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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #369B05 it is the complementary color #C964FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #369B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #369B05 shade: #3B9B00, #4CAD13, #5DBF26, #6ED139 and #7FE34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #369B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #369B05 shade: #369B05, #258900, #147700, #036500 and #005300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #369B05 shade: #359905, #5D9905, #859905, #998505 and #995D05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #369B05 shade: #359905, #0D9905, #059924, #05994C and #059975

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #369B05 shade matches the following richer shades: #359905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #369B05 shade: #359905, #3A8D12, #3E801E, #43732B and #476638

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #369B05 shade: #869905, #5E9905, #369905, #0F9905 and #059922

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #369B05 shade: #194902, #277104, #359905, #43C106 and #51E907

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #369B05 shade: #369B05, #059986 and #990572

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #369B05 shade: #369B05, #053699 and #990536

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #369B05 shade: #369B05, #059986, #680599 and #990519

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #369B05 shade: #369B05, #058199, #680599 and #991E05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 97 / 39

HEX #369B05

RGB 54 155 5

HSL 100.4, 0.94%, 0.31%

LAB 56.33, -52.36, 57.54

 

Complementary color

CMYK 20 / 60 / 0 / 2

HEX #C964FA

RGB 201 100 250

HSL 280.4, 0.94%, 0.69%

LAB 60.28, 63.49, -58.59

 

CMYK 62 / 0 / 100 / 39

HEX #3B9B00

RGB 59 155 0

HSL 97.16, 1%, 0.3%

LAB 56.46, -51.29, 58.49

 

CMYK 56 / 0 / 89 / 32

HEX #4CAD13

RGB 76 173 19

HSL 97.79, 0.8%, 0.38%

LAB 62.9, -52.75, 61.05

 

CMYK 51 / 0 / 80 / 25

HEX #5DBF26

RGB 93 191 38

HSL 98.43, 0.67%, 0.45%

LAB 69.28, -53.77, 62.35

 

CMYK 47 / 0 / 73 / 18

HEX #6ED139

RGB 110 209 57

HSL 99.08, 0.62%, 0.52%

LAB 75.58, -54.44, 62.57

 

CMYK 44 / 0 / 67 / 11

HEX #7FE34C

RGB 127 227 76

HSL 99.74, 0.73%, 0.59%

LAB 81.82, -54.85, 62.17

 

CMYK 65 / 0 / 97 / 39

HEX #369B05

RGB 54 155 5

HSL 100.4, 0.94%, 0.31%

LAB 56.33, -52.36, 57.54

 

CMYK 73 / 0 / 100 / 46

HEX #258900

RGB 37 137 0

HSL 103.8, 1%, 0.27%

LAB 49.84, -50.06, 52.99

 

CMYK 83 / 0 / 100 / 53

HEX #147700

RGB 20 119 0

HSL 109.92, 1%, 0.23%

LAB 43.27, -47.06, 47.62

 

CMYK 97 / 0 / 100 / 60

HEX #036500

RGB 3 101 0

HSL 118.22, 1%, 0.2%

LAB 36.61, -43.34, 42.2

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 65 / 0 / 97 / 40

HEX #359905

RGB 53 153 5

HSL 100.54, 0.94%, 0.31%

LAB 55.63, -51.9, 56.97

 

CMYK 39 / 0 / 97 / 40

HEX #5D9905

RGB 93 153 5

HSL 84.32, 0.94%, 0.31%

LAB 57.19, -39.8, 58.87

 

CMYK 13 / 0 / 97 / 40

HEX #859905

RGB 133 153 5

HSL 68.11, 0.94%, 0.31%

LAB 59.69, -23.54, 61.9

 

CMYK 0 / 13 / 97 / 40

HEX #998505

RGB 153 133 5

HSL 51.89, 0.94%, 0.31%

LAB 55.64, -3.91, 59.6

 

CMYK 0 / 39 / 97 / 40

HEX #995D05

RGB 153 93 5

HSL 35.68, 0.94%, 0.31%

LAB 45.1, 18.79, 52.02

 

CMYK 65 / 0 / 97 / 40

HEX #359905

RGB 53 153 5

HSL 100.54, 0.94%, 0.31%

LAB 55.63, -51.9, 56.97

 

CMYK 92 / 0 / 97 / 40

HEX #0D9905

RGB 13 153 5

HSL 116.76, 0.94%, 0.31%

LAB 54.95, -57.9, 56.12

 

CMYK 97 / 0 / 76 / 40

HEX #059924

RGB 5 153 36

HSL 132.57, 0.94%, 0.31%

LAB 55.01, -56.85, 48.61

 

CMYK 97 / 0 / 50 / 40

HEX #05994C

RGB 5 153 76

HSL 148.78, 0.94%, 0.31%

LAB 55.42, -51.82, 30.93

 

CMYK 97 / 0 / 24 / 40

HEX #059975

RGB 5 153 117

HSL 165.41, 0.94%, 0.31%

LAB 56.19, -42.98, 9.44

 

CMYK 65 / 0 / 97 / 40

HEX #359905

RGB 53 153 5

HSL 100.54, 0.94%, 0.31%

LAB 55.63, -51.9, 56.97

 

CMYK 65 / 0 / 97 / 40

HEX #359905

RGB 53 153 5

HSL 100.54, 0.94%, 0.31%

LAB 55.63, -51.9, 56.97

 

CMYK 59 / 0 / 87 / 45

HEX #3A8D12

RGB 58 141 18

HSL 100.49, 0.77%, 0.31%

LAB 51.83, -45.94, 51.41

 

CMYK 52 / 0 / 77 / 50

HEX #3E801E

RGB 62 128 30

HSL 100.41, 0.62%, 0.31%

LAB 47.7, -38.98, 43.89

 

CMYK 42 / 0 / 63 / 55

HEX #43732B

RGB 67 115 43

HSL 100, 0.46%, 0.31%

LAB 43.7, -30.42, 34.04

 

CMYK 30 / 0 / 45 / 60

HEX #476638

RGB 71 102 56

HSL 100.43, 0.29%, 0.31%

LAB 39.79, -20.79, 22.43

 

CMYK 12 / 0 / 97 / 40

HEX #869905

RGB 134 153 5

HSL 67.7, 0.94%, 0.31%

LAB 59.76, -23.1, 61.99

 

CMYK 39 / 0 / 97 / 40

HEX #5E9905

RGB 94 153 5

HSL 83.92, 0.94%, 0.31%

LAB 57.24, -39.43, 58.94

 

CMYK 65 / 0 / 97 / 40

HEX #369905

RGB 54 153 5

HSL 100.14, 0.94%, 0.31%

LAB 55.66, -51.67, 57

 

CMYK 90 / 0 / 97 / 40

HEX #0F9905

RGB 15 153 5

HSL 115.95, 0.94%, 0.31%

LAB 54.96, -57.75, 56.14

 

CMYK 97 / 0 / 78 / 40

HEX #059922

RGB 5 153 34

HSL 131.76, 0.94%, 0.31%

LAB 55, -57.01, 49.3

 

CMYK 66 / 0 / 97 / 71

HEX #194902

RGB 25 73 2

HSL 100.56, 0.95%, 0.15%

LAB 26.67, -29.59, 33.52

 

CMYK 65 / 0 / 96 / 56

HEX #277104

RGB 39 113 4

HSL 100.73, 0.93%, 0.23%

LAB 41.61, -41.13, 45.5

 

CMYK 65 / 0 / 97 / 40

HEX #359905

RGB 53 153 5

HSL 100.54, 0.94%, 0.31%

LAB 55.63, -51.9, 56.97

 

CMYK 65 / 0 / 97 / 24

HEX #43C106

RGB 67 193 6

HSL 100.43, 0.94%, 0.39%

LAB 69, -62.12, 67.84

 

CMYK 65 / 0 / 97 / 9

HEX #51E907

RGB 81 233 7

HSL 100.35, 0.94%, 0.47%

LAB 81.86, -71.93, 78.27

 

CMYK 65 / 0 / 97 / 39

HEX #369B05

RGB 54 155 5

HSL 100.4, 0.94%, 0.31%

LAB 56.33, -52.36, 57.54

 

CMYK 97 / 0 / 12 / 40

HEX #059986

RGB 5 153 134

HSL 172.3, 0.94%, 0.31%

LAB 56.62, -38.35, 0.4

 

CMYK 0 / 97 / 25 / 40

HEX #990572

RGB 153 5 114

HSL 315.81, 0.94%, 0.31%

LAB 34.18, 61.09, -20.38

 

CMYK 65 / 0 / 97 / 39

HEX #369B05

RGB 54 155 5

HSL 100.4, 0.94%, 0.31%

LAB 56.33, -52.36, 57.54

 

CMYK 97 / 65 / 0 / 40

HEX #053699

RGB 5 54 153

HSL 220.14, 0.94%, 0.31%

LAB 26.65, 27.05, -57.64

 

CMYK 0 / 97 / 65 / 40

HEX #990536

RGB 153 5 54

HSL 340.14, 0.94%, 0.31%

LAB 32.14, 55.66, 15.75

 

CMYK 65 / 0 / 97 / 39

HEX #369B05

RGB 54 155 5

HSL 100.4, 0.94%, 0.31%

LAB 56.33, -52.36, 57.54

 

CMYK 97 / 0 / 12 / 40

HEX #059986

RGB 5 153 134

HSL 172.3, 0.94%, 0.31%

LAB 56.62, -38.35, 0.4

 

CMYK 32 / 97 / 0 / 40

HEX #680599

RGB 104 5 153

HSL 280.14, 0.94%, 0.31%

LAB 27.71, 58.97, -55.58

 

CMYK 0 / 97 / 84 / 40

HEX #990519

RGB 153 5 25

HSL 351.89, 0.94%, 0.31%

LAB 31.7, 54.43, 33.69

 

CMYK 65 / 0 / 97 / 39

HEX #369B05

RGB 54 155 5

HSL 100.4, 0.94%, 0.31%

LAB 56.33, -52.36, 57.54

 

CMYK 97 / 16 / 0 / 40

HEX #058199

RGB 5 129 153

HSL 189.73, 0.94%, 0.31%

LAB 49.54, -20.56, -21.21

 

CMYK 32 / 97 / 0 / 40

HEX #680599

RGB 104 5 153

HSL 280.14, 0.94%, 0.31%

LAB 27.71, 58.97, -55.58

 

CMYK 0 / 80 / 97 / 40

HEX #991E05

RGB 153 30 5

HSL 10.14, 0.94%, 0.31%

LAB 33.38, 48.88, 44.47

 

Description

Color code: HEX #369B05 | qconv.com Color code: HEX #369B05 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 155 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 155 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 97 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 97% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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