0

RGB 56 226 240

HSL 184.57, 0.86%, 0.58%

LAB 82.66, -36.85, -18.95

 

CMYK 77 / 27 / 0 / 6

HEX #38B0F0

RGB 56 176 240

HSL 200.87, 0.86%, 0.58%

LAB 68.16, -11.73, -41.25

 

CMYK 77 / 48 / 0 / 6

HEX #387EF0

RGB 56 126 240

HSL 217.17, 0.86%, 0.58%

LAB 54.08, 17.5, -63.6

 

CMYK 77 / 0 / 35 / 6

HEX #38F09B

RGB 56 240 155

HSL 152.28, 0.86%, 0.58%

LAB 84.75, -63.67, 28.57

 

CMYK 77 / 0 / 35 / 6

HEX #38F09B

RGB 56 240 155

HSL 152.28, 0.86%, 0.58%

LAB 84.75, -63.67, 28.57

 

CMYK 67 / 0 / 31 / 13

HEX #49DF9A

RGB 73 223 154

HSL 152.4, 0.7%, 0.58%

LAB 79.91, -55.14, 22.56

 

CMYK 56 / 0 / 26 / 20

HEX #5ACD98

RGB 90 205 152

HSL 152.35, 0.53%, 0.58%

LAB 74.89, -44.97, 16.74

 

CMYK 43 / 0 / 20 / 26

HEX #6CBC97

RGB 108 188 151

HSL 152.25, 0.37%, 0.58%

LAB 70.45, -33.12, 11.14

 

CMYK 27 / 0 / 12 / 33

HEX #7DAB96

RGB 125 171 150

HSL 152.61, 0.21%, 0.58%

LAB 66.28, -19.9, 5.86

 

CMYK 77 / 0 / 77 / 6

HEX #38F038

RGB 56 240 56

HSL 120, 0.86%, 0.58%

LAB 83.68, -76.44, 70.38

 

CMYK 77 / 0 / 56 / 6

HEX #38F069

RGB 56 240 105

HSL 135.98, 0.86%, 0.58%

LAB 84.06, -71.75, 51.89

 

CMYK 77 / 0 / 36 / 6

HEX #38F09A

RGB 56 240 154

HSL 151.96, 0.86%, 0.58%

LAB 84.74, -63.87, 29.05

 

CMYK 77 / 0 / 15 / 6

HEX #38F0CB

RGB 56 240 203

HSL 167.93, 0.86%, 0.58%

LAB 85.74, -53.02, 5.11

 

CMYK 77 / 5 / 0 / 6

HEX #38E4F0

RGB 56 228 240

HSL 183.91, 0.86%, 0.58%

LAB 83.24, -37.77, -18.07

 

CMYK 92 / 0 / 42 / 22

HEX #0FC672

RGB 15 198 114

HSL 152.46, 0.86%, 0.42%

LAB 70.67, -60.06, 30.77

 

CMYK 92 / 0 / 43 / 7

HEX #12ED88

RGB 18 237 136

HSL 152.33, 0.86%, 0.5%

LAB 83.17, -69.13, 35.95

 

CMYK 77 / 0 / 35 / 6

HEX #38F09B

RGB 56 240 155

HSL 152.28, 0.86%, 0.58%

LAB 84.75, -63.67, 28.57

 

CMYK 61 / 0 / 28 / 5

HEX #5EF3AE

RGB 94 243 174

HSL 152.21, 0.86%, 0.66%

LAB 86.77, -55.28, 21.73

 

CMYK 46 / 0 / 22 / 4

HEX #85F6C1

RGB 133 246 193

HSL 151.86, 0.86%, 0.74%

LAB 89.27, -44.17, 15.63

 

CMYK 78 / 0 / 36 / 6

HEX #36F09A

RGB 54 240 154

HSL 152.26, 0.86%, 0.58%

LAB 84.71, -64.09, 29.01

 

CMYK 77 / 56 / 0 / 6

HEX #3869F0

RGB 56 105 240

HSL 224.02, 0.86%, 0.58%

LAB 48.55, 30.64, -72.55

 

CMYK 0 / 67 / 77 / 6

HEX #F05038

RGB 240 80 56

HSL 7.83, 0.86%, 0.58%

LAB 56.63, 60.11, 47.48

 

CMYK 78 / 0 / 36 / 6

HEX #36F09A

RGB 54 240 154

HSL 152.26, 0.86%, 0.58%

LAB 84.71, -64.09, 29.01

 

CMYK 36 / 77 / 0 / 6

HEX #9A38F0

RGB 154 56 240

HSL 271.96, 0.86%, 0.58%

LAB 46.96, 70.81, -74.82

 

CMYK 0 / 36 / 77 / 6

HEX #F09A38

RGB 240 154 56

HSL 31.96, 0.86%, 0.58%

LAB 70.82, 24.53, 61.63

 

CMYK 78 / 0 / 36 / 6

HEX #36F09A

RGB 54 240 154

HSL 152.26, 0.86%, 0.58%

LAB 84.71, -64.09, 29.01

 

CMYK 77 / 56 / 0 / 6

HEX #3869F0

RGB 56 105 240

HSL 224.02, 0.86%, 0.58%

LAB 48.55, 30.64, -72.55

 

CMYK 0 / 77 / 41 / 6

HEX #F0388E

RGB 240 56 142

HSL 331.96, 0.86%, 0.58%

LAB 55.39, 73.84, -3.9

 

CMYK 0 / 20 / 77 / 6

HEX #F0BF38

RGB 240 191 56

HSL 44.02, 0.86%, 0.58%

LAB 79.66, 5.06, 69.97

 

CMYK 78 / 0 / 36 / 6

HEX #36F09A

RGB 54 240 154

HSL 152.26, 0.86%, 0.58%

LAB 84.71, -64.09, 29.01

 

CMYK 74 / 77 / 0 / 6

HEX #3E38F0

RGB 62 56 240

HSL 241.96, 0.86%, 0.58%

LAB 38.1, 59.83, -89.71

 

CMYK 0 / 77 / 41 / 6

HEX #F0388E

RGB 240 56 142

HSL 331.96, 0.86%, 0.58%

LAB 55.39, 73.84, -3.9

 

CMYK 3 / 0 / 77 / 6

HEX #EAF038

RGB 234 240 56

HSL 61.96, 0.86%, 0.58%

LAB 91.73, -22.02, 80.79

 

Description

Color code: HEX #36F09A | qconv.com Color code: HEX #36F09A | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 240 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 240 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 36 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 36% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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