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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #368C31 it is the complementary color #C973CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #368C31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #368C31 shade: #3B8C2C, #4C9E3F, #5DB052, #6EC265 and #7FD478

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #368C31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #368C31 shade: #368C31, #257A1E, #14680B, #035600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #368C31 shade: #368C31, #4E8C31, #678C31, #7F8C31 and #8C8031

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #368C31 shade: #368C31, #318C45, #318C5D, #318C75 and #31898C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #368C31 shade matches the following richer shades: #368C31, #289B22, #1BAA13 and #0DB903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #368C31 shade: #368C31, #447C40, #516D50, #5F5E5F and #6C4F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #368C31 shade: #678C31, #4F8C31, #378C31, #318C43 and #318C5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #368C31 shade: #1E4F1C, #2A6D26, #368C31, #42AA3C and #55C14E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #368C31 shade: #368C31, #31808C and #8C315B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #368C31 shade: #368C31, #31378C and #8C3137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #368C31 shade: #368C31, #31808C, #86318C and #8C3D31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #368C31 shade: #368C31, #31648C, #86318C and #8C5831

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

Complementary color

CMYK 2 / 44 / 0 / 19

HEX #C973CE

RGB 201 115 206

HSL 296.7, 0.48%, 0.63%

LAB 60.9, 47.42, -33.04

 

CMYK 58 / 0 / 69 / 45

HEX #3B8C2C

RGB 59 140 44

HSL 110.63, 0.52%, 0.36%

LAB 51.69, -43.48, 42.31

 

CMYK 52 / 0 / 60 / 38

HEX #4C9E3F

RGB 76 158 63

HSL 111.79, 0.43%, 0.43%

LAB 58.37, -43.87, 41.29

 

CMYK 47 / 0 / 53 / 31

HEX #5DB052

RGB 93 176 82

HSL 112.98, 0.37%, 0.51%

LAB 64.95, -43.99, 40.08

 

CMYK 43 / 0 / 48 / 24

HEX #6EC265

RGB 110 194 101

HSL 114.19, 0.43%, 0.58%

LAB 71.44, -43.94, 38.81

 

CMYK 40 / 0 / 43 / 17

HEX #7FD478

RGB 127 212 120

HSL 115.43, 0.52%, 0.65%

LAB 77.85, -43.81, 37.55

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 70 / 0 / 75 / 52

HEX #257A1E

RGB 37 122 30

HSL 115.43, 0.61%, 0.3%

LAB 44.81, -43.38, 40.71

 

CMYK 81 / 0 / 89 / 59

HEX #14680B

RGB 20 104 11

HSL 114.19, 0.81%, 0.23%

LAB 37.97, -41.63, 40.45

 

CMYK 97 / 0 / 100 / 66

HEX #035600

RGB 3 86 0

HSL 117.91, 1%, 0.17%

LAB 31.06, -38.64, 37.75

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 44 / 0 / 65 / 45

HEX #4E8C31

RGB 78 140 49

HSL 100.88, 0.48%, 0.37%

LAB 52.51, -37.18, 41.2

 

CMYK 26 / 0 / 65 / 45

HEX #678C31

RGB 103 140 49

HSL 84.4, 0.48%, 0.37%

LAB 53.88, -27.88, 43.1

 

CMYK 9 / 0 / 65 / 45

HEX #7F8C31

RGB 127 140 49

HSL 68.57, 0.48%, 0.37%

LAB 55.57, -17.78, 45.42

 

CMYK 0 / 9 / 65 / 45

HEX #8C8031

RGB 140 128 49

HSL 52.09, 0.48%, 0.37%

LAB 53.21, -5.49, 43.22

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 65 / 0 / 51 / 45

HEX #318C45

RGB 49 140 69

HSL 133.19, 0.48%, 0.37%

LAB 51.65, -42.76, 30.04

 

CMYK 65 / 0 / 34 / 45

HEX #318C5D

RGB 49 140 93

HSL 149.01, 0.48%, 0.37%

LAB 52.06, -38.29, 17.4

 

CMYK 65 / 0 / 16 / 45

HEX #318C75

RGB 49 140 117

HSL 164.84, 0.48%, 0.37%

LAB 52.61, -32.6, 4.43

 

CMYK 65 / 2 / 0 / 45

HEX #31898C

RGB 49 137 140

HSL 181.98, 0.48%, 0.37%

LAB 52.33, -24.64, -9.33

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 74 / 0 / 78 / 39

HEX #289B22

RGB 40 155 34

HSL 117.02, 0.64%, 0.37%

LAB 56.1, -53.91, 50.51

 

CMYK 84 / 0 / 89 / 33

HEX #1BAA13

RGB 27 170 19

HSL 116.82, 0.8%, 0.37%

LAB 60.81, -61.2, 58.8

 

CMYK 93 / 0 / 98 / 27

HEX #0DB903

RGB 13 185 3

HSL 116.7, 0.97%, 0.37%

LAB 65.58, -67.04, 65.08

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 45 / 0 / 48 / 51

HEX #447C40

RGB 68 124 64

HSL 116, 0.32%, 0.37%

LAB 46.99, -31.48, 27.04

 

CMYK 26 / 0 / 27 / 57

HEX #516D50

RGB 81 109 80

HSL 117.93, 0.15%, 0.37%

LAB 43.16, -16.55, 12.97

 

CMYK 0 / 1 / 0 / 63

HEX #5F5E5F

RGB 95 94 95

HSL 300, 0.01%, 0.37%

LAB 40.02, 0.61, -0.44

 

CMYK 2 / 28 / 0 / 57

HEX #6C4F6E

RGB 108 79 110

HSL 296.13, 0.16%, 0.37%

LAB 37.67, 18.05, -13.09

 

CMYK 26 / 0 / 65 / 45

HEX #678C31

RGB 103 140 49

HSL 84.4, 0.48%, 0.37%

LAB 53.88, -27.88, 43.1

 

CMYK 44 / 0 / 65 / 45

HEX #4F8C31

RGB 79 140 49

HSL 100.22, 0.48%, 0.37%

LAB 52.55, -36.84, 41.27

 

CMYK 61 / 0 / 65 / 45

HEX #378C31

RGB 55 140 49

HSL 116.04, 0.48%, 0.37%

LAB 51.6, -44.02, 39.94

 

CMYK 65 / 0 / 52 / 45

HEX #318C43

RGB 49 140 67

HSL 131.87, 0.48%, 0.37%

LAB 51.63, -43.07, 31.05

 

CMYK 65 / 0 / 35 / 45

HEX #318C5B

RGB 49 140 91

HSL 147.69, 0.48%, 0.37%

LAB 52.02, -38.71, 18.47

 

CMYK 62 / 0 / 65 / 69

HEX #1E4F1C

RGB 30 79 28

HSL 117.65, 0.48%, 0.21%

LAB 29.29, -28.22, 24.79

 

CMYK 61 / 0 / 65 / 57

HEX #2A6D26

RGB 42 109 38

HSL 116.62, 0.48%, 0.29%

LAB 40.52, -36.34, 32.62

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 61 / 0 / 65 / 33

HEX #42AA3C

RGB 66 170 60

HSL 116.73, 0.48%, 0.45%

LAB 61.86, -51.48, 46.5

 

CMYK 56 / 0 / 60 / 24

HEX #55C14E

RGB 85 193 78

HSL 116.35, 0.48%, 0.53%

LAB 69.91, -53.43, 47.72

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 65 / 9 / 0 / 45

HEX #31808C

RGB 49 128 140

HSL 187.91, 0.48%, 0.37%

LAB 49.48, -19.95, -13.62

 

CMYK 0 / 65 / 35 / 45

HEX #8C315B

RGB 140 49 91

HSL 332.31, 0.48%, 0.37%

LAB 35.06, 42.73, -4.59

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 65 / 61 / 0 / 45

HEX #31378C

RGB 49 55 140

HSL 236.04, 0.48%, 0.37%

LAB 27.51, 25.61, -48.16

 

CMYK 0 / 65 / 61 / 45

HEX #8C3137

RGB 140 49 55

HSL 356.04, 0.48%, 0.37%

LAB 34.08, 39.09, 17.18

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 65 / 9 / 0 / 45

HEX #31808C

RGB 49 128 140

HSL 187.91, 0.48%, 0.37%

LAB 49.48, -19.95, -13.62

 

CMYK 4 / 65 / 0 / 45

HEX #86318C

RGB 134 49 140

HSL 296.04, 0.48%, 0.37%

LAB 36.29, 48.75, -33.53

 

CMYK 0 / 56 / 65 / 45

HEX #8C3D31

RGB 140 61 49

HSL 7.91, 0.48%, 0.37%

LAB 36.24, 32.69, 23.69

 

CMYK 61 / 0 / 65 / 45

HEX #368C31

RGB 54 140 49

HSL 116.7, 0.48%, 0.37%

LAB 51.57, -44.27, 39.9

 

CMYK 65 / 29 / 0 / 45

HEX #31648C

RGB 49 100 140

HSL 206.37, 0.48%, 0.37%

LAB 40.67, -3.93, -27.17

 

CMYK 4 / 65 / 0 / 45

HEX #86318C

RGB 134 49 140

HSL 296.04, 0.48%, 0.37%

LAB 36.29, 48.75, -33.53

 

CMYK 0 / 37 / 65 / 45

HEX #8C5831

RGB 140 88 49

HSL 25.71, 0.48%, 0.37%

LAB 42.42, 17.52, 31.13

 

Description

Color code: HEX #368C31 | qconv.com Color code: HEX #368C31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 140 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 140 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 65 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 65% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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