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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #369FB6 it is the complementary color #C96049. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #369FB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #369FB6 shade: #3B9FB1, #4CB1C4, #5DC3D7, #6ED5EA and #7FE7FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #369FB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #369FB6 shade: #369FB6, #258DA3, #147B90, #03697D and #00576A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #369FB6 shade: #369EB5, #367CB5, #365AB5, #3637B5 and #5736B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #369FB6 shade: #369EB5, #367CB5, #365AB5, #3637B5 and #3636B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #369FB6 shade matches the following richer shades: #369EB5, #23AAC8 and #10B6DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #369FB6 shade: #369EB5, #4992A2, #5C868F, #6F797C and #826D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #369FB6 shade: #36B586, #36B5A8, #36A0B5, #367EB5 and #365CB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #369FB6 shade: #236675, #2C8295, #369EB5, #4BB2C9 and #6AC0D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #369FB6 shade: #369FB6, #6436B5 and #B59736

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #369FB6 shade: #369FB6, #B536A0 and #A0B536

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #369FB6 shade: #369FB6, #6436B5, #B54B36 and #86B536

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #369FB6 shade: #369FB6, #8A36B5, #B54B36 and #60B536

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 13 / 0 / 29

HEX #369FB6

RGB 54 159 182

HSL 190.78, 0.54%, 0.46%

LAB 60.74, -22.12, -20.6

 

Complementary color

CMYK 0 / 52 / 64 / 21

HEX #C96049

RGB 201 96 73

HSL 10.78, 0.54%, 0.54%

LAB 53.24, 39.99, 32.73

 

CMYK 67 / 10 / 0 / 31

HEX #3B9FB1

RGB 59 159 177

HSL 189.15, 0.5%, 0.46%

LAB 60.69, -22.94, -17.85

 

CMYK 61 / 10 / 0 / 23

HEX #4CB1C4

RGB 76 177 196

HSL 189.5, 0.5%, 0.53%

LAB 67.25, -23.53, -18.45

 

CMYK 57 / 9 / 0 / 16

HEX #5DC3D7

RGB 93 195 215

HSL 189.84, 0.6%, 0.6%

LAB 73.72, -23.96, -19

 

CMYK 53 / 9 / 0 / 8

HEX #6ED5EA

RGB 110 213 234

HSL 190.16, 0.75%, 0.67%

LAB 80.09, -24.27, -19.51

 

CMYK 50 / 9 / 0 / 1

HEX #7FE7FD

RGB 127 231 253

HSL 190.48, 0.97%, 0.75%

LAB 86.38, -24.5, -20

 

CMYK 70 / 13 / 0 / 29

HEX #369FB6

RGB 54 159 182

HSL 190.78, 0.54%, 0.46%

LAB 60.74, -22.12, -20.6

 

CMYK 77 / 13 / 0 / 36

HEX #258DA3

RGB 37 141 163

HSL 190.48, 0.63%, 0.39%

LAB 54.12, -21.09, -19.94

 

CMYK 86 / 15 / 0 / 44

HEX #147B90

RGB 20 123 144

HSL 190.16, 0.76%, 0.32%

LAB 47.4, -19.66, -19.19

 

CMYK 98 / 16 / 0 / 51

HEX #03697D

RGB 3 105 125

HSL 189.84, 0.95%, 0.25%

LAB 40.58, -17.76, -18.33

 

CMYK 100 / 18 / 0 / 58

HEX #00576A

RGB 0 87 106

HSL 190.75, 1%, 0.21%

LAB 33.68, -14.96, -17.25

 

CMYK 70 / 13 / 0 / 29

HEX #369EB5

RGB 54 158 181

HSL 190.87, 0.54%, 0.46%

LAB 60.4, -21.92, -20.55

 

CMYK 70 / 31 / 0 / 29

HEX #367CB5

RGB 54 124 181

HSL 206.93, 0.54%, 0.46%

LAB 50.14, -2.99, -36.46

 

CMYK 70 / 50 / 0 / 29

HEX #365AB5

RGB 54 90 181

HSL 222.99, 0.54%, 0.46%

LAB 40.3, 18.32, -52.14

 

CMYK 70 / 70 / 0 / 29

HEX #3637B5

RGB 54 55 181

HSL 239.53, 0.54%, 0.46%

LAB 31.47, 40.72, -66.52

 

CMYK 52 / 70 / 0 / 29

HEX #5736B5

RGB 87 54 181

HSL 255.59, 0.54%, 0.46%

LAB 33.98, 46.01, -62.29

 

CMYK 70 / 13 / 0 / 29

HEX #369EB5

RGB 54 158 181

HSL 190.87, 0.54%, 0.46%

LAB 60.4, -21.92, -20.55

 

CMYK 70 / 31 / 0 / 29

HEX #367CB5

RGB 54 124 181

HSL 206.93, 0.54%, 0.46%

LAB 50.14, -2.99, -36.46

 

CMYK 70 / 50 / 0 / 29

HEX #365AB5

RGB 54 90 181

HSL 222.99, 0.54%, 0.46%

LAB 40.3, 18.32, -52.14

 

CMYK 70 / 70 / 0 / 29

HEX #3637B5

RGB 54 55 181

HSL 239.53, 0.54%, 0.46%

LAB 31.47, 40.72, -66.52

 

CMYK 70 / 70 / 0 / 29

HEX #3636B5

RGB 54 54 181

HSL 240, 0.54%, 0.46%

LAB 31.25, 41.32, -66.88

 

CMYK 70 / 13 / 0 / 29

HEX #369EB5

RGB 54 158 181

HSL 190.87, 0.54%, 0.46%

LAB 60.4, -21.92, -20.55

 

CMYK 83 / 15 / 0 / 22

HEX #23AAC8

RGB 35 170 200

HSL 190.91, 0.7%, 0.46%

LAB 64.38, -24.03, -25.12

 

CMYK 93 / 17 / 0 / 14

HEX #10B6DB

RGB 16 182 219

HSL 190.94, 0.86%, 0.46%

LAB 68.52, -24.91, -29.26

 

CMYK 70 / 13 / 0 / 29

HEX #369EB5

RGB 54 158 181

HSL 190.87, 0.54%, 0.46%

LAB 60.4, -21.92, -20.55

 

CMYK 55 / 10 / 0 / 36

HEX #4992A2

RGB 73 146 162

HSL 190.79, 0.38%, 0.46%

LAB 56.67, -18.08, -15.4

 

CMYK 36 / 6 / 0 / 44

HEX #5C868F

RGB 92 134 143

HSL 190.59, 0.22%, 0.46%

LAB 53.29, -12.06, -9.45

 

CMYK 10 / 2 / 0 / 51

HEX #6F797C

RGB 111 121 124

HSL 193.85, 0.06%, 0.46%

LAB 50.11, -3.07, -2.92

 

CMYK 0 / 16 / 19 / 49

HEX #826D69

RGB 130 109 105

HSL 9.6, 0.11%, 0.46%

LAB 47.88, 7.59, 5.31

 

CMYK 70 / 0 / 26 / 29

HEX #36B586

RGB 54 181 134

HSL 157.8, 0.54%, 0.46%

LAB 66.18, -45.61, 14.14

 

CMYK 70 / 0 / 7 / 29

HEX #36B5A8

RGB 54 181 168

HSL 173.86, 0.54%, 0.46%

LAB 67.02, -37.01, -3.37

 

CMYK 70 / 12 / 0 / 29

HEX #36A0B5

RGB 54 160 181

HSL 189.92, 0.54%, 0.46%

LAB 61.01, -22.95, -19.63

 

CMYK 70 / 30 / 0 / 29

HEX #367EB5

RGB 54 126 181

HSL 205.98, 0.54%, 0.46%

LAB 50.74, -4.17, -35.53

 

CMYK 70 / 49 / 0 / 29

HEX #365CB5

RGB 54 92 181

HSL 222.05, 0.54%, 0.46%

LAB 40.86, 17.02, -51.24

 

CMYK 70 / 13 / 0 / 54

HEX #236675

RGB 35 102 117

HSL 190.98, 0.54%, 0.3%

LAB 39.82, -15.66, -14.58

 

CMYK 70 / 13 / 0 / 42

HEX #2C8295

RGB 44 130 149

HSL 190.86, 0.54%, 0.38%

LAB 50.3, -18.94, -17.65

 

CMYK 70 / 13 / 0 / 29

HEX #369EB5

RGB 54 158 181

HSL 190.87, 0.54%, 0.46%

LAB 60.4, -21.92, -20.55

 

CMYK 63 / 11 / 0 / 21

HEX #4BB2C9

RGB 75 178 201

HSL 190.95, 0.54%, 0.54%

LAB 67.69, -22.72, -20.54

 

CMYK 50 / 9 / 0 / 17

HEX #6AC0D3

RGB 106 192 211

HSL 190.86, 0.54%, 0.62%

LAB 73.2, -20.87, -17.56

 

CMYK 70 / 13 / 0 / 29

HEX #369FB6

RGB 54 159 182

HSL 190.78, 0.54%, 0.46%

LAB 60.74, -22.12, -20.6

 

CMYK 45 / 70 / 0 / 29

HEX #6436B5

RGB 100 54 181

HSL 261.73, 0.54%, 0.46%

LAB 35.37, 48.28, -59.97

 

CMYK 0 / 17 / 70 / 29

HEX #B59736

RGB 181 151 54

HSL 45.83, 0.54%, 0.46%

LAB 63.53, 0.6, 53.05

 

CMYK 70 / 13 / 0 / 29

HEX #369FB6

RGB 54 159 182

HSL 190.78, 0.54%, 0.46%

LAB 60.74, -22.12, -20.6

 

CMYK 0 / 70 / 12 / 29

HEX #B536A0

RGB 181 54 160

HSL 309.92, 0.54%, 0.46%

LAB 45.63, 61.88, -30.4

 

CMYK 12 / 0 / 70 / 29

HEX #A0B536

RGB 160 181 54

HSL 69.92, 0.54%, 0.46%

LAB 70.03, -24.11, 59.02

 

CMYK 70 / 13 / 0 / 29

HEX #369FB6

RGB 54 159 182

HSL 190.78, 0.54%, 0.46%

LAB 60.74, -22.12, -20.6

 

CMYK 45 / 70 / 0 / 29

HEX #6436B5

RGB 100 54 181

HSL 261.73, 0.54%, 0.46%

LAB 35.37, 48.28, -59.97

 

CMYK 0 / 59 / 70 / 29

HEX #B54B36

RGB 181 75 54

HSL 9.92, 0.54%, 0.46%

LAB 45.8, 41.71, 33.82

 

CMYK 26 / 0 / 70 / 29

HEX #86B536

RGB 134 181 54

HSL 82.2, 0.54%, 0.46%

LAB 68.3, -34.6, 56.72

 

CMYK 70 / 13 / 0 / 29

HEX #369FB6

RGB 54 159 182

HSL 190.78, 0.54%, 0.46%

LAB 60.74, -22.12, -20.6

 

CMYK 24 / 70 / 0 / 29

HEX #8A36B5

RGB 138 54 181

HSL 279.69, 0.54%, 0.46%

LAB 40.21, 55.81, -51.9

 

CMYK 0 / 59 / 70 / 29

HEX #B54B36

RGB 181 75 54

HSL 9.92, 0.54%, 0.46%

LAB 45.8, 41.71, 33.82

 

CMYK 47 / 0 / 70 / 29

HEX #60B536

RGB 96 181 54

HSL 100.16, 0.54%, 0.46%

LAB 66.37, -47.97, 54.12

 

Description

Color code: HEX #369FB6 | qconv.com Color code: HEX #369FB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 159 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 159 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 13 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 13% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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