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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36C494 it is the complementary color #C93B6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36C494. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36C494 shade: #3BC48F, #4CD6A2, #5DE8B5, #6EFAC8 and #7FFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36C494. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36C494 shade: #36C494, #25B281, #14A06E, #038E5B and #007C48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36C494 shade: #36C494, #36C46E, #36C447, #4BC436 and #71C436

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36C494 shade: #36C494, #36C4BA, #36A7C4, #3681C4 and #365BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36C494 shade matches the following richer shades: #36C494, #22D89B and #0DEDA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36C494 shade: #36C494, #4AB08D, #5E9C87, #728880 and #87737A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36C494 shade: #36C446, #36C46C, #36C492, #36C4B8 and #36AAC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36C494 shade: #248363, #2DA47C, #36C494, #53D0A6 and #74D9B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36C494 shade: #36C494, #364BC4 and #C45936

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36C494 shade: #36C494, #9236C4 and #C49236

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36C494 shade: #36C494, #364BC4, #C43668 and #C4AF36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36C494 shade: #36C494, #4B36C4, #C43668 and #AFC436

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

Complementary color

CMYK 0 / 71 / 47 / 21

HEX #C93B6B

RGB 201 59 107

HSL 339.72, 0.57%, 0.51%

LAB 47.76, 59.07, 5.23

 

CMYK 70 / 0 / 27 / 23

HEX #3BC48F

RGB 59 196 143

HSL 156.79, 0.54%, 0.5%

LAB 71.14, -48.96, 16.21

 

CMYK 64 / 0 / 24 / 16

HEX #4CD6A2

RGB 76 214 162

HSL 157.39, 0.63%, 0.57%

LAB 77.42, -49.33, 14.91

 

CMYK 60 / 0 / 22 / 9

HEX #5DE8B5

RGB 93 232 181

HSL 157.99, 0.75%, 0.64%

LAB 83.64, -49.52, 13.73

 

CMYK 56 / 0 / 20 / 2

HEX #6EFAC8

RGB 110 250 200

HSL 158.57, 0.93%, 0.71%

LAB 89.79, -49.59, 12.63

 

CMYK 50 / 0 / 14 / 0

HEX #7FFFDB

RGB 127 255 219

HSL 163.13, 1%, 0.75%

LAB 92.2, -43.98, 6.33

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 79 / 0 / 28 / 30

HEX #25B281

RGB 37 178 129

HSL 159.15, 0.66%, 0.42%

LAB 64.82, -47.79, 14.93

 

CMYK 88 / 0 / 31 / 37

HEX #14A06E

RGB 20 160 110

HSL 158.57, 0.78%, 0.35%

LAB 58.43, -46.63, 16.52

 

CMYK 98 / 0 / 36 / 44

HEX #038E5B

RGB 3 142 91

HSL 157.99, 0.96%, 0.28%

LAB 51.97, -44.98, 18.29

 

CMYK 100 / 0 / 42 / 51

HEX #007C48

RGB 0 124 72

HSL 154.84, 1%, 0.24%

LAB 45.47, -42.46, 20.3

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 72 / 0 / 44 / 23

HEX #36C46E

RGB 54 196 110

HSL 143.66, 0.57%, 0.49%

LAB 70.45, -56.26, 32.64

 

CMYK 72 / 0 / 64 / 23

HEX #36C447

RGB 54 196 71

HSL 127.18, 0.57%, 0.49%

LAB 69.98, -61.76, 50.67

 

CMYK 62 / 0 / 72 / 23

HEX #4BC436

RGB 75 196 54

HSL 111.13, 0.57%, 0.49%

LAB 70.35, -59.22, 57.97

 

CMYK 42 / 0 / 72 / 23

HEX #71C436

RGB 113 196 54

HSL 95.07, 0.57%, 0.49%

LAB 71.73, -48.58, 59.82

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 72 / 0 / 5 / 23

HEX #36C4BA

RGB 54 196 186

HSL 175.77, 0.57%, 0.49%

LAB 72.1, -38.84, -5.75

 

CMYK 72 / 15 / 0 / 23

HEX #36A7C4

RGB 54 167 196

HSL 192.25, 0.57%, 0.49%

LAB 63.68, -21.79, -23.95

 

CMYK 72 / 34 / 0 / 23

HEX #3681C4

RGB 54 129 196

HSL 208.31, 0.57%, 0.49%

LAB 52.36, -0.61, -41.56

 

CMYK 72 / 54 / 0 / 23

HEX #365BC4

RGB 54 91 196

HSL 224.37, 0.57%, 0.49%

LAB 41.61, 23.22, -58.77

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 84 / 0 / 28 / 15

HEX #22D89B

RGB 34 216 155

HSL 159.89, 0.73%, 0.49%

LAB 77.17, -56.94, 18.16

 

CMYK 95 / 0 / 32 / 7

HEX #0DEDA1

RGB 13 237 161

HSL 159.64, 0.9%, 0.49%

LAB 83.56, -64.45, 23.82

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 58 / 0 / 20 / 31

HEX #4AB08D

RGB 74 176 141

HSL 159.41, 0.41%, 0.49%

LAB 65.3, -38.15, 9.14

 

CMYK 40 / 0 / 13 / 39

HEX #5E9C87

RGB 94 156 135

HSL 159.68, 0.25%, 0.49%

LAB 59.8, -25.06, 4.72

 

CMYK 16 / 0 / 6 / 47

HEX #728880

RGB 114 136 128

HSL 158.18, 0.09%, 0.49%

LAB 54.81, -9.61, 1.64

 

CMYK 0 / 15 / 10 / 47

HEX #87737A

RGB 135 115 122

HSL 339, 0.08%, 0.49%

LAB 50.47, 9.05, -0.96

 

CMYK 72 / 0 / 64 / 23

HEX #36C446

RGB 54 196 70

HSL 126.76, 0.57%, 0.49%

LAB 69.97, -61.87, 51.09

 

CMYK 72 / 0 / 45 / 23

HEX #36C46C

RGB 54 196 108

HSL 142.82, 0.57%, 0.49%

LAB 70.42, -56.6, 33.62

 

CMYK 72 / 0 / 26 / 23

HEX #36C492

RGB 54 196 146

HSL 158.87, 0.57%, 0.49%

LAB 71.1, -49.01, 14.53

 

CMYK 72 / 0 / 6 / 23

HEX #36C4B8

RGB 54 196 184

HSL 174.93, 0.57%, 0.49%

LAB 72.04, -39.4, -4.74

 

CMYK 72 / 13 / 0 / 23

HEX #36AAC4

RGB 54 170 196

HSL 190.99, 0.57%, 0.49%

LAB 64.58, -23.33, -22.57

 

CMYK 73 / 0 / 24 / 49

HEX #248363

RGB 36 131 99

HSL 159.79, 0.57%, 0.33%

LAB 48.89, -35.35, 9.52

 

CMYK 73 / 0 / 24 / 36

HEX #2DA47C

RGB 45 164 124

HSL 159.83, 0.57%, 0.41%

LAB 60.39, -42.18, 11.52

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 60 / 0 / 20 / 18

HEX #53D0A6

RGB 83 208 166

HSL 159.84, 0.57%, 0.57%

LAB 75.89, -44.62, 10.64

 

CMYK 47 / 0 / 16 / 15

HEX #74D9B7

RGB 116 217 183

HSL 159.8, 0.57%, 0.65%

LAB 80.04, -37.54, 7.66

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 72 / 62 / 0 / 23

HEX #364BC4

RGB 54 75 196

HSL 231.13, 0.57%, 0.49%

LAB 37.48, 33.53, -65.49

 

CMYK 0 / 55 / 72 / 23

HEX #C45936

RGB 196 89 54

HSL 14.79, 0.57%, 0.49%

LAB 50.86, 40.51, 40.18

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 26 / 72 / 0 / 23

HEX #9236C4

RGB 146 54 196

HSL 278.87, 0.57%, 0.49%

LAB 42.36, 60.64, -57.16

 

CMYK 0 / 26 / 72 / 23

HEX #C49236

RGB 196 146 54

HSL 38.87, 0.57%, 0.49%

LAB 63.8, 9.94, 53.83

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 72 / 62 / 0 / 23

HEX #364BC4

RGB 54 75 196

HSL 231.13, 0.57%, 0.49%

LAB 37.48, 33.53, -65.49

 

CMYK 0 / 72 / 47 / 23

HEX #C43668

RGB 196 54 104

HSL 338.87, 0.57%, 0.49%

LAB 46.14, 59.13, 4.63

 

CMYK 0 / 11 / 72 / 23

HEX #C4AF36

RGB 196 175 54

HSL 51.13, 0.57%, 0.49%

LAB 71.32, -5.62, 61.29

 

CMYK 72 / 0 / 24 / 23

HEX #36C494

RGB 54 196 148

HSL 159.72, 0.57%, 0.49%

LAB 71.15, -48.56, 13.51

 

CMYK 62 / 72 / 0 / 23

HEX #4B36C4

RGB 75 54 196

HSL 248.87, 0.57%, 0.49%

LAB 34.23, 48.7, -70.77

 

CMYK 0 / 72 / 47 / 23

HEX #C43668

RGB 196 54 104

HSL 338.87, 0.57%, 0.49%

LAB 46.14, 59.13, 4.63

 

CMYK 11 / 0 / 72 / 23

HEX #AFC436

RGB 175 196 54

HSL 68.87, 0.57%, 0.49%

LAB 75.36, -25.19, 64.62

 

Description

Color code: HEX #36C494 | qconv.com Color code: HEX #36C494 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 196 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 196 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 24 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 24% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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