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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #367AD5 it is the complementary color #C9852A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #367AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #367AD5 shade: #3B7AD0, #4C8CE3, #5D9EF6, #6EB0FF and #7FC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #367AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #367AD5 shade: #367AD5, #2568C2, #1456AF, #03449C and #003289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #367AD5 shade: #3579D4, #354ED4, #4735D4, #7235D4 and #9D35D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #367AD5 shade: #3579D4, #354ED4 and #3535D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #367AD5 shade matches the following richer shades: #3579D4, #2176E8 and #0D73FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #367AD5 shade: #3579D4, #497CC0, #5D7FAD, #708299 and #848585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #367AD5 shade: #35CFD4, #35A4D4, #357AD4, #3550D4 and #4535D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #367AD5 shade: #205397, #2765B9, #3579D4, #5790DB and #79A6E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #367AD5 shade: #367AD5, #AF35D4 and #BAD435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #367AD5 shade: #367AD5, #D4357A and #7AD435

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #367AD5 shade: #367AD5, #AF35D4, #D48F35 and #5AD435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #367AD5 shade: #367AD5, #D435CA, #D48F35 and #35D440

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 43 / 0 / 16

HEX #367AD5

RGB 54 122 213

HSL 214.34, 0.65%, 0.52%

LAB 51.28, 9.83, -52.96

 

Complementary color

CMYK 0 / 34 / 79 / 21

HEX #C9852A

RGB 201 133 42

HSL 34.34, 0.65%, 0.48%

LAB 61.1, 18.72, 56.3

 

CMYK 72 / 41 / 0 / 18

HEX #3B7AD0

RGB 59 122 208

HSL 214.63, 0.61%, 0.52%

LAB 51.16, 8.67, -50.3

 

CMYK 67 / 38 / 0 / 11

HEX #4C8CE3

RGB 76 140 227

HSL 214.57, 0.73%, 0.59%

LAB 57.88, 7.04, -50.24

 

CMYK 62 / 36 / 0 / 4

HEX #5D9EF6

RGB 93 158 246

HSL 214.51, 0.89%, 0.66%

LAB 64.51, 5.72, -50.18

 

CMYK 57 / 31 / 0 / 0

HEX #6EB0FF

RGB 110 176 255

HSL 212.69, 1%, 0.72%

LAB 70.58, 1.5, -45.46

 

CMYK 50 / 24 / 0 / 0

HEX #7FC2FF

RGB 127 194 255

HSL 208.59, 1%, 0.75%

LAB 76.26, -4.85, -36.55

 

CMYK 75 / 43 / 0 / 16

HEX #367AD5

RGB 54 122 213

HSL 214.34, 0.65%, 0.52%

LAB 51.28, 9.83, -52.96

 

CMYK 81 / 46 / 0 / 24

HEX #2568C2

RGB 37 104 194

HSL 214.39, 0.68%, 0.45%

LAB 44.5, 12.09, -52.98

 

CMYK 89 / 51 / 0 / 31

HEX #1456AF

RGB 20 86 175

HSL 214.45, 0.79%, 0.38%

LAB 37.66, 14.95, -52.92

 

CMYK 98 / 56 / 0 / 39

HEX #03449C

RGB 3 68 156

HSL 214.51, 0.96%, 0.31%

LAB 30.77, 18.49, -52.74

 

CMYK 100 / 64 / 0 / 46

HEX #003289

RGB 0 50 137

HSL 218.1, 1%, 0.27%

LAB 23.96, 22.97, -52.18

 

CMYK 75 / 43 / 0 / 17

HEX #3579D4

RGB 53 121 212

HSL 214.34, 0.65%, 0.52%

LAB 50.9, 9.95, -52.99

 

CMYK 75 / 63 / 0 / 17

HEX #354ED4

RGB 53 78 212

HSL 230.57, 0.65%, 0.52%

LAB 39.51, 37.24, -71.44

 

CMYK 67 / 75 / 0 / 17

HEX #4735D4

RGB 71 53 212

HSL 246.79, 0.65%, 0.52%

LAB 35.28, 53.63, -78.35

 

CMYK 46 / 75 / 0 / 17

HEX #7235D4

RGB 114 53 212

HSL 263.02, 0.65%, 0.52%

LAB 39.37, 59.2, -71.48

 

CMYK 26 / 75 / 0 / 17

HEX #9D35D4

RGB 157 53 212

HSL 279.25, 0.65%, 0.52%

LAB 44.9, 66.45, -62.24

 

CMYK 75 / 43 / 0 / 17

HEX #3579D4

RGB 53 121 212

HSL 214.34, 0.65%, 0.52%

LAB 50.9, 9.95, -52.99

 

CMYK 75 / 63 / 0 / 17

HEX #354ED4

RGB 53 78 212

HSL 230.57, 0.65%, 0.52%

LAB 39.51, 37.24, -71.44

 

CMYK 75 / 75 / 0 / 17

HEX #3535D4

RGB 53 53 212

HSL 240, 0.65%, 0.52%

LAB 34.1, 51.98, -80.34

 

CMYK 75 / 43 / 0 / 17

HEX #3579D4

RGB 53 121 212

HSL 214.34, 0.65%, 0.52%

LAB 50.9, 9.95, -52.99

 

CMYK 86 / 49 / 0 / 9

HEX #2176E8

RGB 33 118 232

HSL 214.37, 0.81%, 0.52%

LAB 50.81, 17.48, -64.44

 

CMYK 95 / 54 / 0 / 1

HEX #0D73FC

RGB 13 115 252

HSL 214.39, 0.98%, 0.52%

LAB 51.12, 26.12, -75.1

 

CMYK 75 / 43 / 0 / 17

HEX #3579D4

RGB 53 121 212

HSL 214.34, 0.65%, 0.52%

LAB 50.9, 9.95, -52.99

 

CMYK 62 / 35 / 0 / 25

HEX #497CC0

RGB 73 124 192

HSL 214.29, 0.49%, 0.52%

LAB 51.42, 4.12, -40.71

 

CMYK 46 / 27 / 0 / 32

HEX #5D7FAD

RGB 93 127 173

HSL 214.5, 0.33%, 0.52%

LAB 52.42, 0.7, -28.15

 

CMYK 27 / 15 / 0 / 40

HEX #708299

RGB 112 130 153

HSL 213.66, 0.17%, 0.52%

LAB 53.72, -1.07, -14.48

 

CMYK 1 / 0 / 0 / 48

HEX #848585

RGB 132 133 133

HSL 180, 0%, 0.52%

LAB 55.46, -0.37, -0.14

 

CMYK 75 / 2 / 0 / 17

HEX #35CFD4

RGB 53 207 212

HSL 181.89, 0.65%, 0.52%

LAB 76.15, -36.57, -13.8

 

CMYK 75 / 23 / 0 / 17

HEX #35A4D4

RGB 53 164 212

HSL 198.11, 0.65%, 0.52%

LAB 63.39, -15.05, -33.29

 

CMYK 75 / 42 / 0 / 17

HEX #357AD4

RGB 53 122 212

HSL 213.96, 0.65%, 0.52%

LAB 51.19, 9.34, -52.54

 

CMYK 75 / 62 / 0 / 17

HEX #3550D4

RGB 53 80 212

HSL 229.81, 0.65%, 0.52%

LAB 39.99, 35.98, -70.65

 

CMYK 67 / 75 / 0 / 17

HEX #4535D4

RGB 69 53 212

HSL 246.04, 0.65%, 0.52%

LAB 35.13, 53.42, -78.6

 

CMYK 79 / 45 / 0 / 41

HEX #205397

RGB 32 83 151

HSL 214.29, 0.65%, 0.36%

LAB 35.46, 8.4, -42.11

 

CMYK 79 / 45 / 0 / 27

HEX #2765B9

RGB 39 101 185

HSL 214.52, 0.65%, 0.44%

LAB 43.12, 10.76, -49.96

 

CMYK 75 / 43 / 0 / 17

HEX #3579D4

RGB 53 121 212

HSL 214.34, 0.65%, 0.52%

LAB 50.9, 9.95, -52.99

 

CMYK 60 / 34 / 0 / 14

HEX #5790DB

RGB 87 144 219

HSL 214.09, 0.65%, 0.6%

LAB 59.05, 3.91, -43.9

 

CMYK 47 / 27 / 0 / 11

HEX #79A6E3

RGB 121 166 227

HSL 214.53, 0.65%, 0.68%

LAB 67.19, 1.12, -35.47

 

CMYK 75 / 43 / 0 / 16

HEX #367AD5

RGB 54 122 213

HSL 214.34, 0.65%, 0.52%

LAB 51.28, 9.83, -52.96

 

CMYK 17 / 75 / 0 / 17

HEX #AF35D4

RGB 175 53 212

HSL 286.04, 0.65%, 0.52%

LAB 47.51, 69.8, -57.88

 

CMYK 12 / 0 / 75 / 17

HEX #BAD435

RGB 186 212 53

HSL 69.81, 0.65%, 0.52%

LAB 80.62, -28.39, 70.22

 

CMYK 75 / 43 / 0 / 16

HEX #367AD5

RGB 54 122 213

HSL 214.34, 0.65%, 0.52%

LAB 51.28, 9.83, -52.96

 

CMYK 0 / 75 / 42 / 17

HEX #D4357A

RGB 212 53 122

HSL 333.96, 0.65%, 0.52%

LAB 49.43, 65.57, -1.24

 

CMYK 42 / 0 / 75 / 17

HEX #7AD435

RGB 122 212 53

HSL 93.96, 0.65%, 0.52%

LAB 76.97, -52.13, 65.46

 

CMYK 75 / 43 / 0 / 16

HEX #367AD5

RGB 54 122 213

HSL 214.34, 0.65%, 0.52%

LAB 51.28, 9.83, -52.96

 

CMYK 17 / 75 / 0 / 17

HEX #AF35D4

RGB 175 53 212

HSL 286.04, 0.65%, 0.52%

LAB 47.51, 69.8, -57.88

 

CMYK 0 / 33 / 75 / 17

HEX #D48F35

RGB 212 143 53

HSL 33.96, 0.65%, 0.52%

LAB 64.88, 18.47, 55.93

 

CMYK 58 / 0 / 75 / 17

HEX #5AD435

RGB 90 212 53

HSL 106.04, 0.65%, 0.52%

LAB 75.77, -61.29, 63.88

 

CMYK 75 / 43 / 0 / 16

HEX #367AD5

RGB 54 122 213

HSL 214.34, 0.65%, 0.52%

LAB 51.28, 9.83, -52.96

 

CMYK 0 / 75 / 5 / 17

HEX #D435CA

RGB 212 53 202

HSL 303.77, 0.65%, 0.52%

LAB 52.74, 75.53, -43.46

 

CMYK 0 / 33 / 75 / 17

HEX #D48F35

RGB 212 143 53

HSL 33.96, 0.65%, 0.52%

LAB 64.88, 18.47, 55.93

 

CMYK 75 / 0 / 70 / 17

HEX #35D440

RGB 53 212 64

HSL 124.15, 0.65%, 0.52%

LAB 74.96, -67.75, 58.88

 

Description

Color code: HEX #367AD5 | qconv.com Color code: HEX #367AD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 122 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 122 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 43 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 43% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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