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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36A36B it is the complementary color #C95C94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36A36B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36A36B shade: #3BA366, #4CB579, #5DC78C, #6ED99F and #7FEBB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36A36B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36A36B shade: #36A36B, #259158, #147F45, #036D32 and #005B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36A36B shade: #37A46C, #37A44F, #3DA437, #5AA437 and #78A437

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36A36B shade: #37A46C, #37A48A, #37A2A4, #3784A4 and #3767A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36A36B shade matches the following richer shades: #37A46C, #25B66C, #13C86B and #02DA6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36A36B shade: #37A46C, #49936D, #5A816D, #6C6F6E and #7E5E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36A36B shade: #3CA437, #37A44F, #37A46C, #37A489 and #37A3A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36A36B shade: #226743, #2D8658, #37A46C, #44C181 and #63CB95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36A36B shade: #36A36B, #375AA4 and #A44037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36A36B shade: #36A36B, #6C37A4 and #A46C37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36A36B shade: #36A36B, #375AA4, #A4376F and #A48237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36A36B shade: #36A36B, #3739A4, #A4376F and #A4A337

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 34 / 36

HEX #36A36B

RGB 54 163 107

HSL 149.17, 0.5%, 0.43%

LAB 59.93, -44.05, 20.31

 

Complementary color

CMYK 0 / 54 / 26 / 21

HEX #C95C94

RGB 201 92 148

HSL 329.17, 0.5%, 0.57%

LAB 54.25, 49.54, -9.81

 

CMYK 64 / 0 / 37 / 36

HEX #3BA366

RGB 59 163 102

HSL 144.81, 0.47%, 0.44%

LAB 59.96, -44.08, 23.11

 

CMYK 58 / 0 / 33 / 29

HEX #4CB579

RGB 76 181 121

HSL 145.71, 0.42%, 0.5%

LAB 66.49, -44.2, 21.72

 

CMYK 53 / 0 / 30 / 22

HEX #5DC78C

RGB 93 199 140

HSL 146.6, 0.49%, 0.57%

LAB 72.94, -44.16, 20.44

 

CMYK 49 / 0 / 27 / 15

HEX #6ED99F

RGB 110 217 159

HSL 147.48, 0.58%, 0.64%

LAB 79.3, -44.04, 19.27

 

CMYK 46 / 0 / 24 / 8

HEX #7FEBB2

RGB 127 235 178

HSL 148.33, 0.73%, 0.71%

LAB 85.58, -43.86, 18.17

 

CMYK 67 / 0 / 34 / 36

HEX #36A36B

RGB 54 163 107

HSL 149.17, 0.5%, 0.43%

LAB 59.93, -44.05, 20.31

 

CMYK 74 / 0 / 39 / 43

HEX #259158

RGB 37 145 88

HSL 148.33, 0.59%, 0.36%

LAB 53.33, -43.55, 21.85

 

CMYK 84 / 0 / 46 / 50

HEX #147F45

RGB 20 127 69

HSL 147.48, 0.73%, 0.29%

LAB 46.65, -42.57, 23.57

 

CMYK 97 / 0 / 54 / 57

HEX #036D32

RGB 3 109 50

HSL 146.6, 0.95%, 0.22%

LAB 39.89, -40.93, 25.44

 

CMYK 100 / 0 / 66 / 64

HEX #005B1F

RGB 0 91 31

HSL 140.44, 1%, 0.18%

LAB 33.09, -37.87, 27.43

 

CMYK 66 / 0 / 34 / 36

HEX #37A46C

RGB 55 164 108

HSL 149.17, 0.5%, 0.43%

LAB 60.29, -44.07, 20.26

 

CMYK 66 / 0 / 52 / 36

HEX #37A44F

RGB 55 164 79

HSL 133.21, 0.5%, 0.43%

LAB 59.82, -49.25, 35.03

 

CMYK 63 / 0 / 66 / 36

HEX #3DA437

RGB 61 164 55

HSL 116.7, 0.5%, 0.43%

LAB 59.72, -50.96, 46.28

 

CMYK 45 / 0 / 66 / 36

HEX #5AA437

RGB 90 164 55

HSL 100.73, 0.5%, 0.43%

LAB 60.78, -42.86, 47.74

 

CMYK 27 / 0 / 66 / 36

HEX #78A437

RGB 120 164 55

HSL 84.22, 0.5%, 0.43%

LAB 62.36, -32.09, 49.89

 

CMYK 66 / 0 / 34 / 36

HEX #37A46C

RGB 55 164 108

HSL 149.17, 0.5%, 0.43%

LAB 60.29, -44.07, 20.26

 

CMYK 66 / 0 / 16 / 36

HEX #37A48A

RGB 55 164 138

HSL 165.69, 0.5%, 0.43%

LAB 60.96, -37.12, 4.51

 

CMYK 66 / 1 / 0 / 36

HEX #37A2A4

RGB 55 162 164

HSL 181.1, 0.5%, 0.43%

LAB 61.07, -29.01, -9.95

 

CMYK 66 / 20 / 0 / 36

HEX #3784A4

RGB 55 132 164

HSL 197.61, 0.5%, 0.43%

LAB 51.83, -13.3, -24

 

CMYK 66 / 37 / 0 / 36

HEX #3767A4

RGB 55 103 164

HSL 213.58, 0.5%, 0.43%

LAB 43.05, 3.91, -37.72

 

CMYK 66 / 0 / 34 / 36

HEX #37A46C

RGB 55 164 108

HSL 149.17, 0.5%, 0.43%

LAB 60.29, -44.07, 20.26

 

CMYK 80 / 0 / 41 / 29

HEX #25B66C

RGB 37 182 108

HSL 149.38, 0.66%, 0.43%

LAB 65.7, -53.76, 27.42

 

CMYK 91 / 0 / 47 / 22

HEX #13C86B

RGB 19 200 107

HSL 149.17, 0.83%, 0.43%

LAB 71.22, -61.79, 35.06

 

CMYK 99 / 0 / 51 / 15

HEX #02DA6B

RGB 2 218 107

HSL 149.17, 0.98%, 0.43%

LAB 76.81, -68.34, 42.07

 

CMYK 66 / 0 / 34 / 36

HEX #37A46C

RGB 55 164 108

HSL 149.17, 0.5%, 0.43%

LAB 60.29, -44.07, 20.26

 

CMYK 50 / 0 / 26 / 42

HEX #49936D

RGB 73 147 109

HSL 149.19, 0.34%, 0.43%

LAB 55.47, -32.32, 13.17

 

CMYK 30 / 0 / 16 / 49

HEX #5A816D

RGB 90 129 109

HSL 149.23, 0.18%, 0.43%

LAB 50.66, -18.18, 6.51

 

CMYK 3 / 0 / 1 / 56

HEX #6C6F6E

RGB 108 111 110

HSL 160, 0.01%, 0.43%

LAB 46.56, -1.35, 0.15

 

CMYK 0 / 25 / 13 / 51

HEX #7E5E6E

RGB 126 94 110

HSL 330, 0.15%, 0.43%

LAB 43.61, 15.79, -3.98

 

CMYK 63 / 0 / 66 / 36

HEX #3CA437

RGB 60 164 55

HSL 117.25, 0.5%, 0.43%

LAB 59.7, -51.19, 46.25

 

CMYK 66 / 0 / 52 / 36

HEX #37A44F

RGB 55 164 79

HSL 133.21, 0.5%, 0.43%

LAB 59.82, -49.25, 35.03

 

CMYK 66 / 0 / 34 / 36

HEX #37A46C

RGB 55 164 108

HSL 149.17, 0.5%, 0.43%

LAB 60.29, -44.07, 20.26

 

CMYK 66 / 0 / 16 / 36

HEX #37A489

RGB 55 164 137

HSL 165.14, 0.5%, 0.43%

LAB 60.93, -37.38, 5.04

 

CMYK 66 / 1 / 0 / 36

HEX #37A3A4

RGB 55 163 164

HSL 180.55, 0.5%, 0.43%

LAB 61.38, -29.49, -9.49

 

CMYK 67 / 0 / 35 / 60

HEX #226743

RGB 34 103 67

HSL 148.7, 0.5%, 0.27%

LAB 38.63, -30.77, 14.14

 

CMYK 66 / 0 / 34 / 47

HEX #2D8658

RGB 45 134 88

HSL 148.99, 0.5%, 0.35%

LAB 49.87, -37.58, 17.24

 

CMYK 66 / 0 / 34 / 36

HEX #37A46C

RGB 55 164 108

HSL 149.17, 0.5%, 0.43%

LAB 60.29, -44.07, 20.26

 

CMYK 65 / 0 / 33 / 24

HEX #44C181

RGB 68 193 129

HSL 149.28, 0.5%, 0.51%

LAB 70.14, -49.18, 22.36

 

CMYK 51 / 0 / 27 / 20

HEX #63CB95

RGB 99 203 149

HSL 148.85, 0.5%, 0.59%

LAB 74.53, -42.65, 17.89

 

CMYK 67 / 0 / 34 / 36

HEX #36A36B

RGB 54 163 107

HSL 149.17, 0.5%, 0.43%

LAB 59.93, -44.05, 20.31

 

CMYK 66 / 45 / 0 / 36

HEX #375AA4

RGB 55 90 164

HSL 220.73, 0.5%, 0.43%

LAB 39.25, 12.22, -43.77

 

CMYK 0 / 61 / 66 / 36

HEX #A44037

RGB 164 64 55

HSL 4.95, 0.5%, 0.43%

LAB 40.95, 40.75, 26.77

 

CMYK 67 / 0 / 34 / 36

HEX #36A36B

RGB 54 163 107

HSL 149.17, 0.5%, 0.43%

LAB 59.93, -44.05, 20.31

 

CMYK 34 / 66 / 0 / 36

HEX #6C37A4

RGB 108 55 164

HSL 269.17, 0.5%, 0.43%

LAB 35.2, 44.92, -50.05

 

CMYK 0 / 34 / 66 / 36

HEX #A46C37

RGB 164 108 55

HSL 29.17, 0.5%, 0.43%

LAB 50.56, 17.09, 38.09

 

CMYK 67 / 0 / 34 / 36

HEX #36A36B

RGB 54 163 107

HSL 149.17, 0.5%, 0.43%

LAB 59.93, -44.05, 20.31

 

CMYK 66 / 45 / 0 / 36

HEX #375AA4

RGB 55 90 164

HSL 220.73, 0.5%, 0.43%

LAB 39.25, 12.22, -43.77

 

CMYK 0 / 66 / 32 / 36

HEX #A4376F

RGB 164 55 111

HSL 329.17, 0.5%, 0.43%

LAB 40.85, 50.07, -8.13

 

CMYK 0 / 21 / 66 / 36

HEX #A48237

RGB 164 130 55

HSL 41.28, 0.5%, 0.43%

LAB 56.22, 4.65, 44.37

 

CMYK 67 / 0 / 34 / 36

HEX #36A36B

RGB 54 163 107

HSL 149.17, 0.5%, 0.43%

LAB 59.93, -44.05, 20.31

 

CMYK 66 / 65 / 0 / 36

HEX #3739A4

RGB 55 57 164

HSL 238.9, 0.5%, 0.43%

LAB 30.45, 33.78, -58.02

 

CMYK 0 / 66 / 32 / 36

HEX #A4376F

RGB 164 55 111

HSL 329.17, 0.5%, 0.43%

LAB 40.85, 50.07, -8.13

 

CMYK 0 / 1 / 66 / 36

HEX #A4A337

RGB 164 163 55

HSL 59.45, 0.5%, 0.43%

LAB 65.25, -13.23, 53.9

 

Description

Color code: HEX #36A36B | qconv.com Color code: HEX #36A36B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 163 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 163 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 34 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 34% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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