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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #369E88 it is the complementary color #C96177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #369E88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #369E88 shade: #3B9E83, #4CB096, #5DC2A9, #6ED4BC and #7FE6CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #369E88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #369E88 shade: #369E88, #258C75, #147A62, #03684F and #00563C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #369E88 shade: #37A089, #37A06D, #37A051, #39A037 and #55A037

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #369E88 shade: #37A089, #3799A0, #377DA0, #3761A0 and #3745A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #369E88 shade matches the following richer shades: #37A089, #25B193, #14C29D and #03D4A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #369E88 shade: #37A089, #488E7F, #597D75, #6B6C6B and #7C5A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #369E88 shade: #37A051, #37A06D, #37A089, #379AA0 and #377EA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #369E88 shade: #226254, #2C816F, #37A089, #41BEA4 and #60C9B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #369E88 shade: #369E88, #3738A0 and #A05F37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #369E88 shade: #369E88, #8937A0 and #A08937

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #369E88 shade: #369E88, #3738A0, #A0374D and #A09E37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #369E88 shade: #369E88, #5437A0, #A0374D and #82A037

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 14 / 38

HEX #369E88

RGB 54 158 136

HSL 167.31, 0.49%, 0.42%

LAB 58.99, -35.08, 2.8

 

Complementary color

CMYK 0 / 52 / 41 / 21

HEX #C96177

RGB 201 97 119

HSL 347.31, 0.49%, 0.58%

LAB 54.34, 43.51, 7.43

 

CMYK 63 / 0 / 17 / 38

HEX #3B9E83

RGB 59 158 131

HSL 163.64, 0.46%, 0.43%

LAB 58.99, -35.45, 5.65

 

CMYK 57 / 0 / 15 / 31

HEX #4CB096

RGB 76 176 150

HSL 164.4, 0.4%, 0.49%

LAB 65.58, -35.58, 4.57

 

CMYK 52 / 0 / 13 / 24

HEX #5DC2A9

RGB 93 194 169

HSL 165.15, 0.45%, 0.56%

LAB 72.08, -35.59, 3.6

 

CMYK 48 / 0 / 11 / 17

HEX #6ED4BC

RGB 110 212 188

HSL 165.88, 0.54%, 0.63%

LAB 78.48, -35.54, 2.71

 

CMYK 45 / 0 / 10 / 10

HEX #7FE6CF

RGB 127 230 207

HSL 166.6, 0.67%, 0.7%

LAB 84.8, -35.44, 1.88

 

CMYK 66 / 0 / 14 / 38

HEX #369E88

RGB 54 158 136

HSL 167.31, 0.49%, 0.42%

LAB 58.99, -35.08, 2.8

 

CMYK 74 / 0 / 16 / 45

HEX #258C75

RGB 37 140 117

HSL 166.6, 0.58%, 0.35%

LAB 52.32, -34.58, 3.98

 

CMYK 84 / 0 / 20 / 52

HEX #147A62

RGB 20 122 98

HSL 165.88, 0.72%, 0.28%

LAB 45.57, -33.71, 5.34

 

CMYK 97 / 0 / 24 / 59

HEX #03684F

RGB 3 104 79

HSL 165.15, 0.94%, 0.21%

LAB 38.7, -32.36, 6.92

 

CMYK 100 / 0 / 30 / 66

HEX #00563C

RGB 0 86 60

HSL 161.86, 1%, 0.17%

LAB 31.77, -29.91, 8.85

 

CMYK 66 / 0 / 14 / 37

HEX #37A089

RGB 55 160 137

HSL 166.86, 0.49%, 0.42%

LAB 59.67, -35.56, 3.22

 

CMYK 66 / 0 / 32 / 37

HEX #37A06D

RGB 55 160 109

HSL 150.86, 0.49%, 0.42%

LAB 59.03, -42.2, 17.99

 

CMYK 66 / 0 / 49 / 37

HEX #37A051

RGB 55 160 81

HSL 134.86, 0.49%, 0.42%

LAB 58.55, -47.41, 32.43

 

CMYK 64 / 0 / 66 / 37

HEX #39A037

RGB 57 160 55

HSL 118.86, 0.49%, 0.42%

LAB 58.31, -50.41, 44.7

 

CMYK 47 / 0 / 66 / 37

HEX #55A037

RGB 85 160 55

HSL 102.86, 0.49%, 0.42%

LAB 59.3, -42.8, 46.06

 

CMYK 66 / 0 / 14 / 37

HEX #37A089

RGB 55 160 137

HSL 166.86, 0.49%, 0.42%

LAB 59.67, -35.56, 3.22

 

CMYK 66 / 4 / 0 / 37

HEX #3799A0

RGB 55 153 160

HSL 184, 0.49%, 0.42%

LAB 58.16, -25.72, -12.05

 

CMYK 66 / 22 / 0 / 37

HEX #377DA0

RGB 55 125 160

HSL 200, 0.49%, 0.42%

LAB 49.52, -10.68, -25.25

 

CMYK 66 / 39 / 0 / 37

HEX #3761A0

RGB 55 97 160

HSL 216, 0.49%, 0.42%

LAB 41.06, 6.25, -38.52

 

CMYK 66 / 57 / 0 / 37

HEX #3745A0

RGB 55 69 160

HSL 232, 0.49%, 0.42%

LAB 33.15, 24.57, -51.21

 

CMYK 66 / 0 / 14 / 37

HEX #37A089

RGB 55 160 137

HSL 166.86, 0.49%, 0.42%

LAB 59.67, -35.56, 3.22

 

CMYK 79 / 0 / 17 / 31

HEX #25B193

RGB 37 177 147

HSL 167.14, 0.65%, 0.42%

LAB 64.92, -42.95, 5.16

 

CMYK 90 / 0 / 19 / 24

HEX #14C29D

RGB 20 194 157

HSL 167.24, 0.81%, 0.42%

LAB 70.29, -48.77, 7.36

 

CMYK 99 / 0 / 21 / 17

HEX #03D4A7

RGB 3 212 167

HSL 167.08, 0.97%, 0.42%

LAB 76.01, -54.05, 10.12

 

CMYK 66 / 0 / 14 / 37

HEX #37A089

RGB 55 160 137

HSL 166.86, 0.49%, 0.42%

LAB 59.67, -35.56, 3.22

 

CMYK 49 / 0 / 11 / 44

HEX #488E7F

RGB 72 142 127

HSL 167.14, 0.33%, 0.42%

LAB 54.3, -25.92, 1.2

 

CMYK 29 / 0 / 6 / 51

HEX #597D75

RGB 89 125 117

HSL 166.67, 0.17%, 0.42%

LAB 49.59, -14.53, 0.26

 

CMYK 1 / 0 / 1 / 58

HEX #6B6C6B

RGB 107 108 107

HSL 120, 0%, 0.42%

LAB 45.51, -0.59, 0.42

 

CMYK 0 / 27 / 22 / 51

HEX #7C5A61

RGB 124 90 97

HSL 347.65, 0.16%, 0.42%

LAB 41.94, 15.11, 1.49

 

CMYK 66 / 0 / 49 / 37

HEX #37A051

RGB 55 160 81

HSL 134.86, 0.49%, 0.42%

LAB 58.55, -47.41, 32.43

 

CMYK 66 / 0 / 32 / 37

HEX #37A06D

RGB 55 160 109

HSL 150.86, 0.49%, 0.42%

LAB 59.03, -42.2, 17.99

 

CMYK 66 / 0 / 14 / 37

HEX #37A089

RGB 55 160 137

HSL 166.86, 0.49%, 0.42%

LAB 59.67, -35.56, 3.22

 

CMYK 66 / 4 / 0 / 37

HEX #379AA0

RGB 55 154 160

HSL 183.43, 0.49%, 0.42%

LAB 58.47, -26.23, -11.59

 

CMYK 66 / 21 / 0 / 37

HEX #377EA0

RGB 55 126 160

HSL 199.43, 0.49%, 0.42%

LAB 49.82, -11.25, -24.77

 

CMYK 65 / 0 / 14 / 62

HEX #226254

RGB 34 98 84

HSL 166.88, 0.48%, 0.26%

LAB 37.33, -24.06, 1.97

 

CMYK 66 / 0 / 14 / 49

HEX #2C816F

RGB 44 129 111

HSL 167.29, 0.49%, 0.34%

LAB 48.74, -29.91, 2.31

 

CMYK 66 / 0 / 14 / 37

HEX #37A089

RGB 55 160 137

HSL 166.86, 0.49%, 0.42%

LAB 59.67, -35.56, 3.22

 

CMYK 66 / 0 / 14 / 25

HEX #41BEA4

RGB 65 190 164

HSL 167.52, 0.49%, 0.5%

LAB 69.92, -40.46, 3.09

 

CMYK 52 / 0 / 11 / 21

HEX #60C9B3

RGB 96 201 179

HSL 167.43, 0.49%, 0.58%

LAB 74.52, -35.76, 1.73

 

CMYK 66 / 0 / 14 / 38

HEX #369E88

RGB 54 158 136

HSL 167.31, 0.49%, 0.42%

LAB 58.99, -35.08, 2.8

 

CMYK 66 / 65 / 0 / 37

HEX #3738A0

RGB 55 56 160

HSL 239.43, 0.49%, 0.42%

LAB 29.86, 33.02, -56.56

 

CMYK 0 / 41 / 66 / 37

HEX #A05F37

RGB 160 95 55

HSL 22.86, 0.49%, 0.42%

LAB 46.89, 22.71, 33.72

 

CMYK 66 / 0 / 14 / 38

HEX #369E88

RGB 54 158 136

HSL 167.31, 0.49%, 0.42%

LAB 58.99, -35.08, 2.8

 

CMYK 14 / 66 / 0 / 37

HEX #8937A0

RGB 137 55 160

HSL 286.86, 0.49%, 0.42%

LAB 38.88, 50.73, -41.53

 

CMYK 0 / 14 / 66 / 37

HEX #A08937

RGB 160 137 55

HSL 46.86, 0.49%, 0.42%

LAB 57.69, -1.04, 45.84

 

CMYK 66 / 0 / 14 / 38

HEX #369E88

RGB 54 158 136

HSL 167.31, 0.49%, 0.42%

LAB 58.99, -35.08, 2.8

 

CMYK 66 / 65 / 0 / 37

HEX #3738A0

RGB 55 56 160

HSL 239.43, 0.49%, 0.42%

LAB 29.86, 33.02, -56.56

 

CMYK 0 / 66 / 52 / 37

HEX #A0374D

RGB 160 55 77

HSL 347.43, 0.49%, 0.42%

LAB 39.14, 45.15, 10.65

 

CMYK 0 / 1 / 66 / 37

HEX #A09E37

RGB 160 158 55

HSL 58.86, 0.49%, 0.42%

LAB 63.51, -12.36, 52

 

CMYK 66 / 0 / 14 / 38

HEX #369E88

RGB 54 158 136

HSL 167.31, 0.49%, 0.42%

LAB 58.99, -35.08, 2.8

 

CMYK 48 / 66 / 0 / 37

HEX #5437A0

RGB 84 55 160

HSL 256.57, 0.49%, 0.42%

LAB 32.16, 38.77, -52.71

 

CMYK 0 / 66 / 52 / 37

HEX #A0374D

RGB 160 55 77

HSL 347.43, 0.49%, 0.42%

LAB 39.14, 45.15, 10.65

 

CMYK 19 / 0 / 66 / 37

HEX #82A037

RGB 130 160 55

HSL 77.14, 0.49%, 0.42%

LAB 61.79, -26.17, 49.49

 

Description

Color code: HEX #369E88 | qconv.com Color code: HEX #369E88 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 158 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 158 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 14 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 14% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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