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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36BE20 it is the complementary color #C941DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36BE20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36BE20 shade: #3BBE1B, #4CD02E, #5DE241, #6EF454 and #7FFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36BE20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36BE20 shade: #36BE20, #25AC0D, #149A00, #038800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36BE20 shade: #37C021, #62C021, #8DC021, #B8C021 and #C09D21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36BE20 shade: #37C021, #21C035, #21C060, #21C08B and #21C0B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36BE20 shade matches the following richer shades: #37C021 and #2AD20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36BE20 shade: #37C021, #44AE33, #519C45, #5E8957 and #6B7769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36BE20 shade: #8DC021, #63C021, #38C021, #21C033 and #21C05E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36BE20 shade: #237915, #2D9D1B, #37C021, #46DC2E and #65E251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36BE20 shade: #36BE20, #21B8C0 and #C02178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36BE20 shade: #36BE20, #2138C0 and #C02138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36BE20 shade: #36BE20, #21B8C0, #A821C0 and #C02921

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36BE20 shade: #36BE20, #2188C0, #A821C0 and #C05821

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 83 / 25

HEX #36BE20

RGB 54 190 32

HSL 111.65, 0.71%, 0.44%

LAB 67.81, -62.89, 62.22

 

Complementary color

CMYK 10 / 71 / 0 / 13

HEX #C941DF

RGB 201 65 223

HSL 291.65, 0.71%, 0.56%

LAB 53.52, 72.83, -54.3

 

CMYK 69 / 0 / 86 / 25

HEX #3BBE1B

RGB 59 190 27

HSL 108.22, 0.75%, 0.43%

LAB 67.9, -62.2, 63.54

 

CMYK 63 / 0 / 78 / 18

HEX #4CD02E

RGB 76 208 46

HSL 108.89, 0.64%, 0.5%

LAB 74.09, -63.62, 64.33

 

CMYK 59 / 0 / 71 / 11

HEX #5DE241

RGB 93 226 65

HSL 109.57, 0.74%, 0.57%

LAB 80.24, -64.59, 64.26

 

CMYK 55 / 0 / 66 / 4

HEX #6EF454

RGB 110 244 84

HSL 110.25, 0.88%, 0.64%

LAB 86.33, -65.21, 63.68

 

CMYK 50 / 0 / 60 / 0

HEX #7FFF67

RGB 127 255 103

HSL 110.53, 1%, 0.7%

LAB 90.33, -63.03, 60.49

 

CMYK 72 / 0 / 83 / 25

HEX #36BE20

RGB 54 190 32

HSL 111.65, 0.71%, 0.44%

LAB 67.81, -62.89, 62.22

 

CMYK 78 / 0 / 92 / 33

HEX #25AC0D

RGB 37 172 13

HSL 110.94, 0.86%, 0.36%

LAB 61.59, -60.76, 60.59

 

CMYK 87 / 0 / 100 / 40

HEX #149A00

RGB 20 154 0

HSL 112.21, 1%, 0.3%

LAB 55.34, -57.75, 57.27

 

CMYK 98 / 0 / 100 / 47

HEX #038800

RGB 3 136 0

HSL 118.68, 1%, 0.27%

LAB 49.04, -53.8, 52.16

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 71 / 0 / 83 / 25

HEX #37C021

RGB 55 192 33

HSL 111.7, 0.71%, 0.44%

LAB 68.48, -63.3, 62.58

 

CMYK 49 / 0 / 83 / 25

HEX #62C021

RGB 98 192 33

HSL 95.47, 0.71%, 0.44%

LAB 69.76, -52.91, 64.21

 

CMYK 27 / 0 / 83 / 25

HEX #8DC021

RGB 141 192 33

HSL 79.25, 0.71%, 0.44%

LAB 71.87, -37.92, 66.9

 

CMYK 4 / 0 / 83 / 25

HEX #B8C021

RGB 184 192 33

HSL 63.02, 0.71%, 0.44%

LAB 74.82, -20.29, 70.6

 

CMYK 0 / 18 / 83 / 25

HEX #C09D21

RGB 192 157 33

HSL 46.79, 0.71%, 0.44%

LAB 66.08, 1.38, 63.43

 

CMYK 71 / 0 / 83 / 25

HEX #37C021

RGB 55 192 33

HSL 111.7, 0.71%, 0.44%

LAB 68.48, -63.3, 62.58

 

CMYK 83 / 0 / 72 / 25

HEX #21C035

RGB 33 192 53

HSL 127.55, 0.71%, 0.44%

LAB 68.23, -65.06, 55.9

 

CMYK 83 / 0 / 50 / 25

HEX #21C060

RGB 33 192 96

HSL 143.77, 0.71%, 0.44%

LAB 68.65, -59.82, 37.36

 

CMYK 83 / 0 / 28 / 25

HEX #21C08B

RGB 33 192 139

HSL 160, 0.71%, 0.44%

LAB 69.39, -51.43, 15.86

 

CMYK 83 / 0 / 5 / 25

HEX #21C0B6

RGB 33 192 182

HSL 176.23, 0.71%, 0.44%

LAB 70.46, -40.28, -6.03

 

CMYK 71 / 0 / 83 / 25

HEX #37C021

RGB 55 192 33

HSL 111.7, 0.71%, 0.44%

LAB 68.48, -63.3, 62.58

 

CMYK 80 / 0 / 93 / 18

HEX #2AD20E

RGB 42 210 14

HSL 111.43, 0.88%, 0.44%

LAB 73.94, -71.31, 70.81

 

CMYK 71 / 0 / 83 / 25

HEX #37C021

RGB 55 192 33

HSL 111.7, 0.71%, 0.44%

LAB 68.48, -63.3, 62.58

 

CMYK 61 / 0 / 71 / 32

HEX #44AE33

RGB 68 174 51

HSL 111.71, 0.55%, 0.44%

LAB 63.13, -53.31, 51.61

 

CMYK 48 / 0 / 56 / 39

HEX #519C45

RGB 81 156 69

HSL 111.72, 0.39%, 0.44%

LAB 58, -40.84, 38.01

 

CMYK 31 / 0 / 36 / 46

HEX #5E8957

RGB 94 137 87

HSL 111.6, 0.22%, 0.44%

LAB 52.9, -25.12, 22.23

 

CMYK 10 / 0 / 12 / 53

HEX #6B7769

RGB 107 119 105

HSL 111.43, 0.06%, 0.44%

LAB 48.68, -7.36, 6.18

 

CMYK 27 / 0 / 83 / 25

HEX #8DC021

RGB 141 192 33

HSL 79.25, 0.71%, 0.44%

LAB 71.87, -37.92, 66.9

 

CMYK 48 / 0 / 83 / 25

HEX #63C021

RGB 99 192 33

HSL 95.09, 0.71%, 0.44%

LAB 69.8, -52.61, 64.27

 

CMYK 71 / 0 / 83 / 25

HEX #38C021

RGB 56 192 33

HSL 111.32, 0.71%, 0.44%

LAB 68.5, -63.12, 62.6

 

CMYK 83 / 0 / 73 / 25

HEX #21C033

RGB 33 192 51

HSL 126.79, 0.71%, 0.44%

LAB 68.21, -65.22, 56.62

 

CMYK 83 / 0 / 51 / 25

HEX #21C05E

RGB 33 192 94

HSL 143.02, 0.71%, 0.44%

LAB 68.63, -60.14, 38.32

 

CMYK 71 / 0 / 83 / 53

HEX #237915

RGB 35 121 21

HSL 111.6, 0.7%, 0.28%

LAB 44.36, -44.13, 43.49

 

CMYK 71 / 0 / 83 / 38

HEX #2D9D1B

RGB 45 157 27

HSL 111.69, 0.71%, 0.36%

LAB 56.83, -54.11, 53.42

 

CMYK 71 / 0 / 83 / 25

HEX #37C021

RGB 55 192 33

HSL 111.7, 0.71%, 0.44%

LAB 68.48, -63.3, 62.58

 

CMYK 68 / 0 / 79 / 14

HEX #46DC2E

RGB 70 220 46

HSL 111.72, 0.71%, 0.52%

LAB 77.69, -68.73, 67.7

 

CMYK 55 / 0 / 64 / 11

HEX #65E251

RGB 101 226 81

HSL 111.72, 0.71%, 0.6%

LAB 80.6, -61.28, 58.57

 

CMYK 72 / 0 / 83 / 25

HEX #36BE20

RGB 54 190 32

HSL 111.65, 0.71%, 0.44%

LAB 67.81, -62.89, 62.22

 

CMYK 83 / 4 / 0 / 25

HEX #21B8C0

RGB 33 184 192

HSL 183.02, 0.71%, 0.44%

LAB 68.32, -33.63, -14.71

 

CMYK 0 / 83 / 38 / 25

HEX #C02178

RGB 192 33 120

HSL 327.17, 0.71%, 0.44%

LAB 43.73, 65.76, -8.88

 

CMYK 72 / 0 / 83 / 25

HEX #36BE20

RGB 54 190 32

HSL 111.65, 0.71%, 0.44%

LAB 67.81, -62.89, 62.22

 

CMYK 83 / 71 / 0 / 25

HEX #2138C0

RGB 33 56 192

HSL 231.32, 0.71%, 0.44%

LAB 31.71, 42.05, -72.66

 

CMYK 0 / 83 / 71 / 25

HEX #C02138

RGB 192 33 56

HSL 351.32, 0.71%, 0.44%

LAB 42.12, 61.03, 28.8

 

CMYK 72 / 0 / 83 / 25

HEX #36BE20

RGB 54 190 32

HSL 111.65, 0.71%, 0.44%

LAB 67.81, -62.89, 62.22

 

CMYK 83 / 4 / 0 / 25

HEX #21B8C0

RGB 33 184 192

HSL 183.02, 0.71%, 0.44%

LAB 68.32, -33.63, -14.71

 

CMYK 13 / 83 / 0 / 25

HEX #A821C0

RGB 168 33 192

HSL 290.94, 0.71%, 0.44%

LAB 43.09, 70.73, -53.48

 

CMYK 0 / 79 / 83 / 25

HEX #C02921

RGB 192 41 33

HSL 3.02, 0.71%, 0.44%

LAB 42.62, 58.05, 42.54

 

CMYK 72 / 0 / 83 / 25

HEX #36BE20

RGB 54 190 32

HSL 111.65, 0.71%, 0.44%

LAB 67.81, -62.89, 62.22

 

CMYK 83 / 29 / 0 / 25

HEX #2188C0

RGB 33 136 192

HSL 201.13, 0.71%, 0.44%

LAB 53.75, -8.56, -37.14

 

CMYK 13 / 83 / 0 / 25

HEX #A821C0

RGB 168 33 192

HSL 290.94, 0.71%, 0.44%

LAB 43.09, 70.73, -53.48

 

CMYK 0 / 54 / 83 / 25

HEX #C05821

RGB 192 88 33

HSL 20.75, 0.71%, 0.44%

LAB 49.85, 38.64, 49.19

 

Description

Color code: HEX #36BE20 | qconv.com Color code: HEX #36BE20 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 190 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 190 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 83 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 83% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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