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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36ADFE it is the complementary color #C95201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36ADFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36ADFE shade: #3BADF9, #4CBFFF, #5DD1FF, #6EE3FF and #7FF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36ADFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36ADFE shade: #36ADFE, #259BEB, #1489D8, #0377C5 and #0065B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36ADFE shade: #34ACFE, #3476FE, #343FFE, #5F34FE and #9634FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36ADFE shade: #34ACFE, #3476FE, #343FFE and #3434FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36ADFE shade matches the following richer shades: #34ACFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36ADFE shade: #34ACFE, #45A9ED, #55A6DD, #66A3CC and #76A0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36ADFE shade: #34FEE3, #34E3FE, #34ADFE, #3477FE and #3441FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36ADFE shade: #0185DE, #0B9BFE, #34ACFE, #5DBDFE and #86CEFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36ADFE shade: #36ADFE, #AD34FE and #FEFE34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36ADFE shade: #36ADFE, #FE34AD and #ADFE34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36ADFE shade: #36ADFE, #AD34FE, #FE8534 and #85FE34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36ADFE shade: #36ADFE, #EA34FE, #FE8534 and #48FE34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 32 / 0 / 0

HEX #36ADFE

RGB 54 173 254

HSL 204.3, 0.99%, 0.6%

LAB 67.89, -5.44, -49.28

 

Complementary color

CMYK 0 / 59 / 100 / 21

HEX #C95201

RGB 201 82 1

HSL 24.3, 0.99%, 0.4%

LAB 50.04, 44.46, 59.71

 

CMYK 76 / 31 / 0 / 2

HEX #3BADF9

RGB 59 173 249

HSL 204, 0.94%, 0.6%

LAB 67.77, -6.66, -46.76

 

CMYK 70 / 25 / 0 / 0

HEX #4CBFFF

RGB 76 191 255

HSL 201.45, 1%, 0.65%

LAB 73.56, -12.39, -40.9

 

CMYK 64 / 18 / 0 / 0

HEX #5DD1FF

RGB 93 209 255

HSL 197.04, 1%, 0.68%

LAB 79.13, -19.28, -32.23

 

CMYK 57 / 11 / 0 / 0

HEX #6EE3FF

RGB 110 227 255

HSL 191.59, 1%, 0.72%

LAB 84.73, -25.36, -23.62

 

CMYK 50 / 4 / 0 / 0

HEX #7FF5FF

RGB 127 245 255

HSL 184.69, 1%, 0.75%

LAB 90.34, -30.74, -15.09

 

CMYK 79 / 32 / 0 / 0

HEX #36ADFE

RGB 54 173 254

HSL 204.3, 0.99%, 0.6%

LAB 67.89, -5.44, -49.28

 

CMYK 84 / 34 / 0 / 8

HEX #259BEB

RGB 37 155 235

HSL 204.24, 0.83%, 0.53%

LAB 61.51, -3.48, -48.99

 

CMYK 91 / 37 / 0 / 15

HEX #1489D8

RGB 20 137 216

HSL 204.18, 0.83%, 0.46%

LAB 55.07, -1.08, -48.64

 

CMYK 98 / 40 / 0 / 23

HEX #0377C5

RGB 3 119 197

HSL 204.12, 0.97%, 0.39%

LAB 48.57, 1.81, -48.22

 

CMYK 100 / 43 / 0 / 30

HEX #0065B2

RGB 0 101 178

HSL 205.96, 1%, 0.35%

LAB 42.03, 5.4, -47.66

 

CMYK 80 / 32 / 0 / 0

HEX #34ACFE

RGB 52 172 254

HSL 204.36, 0.99%, 0.6%

LAB 67.57, -5.07, -49.79

 

CMYK 80 / 54 / 0 / 0

HEX #3476FE

RGB 52 118 254

HSL 220.4, 0.99%, 0.6%

LAB 52.78, 27.22, -73.48

 

CMYK 80 / 75 / 0 / 0

HEX #343FFE

RGB 52 63 254

HSL 236.73, 0.99%, 0.6%

LAB 40.31, 59.94, -93.93

 

CMYK 63 / 80 / 0 / 0

HEX #5F34FE

RGB 95 52 254

HSL 252.77, 0.99%, 0.6%

LAB 41.29, 68.38, -92.23

 

CMYK 41 / 80 / 0 / 0

HEX #9634FE

RGB 150 52 254

HSL 269.11, 0.99%, 0.6%

LAB 47.1, 74.74, -82.45

 

CMYK 80 / 32 / 0 / 0

HEX #34ACFE

RGB 52 172 254

HSL 204.36, 0.99%, 0.6%

LAB 67.57, -5.07, -49.79

 

CMYK 80 / 54 / 0 / 0

HEX #3476FE

RGB 52 118 254

HSL 220.4, 0.99%, 0.6%

LAB 52.78, 27.22, -73.48

 

CMYK 80 / 75 / 0 / 0

HEX #343FFE

RGB 52 63 254

HSL 236.73, 0.99%, 0.6%

LAB 40.31, 59.94, -93.93

 

CMYK 80 / 80 / 0 / 0

HEX #3434FE

RGB 52 52 254

HSL 240, 0.99%, 0.6%

LAB 38.45, 65.32, -97.02

 

CMYK 80 / 32 / 0 / 0

HEX #34ACFE

RGB 52 172 254

HSL 204.36, 0.99%, 0.6%

LAB 67.57, -5.07, -49.79

 

CMYK 80 / 32 / 0 / 0

HEX #34ACFE

RGB 52 172 254

HSL 204.36, 0.99%, 0.6%

LAB 67.57, -5.07, -49.79

 

CMYK 71 / 29 / 0 / 7

HEX #45A9ED

RGB 69 169 237

HSL 204.29, 0.82%, 0.6%

LAB 66.33, -7.31, -42.45

 

CMYK 62 / 25 / 0 / 13

HEX #55A6DD

RGB 85 166 221

HSL 204.26, 0.67%, 0.6%

LAB 65.3, -8.36, -35.23

 

CMYK 50 / 20 / 0 / 20

HEX #66A3CC

RGB 102 163 204

HSL 204.12, 0.5%, 0.6%

LAB 64.47, -8.4, -27.05

 

CMYK 37 / 15 / 0 / 26

HEX #76A0BC

RGB 118 160 188

HSL 204, 0.34%, 0.6%

LAB 63.86, -7.14, -18.99

 

CMYK 80 / 0 / 11 / 0

HEX #34FEE3

RGB 52 254 227

HSL 171.98, 0.99%, 0.6%

LAB 90.4, -53.04, -0.64

 

CMYK 80 / 11 / 0 / 0

HEX #34E3FE

RGB 52 227 254

HSL 188.02, 0.99%, 0.6%

LAB 83.35, -33.48, -25.31

 

CMYK 80 / 32 / 0 / 0

HEX #34ADFE

RGB 52 173 254

HSL 204.06, 0.99%, 0.6%

LAB 67.85, -5.63, -49.35

 

CMYK 80 / 53 / 0 / 0

HEX #3477FE

RGB 52 119 254

HSL 220.1, 0.99%, 0.6%

LAB 53.04, 26.6, -73.06

 

CMYK 80 / 74 / 0 / 0

HEX #3441FE

RGB 52 65 254

HSL 236.14, 0.99%, 0.6%

LAB 40.68, 58.89, -93.32

 

CMYK 100 / 40 / 0 / 13

HEX #0185DE

RGB 1 133 222

HSL 204.16, 0.99%, 0.44%

LAB 54.09, 2.96, -53.59

 

CMYK 96 / 39 / 0 / 0

HEX #0B9BFE

RGB 11 155 254

HSL 204.44, 0.99%, 0.52%

LAB 62.23, 2.29, -58.3

 

CMYK 80 / 32 / 0 / 0

HEX #34ACFE

RGB 52 172 254

HSL 204.36, 0.99%, 0.6%

LAB 67.57, -5.07, -49.79

 

CMYK 63 / 26 / 0 / 0

HEX #5DBDFE

RGB 93 189 254

HSL 204.22, 0.99%, 0.68%

LAB 73.47, -9.07, -40.47

 

CMYK 47 / 19 / 0 / 0

HEX #86CEFE

RGB 134 206 254

HSL 204, 0.98%, 0.76%

LAB 79.82, -9.96, -30.5

 

CMYK 79 / 32 / 0 / 0

HEX #36ADFE

RGB 54 173 254

HSL 204.3, 0.99%, 0.6%

LAB 67.89, -5.44, -49.28

 

CMYK 32 / 80 / 0 / 0

HEX #AD34FE

RGB 173 52 254

HSL 275.94, 0.99%, 0.6%

LAB 50.09, 78.05, -77.44

 

CMYK 0 / 0 / 80 / 0

HEX #FEFE34

RGB 254 254 52

HSL 60, 0.99%, 0.6%

LAB 96.9, -20.67, 86.99

 

CMYK 79 / 32 / 0 / 0

HEX #36ADFE

RGB 54 173 254

HSL 204.3, 0.99%, 0.6%

LAB 67.89, -5.44, -49.28

 

CMYK 0 / 80 / 32 / 0

HEX #FE34AD

RGB 254 52 173

HSL 324.06, 0.99%, 0.6%

LAB 58.55, 81.33, -17.1

 

CMYK 32 / 0 / 80 / 0

HEX #ADFE34

RGB 173 254 52

HSL 84.06, 0.99%, 0.6%

LAB 91.69, -51.88, 80.39

 

CMYK 79 / 32 / 0 / 0

HEX #36ADFE

RGB 54 173 254

HSL 204.3, 0.99%, 0.6%

LAB 67.89, -5.44, -49.28

 

CMYK 32 / 80 / 0 / 0

HEX #AD34FE

RGB 173 52 254

HSL 275.94, 0.99%, 0.6%

LAB 50.09, 78.05, -77.44

 

CMYK 0 / 48 / 80 / 0

HEX #FE8534

RGB 254 133 52

HSL 24.06, 0.99%, 0.6%

LAB 68.09, 40.85, 61.31

 

CMYK 48 / 0 / 80 / 0

HEX #85FE34

RGB 133 254 52

HSL 95.94, 0.99%, 0.6%

LAB 89.91, -64.72, 78.11

 

CMYK 79 / 32 / 0 / 0

HEX #36ADFE

RGB 54 173 254

HSL 204.3, 0.99%, 0.6%

LAB 67.89, -5.44, -49.28

 

CMYK 8 / 80 / 0 / 0

HEX #EA34FE

RGB 234 52 254

HSL 294.06, 0.99%, 0.6%

LAB 59.07, 88.09, -62.48

 

CMYK 0 / 48 / 80 / 0

HEX #FE8534

RGB 254 133 52

HSL 24.06, 0.99%, 0.6%

LAB 68.09, 40.85, 61.31

 

CMYK 72 / 0 / 80 / 0

HEX #48FE34

RGB 72 254 52

HSL 114.06, 0.99%, 0.6%

LAB 88.21, -78.5, 75.92

 

Description

Color code: HEX #36ADFE | qconv.com Color code: HEX #36ADFE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 173 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 173 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 32 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 32% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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