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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36D2EB it is the complementary color #C92D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36D2EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36D2EB shade: #3BD2E6, #4CE4F9, #5DF6FF, #6EFFFF and #7FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36D2EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36D2EB shade: #36D2EB, #25C0D8, #14AEC5, #039CB2 and #008A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36D2EB shade: #37D2EB, #37A2EB, #3771EB, #3741EB and #5E37EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36D2EB shade: #37D2EB, #37A2EB, #3771EB, #3741EB and #3737EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36D2EB shade matches the following richer shades: #37D2EB and #26DFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36D2EB shade: #37D2EB, #49C6DA, #5BB9C8, #6DACB6 and #7E9FA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36D2EB shade: #37EBA3, #37EBD3, #37D3EB, #37A3EB and #3773EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36D2EB shade: #13A6BD, #16C7E3, #37D2EB, #5DDBEF and #83E3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36D2EB shade: #36D2EB, #7337EB and #EBBB37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36D2EB shade: #36D2EB, #EB37D3 and #D3EB37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36D2EB shade: #36D2EB, #7337EB, #EB4F37 and #AFEB37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36D2EB shade: #36D2EB, #A937EB, #EB4F37 and #79EB37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 11 / 0 / 8

HEX #36D2EB

RGB 54 210 235

HSL 188.29, 0.82%, 0.57%

LAB 77.8, -30.99, -23.66

 

Complementary color

CMYK 0 / 78 / 90 / 21

HEX #C92D14

RGB 201 45 20

HSL 8.29, 0.82%, 0.43%

LAB 44.72, 59.27, 51.02

 

CMYK 74 / 9 / 0 / 10

HEX #3BD2E6

RGB 59 210 230

HSL 187.02, 0.77%, 0.57%

LAB 77.72, -31.99, -21.1

 

CMYK 69 / 8 / 0 / 2

HEX #4CE4F9

RGB 76 228 249

HSL 187.28, 0.94%, 0.64%

LAB 83.89, -32.9, -21.8

 

CMYK 64 / 4 / 0 / 0

HEX #5DF6FF

RGB 93 246 255

HSL 183.33, 1%, 0.68%

LAB 89.61, -37.24, -16.29

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 77 / 11 / 0 / 8

HEX #36D2EB

RGB 54 210 235

HSL 188.29, 0.82%, 0.57%

LAB 77.8, -30.99, -23.66

 

CMYK 83 / 11 / 0 / 15

HEX #25C0D8

RGB 37 192 216

HSL 188.04, 0.71%, 0.5%

LAB 71.59, -29.68, -22.89

 

CMYK 90 / 12 / 0 / 23

HEX #14AEC5

RGB 20 174 197

HSL 187.8, 0.82%, 0.43%

LAB 65.32, -28.02, -22.04

 

CMYK 98 / 12 / 0 / 30

HEX #039CB2

RGB 3 156 178

HSL 187.54, 0.97%, 0.35%

LAB 58.98, -26, -21.09

 

CMYK 100 / 13 / 0 / 38

HEX #008A9F

RGB 0 138 159

HSL 187.92, 1%, 0.31%

LAB 52.6, -23.41, -20

 

CMYK 77 / 11 / 0 / 8

HEX #37D2EB

RGB 55 210 235

HSL 188.33, 0.82%, 0.57%

LAB 77.82, -30.89, -23.63

 

CMYK 77 / 31 / 0 / 8

HEX #37A2EB

RGB 55 162 235

HSL 204.33, 0.82%, 0.57%

LAB 63.88, -5.8, -45.23

 

CMYK 77 / 52 / 0 / 8

HEX #3771EB

RGB 55 113 235

HSL 220.67, 0.82%, 0.57%

LAB 50.24, 23.67, -67.02

 

CMYK 77 / 72 / 0 / 8

HEX #3741EB

RGB 55 65 235

HSL 236.67, 0.82%, 0.57%

LAB 38.88, 53, -85.6

 

CMYK 60 / 77 / 0 / 8

HEX #5E37EB

RGB 94 55 235

HSL 253, 0.82%, 0.57%

LAB 39.77, 61.8, -84.05

 

CMYK 77 / 11 / 0 / 8

HEX #37D2EB

RGB 55 210 235

HSL 188.33, 0.82%, 0.57%

LAB 77.82, -30.89, -23.63

 

CMYK 77 / 31 / 0 / 8

HEX #37A2EB

RGB 55 162 235

HSL 204.33, 0.82%, 0.57%

LAB 63.88, -5.8, -45.23

 

CMYK 77 / 52 / 0 / 8

HEX #3771EB

RGB 55 113 235

HSL 220.67, 0.82%, 0.57%

LAB 50.24, 23.67, -67.02

 

CMYK 77 / 72 / 0 / 8

HEX #3741EB

RGB 55 65 235

HSL 236.67, 0.82%, 0.57%

LAB 38.88, 53, -85.6

 

CMYK 77 / 77 / 0 / 8

HEX #3737EB

RGB 55 55 235

HSL 240, 0.82%, 0.57%

LAB 37.01, 58.31, -88.69

 

CMYK 77 / 11 / 0 / 8

HEX #37D2EB

RGB 55 210 235

HSL 188.33, 0.82%, 0.57%

LAB 77.82, -30.89, -23.63

 

CMYK 85 / 12 / 0 / 1

HEX #26DFFD

RGB 38 223 253

HSL 188.37, 0.98%, 0.57%

LAB 81.99, -32.91, -26.87

 

CMYK 77 / 11 / 0 / 8

HEX #37D2EB

RGB 55 210 235

HSL 188.33, 0.82%, 0.57%

LAB 77.82, -30.89, -23.63

 

CMYK 67 / 9 / 0 / 15

HEX #49C6DA

RGB 73 198 218

HSL 188.28, 0.66%, 0.57%

LAB 74.1, -27.97, -20.09

 

CMYK 55 / 8 / 0 / 22

HEX #5BB9C8

RGB 91 185 200

HSL 188.26, 0.5%, 0.57%

LAB 70.24, -23.57, -16.08

 

CMYK 40 / 5 / 0 / 29

HEX #6DACB6

RGB 109 172 182

HSL 188.22, 0.33%, 0.57%

LAB 66.62, -17.59, -11.51

 

CMYK 23 / 3 / 0 / 36

HEX #7E9FA4

RGB 126 159 164

HSL 187.89, 0.17%, 0.57%

LAB 63.27, -10.17, -6.35

 

CMYK 77 / 0 / 31 / 8

HEX #37EBA3

RGB 55 235 163

HSL 156, 0.82%, 0.57%

LAB 83.38, -60.34, 22.6

 

CMYK 77 / 0 / 10 / 8

HEX #37EBD3

RGB 55 235 211

HSL 172, 0.82%, 0.57%

LAB 84.45, -49.01, -0.97

 

CMYK 77 / 10 / 0 / 8

HEX #37D3EB

RGB 55 211 235

HSL 188, 0.82%, 0.57%

LAB 78.11, -31.37, -23.19

 

CMYK 77 / 31 / 0 / 8

HEX #37A3EB

RGB 55 163 235

HSL 204, 0.82%, 0.57%

LAB 64.16, -6.37, -44.78

 

CMYK 77 / 51 / 0 / 8

HEX #3773EB

RGB 55 115 235

HSL 220, 0.82%, 0.57%

LAB 50.77, 22.42, -66.16

 

CMYK 90 / 12 / 0 / 26

HEX #13A6BD

RGB 19 166 189

HSL 188.12, 0.82%, 0.41%

LAB 62.58, -26.72, -21.77

 

CMYK 90 / 12 / 0 / 11

HEX #16C7E3

RGB 22 199 227

HSL 188.2, 0.82%, 0.49%

LAB 73.91, -30.46, -25.33

 

CMYK 77 / 11 / 0 / 8

HEX #37D2EB

RGB 55 210 235

HSL 188.33, 0.82%, 0.57%

LAB 77.82, -30.89, -23.63

 

CMYK 61 / 8 / 0 / 6

HEX #5DDBEF

RGB 93 219 239

HSL 188.22, 0.82%, 0.65%

LAB 81.41, -28.96, -20.23

 

CMYK 46 / 7 / 0 / 5

HEX #83E3F3

RGB 131 227 243

HSL 188.57, 0.82%, 0.73%

LAB 85.12, -24.28, -16.63

 

CMYK 77 / 11 / 0 / 8

HEX #36D2EB

RGB 54 210 235

HSL 188.29, 0.82%, 0.57%

LAB 77.8, -30.99, -23.66

 

CMYK 51 / 77 / 0 / 8

HEX #7337EB

RGB 115 55 235

HSL 260, 0.82%, 0.57%

LAB 41.81, 64.35, -80.62

 

CMYK 0 / 20 / 77 / 8

HEX #EBBB37

RGB 235 187 55

HSL 44, 0.82%, 0.57%

LAB 78.16, 4.97, 68.75

 

CMYK 77 / 11 / 0 / 8

HEX #36D2EB

RGB 54 210 235

HSL 188.29, 0.82%, 0.57%

LAB 77.8, -30.99, -23.66

 

CMYK 0 / 77 / 10 / 8

HEX #EB37D3

RGB 235 55 211

HSL 308, 0.82%, 0.57%

LAB 57.17, 81.07, -41.36

 

CMYK 10 / 0 / 77 / 8

HEX #D3EB37

RGB 211 235 55

HSL 68, 0.82%, 0.57%

LAB 88.71, -29.02, 77.71

 

CMYK 77 / 11 / 0 / 8

HEX #36D2EB

RGB 54 210 235

HSL 188.29, 0.82%, 0.57%

LAB 77.8, -30.99, -23.66

 

CMYK 51 / 77 / 0 / 8

HEX #7337EB

RGB 115 55 235

HSL 260, 0.82%, 0.57%

LAB 41.81, 64.35, -80.62

 

CMYK 0 / 66 / 77 / 8

HEX #EB4F37

RGB 235 79 55

HSL 8, 0.82%, 0.57%

LAB 55.61, 58.84, 46.67

 

CMYK 26 / 0 / 77 / 8

HEX #AFEB37

RGB 175 235 55

HSL 80, 0.82%, 0.57%

LAB 86.41, -43.03, 74.76

 

CMYK 77 / 11 / 0 / 8

HEX #36D2EB

RGB 54 210 235

HSL 188.29, 0.82%, 0.57%

LAB 77.8, -30.99, -23.66

 

CMYK 28 / 77 / 0 / 8

HEX #A937EB

RGB 169 55 235

HSL 278, 0.82%, 0.57%

LAB 48.47, 72.56, -69.46

 

CMYK 0 / 66 / 77 / 8

HEX #EB4F37

RGB 235 79 55

HSL 8, 0.82%, 0.57%

LAB 55.61, 58.84, 46.67

 

CMYK 49 / 0 / 77 / 8

HEX #79EB37

RGB 121 235 55

HSL 98, 0.82%, 0.57%

LAB 83.84, -61.09, 71.42

 

Description

Color code: HEX #36D2EB | qconv.com Color code: HEX #36D2EB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 210 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 210 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 11 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 11% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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