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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36A5C4 it is the complementary color #C95A3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36A5C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #36A5C4: #3BA5BF, #4CB7D2, #5DC9E5, #6EDBF8 and #7FEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36A5C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #36A5C4: #36A5C4, #2593B1, #14819E, #036F8B and #005D78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 16 / 0 / 23

HEX #36A5C4

RGB 54 165 196

HSL 193.1, 0.57%, 0.49%

LAB 63.08, -20.75, -24.87

 

Complementary color

CMYK 0 / 55 / 71 / 21

HEX #C95A3B

RGB 201 90 59

HSL 13.1, 0.57%, 0.51%

LAB 51.89, 42.17, 38.87

 

CMYK 69 / 14 / 0 / 25

HEX #3BA5BF

RGB 59 165 191

HSL 191.82, 0.53%, 0.49%

LAB 63.01, -21.66, -22.17

 

CMYK 64 / 13 / 0 / 18

HEX #4CB7D2

RGB 76 183 210

HSL 192.09, 0.6%, 0.56%

LAB 69.51, -22.39, -22.72

 

CMYK 59 / 12 / 0 / 10

HEX #5DC9E5

RGB 93 201 229

HSL 192.35, 0.72%, 0.63%

LAB 75.92, -22.94, -23.22

 

CMYK 56 / 12 / 0 / 3

HEX #6EDBF8

RGB 110 219 248

HSL 192.61, 0.91%, 0.7%

LAB 82.25, -23.37, -23.69

 

CMYK 50 / 7 / 0 / 0

HEX #7FEDFF

RGB 127 237 255

HSL 188.44, 1%, 0.75%

LAB 88.11, -26.9, -18.44

 

CMYK 72 / 16 / 0 / 23

HEX #36A5C4

RGB 54 165 196

HSL 193.1, 0.57%, 0.49%

LAB 63.08, -20.75, -24.87

 

CMYK 79 / 17 / 0 / 31

HEX #2593B1

RGB 37 147 177

HSL 192.86, 0.65%, 0.42%

LAB 56.52, -19.56, -24.27

 

CMYK 87 / 18 / 0 / 38

HEX #14819E

RGB 20 129 158

HSL 192.61, 0.78%, 0.35%

LAB 49.88, -17.97, -23.59

 

CMYK 98 / 20 / 0 / 45

HEX #036F8B

RGB 3 111 139

HSL 192.35, 0.96%, 0.28%

LAB 43.14, -15.91, -22.8

 

CMYK 100 / 23 / 0 / 53

HEX #005D78

RGB 0 93 120

HSL 193.5, 1%, 0.24%

LAB 36.34, -13.01, -21.83

 

CMYK 72 / 16 / 0 / 23

HEX #36A5C4

RGB 54 165 196

HSL 193.1, 0.57%, 0.49%

LAB 63.08, -20.75, -24.87

 

CMYK 73 / 28 / 0 / 23

HEX #358DC4

RGB 53 141 196

HSL 203.08, 0.57%, 0.49%

LAB 55.88, -7.76, -36.04

 

CMYK 73 / 40 / 0 / 23

HEX #3575C4

RGB 53 117 196

HSL 213.15, 0.57%, 0.49%

LAB 48.84, 6.54, -47.16

 

CMYK 73 / 52 / 0 / 23

HEX #355EC4

RGB 53 94 196

HSL 222.8, 0.57%, 0.49%

LAB 42.38, 21.15, -57.53

 

CMYK 73 / 64 / 0 / 23

HEX #3546C4

RGB 53 70 196

HSL 232.87, 0.57%, 0.49%

LAB 36.22, 36.58, -67.56

 

CMYK 72 / 16 / 0 / 23

HEX #36A5C4

RGB 54 165 196

HSL 193.1, 0.57%, 0.49%

LAB 63.08, -20.75, -24.87

 

CMYK 72 / 16 / 0 / 3

HEX #44D0F7

RGB 68 208 247

HSL 193.07, 0.92%, 0.62%

LAB 77.91, -24.76, -29.89

 

CMYK 72 / 16 / 0 / 83

HEX #0C242B

RGB 12 36 43

HSL 193.55, 0.56%, 0.11%

LAB 12.7, -6.68, -7.47

 

CMYK 72 / 16 / 0 / 63

HEX #1A4F5E

RGB 26 79 94

HSL 193.24, 0.57%, 0.24%

LAB 30.93, -11.94, -13.88

 

CMYK 72 / 16 / 0 / 43

HEX #287A91

RGB 40 122 145

HSL 193.14, 0.57%, 0.36%

LAB 47.51, -16.51, -19.58

 

CMYK 72 / 16 / 0 / 23

HEX #36A5C4

RGB 54 165 196

HSL 193.1, 0.57%, 0.49%

LAB 63.08, -20.75, -24.87

 

CMYK 42 / 73 / 0 / 23

HEX #7135C4

RGB 113 53 196

HSL 265.17, 0.57%, 0.49%

LAB 37.92, 54.97, -64.57

 

CMYK 0 / 13 / 73 / 23

HEX #C4AA35

RGB 196 170 53

HSL 49.09, 0.57%, 0.49%

LAB 69.99, -3.03, 60.38

 

CMYK 72 / 16 / 0 / 23

HEX #36A5C4

RGB 54 165 196

HSL 193.1, 0.57%, 0.49%

LAB 63.08, -20.75, -24.87

 

CMYK 0 / 73 / 16 / 23

HEX #C435A5

RGB 196 53 165

HSL 313.01, 0.57%, 0.49%

LAB 48.26, 66.57, -29.09

 

CMYK 16 / 0 / 73 / 23

HEX #A5C435

RGB 165 196 53

HSL 73.01, 0.57%, 0.49%

LAB 74.66, -29.34, 64.04

 

CMYK 72 / 16 / 0 / 23

HEX #36A5C4

RGB 54 165 196

HSL 193.1, 0.57%, 0.49%

LAB 63.08, -20.75, -24.87

 

CMYK 42 / 73 / 0 / 23

HEX #7135C4

RGB 113 53 196

HSL 265.17, 0.57%, 0.49%

LAB 37.92, 54.97, -64.57

 

CMYK 0 / 57 / 73 / 23

HEX #C45435

RGB 196 84 53

HSL 13.01, 0.57%, 0.49%

LAB 49.9, 42.92, 39.66

 

CMYK 31 / 0 / 73 / 23

HEX #88C435

RGB 136 196 53

HSL 85.17, 0.57%, 0.49%

LAB 72.87, -40.63, 61.69

 

CMYK 72 / 16 / 0 / 23

HEX #36A5C4

RGB 54 165 196

HSL 193.1, 0.57%, 0.49%

LAB 63.08, -20.75, -24.87

 

CMYK 21 / 73 / 0 / 23

HEX #9B35C4

RGB 155 53 196

HSL 282.8, 0.57%, 0.49%

LAB 43.51, 62.81, -55.25

 

CMYK 0 / 57 / 73 / 23

HEX #C45435

RGB 196 84 53

HSL 13.01, 0.57%, 0.49%

LAB 49.9, 42.92, 39.66

 

CMYK 52 / 0 / 73 / 23

HEX #5EC435

RGB 94 196 53

HSL 102.8, 0.57%, 0.49%

LAB 70.95, -54.44, 59.14

 

Description

Color code: HEX #36A5C4 | qconv.com Color code: HEX #36A5C4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 165 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 165 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 16 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 16% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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