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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #367FCB it is the complementary color #C98034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #367FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #367FCB shade: #3B7FC6, #4C91D9, #5DA3EC, #6EB5FF and #7FC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #367FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #367FCB shade: #367FCB, #256DB8, #145BA5, #034992 and #00377F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #367FCB shade: #347ECB, #3455CB, #3C34CB, #6434CB and #8D34CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #367FCB shade: #347ECB, #3455CB and #3434CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #367FCB shade matches the following richer shades: #347ECB, #207EDF and #0B7DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #367FCB shade: #347ECB, #497EB6, #5E7FA1, #727F8D and #878078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #367FCB shade: #34CBC6, #34A8CB, #3480CB, #3457CB and #3934CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #367FCB shade: #235589, #2C6AAA, #347ECB, #5593D3 and #76A8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #367FCB shade: #367FCB, #9E34CB and #BCCB34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #367FCB shade: #367FCB, #CB3480 and #80CB34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #367FCB shade: #367FCB, #9E34CB, #CB8034 and #61CB34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #367FCB shade: #367FCB, #CB34CB, #CB8034 and #34CB34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 37 / 0 / 20

HEX #367FCB

RGB 54 127 203

HSL 210.6, 0.59%, 0.5%

LAB 52.15, 3.11, -45.89

 

Complementary color

CMYK 0 / 36 / 74 / 21

HEX #C98034

RGB 201 128 52

HSL 30.6, 0.59%, 0.5%

LAB 59.98, 21.86, 51.02

 

CMYK 70 / 36 / 0 / 22

HEX #3B7FC6

RGB 59 127 198

HSL 210.65, 0.55%, 0.5%

LAB 52.05, 2.02, -43.2

 

CMYK 65 / 33 / 0 / 15

HEX #4C91D9

RGB 76 145 217

HSL 210.64, 0.65%, 0.57%

LAB 58.79, 0.68, -43.23

 

CMYK 61 / 31 / 0 / 7

HEX #5DA3EC

RGB 93 163 236

HSL 210.63, 0.79%, 0.65%

LAB 65.42, -0.4, -43.27

 

CMYK 57 / 29 / 0 / 0

HEX #6EB5FF

RGB 110 181 255

HSL 210.62, 1%, 0.72%

LAB 71.95, -1.28, -43.33

 

CMYK 50 / 22 / 0 / 0

HEX #7FC7FF

RGB 127 199 255

HSL 206.25, 1%, 0.75%

LAB 77.63, -7.54, -34.44

 

CMYK 73 / 37 / 0 / 20

HEX #367FCB

RGB 54 127 203

HSL 210.6, 0.59%, 0.5%

LAB 52.15, 3.11, -45.89

 

CMYK 80 / 41 / 0 / 28

HEX #256DB8

RGB 37 109 184

HSL 210.61, 0.67%, 0.43%

LAB 45.35, 5.07, -45.83

 

CMYK 88 / 45 / 0 / 35

HEX #145BA5

RGB 20 91 165

HSL 210.62, 0.78%, 0.36%

LAB 38.46, 7.6, -45.7

 

CMYK 98 / 50 / 0 / 43

HEX #034992

RGB 3 73 146

HSL 210.63, 0.96%, 0.29%

LAB 31.49, 10.81, -45.49

 

CMYK 100 / 57 / 0 / 50

HEX #00377F

RGB 0 55 127

HSL 214.02, 1%, 0.25%

LAB 24.53, 15.09, -44.99

 

CMYK 74 / 38 / 0 / 20

HEX #347ECB

RGB 52 126 203

HSL 210.6, 0.59%, 0.5%

LAB 51.8, 3.46, -46.45

 

CMYK 74 / 58 / 0 / 20

HEX #3455CB

RGB 52 85 203

HSL 226.89, 0.59%, 0.5%

LAB 40.47, 29.42, -64.68

 

CMYK 70 / 74 / 0 / 20

HEX #3C34CB

RGB 60 52 203

HSL 243.18, 0.59%, 0.5%

LAB 33.41, 50.27, -76.24

 

CMYK 51 / 74 / 0 / 20

HEX #6434CB

RGB 100 52 203

HSL 259.07, 0.59%, 0.5%

LAB 36.89, 55.2, -70.4

 

CMYK 31 / 74 / 0 / 20

HEX #8D34CB

RGB 141 52 203

HSL 275.36, 0.59%, 0.5%

LAB 41.89, 62.01, -62.02

 

CMYK 74 / 38 / 0 / 20

HEX #347ECB

RGB 52 126 203

HSL 210.6, 0.59%, 0.5%

LAB 51.8, 3.46, -46.45

 

CMYK 74 / 58 / 0 / 20

HEX #3455CB

RGB 52 85 203

HSL 226.89, 0.59%, 0.5%

LAB 40.47, 29.42, -64.68

 

CMYK 74 / 74 / 0 / 20

HEX #3434CB

RGB 52 52 203

HSL 240, 0.59%, 0.5%

LAB 32.91, 49.55, -77.08

 

CMYK 74 / 38 / 0 / 20

HEX #347ECB

RGB 52 126 203

HSL 210.6, 0.59%, 0.5%

LAB 51.8, 3.46, -46.45

 

CMYK 86 / 43 / 0 / 13

HEX #207EDF

RGB 32 126 223

HSL 210.47, 0.75%, 0.5%

LAB 52.46, 8.97, -56.73

 

CMYK 95 / 49 / 0 / 4

HEX #0B7DF4

RGB 11 125 244

HSL 210.64, 0.91%, 0.5%

LAB 53.24, 16.69, -67.22

 

CMYK 74 / 38 / 0 / 20

HEX #347ECB

RGB 52 126 203

HSL 210.6, 0.59%, 0.5%

LAB 51.8, 3.46, -46.45

 

CMYK 60 / 31 / 0 / 29

HEX #497EB6

RGB 73 126 182

HSL 210.83, 0.43%, 0.5%

LAB 51.51, -0.45, -34.83

 

CMYK 42 / 21 / 0 / 37

HEX #5E7FA1

RGB 94 127 161

HSL 210.45, 0.26%, 0.5%

LAB 51.99, -2.55, -21.87

 

CMYK 19 / 10 / 0 / 45

HEX #727F8D

RGB 114 127 141

HSL 211.11, 0.11%, 0.5%

LAB 52.6, -1.61, -9.17

 

CMYK 0 / 5 / 11 / 47

HEX #878078

RGB 135 128 120

HSL 32, 0.06%, 0.5%

LAB 53.97, 1.17, 5.28

 

CMYK 74 / 0 / 2 / 20

HEX #34CBC6

RGB 52 203 198

HSL 178.01, 0.59%, 0.5%

LAB 74.52, -38.88, -8.68

 

CMYK 74 / 17 / 0 / 20

HEX #34A8CB

RGB 52 168 203

HSL 193.91, 0.59%, 0.5%

LAB 64.2, -20.29, -27.05

 

CMYK 74 / 37 / 0 / 20

HEX #3480CB

RGB 52 128 203

HSL 209.8, 0.59%, 0.5%

LAB 52.38, 2.25, -45.53

 

CMYK 74 / 57 / 0 / 20

HEX #3457CB

RGB 52 87 203

HSL 226.09, 0.59%, 0.5%

LAB 40.99, 28.13, -63.84

 

CMYK 72 / 74 / 0 / 20

HEX #3934CB

RGB 57 52 203

HSL 241.99, 0.59%, 0.5%

LAB 33.22, 49.99, -76.57

 

CMYK 74 / 38 / 0 / 46

HEX #235589

RGB 35 85 137

HSL 210.59, 0.59%, 0.34%

LAB 35.32, 2, -33.81

 

CMYK 74 / 38 / 0 / 33

HEX #2C6AAA

RGB 44 106 170

HSL 210.48, 0.59%, 0.42%

LAB 43.87, 2.5, -39.99

 

CMYK 74 / 38 / 0 / 20

HEX #347ECB

RGB 52 126 203

HSL 210.6, 0.59%, 0.5%

LAB 51.8, 3.46, -46.45

 

CMYK 60 / 30 / 0 / 17

HEX #5593D3

RGB 85 147 211

HSL 210.48, 0.59%, 0.58%

LAB 59.44, -0.84, -38.83

 

CMYK 46 / 24 / 0 / 14

HEX #76A8DC

RGB 118 168 220

HSL 210.59, 0.59%, 0.66%

LAB 67.3, -2.74, -31.47

 

CMYK 73 / 37 / 0 / 20

HEX #367FCB

RGB 54 127 203

HSL 210.6, 0.59%, 0.5%

LAB 52.15, 3.11, -45.89

 

CMYK 22 / 74 / 0 / 20

HEX #9E34CB

RGB 158 52 203

HSL 282.12, 0.59%, 0.5%

LAB 44.29, 65.17, -58.03

 

CMYK 7 / 0 / 74 / 20

HEX #BCCB34

RGB 188 203 52

HSL 65.96, 0.59%, 0.5%

LAB 78.26, -23.3, 68.38

 

CMYK 73 / 37 / 0 / 20

HEX #367FCB

RGB 54 127 203

HSL 210.6, 0.59%, 0.5%

LAB 52.15, 3.11, -45.89

 

CMYK 0 / 74 / 37 / 20

HEX #CB3480

RGB 203 52 128

HSL 329.8, 0.59%, 0.5%

LAB 47.89, 64.09, -7.34

 

CMYK 37 / 0 / 74 / 20

HEX #80CB34

RGB 128 203 52

HSL 89.8, 0.59%, 0.5%

LAB 74.54, -46.54, 63.52

 

CMYK 73 / 37 / 0 / 20

HEX #367FCB

RGB 54 127 203

HSL 210.6, 0.59%, 0.5%

LAB 52.15, 3.11, -45.89

 

CMYK 22 / 74 / 0 / 20

HEX #9E34CB

RGB 158 52 203

HSL 282.12, 0.59%, 0.5%

LAB 44.29, 65.17, -58.03

 

CMYK 0 / 37 / 74 / 20

HEX #CB8034

RGB 203 128 52

HSL 30.2, 0.59%, 0.5%

LAB 60.23, 22.72, 51.36

 

CMYK 52 / 0 / 74 / 20

HEX #61CB34

RGB 97 203 52

HSL 102.12, 0.59%, 0.5%

LAB 73.22, -56.27, 61.79

 

CMYK 73 / 37 / 0 / 20

HEX #367FCB

RGB 54 127 203

HSL 210.6, 0.59%, 0.5%

LAB 52.15, 3.11, -45.89

 

CMYK 0 / 74 / 0 / 20

HEX #CB34CB

RGB 203 52 203

HSL 300, 0.59%, 0.5%

LAB 51.23, 74.11, -46.52

 

CMYK 0 / 37 / 74 / 20

HEX #CB8034

RGB 203 128 52

HSL 30.2, 0.59%, 0.5%

LAB 60.23, 22.72, 51.36

 

CMYK 74 / 0 / 74 / 20

HEX #34CB34

RGB 52 203 52

HSL 120, 0.59%, 0.5%

LAB 72.02, -66.06, 60.19

 

Description

Color code: HEX #367FCB | qconv.com Color code: HEX #367FCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 127 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 127 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 37 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 37% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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