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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36E73B it is the complementary color #C918C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36E73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36E73B shade: #3BE736, #4CF949, #5DFF5C, #6EFF6F and #7FFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36E73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36E73B shade: #36E73B, #25D528, #14C315, #03B102 and #009F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36E73B shade: #36E73B, #61E736, #91E736, #C1E736 and #E7DE36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36E73B shade: #36E73B, #36E76B, #36E79B, #36E7CB and #36D4E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36E73B shade matches the following richer shades: #36E73B and #24FA2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36E73B shade: #36E73B, #48D54C, #5AC35D, #6DB16F and #7F9F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36E73B shade: #92E736, #62E736, #36E739, #36E768 and #36E798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36E73B shade: #15B61A, #1ADB1F, #36E73B, #5BEC5F and #80F083

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36E73B shade: #36E73B, #36C1E7 and #E7367A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36E73B shade: #36E73B, #3936E7 and #E73936

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36E73B shade: #36E73B, #36C1E7, #E736E4 and #E75D36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36E73B shade: #36E73B, #368CE7, #E736E4 and #E79236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

Complementary color

CMYK 0 / 88 / 2 / 21

HEX #C918C4

RGB 201 24 196

HSL 301.69, 0.79%, 0.44%

LAB 48.33, 78.96, -47.11

 

CMYK 74 / 0 / 77 / 9

HEX #3BE736

RGB 59 231 54

HSL 118.31, 0.79%, 0.56%

LAB 80.93, -73.47, 68.35

 

CMYK 69 / 0 / 71 / 2

HEX #4CF949

RGB 76 249 73

HSL 118.98, 0.94%, 0.63%

LAB 86.88, -74.93, 68.1

 

CMYK 64 / 0 / 64 / 0

HEX #5DFF5C

RGB 93 255 92

HSL 119.63, 1%, 0.68%

LAB 89.21, -72.05, 63.51

 

CMYK 57 / 0 / 56 / 0

HEX #6EFF6F

RGB 110 255 111

HSL 120.41, 1%, 0.72%

LAB 89.85, -66.39, 56.34

 

CMYK 50 / 0 / 49 / 0

HEX #7FFF82

RGB 127 255 130

HSL 121.41, 1%, 0.75%

LAB 90.62, -59.89, 48.74

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 83 / 0 / 81 / 16

HEX #25D528

RGB 37 213 40

HSL 121.02, 0.7%, 0.49%

LAB 74.91, -71.75, 66.55

 

CMYK 90 / 0 / 89 / 24

HEX #14C315

RGB 20 195 21

HSL 120.34, 0.81%, 0.42%

LAB 68.92, -68.94, 65.42

 

CMYK 98 / 0 / 99 / 31

HEX #03B102

RGB 3 177 2

HSL 119.66, 0.98%, 0.35%

LAB 62.9, -65.34, 63.01

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 58 / 0 / 77 / 9

HEX #61E736

RGB 97 231 54

HSL 105.42, 0.79%, 0.56%

LAB 81.82, -66.09, 69.51

 

CMYK 37 / 0 / 77 / 9

HEX #91E736

RGB 145 231 54

HSL 89.15, 0.79%, 0.56%

LAB 83.67, -52.08, 71.93

 

CMYK 16 / 0 / 77 / 9

HEX #C1E736

RGB 193 231 54

HSL 72.88, 0.79%, 0.56%

LAB 86.38, -34.38, 75.43

 

CMYK 0 / 4 / 77 / 9

HEX #E7DE36

RGB 231 222 54

HSL 56.95, 0.79%, 0.56%

LAB 86.75, -14.59, 76.8

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 77 / 0 / 54 / 9

HEX #36E76B

RGB 54 231 107

HSL 137.97, 0.79%, 0.56%

LAB 81.29, -68.82, 47.65

 

CMYK 77 / 0 / 33 / 9

HEX #36E79B

RGB 54 231 155

HSL 154.24, 0.79%, 0.56%

LAB 82, -60.62, 24.84

 

CMYK 77 / 0 / 12 / 9

HEX #36E7CB

RGB 54 231 203

HSL 170.51, 0.79%, 0.56%

LAB 83.05, -49.51, 1.2

 

CMYK 77 / 8 / 0 / 9

HEX #36D4E7

RGB 54 212 231

HSL 186.44, 0.79%, 0.56%

LAB 78.25, -33.17, -20.83

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 86 / 0 / 83 / 2

HEX #24FA2A

RGB 36 250 42

HSL 121.68, 0.96%, 0.56%

LAB 86.46, -82.13, 76.61

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 66 / 0 / 64 / 16

HEX #48D54C

RGB 72 213 76

HSL 121.7, 0.63%, 0.56%

LAB 75.75, -63.71, 55.07

 

CMYK 54 / 0 / 52 / 24

HEX #5AC35D

RGB 90 195 93

HSL 121.71, 0.47%, 0.56%

LAB 70.87, -51.07, 41.85

 

CMYK 38 / 0 / 37 / 31

HEX #6DB16F

RGB 109 177 111

HSL 121.76, 0.3%, 0.56%

LAB 66.4, -35.25, 27.17

 

CMYK 20 / 0 / 19 / 38

HEX #7F9F80

RGB 127 159 128

HSL 121.88, 0.14%, 0.56%

LAB 62.4, -17.35, 12.6

 

CMYK 37 / 0 / 77 / 9

HEX #92E736

RGB 146 231 54

HSL 88.81, 0.79%, 0.56%

LAB 83.72, -51.74, 71.99

 

CMYK 58 / 0 / 77 / 9

HEX #62E736

RGB 98 231 54

HSL 105.08, 0.79%, 0.56%

LAB 81.85, -65.85, 69.55

 

CMYK 77 / 0 / 75 / 9

HEX #36E739

RGB 54 231 57

HSL 121.02, 0.79%, 0.56%

LAB 80.87, -73.97, 67.32

 

CMYK 77 / 0 / 55 / 9

HEX #36E768

RGB 54 231 104

HSL 136.95, 0.79%, 0.56%

LAB 81.26, -69.23, 49

 

CMYK 77 / 0 / 34 / 9

HEX #36E798

RGB 54 231 152

HSL 153.22, 0.79%, 0.56%

LAB 81.95, -61.22, 26.31

 

CMYK 88 / 0 / 86 / 29

HEX #15B61A

RGB 21 182 26

HSL 121.86, 0.79%, 0.4%

LAB 64.72, -64.97, 60.71

 

CMYK 88 / 0 / 86 / 14

HEX #1ADB1F

RGB 26 219 31

HSL 121.55, 0.79%, 0.48%

LAB 76.67, -74.84, 70.25

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 61 / 0 / 60 / 7

HEX #5BEC5F

RGB 91 236 95

HSL 121.66, 0.79%, 0.64%

LAB 83.46, -65.71, 55.79

 

CMYK 47 / 0 / 45 / 6

HEX #80F083

RGB 128 240 131

HSL 121.61, 0.79%, 0.72%

LAB 86.28, -53.61, 42.85

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 77 / 16 / 0 / 9

HEX #36C1E7

RGB 54 193 231

HSL 192.88, 0.79%, 0.56%

LAB 72.69, -23.85, -29.33

 

CMYK 0 / 77 / 47 / 9

HEX #E7367A

RGB 231 54 122

HSL 336.95, 0.79%, 0.56%

LAB 52.98, 70.3, 4.35

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 75 / 77 / 0 / 9

HEX #3936E7

RGB 57 54 231

HSL 241.02, 0.79%, 0.56%

LAB 36.51, 57.72, -87.24

 

CMYK 0 / 75 / 77 / 9

HEX #E73936

RGB 231 57 54

HSL 1.02, 0.79%, 0.56%

LAB 52.04, 65.38, 43.22

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 77 / 16 / 0 / 9

HEX #36C1E7

RGB 54 193 231

HSL 192.88, 0.79%, 0.56%

LAB 72.69, -23.85, -29.33

 

CMYK 0 / 77 / 1 / 9

HEX #E736E4

RGB 231 54 228

HSL 301.02, 0.79%, 0.56%

LAB 57.3, 83, -50.82

 

CMYK 0 / 60 / 77 / 9

HEX #E75D36

RGB 231 93 54

HSL 13.22, 0.79%, 0.56%

LAB 57.16, 51.5, 48.56

 

CMYK 77 / 0 / 74 / 9

HEX #36E73B

RGB 54 231 59

HSL 121.69, 0.79%, 0.56%

LAB 80.88, -73.83, 66.68

 

CMYK 77 / 39 / 0 / 9

HEX #368CE7

RGB 54 140 231

HSL 210.85, 0.79%, 0.56%

LAB 57.38, 5.46, -53.32

 

CMYK 0 / 77 / 1 / 9

HEX #E736E4

RGB 231 54 228

HSL 301.02, 0.79%, 0.56%

LAB 57.3, 83, -50.82

 

CMYK 0 / 37 / 77 / 9

HEX #E79236

RGB 231 146 54

HSL 31.19, 0.79%, 0.56%

LAB 67.88, 24.93, 59.23

 

Description

Color code: HEX #36E73B | qconv.com Color code: HEX #36E73B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 231 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 231 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 74 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 74% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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